March 2007

WordWeb 5 Freeware Dictionary and Thesaurus: Review (91%)
We rather liked the nifty WordWeb 4 Pro dictionary and thesaurus when we looked at it in September last year and it’s remained a firm favourite in the office ever since.
A fast and smart English-language thesaurus and dictionary for Windows, WordWeb can be used to look up words from almost any program, dishing up definitions, synonyms and related words like a resident egghead lurking in your system tray.
With an upgrade to version 5 announced last week, we thought we’d take a shufti to see how it shaped up.
What’s new?
After downloading the free 7.5meg version of WordWeb 5, the first thing we noticed was that the Ye Olde Windows 95-style system tray icon had been replaced by a natty new icon which looks a lot smarter.
Full Windows Vista support has been bolted on, with the authors claiming that the program now comes with “many thousands of new senses, synonyms and clarifications.”
What we immediately noticed – and liked – was the improvement in usability; now you just have to hold down your keyboard’s control key and right-click over a word to bring up a definition in WordWeb. There’s no need to even select the word first, making it very fast and very neat.
A large choice of synonyms and antonyms are offered for selected words, and you can easily replace a selected word with a synonym by hitting the ‘replace’ button.
Note that this features works in most word processing applications, web browsers and email clients, otherwise you’ll have to hit ‘copy’ and paste the word in yourself.
Online definitions
The main WordWeb database sits on your hard drive (so you don’t have to go online to look up words) but a new feature lets you speedily check web references on the Wikipedia, Wiktionary and WordWeb Online websites in the same program window.
There’s also a new Bookmark menu for bookmarking words (if that’s your thing), and a ‘Basic English’ option simplifies the results screen by presenting the most common definitions in bold.

Hyper-bowls are us
If you’re unsure how to pronounce a displayed word, clicking on the loudspeaker icon will play back an audio pronunciation guide.
Although it can sound a bit ‘Sparky the Magic Piano’ (it uses Windows’ less than stellar Speech Engine) it should be enough to avoid committing a crushing social faux like pronouncing ‘hyperbole’ as ‘hyper-bowl’ at a posh dinner party.
Like we did once. And it still smarts.
Conclusion
If you’re looking for a free, fully featured thesaurus and dictionary, you’ll be unlikely to find anything better than WordWeb 5 – it certainly knocks spots off what’s built into Word, for example.
The ability to instantly call up a definition by right clicking on any word onscreen considerably improves usability, and the new web tools are a nice touch.
We should point out that there is also an enhanced commercial version available, offering custom web references, 6,000 more definitions, custom glossaries, wildcard word search and other features, but can’t say much about it because the author steadfastly refused to send us a copy, despite several requests.
We can, however, tell you that it costs £14 and is quite probably excellent value.
WordWeb 5 Free
Score on the doors
Features: 85%
Interface: 80%
Ease of use: 86%
Overall: 91%
WordWeb
7 March, 2007
The Next Newspaper Web-olution
In the wake of US newspaper USA Today recently unveiling a new version of their site with more cutting edge ‘new media’ features than any other, I thought it might be a good time to have a look at the challenges posed to newspapers by the onslaught of new media, what they are be doing about it and what they should be doing about it.
The Challenge
Undeniably new media (that is, the general availability of the Internet and the new types of publishing it enables, such as blogs and podcasting) has had a significant negative impact on circulation of newspapers. There are roughly two schools of thought over why this has occurred. The cynics would argue that it is because the ‘old media’ no longer has the trust of the public, and instead people turn to indie publishers, such as bloggers and podcasters, to provide information on what is happening in the world around them. A more moderate viewpoint would be that the Internet has lowered the barrier to entry into the publishing industry to such an extent that anyone and everyone can publish content (the long tail effect), thus inevitably reducing market share of the big players. It would seem that this view is the more sensible.
If newspapers wish to stay relevant therefore, they are forced to innovate in the realm of new media. Their future circulation is at stake, and if they fail to successfully capture market on the web they miss out on potentially millions of pounds worth of advertising a year. Hence the effort the newspapers are putting into finding a way forward.
What are they doing about it?
The biggest, and perhaps most notable addition to the newspaper’s content production is audio visual content (AVC). AVC refers to anything from podcasts to video blogs to video news reports. These are of crucial importance because of the value they provide to the consumer’s experience above and beyond that found in the newspaper.
