Digital-Lifestyles pre-empted and reported thousands of articles on the then-coming impact that technology was to have on all forms of Media. Launched in 2001 as a research blog to aid its founder, Simon Perry, present at IBC 2002, it grew into a wide ranging, multi-author publication that was quoted in many publications globally including the BBC, was described by the Guardian as 'Informative' and also cited in a myriad of tech publications before closing in 2009

  • Nikon D40x Announced

    To the sound of the gnashing of teeth and wringing of hands of recent D40 purchasers, Nikon has announced an upgraded version of the camera, the Nikon D40x.

    Essentially identical to the D40, the D40x comes with a much beefier ten megapixel CCD (up from 6 megapixel) and an improved ISO rating going down to ISO 100 (the D40 could only manage an ISO 200 base sensitivity).

    Nikon D40x AnnouncedNikon claim that the battery life has been extended to allow up to 520 images per charge (better than the 470 images for the D40) and can rattle off more photos in continuous shooting mode (3 frames per second compared to 2.5 fps for the D40).

    As with its predecessor, the D40x provides a capable and highly affordable route into the highly rated Nikon SLR system, and comes with a super fast power up time (0.18 seconds), Nikon’s 3D Colour Matrix Metering II, an improved Image Processing Engine, a bright viewfinder and a large 2.5″ LCD screen.

    There’s eight ‘Digital Vari-Program modes’ on offer to help beginners get to grip with the camera’s capabilities, with the option to engage manual control and boldly go into aperture and shutter speed settings.

    Nikon D40x AnnouncedIn-camera editing tools let snappers adjust compensation, correct red-eye or use monochrome effects to get that Ye Olde Black-and-white or Sepia tone effect.

    With Clint Eastwood-esque squinting eyes, the D40x has clearly got the Canon EOS 400D (Digital Rebel XTi) in its sights, and with a highly competitive price of $799 (including the 18-55 mm kit lens), it’ll be interesting to see how Canon reacts.

