DSC-N1 Digital Camera From Sony Offers Huge 3″ Viewing Screen

DSC-N1 Digital Camera From Sony Offers Huge 3Sony’s new digital compact camera, the DSC-N1, cunningly attempts to combine the functions of a digital camera with a ‘pocket viewer’.

Sporting a gargantuan 3.0 inch, 230k touch screen LCD, the camera’s display is designed to act as both camera control and photo viewer, with a wide viewing angle making it easier to show off photos to gangs of chums.

Based on the software first seen in the innovative Cybershot M2 stills and video camera, the DSC-N1 records and internally stores up to 500 VGA (640×480) copies of every image taken on the camera.

These low resolution photos stay on the camera after the full size images have been transferred, so folks can carry a personal photo album around with their camera.

DSC-N1 Digital Camera From Sony Offers Huge 3Stored images can be played back individually or as a slideshow, complete with options to add transitions, pans, wipes, fades and zooms, cheesy themes and background music.

For compulsive dabblers, the DSC-N1 also comes with a paint function letting users draw symbols or words on photos onscreen using their finger or supplied stylus.

“Since the introduction of compact cameras with large LCDs, consumers have increasingly been using their cameras to not only capture moments, but also share and show them immediately on the LCD screens,” said James Neal, director of digital imaging products at Sony Electronics.

DSC-N1 Digital Camera From Sony Offers Huge 3“The combination of these functions makes the N1 ‘more than just a camera’, because it takes sharing to a whole new level.”

The slimline (22.7mm) DSC-N1 is aimed at the point’n’shoot crowd, with eight pre-set Scene Selection modes, including Twilight, Snow and Beach functions as well as a few limited manual controls.

The brushed aluminum metal body packs a sizeable eight megapixel 1/1.8″ CCD sensor, Carl Zeiss Vario-Tessar 3x optical zoom (38 – 114mm, F2.8 – F5.4) and sensitivity from ISO 64 to ISO 800.

Naturally, there’s a built in movie mode, capable of recording at 640 x 480 @ 30 fps (Fine).

DSC-N1 Digital Camera From Sony Offers Huge 3Although the camera can only record stills in JPEG format, dpreview.com reports that it is the first camera to feature ‘Clear RAW NR’, a process which appears to carry out noise reduction on the RAW data before it is converted to JPEG.

The DSC-N1 is expected to retail for around £285 (~$499, €420).

Sony

Mobile TV’s Business Case Yet To Be Proven

Business case yet to be proven for mobile TVIndustry experts at the inaugural mobile TV show in London today couldn’t agree on the best way forward for this emerging technology.

After two days of debate, the jury’s still out.

While yesterday’s event focused on infrastructure, today’s focused on content, and how to pay for it.

Claire Tavernier, Fremantle Media, (pictured right) thought it most likely that content producers would launch their own channels rather than go with pay-per-view clips or advertiser-funded models.

Business case yet to be proven for mobile TVHyacinth Nwana, (pictured left) speaking for Arqiva, and Jeremy Wright of Enpocket, both saw advertiser funded content – whether programming or entertaining video ‘spots’ – to be the key driver.

Riccardo Donato, Channel 4, said the broadcaster was hedging its bets, with branded content available via both mobile operators’ portals and Channel 4’s own ‘off-portal’ wap site.

Some speakers reported on recent trials.

Business case yet to be proven for mobile TVEirik Solheim of Finnish state broadcaster NRK, (pictured right) said their mobile TV trials had seen some success with pay-per-view.

BT Livetime’s Emma Lloyd, whose ongoing trials with Virgin Mobile and Digital One started in July, said peak consumption came when participants travelled to and from work (not surprisingly). Users were watching an average 10-15 minutes per sessions.

It was revelaing that throughout a day filled with many case studies, not a single speaker would reveal revenue figures.

Clearly it’s early days in this fledgling industry, but with such shyness of the financials, it doesn’t bode well.

Lumix LX1 Goes On Sale … Or Does It?

Noon: Panasonic Lumix LX1 Goes On SaleBibs were hastily donned to soak up the undignified rivers of drooling dribble that appeared in the office when Panasonic first announced the latest addition to their high quality Lumix digital camera range, the LX1, back in July.

It wasn’t just the stunning looks, manual control, image stabilisation and crisp wide-angle 4X Leica zoom lens that set our saliva organs into ungainly overdrive – we loved the fact that this was the first camera to feature a 16:9 aspect ratio, using the full 8.4-megapixel sensor.

The 16:9 aspect ratio closely approximates the natural wide field of view of the human eye meaning its dimensions will fill a widescreen TV perfectly.