The recently relaunched Times Online seems to be taking this the most seriously with the launch of an entire AVC section. They are currently providing over 10 different podcast series, and video content from their Iraqi correspondent and a car review show. Whilst the Times Online is making an admirable effort, my personal favourite newspaper podcasting effort is that of the Comment is Free section of the Guardian Unlimited website. I particularly enjoy their Media Talk podcast, to which I devotedly listen every week.
Another noticeable theme is the rise of user generated content (UGC). This is when users add any of their own content to a site, whether by means of a blog comment, uploaded video or anything else. This is an important trend for newspapers to be adopting for two reasons. The first is that users have come to expect the ability to add their thoughts to a story; provision of comments enhances conversation, and thus interest in the story and ‘stickiness’ of the site as users return to read comments in response to their own. The second reason is that UGC is ideal for any business looking to monetise content through advertising because it provides virtually free content, next to which can be placed fee-paying ads.
Almost all the recent newspaper Website relaunches (such as that of the Times and the Telegraph) have the ability to add comments, as well as more the forward-looking Guardian Unlimited, which has had the feature for some time. However, by far the most adventurous in UGC is the recent relaunch of the USA Today site. USA Today is building a fairly robust social network around their content, which allows users to comment, have their own avatar, ‘recommend’ (effectively digg) stories as well as a profile page.
Taking it further
Over time it is clear that the journalist will have to become an expert in all types of media. They will have to be able to easily transition from writing a story for a newspaper to producing a podcast interview to setting up and tweaking an installation of WordPress. Whilst many journalists will be struggling to be as technically proficient as this requires, I believe the necessary skills will develop over time.
The temptation will be for newspapers’ websites to become more and more like a combination between Weblogs, Inc and Digg, with loose editorial control and use of wisdom of the crowds to determine top stories. It is crucial that this is resisted, because to move in this direction would mean that newspapers would lose their unique selling point of quality, carefully edited content.
The challenge, therefore, is for newspapers to continue to innovate without losing sight of why they are important sources of news. If they succeed, they will continue to flourish, otherwise perish.
7 March, 2007
FunkeeStory SMS Backup For Mac Treo Users
The Palm platform has traditionally enjoyed a lot of support from Mac users who can perhaps relate to the platform’s status as a great working product that isn’t as well known as it should be (or maybe it’s because it’s simply not Windows?!).
Anyhow, Mac based Treo users might well be interested in this lovely little app for backing up and storing text messages from a company called FunkeeMonk Technology.
Treo owners will already know that its threaded text message interface is the best in the business, but mustard keen SMS fiends often end up having to delete older conversations as the none-too voluminous memory of the Treo fills up.
The FunkeeStory application lets Mac users back up and archive SMS messages and conversations by installing a conduit and an attractive desktop viewing application.
The application retains the threaded chat views and also supports multimedia content, so photos, audio and video clips can be viewed on a Mac, or emailed out to friends.
All the messages are searchable and the program offers international language support.
Created by Mac fan Joe Goh, the program is available from the Funkeemonk website for $19.95 – FunkeeMonk Technology.
Windows backup options
We took a look around for something similar for Windows Treo users and came across the $10 Treo Desktop application which offers similar functionality but without a conduit.
Cheapskates on either platform can also use this free online converter sms2csv.php which does the job but is about as basic as it gets.
6 March, 2007
Archos 704-WiFi Portable Media Player Announced
Keen to maintain its position as the Dark Master Of All Things PMP, Archos have announced the latest addition to its Personal Media Player, the 704 Wi-Fi.
A big’n’beefy, take-no-prisoners kind of affair, the 704 Wi-Fi comes with a massive seven-inch screen, a capacious 80GB hard drive, a DVR dock for recording TV shows, remote control, Opera web browsing and – not surprisingly – a hefty price tag to boot.
The $549.99, 1.4-pound beastie comes in a natty brushed-aluminium finish, with the front dominated by an impressively high resolution 800×480 pixel touch screen display, with two wee stereo speakers underneath.
Button freaks may be found wanting as all the navigation controls are activated via the touchscreen, either by using your trusty digit, or employing one of the two included styli.