    The D40x will be launched worldwide at the end of March 2007

    Nikon D40x AnnouncedSpecifications:
    Price US: $ 729 (body only), with 18-55 mm lens US: $ 799
    Body colour Black or Silver
    Sensor 23.7 x 15.6 mm CCD sensor, Nikon DX format (1.5x FOV crop), 10.2 million effective pixels
    Image sizes 3872 x 2592 (Large, 10.0 MP), 2896 x 1944 (Medium, 5.6 MP), 1936 x 1296 (Small, 2.5 MP)
    Image quality NEF (12-bit compressed RAW), JPEG fine, JPEG normal, JPEG basic, NEF (RAW) + JPEG basic
    Lens mount Nikon F mount (with AF coupling & AF contacts)
    Lens compatibility Type G or D AF Nikkor, AF-S, AF-I, Other Type G or D AF Nikkor, PC Micro-Nikkor 85mm f/2.8D, Other AF Nikkor*2/AI-P Nikkor
    Autofocus Three area TTL phase detection, Nikon Multi-CAM530 autofocus module, Only with AF-S or AF-I lenses, EV -1 to +19 (ISO 100 equivalent, at normal temperature)
    Lens servo Single-servo AF (AF-S), Continuous-servo AF (AF-C), Automatic AF-S/AF-C (AF-A), Manual focus (M)
    AF Area mode: Single Area AF, Dynamic Area AF, Closest Subject Priority Dynamic Area AF
    Focus tracking Predictive focus tracking automatically activated according to subject status in continuous-servo AF
    Nikon D40x AnnouncedFocus area One of three areas can be selected
    Focus lock Focus can be locked by pressing shutter-release button halfway (single-servo AF) or by pressing AE-L/AF-L button
    AF Assist White light lamp
    Exposure mode Digital Vari-program, Auto, Flash off, Portrait, Landscape, Child, Sports, Close up, Night portrait, Programmed auto (P) with flexible program, Shutter-priority auto (S), Aperture priority auto (A), Manual (M)
    Metering TTL full-aperture exposure metering system, 3D color matrix metering II, 420 segment RGB sensor, Center-weighted, spot
    Metering range: EV 0 to 20 (3D color matrix or center-weighted metering), EV 2 to 20 (spot metering) (ISO 100 equivalent, f/1.4 lens, 20 °C)
    Exposure compen. +/- 5.0 EV, 1/3 EV steps
    AE Lock Exposure locked at detected value with AE-L/AF-L button
    AE Bracketing None
    Sensitivity Auto, ISO 100-1600, ISO 3200 equiv. (HI 1)
    Shutter Combined mechanical and CCD electronic shutter, 30 to 1/4000 sec (1/3 EV steps), Flash X-Sync: up to 1/200 sec, Bulb
    White balance Auto (TTL white-balance with 420 pixels RGB sensor), Six manual modes with fine-tuning
    Image parameters: Preset modes: Normal, Softer, Vivid, More Vivid, Portrait, B&W
    Color mode: Ia (sRGB), II (Adobe RGB), IIIa (sRGB)
    Viewfinder Optical fixed eye-level, Penta-mirror type, Built-in diopter adjustment (-1.7 to +0.5 m-1)
    Viewfinder information: Focus indications, AE/FV lock indicator, Shutter speed, Aperture value, Exposure/Exposure compensation indicator, Exposure mode, Flash output level compensation, Exposure compensation, Number of remaining exposures, Flash-ready indicator
    LCD monitor 2.5″ TFT LCD, 230,000 pixel
    Built-in flash: Auto pop-up in Auto, Vari-program modes, Manual pop-up in P, S, A or M modes
    Guide number: approx. 17 at ISO 200
    Shooting modes Single frame shooting (S) mode, Continuous shooting (C) mode: approx. 3.0 frames per second (slower with NR)
    Continuous buffer: JPEG: Limited only by storage, RAW: Approx. 9 frames (shooting continues at a slower rate)
    Self-timer: 2, 5, 10 or 20 sec
    Storage: Secure Digital / Secure Digital HC, FAT / FAT32
    Video output: NTSC or PAL selectable
    Connectivity: USB 2.0 (Hi-Speed)
    Dimensions 126 x 94 x 64 mm (5.0 x 3.7 x 2.5 in)
    Weight: (no batt) 71 g (1.0 lb), (inc. batt) 522 g (1.2 lb)

    Source

  • US Mobile Game Revenue Soars

    US Mobile Game Revenue SoarsMobile games are starting to rake in big revenues in the States as perambulating punters warm to the idea of downloading games for their phones.

    According to research firm Telephia, earnings from the category of games known as “on-portal” took a hefty 61 percent leap skywards in the fourth quarter of 2006 in the US.

    Telephia say that over 17 million Americans downloaded a mobile game during the last three months of 2006, representing a beefy 45 percent jump from the 12 million recorded during the same time of 2005.

    The US now makes up nearly a third of the worldwide mobile gaming market, which shaped up at around 38 million downloads per month in 2005, according to stats firm iSuppli.

    Their figures predict that the number will hit around 134 million game downloads every month by the year 2010.

    US Mobile Game Revenue SoarsAlthough you might imagine that mobile gaming would be the near-exclusive preserve of socially challenged males aged 25 to 36, Telephia says that it’s the ladies who are the hottest to trot, with 65 percent of U.S. mobile game buyers being of the female persuasion.

    With the U.S. mobile game revenue registering a till-straining $566 million revenue in 2006, there’s clearly big profits on the horizon.

    iSuppli are predicting that the worldwide mobile gaming market will be worth $6.1 billion by 2010, up mightily from 2005’s total of $1.8 billion.

    Source

  • Worldwide Mobile Phone Sales Grow 21% in 2006

    Mobile phone sales to end users fell just short of one billion units in 2006, with last quarter sales apparently boosted by preparations for the Chinese New Year.

    The figures from Gartner reveal worldwide mobile phone sales cruising to 990.8 million units in 2006, up a hefty 21.3% from 2005’s 816.6 million units, but still a tad short of the one billion predicted.