Noon: Panasonic Lumix LX1 Goes On SaleThe camera can also shoot in 3:2 and the more conventional 4:3 aspect ratio, with a switch on the lens barrel making it easy to switch to the format best suited for the composition on a shot-by-shot basis.

Boasting an impressively wide zoom range of 28 mm to 112 mm (35mm equiv), the LEICA DC VARIO-ELMARIT lens should prove ideal for indoor photography, architectural and landscape shots.

Recovering alcoholics and compulsive wobblers will love the optical stabilization system (OIS) that does a great job of steadying the camera at slow shutter speeds and producing sharp images where other cameras would fail.

Noon: Panasonic Lumix LX1 Goes On SaleIt’s no mean feat to fit an effective stabilisation system into a 4.2 by 2.2 by 1.4 inches camera, and users should find it an invaluable feature for low light photography – small cameras can be notoriously hard to hold steady at slow shutter speeds.

As well as a comprehensive selection of 14 scene modes, there’s manual controls offering a choice of apertures between f/2.8 and f/8 (adjustable in 1/3-stop increments) at the wide-angle position and f/4.9 to f/8 at the telephoto end.

Shutter speeds can be selected from 8 seconds to 1/2,000 second (60 seconds to 1/2,000 second in manual mode).

Noon: Panasonic Lumix LX1 Goes On SaleSensitivity can be set to ISO 80, 100, 200, or 400, with the built in pop-up flash offering coverage up to 13.1 feet in wide-angle mode and 7.5 feet at the telephoto position.

Photo enthusiasts will appreciate the manual focus feature which uses a joystick to fine-tune focus on an enlarged portion of the image, with the same joystick being used to change shutter speed and aperture in manual or shutter/aperture priority mode.

In line with its high end aspirations, images can be saved in JPEG (choice of two compression ratios), TIFF and raw file formats.

Noon: Panasonic Lumix LX1 Goes On SaleThe Leica lens can focus down to two inches in macro modem with focus switchable from spot to single-point, three-point, or nine-point autofocus zones.

For manual and automatic shooting, there’s evaluative, centre-weighted and spot metering available.

Wannabe Spielberg’s will be tempted by the camera’s particularly impressive movie mode, offering an astonishing ultra-high-quality 16:19 Wide VGA film-clip capability, capturing 848×480 sound movies at a smooth 30fps.

Sadly, there’s no optical viewfinder on offer, so all framing and viewing of images – and camera fine tuning – is taken care of via the a sharp and bright 207k 2.5-inch LCD on the back panel.

Noon: Panasonic Lumix LX1 Goes On SaleIn shooting mode, this presents a wealth of optional information including a handy alignment grid dividing the screen into vertical and horizontal thirds.

With its beautiful looks, enthusiast pleasing feature set, world’s first 16:9 aspect ratio and pin-sharp Leica lens, Panasonic look to be on to an absolute winner here – but where is the thing?

Apart from a few, quickly scooped-up, silver versions of the camera appearing online and in central London, most stores are reporting that they are “awaiting stock”, with no news of the drop-dead gorgeous black version that we’re keen to get our paws on.

A few reviews have cropped up on the web – usually in strange languages – with the excellent DPreview.com offering some pre-production samples that looked mighty fine to our eyes

Worryingly, a promised review on dcresource.com has been “delayed due to technical difficulties” – or, as the author explains elsewhere – because the camera “kicked the bucket.”

We hope that that these problems are just pre-production glitches because we’ve rarely seen such a tempting looking camera.

As soon as we get our hands on one, we’ll have a review for you. Soon, we hope!

Lumix LX1

BT’s IPTV To Launch Summer 2006

IPTV To Launch Within Year: Enhanced TV ShowBT will roll out IPTV in ‘late summer 2006’, according to Andrew Burke, CEO, BT Entertainment, (pictured right) speaking at the Enhanced TV Show in London today.

Developed in partnership with Microsoft, BT’s new set-top box technology will combine a digital terrestrial television receiver with a broadband receiver, allowing the viewer to move seamlessly between the two signals.

BT’s revenue will come from enhanced services, such as a VOIP facility to dial up friends while watching a football match, or the ability to build your own personal schedules.

Burke didn’t reveal whether the set top box would be entirely new, or an add-on to existing Freeview boxes, nor would he say whether BT aims to first convert existing DTT customers or target its marketing efforts elsewhere.

IPTV To Launch Within Year: Enhanced TV ShowElena Branet, Senior Marketing Manager at Microsoft TV, (pictured left) said IPTV would allow viewers to use picture in picture channel surfing, see caller ID on their TV sets, or watch TV while messaging a virtual community of friends and family. She said that basic IPTV would be possible with a minimum connection speed of just 1.5 MB.

