Oh we like this!
Seeing as we’re nowhere near New York right now, it’s of absolutely no practical use to us whatsoever, but – hey! – that’s no reason to stop us wasting precious time playing about with this brilliant implementation of Google Maps.
NYSee – a Web project by developers alkemis – uses Google’s mapping system to provide up to date traffic news and display traffic cam feeds from in and around Manhattan.
The information is presented via the familiar system of different coloured pins stuck on the map, and clicking on a green pin will bring up a live video feed for the traffic cam at that particular location – great fun!
The locations of the cams can be viewed via the Google maps interface as a map, satellite view or hybrid.
Live cams that aren’t working are – appropriately enough – shown as black pins while gray pins seemed to indicate cams on the blink.
The NYSee map also offers regularly updated traffic news (sourced from Google rivals traffic.yahoo.com) displayed as yellow pins on the map.
If clicking on Web cams in foreign countries doesn’t take your fancy, you can always waste away a few more idle minutes calculating national and international areas using the Google Planimeter.
Google Sightseeing, another Google maps-based site, asks, “why bother seeing the world for real?”, inviting surfers to visit the “best tourist spots in the world via satellite images from Google Maps & Google Earth.”
ViaVirtualEarth uses the MSN map interface to graphically show the location of MSNBC news stories on a world map, while ChicagoCrime lets surfers view the locations of specific crimes from the database of crimes reported in Chicago.
Finally, we took a shine to Found City, a community-generated map of interesting places in New York City, with growing resources for Brooklyn, San Francisco, LA, London, Boston, Chicago and Portland.
Japan’s largest annual IT show, Ceatec (Combined Exhibition of Advanced Technologies), opens today and will feature around 700 companies, according to the organisers.
Toshiba has promised to display a super-slim 12.7 millimetre high drive designed for laptops which can read HD-DVD discs and read and write DVDs and CDs.
We saw it with the Internet in the late 90s and iTV in the early noughties, now mobile TV is the disruptive technology du jour.
It’s easy to be swept up in the hype, and persuasive arguments abound.
Claire Tavernier from Fremantlemedia (right), owner of Neighbours and Baywatch, said “Fremantle TV” would launch on US mobile networks before the end of the year.
But is the industry is in danger of death by over-sell before it’s even arrived?
This is all sounding very familiar – we’ve been here before. As with the early days of the Internet and iTV, business models are unclear. Hurdles include lack of appropriate content – including rights clearance on existing properties, lack of spectrum and unproven consumer demand.
Tavernier also talked about rights, revealing that although Fremantlemedia owned worldwide TV rights to Mr Bean and The Benny Hill Show, both Rowan Atkinson and Benny Hill’s widow had said no to mobile distribution.
The most telling figures came in the final session of the conference: “Viewers don’t see their mobile as an entertainment device” said Enpocket’s Jeremy Wright (right). “They see it first and foremost as a communicator.”
Sony’s new digital compact camera, the DSC-N1, cunningly attempts to combine the functions of a digital camera with a ‘pocket viewer’.
Stored images can be played back individually or as a slideshow, complete with options to add transitions, pans, wipes, fades and zooms, cheesy themes and background music.
“The combination of these functions makes the N1 ‘more than just a camera’, because it takes sharing to a whole new level.”
Although the camera can only record stills in JPEG format,
Britain’s biggest cable operator, NTL, has agreed to shell out an eye-watering $6 billion (~£3.42bn, ~€5bn) for Telewest Global.
According to a statement – which ends three years of speculation about the merger – Simon Duffy, NTL’s chief executive, will lead the combined company.
Chairman Cob Stenham can expect his bank balance to increase to the tune of $20m (~£11.4m, ~€16.77m) while chief executive Barry Ellison will no doubt cackle wildly with joy as $17m (~£9.7m, ~€14.25m) rolls into his coffers.
As the next-generation DVD wars between HD-DVD and Blu-ray Disc grind on, Paramount Home Entertainment has employed a time-honoured fudge and announced that it will be offering movies in both formats.
Both formats serve up far more storage capacity than current DVD discs, with HD-DVD offering 15GB or 30GB and Blu-ray Disc 25GB or 50GB, depending on the disc.
Paramount was one of the first major content players to back the Toshiba/NEC-developed HD-DVD format, with other major backers including Warner Home Video, HBO, New Line Cinema, Universal Pictures and Sanyo Electric, followed by Intel and Microsoft last week.
Influential in Paramount’s decision was the PlayStation 3’s support for Blu-ray Disc.
Happy Birthday!
I found a screenshot of what Google used to look like on the Internet archive, and although it does obviously look a little old-school, it’s still much the same interface-wise as it is today:
It’s in Space, it’s got to be cool. Oh, actually, no nukes, so forget it
“Batman’s Blackberry”, but I still want one!
Sony’s Playstation has been awarded an Emmy for Outstanding Achievement in Technology and Advanced New Media for pioneering the 3D polygonal-based gaming experience, by the US National Academy of Television Arts and Sciences (NATAS).
You can imagine that the awarding of this will make steam come out of the ears of those on the Xbox team at Microsoft
Is it only the cynical that would think that the timing of this award has anything to do with the wider entertainment business (read film) getting more closely involved with creation of film license games? Or even that they’ve finally woken up to the fact that the amount of money spent on video games out-sizes that spent on film.
Hyacinth Nwana, (pictured left) speaking for Arqiva, and Jeremy Wright of Enpocket, both saw advertiser funded content – whether programming or entertaining video ‘spots’ – to be the key driver.
Earlier this month Samsung got a lot of attention when they