    Worldwide Mobile Phone Sales Grow 21% in 2006The market seems to be consolidating around the big name manufacturers, with other vendors now only accounting for 14% of worldwide mobile phone sales in 2006 – down 5% from 2005.

    Nokia
    Cellular kings Nokia continue to be the big cheese, the head honcho, the main squeeze and the top of the mountain, hogging a lardy 36.2% market share with 103 million units shifted in the fourth quarter of 2006. This represents a rise of 1.2 percentage points over the same period in 2005.

    For the whole of 2006, Nokia shifted nigh-on 345 million mobile phones, grabbing a market share of 34.8%.

    “Despite attracting criticism for lack of ‘slim’ products and a weak mid- range offering, Nokia was not only able to hold its No.1 position, but grow market share. Strong low-cost product offerings in the emerging markets, as well as feature rich products in the mature market, proved to be the right combination for Nokia in 2006,” commented Carolina Milanesi, principal analyst for mobile terminals research at Gartner UK.

    Motorola
    Puffing some way behind up the cellular hill is Motorola, who flogged a ferret’s finger over 61 million mobile phones in the fourth quarter to scoop up a market share of 21.5%.

    Worldwide Mobile Phone Sales Grow 21% in 2006Motorola’s total sales for 2006 hit 209 million units, which translates into a 21.1 percent market share.

    Samsung
    Slipping quietly into third place is Samsung, boasting fourth quarter sales of 32 million mobile phones to snaffle an 11.3% market share.

    Overall sales in 2006 were slightly more than 116 million units, a 12% increase from 2005.

    Sony Ericsson
    Close enough to let Samsung feel the lick of their competitive tongues is Sony Ericsson, who produced a strong last quarter of 2006, notching up 25.7 million mobile phones across the world, earning them a market share of 9%.

    Sony Ericsson’s overall sales for 2006 hit 73.6 million units, with their market share growing by 1.1 percentage points to 7.4%.

    LG
    In fifth place is the flagging LG, whose 17.8 million last quarter mobile phone sales saw their market share slump to 6.3 percent, down from 7.2% in the same period in 2005.

    Sagem
    Elbowing BenQ out from the leading six pack, Sagem registered 4.36 million units and a 1.5% market share

    Worldwide sales
    Fourth quarter sales in Asia-Pacific continued to soar, reaching 87.7 million units, a 56% rise from the same time in 2005.

    Total unit sales for 2006 sales totalled 301 million units, up 47% from 2005’s total, with slim phones being the big sellers.

    The Eastern Europe, Middle East and Africa sector saw 52.4 million new mobile phones shifted during the fourth quarter of 2006, 13% higher than 2005.

    In Japan, 13 million units zipped across the sales counters, adding up to an increase of 10.9% from the fourth quarter of 2005

    Latin America saw year-over-year sales up 13.5%, while North America scored a record 44.8 million units sold to end users in the fourth quarter of 2006.

    Even more phones were sold in Western Europe, with sales in the fourth quarter of 2006 hitting 51.8 million phones.

    “We look forward to another exciting year in the mobile phone industry with more technologies becoming available and new players from other industries entering and adding some spice to an already very highly competitive market. We expect growth to slow down and overall mobile phone sales to be up to 1.2 billion worldwide,” concluded Milanesi.

    Via

  • Ricoh Caplio R6 Digicam Announced

    We felt the love for their Caplio R4 digicam and were a little cooler on the Caplio R5 follow up, so we’ll look forward to getting our hands on Ricoh’s new Caplio R6 digital camera, announced before the PMA show.

    Ricoh Caplio R6 Digicam AnnouncedAs ever, the camera sports a beast of a 7.1x optical wide zoom lens (28–200 mm in 35 mm camera format) in a slim body measuring a pocketable 20.6 mm at its thinnest point.

    As with its predecessors, the 7.2 megapixel Caplio R6 comes with CCD-shift vibration correction and bolts on the current must-have feature, face recognition (we have to say we remain a little underwhelmed by this much touted technology).

    We like the sound of a new quick review feature however that lets you instantly enlarge an image 16 times to check everything’s snippety snappity in the sharp focus department.