Branet fought off a suggestion from fellow speaker, BSkyB’s Jim Harrison, that the new IPTV platform would not be interoperable across devices; assuring that it would be open to another operator’s instant messaging system, for example.

IPTV To Launch Within Year: Enhanced TV ShowAlso at the show, David Bainbridge, MD of Yes, Yoo Media, (pictured right) said trials of a new product, ‘Broadband TV’ would start on ntl in October. Not to be confused with IPTV, this is a solution to help content creators repurpose content across platforms – working with cable TV, IPTV and 3.

Enhanced TV Show & Mobile TV Forum
BT
Microsoft TV
Yoomedia

32 Billion (est.) SMS Messages For 2005 (News Release)

Continuing last month’s groundbreaking trend, a total of 87 million textmessages were sent on average per day throughout August. The handsetclearly proved to be a must have during the holiday season as figures onceagain topped 2.7 billion messages according to figures released today by theMobile Data Association (MDA). The continued increase in text messaging hasallowed the MDA to revise the annual forecast to 32 billion for 2005.

August saw two bumper days for text messaging as youngsters shared GCSE andA-level results, success and commiserations with friends and family. Atotal of 99 million text messages were sent on August 18th, the day thatGCSE results were issued. This figure is 25% higher than the 79 million textmessages recorded on the same day last year and continues the upward trendof communicating by text at this nail biting time. The figure for August25th, the day A-level results were released, was even higher with a total of99.5 million messages sent across the UK networks.

Mobile Data Association

E-500 (EVOLT): Olympus Launches dSLR

Olympus Launch E-500 dSLRCompetition at the lower end of the dSLR market looks set to heat up as Olympus launch their new Four Thirds System digital SLR, the E-500 (called the ‘Olympus EVOLT E-500’ in North America).

Although housed in a more traditional-looking SLR body, the new camera shares many of the same features of last year’s well received E-300, and is based around the same Kodak eight megapixel 4/3 size CCD.

It’s a fully specified beast, with Olympus introducing a range of improvements and new features including a new 49 area metering sensor (a 7×7 matrix), new high ISO noise filter, a whopping 21 preset scenes and a better control system.

There’s numerous white balance controls onboard (including WB by colour temperature and WB fine tuning) and old school OM4 users will be pleased to see the return of the two spot metering modes for highlight and shadow detail.

Olympus Launch E-500 dSLRDominating the back of the camera is a large, 2.5″ HyperCrystal 215k LCD monitor offering a wide viewing angle.

Three colour modes are supported – Vivid, Natural and Muted – with users able to choose from two Colour Space Settings, sRGB or Adobe RGB.

Photographers fed up with speckly bits on their pictures will be glad to see Olympus including their unique Supersonic Wave Filter, a sensor cleaning widget which blasts out high frequency vibrations to dislodge internal dust or dirt.

We only wish our Nikon D70 came with one!

Olympus Launch E-500 dSLRStorage is taken care of by CompactFlash Type II and xD Picture card memory card slots, with the camera capable of taking up to 4 RAW/TIFF/SHQ images in a row at 2.5 frames/second; with shooting continuing until the memory card is full at HQ quality.

There’s a choice of three image formats available: RAW, TIFF, and JPEG, with the option to simultaneously record images in RAW and JPEG .

The camera looks great, the features and flexibility are at least as good – if not better – than the competition and, best of all, it’s coming with a killer price tag of just US$799 (~e665~£452) for the E-500 plus 14-45mm f3.5/5.6 Zuiko Digital Zoom Lens, or $899 (~e748~£509) for a dual lens kit with an additional 40 – 150mm f3.5/4.5 lens.

Olympus

Music Video Album Released On Mobile Memory Card By V2

V2 Announce Indie Mobile Music Video AlbumVirgin’s ‘independent-style’ record label, V2 Music has teamed up with mobile video solutions developer Rok Player to announce the release of an ‘indie music video album’ for playing on mobile phones.

The videos are stored on a memory card which simply plugs into compatible mobile handsets for full-screen play, so there’s no need to download or stream the content.

V2 Announce Indie Mobile Music Video AlbumUsing Rok Player technology, indie kids can play back audio-visual content preloaded on memory cards at an impressive 24 frames a second (full screen) on compatible mobile handsets.

Rok Player-compatible mobile phones include the latest Nokia handsets such as the 6630 and the 6680 and the N-Gage series.