As befits its media player billing, this puppy can play a ton of video formats including MPEG-4, AVI, Divx and WMV video files, and MP3 and WMA audio files (with optional plug-ins for h.264, MPEG-2 MP@ML, and AAC support). There’s also support for PlaysForSure.
The Archos can also play back bought movies from Amazon Unbox, AOL, CinemaNow, and Wal-Mart, but – surprise surprise – iTunes’ Fairplay-protected files won’t work with the player.
Video playback battery life is claimed at ‘up to five hours’, which should be good enough for all but the most lengthy of art house films.
The combination of the large screen and bundled Opera tabbed web browser should make surfing the web a whole lot more fun than some handheld devices, although there’s no support for Flash (so YouTube’s off the menu for now).
Initial reviews say that the player can suffer from sluggish performance, with an irritating “one-to-two-second delay between an input and an action”, which may give hyperactive surfers the heebeegeebees.
Although it’s a pricey number, the Archos 704 Wi-Fi packs a ton of functionality into its slightly portly frame, and with its big screen could be the perfect partner of long journeys. But don’t try wedging it into your pocket.
Specifications: Archos 704 Wi-Fi
Capacity 40GB (80GB in US)
Display 7 inches (800 x 480 pixels, more than 16 million colours)
Audio Formats MP3, WAV, WMA, protected WMA (AAC and AC3 with optional plug-ins)
Photo Formats JPEG, BMP
Video Formats MPEG-4, WMV, protected WMV (H.264, MPEG-2, and VOB with optional plug-ins)
Wireless Wi-Fi 802.11g
Battery Life 5 hours claimed
PC Interface USB 2.0
Size 5.2 x 3 x 0.6 inches
Weight 1.4 pounds
Archos
6 March, 2007
Nikon D40x Announced
To the sound of the gnashing of teeth and wringing of hands of recent D40 purchasers, Nikon has announced an upgraded version of the camera, the Nikon D40x.
Essentially identical to the D40, the D40x comes with a much beefier ten megapixel CCD (up from 6 megapixel) and an improved ISO rating going down to ISO 100 (the D40 could only manage an ISO 200 base sensitivity).
Nikon claim that the battery life has been extended to allow up to 520 images per charge (better than the 470 images for the D40) and can rattle off more photos in continuous shooting mode (3 frames per second compared to 2.5 fps for the D40).
As with its predecessor, the D40x provides a capable and highly affordable route into the highly rated Nikon SLR system, and comes with a super fast power up time (0.18 seconds), Nikon’s 3D Colour Matrix Metering II, an improved Image Processing Engine, a bright viewfinder and a large 2.5″ LCD screen.
There’s eight ‘Digital Vari-Program modes’ on offer to help beginners get to grip with the camera’s capabilities, with the option to engage manual control and boldly go into aperture and shutter speed settings.
In-camera editing tools let snappers adjust compensation, correct red-eye or use monochrome effects to get that Ye Olde Black-and-white or Sepia tone effect.
With Clint Eastwood-esque squinting eyes, the D40x has clearly got the Canon EOS 400D (Digital Rebel XTi) in its sights, and with a highly competitive price of $799 (including the 18-55 mm kit lens), it’ll be interesting to see how Canon reacts.