    The Ricoh Caplio R6 comes with a handy 54MB of internal memory, letting you take 34 shots at 7M size (normal mode). If you’ve ever had a memory card go kibosh on you when you’re out in the field (we have), this could prove a very useful fallback.

    Ricoh Caplio R6 Digicam AnnouncedThe camera comes with high-resolution, high viewing angle 2.7-inch LCD (up slightly on the R5 LCD), with Ricoh claiming a long 330 shot battery life.

    The interface has also been improved, letting punters select individual images for deletion, backed by a handy File Recovery feature letting you restore images accidentally erased.

    Macro fans should moisten at the close-up shooting mode, letting you get as close to 1 cm with wide macro and as close as 25 cm with telemacro.

    The Ricoh Caplio R6 will be lining up on the shelves of your favourite retailer in March 2007 and will be available in Silver, Black and Red.

    PMA Show

  • Olympus E-410 And E-510 dSLRs Announced

    Olympus E-410 And E-510 dSLRs AnnouncedOlympus has announced details of two additions to their dSLR range in the run up to the Photo Marketing Association (PMA) trade show in Las Vegas which starts on the 7th March.

    Olympus E-410

    An upgraded and improved version of the E-400 digital SLR, the ultra compact dSLR comes with a ten megapixel Live MOS sensor which offers the company’s innovative Live View featutre.

    This means that as well as using the optical viewfinder, snappers can preview scenes on the large 2.5″/6.4cm HyperCrystal LCD – just like a compact digicam. We wish all cameras had this feature as it opens up lots of creative options when shooting.

    Olympus E-410 And E-510 dSLRs AnnouncedOlympus have also increased the camera’s high sensitivity performance thaks to a new TruePic III processor, backed by improved buffering of continuous frames offering shooting at 3fps with up to seven images in RAW buffer

    The camera comes with dual memory card slots – annoyingly, neither are which are the hugely popular SD format (xD-Picture Card and CompactFlash) – and comes in a pleasingly small 5.1″ x 3.6″ x 2.1″ package.

    The E-410 serves up 32 shooting modes (incl. 5 exposure, 7 creative & 20 scene modes) and is compatible with the Four Thirds System.

    Olympus E-410 And E-510 dSLRs AnnouncedOlympus E-510
    An upgrade to the E-500 digital SLR, the new E-510 also comes with a ten megapixel Live MOS sensor offering Live View, but adds in-body, sensor shift based Image Stabilisation.

    Packaged in a new, attractively styled, traditionally body, the Four-Thirds E-510 has pleasingly small dimensions and is aimed at both the serious amateur and semi-professional.

    The E-510 offers the same 3fps shooting rate (up to seven images in RAW buffer) with 28 shooting modes available (incl. 5 exposure, 5 creative & 18 scene modes), supported by Olympus’s Supersonic Wave Filter for shaking off those pesky bits of sensor dust.

    Olympus E-410 And E-510 dSLRs AnnouncedAlthough not quite as small as it’s younger brother, the camera still measures up at a pleasingly bijou 5.4″ x 3.6″ x 2.7″, making it a great choice for travellers.

    We’ll be nagging Olympus to see if we can get our hands on a review model soon.

    [Via]

  • Firefox And Safari Browser Market Share Rises

    Firefox And Safari Browser Market Share RisesLike hungry puppies with sharp teeth, Mozilla’s Firefox and Apple’s Safari Web browsers continue to chew and gnaw away at the juicy legs of Microsoft’s Internet Explorer (IE).

    According to new figures from Web metrics company, Net Applications, February saw both Firefox and Safari grab a bigger share of the browser market as IE’s share continues to shrink.

    Firefox – which comes in Windows, Mac OS X and Linux flavours – increased its share from 13.7 percent in January to 14.2 percent, while the Mac OSX Safari browser had a small but noticeable shimmy upwards, from to 4.7 percent from 4.85 percent.

    Despite dropping in the rankings, Microsoft’s Internet Explorer still retains the Billy Bunter share of the browser market, devouring 79.1 percent (down from last month’s 79.8 percent.)