V2 Announce Indie Mobile Music Video Album“This is such an exciting development in the distribution of music videos” enthused Beth Appleton of V2 Music “as nearly everyone has, or will have, a compatible mobile phone and ROK Player turns those into portable DVD players. So now, for the first time, people can watch as well as listen to their favourite artists perform”.

The video album includes music videos from Brendon Benson, Ron Sexsmith, Bloc Party, Stereophonics, At the Drive In, Charlie Mars, Cut Copy, Dogs Die in Hot Cars, Mercury Rev, Paul Weller, The Cribs, The Rakes and The Datsuns.

V2 Announce Indie Mobile Music Video AlbumBruce Renny of ROK , commented, “We’re already seeing tremendous interest in our music video albums for mobile phones, and to be able to include this new title in our portfolio is tremendous. We’re expecting the V2 album to prove very popular indeed because of the high quality of the artists it features”.

Although we’re equally impressed with the line up, £16 ($28.5, €23.5) for 13 tracks sure seems a lot of dosh to shell out to squint at a compilation album on a tiny screen. Is this the price teenage cool these days?

ROK Player

Nokia and CHT Organize 1st Mobile Film Festival in Asia Pacific (News Release)

Nokia is working hand in hand with Chunghwa Telecom (CHT), the leading operator in Taiwan to organize the first Mobile Film Festival in Asia Pacific from September 27th to November 9th. During the festival, Taiwan’s first-ever contest for creative self-directed mobisodes will be held. Mobisodes are brief videos specifically designed to be watched on a mobile phone.

The Mobile Film Festival will feature ten newly directed films, including Confession at the Front Line by Chun-Chien Lien, BOY-9-7-6-5-2-0-GIRL by Hung-I Chen, A Traveler’s Odyssey by Po-Liang Lin, Sleepwalking by Mo!relax Team, Ji-shiang Chen, Hong-Bin Chen’s G man, and another five remarkable films by talented college students like De Flower by Chia-Jen Chen. The concept for the mobisodes is based on how a ‘phone’ is interpreted by the individual directors, inspiring new thinking and novelty. During the festival, 3G subscribers in Taiwan can view the mobisodes at a promotional rate.

Mobile communications is being transformed from voice to multimedia comprising messaging, Internet access, video and film. These changes are redefining people’s lifestyle and are opening up new frontiers also in film making.

The ten directors featured at the festival will discuss how the mobile phone, acting as the next-generation media, will impact the creative sector, general audiences, and movie industry. Directors may leverage the varying screen size and viewing direction to create mobisodes, photography, and visual arts. A new set of rules can apply to the acting, subtitles, soundtrack and dialog, expanding the creativity space. Some directors suggest short mobile films will become the trend, which will attract more creative talents to mobile cinematography.

Best of all, the public is free to choose when and where to view mobisodes. Mobisodes will revolutionize creativity and viewing habits to let mobile subscribers truly experience how “Life Goes Mobile”.

Taiwan entered the 3G multimedia era earlier this year, giving the region’s telecom industry the opportunity to offer rich and diversified services such as mobisodes. The local mobile market is eager to experience the many facets of 3G contents and applications.

“Nokia is promoting the ‘Life Goes Mobile’ concept with our state-of-the-art technology and products,” says Mike Wang, Regional General Manger, Networks, Nokia. “With the inauguration of our 3G based Mobile Services Development Center last week in Taiwan, Nokia has the platform to turn mobility life into a reality. We will team up with operators and partners to create innovative, value-added mobile content that dovetail with Taiwan’s consumers’ needs.”

Pocket Informant Review: Pocket PC (4/5 Stars)

Pocket PC Pocket Informant 2005 ReviewPocket Informant 2005 is an integrated Pocket PC application that replaces the built-in Calendar, Contacts, Tasks, Notes, Journal programs and adds a Timeline view.

Loaded with customisation options, the program lets you dabble with just about everything and anything you can see on screen – typefaces, font sizes, font colours, categories, category colours, icons – the lot!

Although this seem a bit like overkill, the different screen sizes and resolutions available on PocketPCs means that controlling font sizing can come in very handy.

So, how does this do-it-all Personal Information Manager (PIM) shape up? Let’s take a closer look.

Calendar

The Calendar view offers a host of different views, displaying one day, seven day or whole month views on one screen, with the Agenda view presenting a user-selectable number of days of appointments in a list format, with the option to filter out ‘free’ days.

New appointments may be added by tapping and holding on a day’s title bar. Double-tapping on an entry opens its detail screen for viewing, editing or adding alarms.

Regularly recurring meetings can be set up as templates to speed up text entry (e.g. “Going to pub.”)

As soon as an event has passed it is displayed in italics, making it easy for the easily confused to see what events are remaining in the current day.