The D40x will be launched worldwide at the end of March 2007
Specifications:
Price US: $ 729 (body only), with 18-55 mm lens US: $ 799
Body colour Black or Silver
Sensor 23.7 x 15.6 mm CCD sensor, Nikon DX format (1.5x FOV crop), 10.2 million effective pixels
Image sizes 3872 x 2592 (Large, 10.0 MP), 2896 x 1944 (Medium, 5.6 MP), 1936 x 1296 (Small, 2.5 MP)
Image quality NEF (12-bit compressed RAW), JPEG fine, JPEG normal, JPEG basic, NEF (RAW) + JPEG basic
Lens mount Nikon F mount (with AF coupling & AF contacts)
Lens compatibility Type G or D AF Nikkor, AF-S, AF-I, Other Type G or D AF Nikkor, PC Micro-Nikkor 85mm f/2.8D, Other AF Nikkor*2/AI-P Nikkor
Autofocus Three area TTL phase detection, Nikon Multi-CAM530 autofocus module, Only with AF-S or AF-I lenses, EV -1 to +19 (ISO 100 equivalent, at normal temperature)
Lens servo Single-servo AF (AF-S), Continuous-servo AF (AF-C), Automatic AF-S/AF-C (AF-A), Manual focus (M)
AF Area mode: Single Area AF, Dynamic Area AF, Closest Subject Priority Dynamic Area AF
Focus tracking Predictive focus tracking automatically activated according to subject status in continuous-servo AF
Focus area One of three areas can be selected
Focus lock Focus can be locked by pressing shutter-release button halfway (single-servo AF) or by pressing AE-L/AF-L button
AF Assist White light lamp
Exposure mode Digital Vari-program, Auto, Flash off, Portrait, Landscape, Child, Sports, Close up, Night portrait, Programmed auto (P) with flexible program, Shutter-priority auto (S), Aperture priority auto (A), Manual (M)
Metering TTL full-aperture exposure metering system, 3D color matrix metering II, 420 segment RGB sensor, Center-weighted, spot
Metering range: EV 0 to 20 (3D color matrix or center-weighted metering), EV 2 to 20 (spot metering) (ISO 100 equivalent, f/1.4 lens, 20 °C)
Exposure compen. +/- 5.0 EV, 1/3 EV steps
AE Lock Exposure locked at detected value with AE-L/AF-L button
AE Bracketing None
Sensitivity Auto, ISO 100-1600, ISO 3200 equiv. (HI 1)
Shutter Combined mechanical and CCD electronic shutter, 30 to 1/4000 sec (1/3 EV steps), Flash X-Sync: up to 1/200 sec, Bulb
White balance Auto (TTL white-balance with 420 pixels RGB sensor), Six manual modes with fine-tuning
Image parameters: Preset modes: Normal, Softer, Vivid, More Vivid, Portrait, B&W
Color mode: Ia (sRGB), II (Adobe RGB), IIIa (sRGB)
Viewfinder Optical fixed eye-level, Penta-mirror type, Built-in diopter adjustment (-1.7 to +0.5 m-1)
Viewfinder information: Focus indications, AE/FV lock indicator, Shutter speed, Aperture value, Exposure/Exposure compensation indicator, Exposure mode, Flash output level compensation, Exposure compensation, Number of remaining exposures, Flash-ready indicator
LCD monitor 2.5″ TFT LCD, 230,000 pixel
Built-in flash: Auto pop-up in Auto, Vari-program modes, Manual pop-up in P, S, A or M modes
Guide number: approx. 17 at ISO 200
Shooting modes Single frame shooting (S) mode, Continuous shooting (C) mode: approx. 3.0 frames per second (slower with NR)
Continuous buffer: JPEG: Limited only by storage, RAW: Approx. 9 frames (shooting continues at a slower rate)
Self-timer: 2, 5, 10 or 20 sec
Storage: Secure Digital / Secure Digital HC, FAT / FAT32
Video output: NTSC or PAL selectable
Connectivity: USB 2.0 (Hi-Speed)
Dimensions 126 x 94 x 64 mm (5.0 x 3.7 x 2.5 in)
Weight: (no batt) 71 g (1.0 lb), (inc. batt) 522 g (1.2 lb)
Source
6 March, 2007
US Mobile Game Revenue Soars
Mobile games are starting to rake in big revenues in the States as perambulating punters warm to the idea of downloading games for their phones.
According to research firm Telephia, earnings from the category of games known as “on-portal” took a hefty 61 percent leap skywards in the fourth quarter of 2006 in the US.
Telephia say that over 17 million Americans downloaded a mobile game during the last three months of 2006, representing a beefy 45 percent jump from the 12 million recorded during the same time of 2005.
The US now makes up nearly a third of the worldwide mobile gaming market, which shaped up at around 38 million downloads per month in 2005, according to stats firm iSuppli.
Their figures predict that the number will hit around 134 million game downloads every month by the year 2010.
Although you might imagine that mobile gaming would be the near-exclusive preserve of socially challenged males aged 25 to 36, Telephia says that it’s the ladies who are the hottest to trot, with 65 percent of U.S. mobile game buyers being of the female persuasion.
With the U.S. mobile game revenue registering a till-straining $566 million revenue in 2006, there’s clearly big profits on the horizon.
iSuppli are predicting that the worldwide mobile gaming market will be worth $6.1 billion by 2010, up mightily from 2005’s total of $1.8 billion.