    Firefox And Safari Browser Market Share Rises“After a minor hiccup in January, Firefox seems to be back on the offensive in February,” said the fabulously named Vincent Vizzaccaro, Net Applications’ executive vice president of marketing and strategic relationships.

    “January showed a brief halt to Firefox’s assault on Microsoft Internet Explorer’s market share. Could that have come from new Vista machines?” asked Mr VV.

    Before any hands could be raised in answer, the double V man delivered his verdict, “Possibly, but it appears that browser users have gone back to switching to Firefox, Safari and Opera.”

    The well liked Opera browser also saw its market share rise a smidgeon, but it’s still deep in the niche territory, registering just 0.79 percent in February, up from 0.73 percent from last month.

    Net Applications

  • BBC and YouTube Partner

    Another day, another content deal as the UK National broadcaster, the BBC, sign a deal with YouTube/Google to make a selection of their content available on YouTube on an non-exclusive basis.

    BBC and YouTube PartnerTwo deals have been done, one with the BBC, the other BBC Worldwide, the commercial arm of the BBC. Financial terms of the deal aren’t being discussed at all.

    There will be three YouTube ‘channels’ under the deal. Two of them are live already, BBC and BBCWorldwide, with BBCWorld to follow ‘shortly.’

    BBC is very much in the YouTube model, full of rough camcorder diary pieces, and behind the scenes shots giving an ‘insight’ into the workings of the BBC. Currently there are 31 pieces going back one month.

    BBCWorldwide is labelled as “The best of British TV” and currently has 78 video pieces on it and contains a ton on Top Gear, Attenborough and a smattering of comedy shows like The Mighty Boosh and Catherine Tate. Will also “include a limited amount of advertising.”

    BBCWorld isn’t up and running yet, but when it is, will only be available to YouTube viewers outside the UK. It will be advertising-funded.

    Mark Thompson, Director-General of the BBC, likes the project, “The partnership provides both a creative outlet for a range of short-form content from BBC programme makers and the opportunity to learn about new forms of audience behaviour.

    What’s it like?
    Surprisingly for the BBC the quality of the video isn’t what it could be. Quite a change from the days when quality was everything.

    Interestingly, fans of BBC content are barred from showing their fav ditties on any other sites as “Embedding disabled by request.” If the BBC has requested this, or YouTube isn’t clear. It’s more likely given they’ve paid the BBC for their content, and we imagine that they damn well want viewers visiting their site to see the videos.

    This is great for the BBC as they get to distribute their content widely (fitting their remit) while not having to spend any money on distribution of the content, in fact receiving payment for the privilege.

  • Sky Remote Record Via The Internet

    Sky Remote Record Via The InternalSky has gradually been increasing the number of ways to program your Sky+ and HD boxes to record. The latest, via the Internet, joins interactive via mobile phone and the rather convoluted mobile text message services.

    In those situations where Sky subscribers find they haven’t set their boxes to record the latest episode of Celebrity Trouser Press, and can’t live without seeing it, relief will now be at hand.

    By grabbing the closest (compatible) Web browser, Sky subscribers bring up the Sky site, login and take themselves to TV Listings. The next seven days of TV programming will be brought up, and, when Celebrity Trouser Press is found, by clicking on the title, the description of the programme and its options are brought up.

    Sky Remote Record Via The Internal

    All that is needed to program the box is a click on Remote Record, and a subsequent confirmation to send the request to the box nestled under the TV at home.

    Sky tell us that it can take up to 30 mins for the programming request to reach its destination, but it’s highly likely to be significantly quicker than that.

    Sky Remote Record Via The InternalStrangely they have decided to impose a limit of 10 recording request a day via the Internet – but, in our view, anyone who need to remotely programme their box more than that needs help anyway. Those afflicted can reach for their mobile to carry on programming until their thumbs bleed.

    Well that’s it. The remote programming circle is now complete. All ways to program your Sky+ box are now available … err, except the direct brain method. We await the call from Sky on that one.

    Sky Remote Record

  • IPTV Growth To Boost Video Market To $277Bn By 2010: iSupply

    IPTV Growth To Boost Video Market To $277Bn By 2010: iSupplyResearch house iSupply are predicting that IPTV will be boosting the reveneue generated by the premium video services market from its current level of less than $200Bn to a whopping $277Bn by 2010.

    Their definition of the premium video services market takes in pay-TV, mobile video, DVD, broadband video and theatre/box office receipts, but when advertising revenues are added, the total market reaches a stunning $370Bn.

    iSupply see IPTV growing at frankly amazing rates. In 2005 they saw IPTV worth $681m and, with their estimate of a Compound Annual Growth Rate (CAGR) of 103 percent (!), see it reaching a calculator-busting £23.5Bn in 2010.

    It appears that they see the public’s willingness to pay for content expanding significantly. Strange, but we and our other tech-aware pals are finding ourselves just not watching that much mainstream content – even if it is available on-demand.

    IPTV Growth To Boost Video Market To $277Bn By 2010: iSupplyThat aside, iSupply see the battle royal between two big, hairy beasts – the current pay-TV world of direct-to-home satellite and digital and analogue cable TV services – and the telcos who will be pushing quad-play.

    On the physical format side, iSupply point out that DVD sales are slowing, and will continue to do so, with the decline over the next 3-4 years being as much as 15 percent to 20 percent.

    One very interesting point that is raised by them is

    With most movie libraries and television series already on DVD, Hollywood studios are generating more than half of their revenues from DVDs—and are running out of new content to sell, making this an issue of paramount importance to them. One cause of the DVD sales deceleration is the fact that consumers have become more price-sensitive, believing that the average DVD cost of $20 is too expensive, especially compared to renting.

    It’s not clear where this leaves Blu-Ray and HD-DVD – both on the price of the media (which is expected to be higher than DVD) and on the material that is available. Given Hollywood’s slow ability to make new material, and that most of it will have been sold on DVD already – it’s not clear if the new formats will help them.

    Information on Premium Video Services Market report

  • Kendra Initiative Cross-Media Summit for Content Discovery

    The Kendra Initiative is hosting a Cross-Media Summit about Content Delivery next week, on Friday 9th March in London.

    The full day event, running at the Frontline Club, is billed as “The Strategy, Technology and Business Case for Content Description, Visibility, Search and Discovery.”

    The event is aiming to tackle one of Digital-Lifestyles hobby horses – In a sea of infinite content, how do you, as a willing content consumer, locate the content you want to use? As Peter Buckingham, Head Of Distribution and Exhibition, UK Film Council puts it, “The biggest threat is obscurity.”

    The approach of this free-to-attend event is from the content owners perspective, looking at what is the weakness of current metadata standards; if they can be adapted to work better; if not, what is the appetite for more metadata standards for cross-media description?

    Metadata standard are all very well, but often live within a bubble of non-implementation. The need for metadata-creation tools and how to persuade the industry to use them will also be covered.

    We spoke to Daniel Harris (mug shot above), founder of Kendra, “It’s all about making things work, making the open marketplace work together. We’re really pleased to see how many people are coming along to it, creating a universal meta data.”

    “As with all industries that involve connecting people, some people [involved in this] gain from there being a problem, but people are seeing that they can work outside their industry sector. This is a cross-industry problem that we’re trying to solve.”

    So far around fifty people have signed up including representatives from important players such as Patrick Attallah, CEO, ISAN (International Standard Audiovisual Number); Keith Hill, Head of R&D, MCPS-PRS Alliance; Mark Stuart, Principal Engineer, Pioneer Digital Design; Iain McNay, Board Member, AIM (Association of Independent Music) and Chairman, Cherry Red Records; Rich Lappenbusch, Director, Microsoft Entertainment and Board Member, DDEX (Digital Data Exchange).

    Being tech driven, those not able to physically attend will be able to hook in via Instant messaging and Skype.

    The event will be free and sponsored by Makeni.

    Kendra Initiative Cross-Media Summit for Content Discovery