Source
6 March, 2007
Worldwide Mobile Phone Sales Grow 21% in 2006
Mobile phone sales to end users fell just short of one billion units in 2006, with last quarter sales apparently boosted by preparations for the Chinese New Year.
The figures from Gartner reveal worldwide mobile phone sales cruising to 990.8 million units in 2006, up a hefty 21.3% from 2005’s 816.6 million units, but still a tad short of the one billion predicted.
The market seems to be consolidating around the big name manufacturers, with other vendors now only accounting for 14% of worldwide mobile phone sales in 2006 – down 5% from 2005.
Nokia
Cellular kings Nokia continue to be the big cheese, the head honcho, the main squeeze and the top of the mountain, hogging a lardy 36.2% market share with 103 million units shifted in the fourth quarter of 2006. This represents a rise of 1.2 percentage points over the same period in 2005.
For the whole of 2006, Nokia shifted nigh-on 345 million mobile phones, grabbing a market share of 34.8%.
“Despite attracting criticism for lack of ‘slim’ products and a weak mid- range offering, Nokia was not only able to hold its No.1 position, but grow market share. Strong low-cost product offerings in the emerging markets, as well as feature rich products in the mature market, proved to be the right combination for Nokia in 2006,” commented Carolina Milanesi, principal analyst for mobile terminals research at Gartner UK.
Motorola
Puffing some way behind up the cellular hill is Motorola, who flogged a ferret’s finger over 61 million mobile phones in the fourth quarter to scoop up a market share of 21.5%.
Motorola’s total sales for 2006 hit 209 million units, which translates into a 21.1 percent market share.
Samsung
Slipping quietly into third place is Samsung, boasting fourth quarter sales of 32 million mobile phones to snaffle an 11.3% market share.
Overall sales in 2006 were slightly more than 116 million units, a 12% increase from 2005.
Sony Ericsson
Close enough to let Samsung feel the lick of their competitive tongues is Sony Ericsson, who produced a strong last quarter of 2006, notching up 25.7 million mobile phones across the world, earning them a market share of 9%.
Sony Ericsson’s overall sales for 2006 hit 73.6 million units, with their market share growing by 1.1 percentage points to 7.4%.
LG
In fifth place is the flagging LG, whose 17.8 million last quarter mobile phone sales saw their market share slump to 6.3 percent, down from 7.2% in the same period in 2005.
Sagem
Elbowing BenQ out from the leading six pack, Sagem registered 4.36 million units and a 1.5% market share
Worldwide sales
Fourth quarter sales in Asia-Pacific continued to soar, reaching 87.7 million units, a 56% rise from the same time in 2005.
Total unit sales for 2006 sales totalled 301 million units, up 47% from 2005’s total, with slim phones being the big sellers.
The Eastern Europe, Middle East and Africa sector saw 52.4 million new mobile phones shifted during the fourth quarter of 2006, 13% higher than 2005.
In Japan, 13 million units zipped across the sales counters, adding up to an increase of 10.9% from the fourth quarter of 2005
Latin America saw year-over-year sales up 13.5%, while North America scored a record 44.8 million units sold to end users in the fourth quarter of 2006.
Even more phones were sold in Western Europe, with sales in the fourth quarter of 2006 hitting 51.8 million phones.
“We look forward to another exciting year in the mobile phone industry with more technologies becoming available and new players from other industries entering and adding some spice to an already very highly competitive market. We expect growth to slow down and overall mobile phone sales to be up to 1.2 billion worldwide,” concluded Milanesi.
Via
5 March, 2007
Ricoh Caplio R6 Digicam Announced
We felt the love for their Caplio R4 digicam and were a little cooler on the Caplio R5 follow up, so we’ll look forward to getting our hands on Ricoh’s new Caplio R6 digital camera, announced before the PMA show.
As ever, the camera sports a beast of a 7.1x optical wide zoom lens (28–200 mm in 35 mm camera format) in a slim body measuring a pocketable 20.6 mm at its thinnest point.
As with its predecessors, the 7.2 megapixel Caplio R6 comes with CCD-shift vibration correction and bolts on the current must-have feature, face recognition (we have to say we remain a little underwhelmed by this much touted technology).
We like the sound of a new quick review feature however that lets you instantly enlarge an image 16 times to check everything’s snippety snappity in the sharp focus department.
The Ricoh Caplio R6 comes with a handy 54MB of internal memory, letting you take 34 shots at 7M size (normal mode). If you’ve ever had a memory card go kibosh on you when you’re out in the field (we have), this could prove a very useful fallback.
The camera comes with high-resolution, high viewing angle 2.7-inch LCD (up slightly on the R5 LCD), with Ricoh claiming a long 330 shot battery life.
The interface has also been improved, letting punters select individual images for deletion, backed by a handy File Recovery feature letting you restore images accidentally erased.
Macro fans should moisten at the close-up shooting mode, letting you get as close to 1 cm with wide macro and as close as 25 cm with telemacro.
The Ricoh Caplio R6 will be lining up on the shelves of your favourite retailer in March 2007 and will be available in Silver, Black and Red.
PMA Show
5 March, 2007
Olympus E-410 And E-510 dSLRs Announced
Olympus has announced details of two additions to their dSLR range in the run up to the Photo Marketing Association (PMA) trade show in Las Vegas which starts on the 7th March.
Olympus E-410
An upgraded and improved version of the E-400 digital SLR, the ultra compact dSLR comes with a ten megapixel Live MOS sensor which offers the company’s innovative Live View featutre.
This means that as well as using the optical viewfinder, snappers can preview scenes on the large 2.5″/6.4cm HyperCrystal LCD – just like a compact digicam. We wish all cameras had this feature as it opens up lots of creative options when shooting.
Olympus have also increased the camera’s high sensitivity performance thaks to a new TruePic III processor, backed by improved buffering of continuous frames offering shooting at 3fps with up to seven images in RAW buffer
The camera comes with dual memory card slots – annoyingly, neither are which are the hugely popular SD format (xD-Picture Card and CompactFlash) – and comes in a pleasingly small 5.1″ x 3.6″ x 2.1″ package.
The E-410 serves up 32 shooting modes (incl. 5 exposure, 7 creative & 20 scene modes) and is compatible with the Four Thirds System.
Olympus E-510
An upgrade to the E-500 digital SLR, the new E-510 also comes with a ten megapixel Live MOS sensor offering Live View, but adds in-body, sensor shift based Image Stabilisation.
Packaged in a new, attractively styled, traditionally body, the Four-Thirds E-510 has pleasingly small dimensions and is aimed at both the serious amateur and semi-professional.
The E-510 offers the same 3fps shooting rate (up to seven images in RAW buffer) with 28 shooting modes available (incl. 5 exposure, 5 creative & 18 scene modes), supported by Olympus’s Supersonic Wave Filter for shaking off those pesky bits of sensor dust.
Although not quite as small as it’s younger brother, the camera still measures up at a pleasingly bijou 5.4″ x 3.6″ x 2.7″, making it a great choice for travellers.
We’ll be nagging Olympus to see if we can get our hands on a review model soon.
[Via]
5 March, 2007
Firefox And Safari Browser Market Share Rises
Like hungry puppies with sharp teeth, Mozilla’s Firefox and Apple’s Safari Web browsers continue to chew and gnaw away at the juicy legs of Microsoft’s Internet Explorer (IE).
According to new figures from Web metrics company, Net Applications, February saw both Firefox and Safari grab a bigger share of the browser market as IE’s share continues to shrink.
Firefox – which comes in Windows, Mac OS X and Linux flavours – increased its share from 13.7 percent in January to 14.2 percent, while the Mac OSX Safari browser had a small but noticeable shimmy upwards, from to 4.7 percent from 4.85 percent.
Despite dropping in the rankings, Microsoft’s Internet Explorer still retains the Billy Bunter share of the browser market, devouring 79.1 percent (down from last month’s 79.8 percent.)
“After a minor hiccup in January, Firefox seems to be back on the offensive in February,” said the fabulously named Vincent Vizzaccaro, Net Applications’ executive vice president of marketing and strategic relationships.
“January showed a brief halt to Firefox’s assault on Microsoft Internet Explorer’s market share. Could that have come from new Vista machines?” asked Mr VV.
Before any hands could be raised in answer, the double V man delivered his verdict, “Possibly, but it appears that browser users have gone back to switching to Firefox, Safari and Opera.”
The well liked Opera browser also saw its market share rise a smidgeon, but it’s still deep in the niche territory, registering just 0.79 percent in February, up from 0.73 percent from last month.
Net Applications
5 March, 2007