As with all the components in the Pocket Informant suite, a global navigation bar sits at the bottom of the screen, offering instant access to diary views, contacts, notes, to-dos and filter and search options.

Pocket PC Pocket Informant 2005 ReviewContacts

The Contacts screen opens up with a tabbed alphabetical row along the time allowing nifty access to contacts.

Inputting new contacts is straightforward enough, with the program auto-filling in frequently-entered text.

A whole host of fields are available to include every possible detail of your new contact, with the option to associate mugshots with contacts, and assign multiple categories.

The search facility is particularly clever, with users able to specify that the program looks for entries that start with the search text or for entries that contain the specified text.

Once a number is located, it can be dialled IR, Bluetooth, DTMF or Serial.

Naturally, there are options galore for listing contacts, including First/Last name, Last/First name, providing a picture list, and grouping by company, department, city, state, country, and category.

Pocket PC Pocket Informant 2005 ReviewTasks

As you might have guessed by now, the Tasks interface comes with a shedload of options, with entries being sorted/grouped by category, importance, priority, progress, completion, or date.

There’s the usual filtering and grouping options available, with users able to set up nested hierarchical tasks.

Tasks may be dropped on others to establish relationships, child tasks can be created by tapping and holding on a task and the hierarchical display may be expanded or collapsed.

Tasks can also be set to repeat with nagging reminders and start and completion dates entered.

Pocket PC Pocket Informant 2005 ReviewNotes

Here’s where we were very disappointed.

Unlike the simplicity of Palm’s ‘Memos’, the handling of notes is a real half arsed affair in Pocket Informant – the display is a real dog to get around, and everything seems needlessly complicated.

Sure, the improved text formatting is a nice touch, but finding, organising and categorising notes seems a needlessly tiresome chore.

I hope the Pocket Informant developers – who have a well earned reputation for listening to their punters – take a long hard look at how programs like Agendus on the Palm handle notes and learn from their experience.

Conclusion

Apart from the clunky horror of the Notes interface, it’s easy to see why Pocket Informant has become the most popular PIM application on the Pocket PC.

The program does an admirable job of making it easy for users to search find, organise and display content on the small screen of a Pocket PC and provides excellent value at $29.95 (~€24.5~£16.50).

With its extraordinary amount of user-configurable options, the program can be tailored to fit individual requirements, and with ample power under the hood, it can easily grow with the user’s needs.

Although the sheer range of options can confuse new users (us included), the intuitive, usable defaults make it easy to get started with the program.

Whether many users will ever get around to discovering the true power of the program is another matter, however.

We still think, however, that it’s the best PIM application available for the Pocket PC with only the poor support for Notes preventing it getting our very top rating.

Digital-Lifestyles score: 4/5
star

Price: $29.95 (~€24.50, ~£16.50)
Buy now online at PocketGearSpecial Offer $22.95 until 30 Sep.05

Further information Pocket Informant

Music Video Shot On Mobile Phones

Music Video Shot On Mobile PhonesAn Australian production company has made what they are claiming is the first music video shot entirely with mobile-phone cameras.

Brisbane-based company Film Headquarters filmed the video for US band the Presidents of the United States of America (P.U.S.A.) in a one day shoot in a studio in Seattle, US.

Music Video Shot On Mobile PhonesA multiplicity of mobiles (which look like Sony Ericsson k750i’s to us) were set up on frames and tripods with handheld footage recorded by four crew members who wandered around the band as they played, with the footage being sent via Bluetooth to laptops.

It was discovered that the quality of the video footage captured on the phones was so bad, the band had to perform at half-speed so that the phones could decently record their movement.

After filming, over 12 angles were added together in post-production to make up one composition or shot.

So what, you may ask, was the point of recording a video on such a crappy medium (phone footage is 1/3000th the quality of standard broadcast) when high quality digicams could have been purchased for a few quid more?

Music Video Shot On Mobile PhonesThe director of music video, Grant Marshall from Film Headquarters tries to explain, ‘We came up with this idea 18 months ago but couldn’t find a band that would embrace the risk and vision. P.U.S.A loved the concept and were brave enough to undertake the risk. This was a fantastic experience for all of us. The band was fabulous and incredibly professional.”

‘The result is great and the look reminiscent of the movies available on Quicktime in the 90s. The funniest part of the shoot was to see a mobile phone sitting on a tripod-it’s quite a sight. With mobile phone camera resolutions doubling every few years, people will probably look back and say this idea was ‘so 2005′,’ he added.

Thing is, we love the idea of DIY media, but with the footage spending two weeks in expensive post-production after shooting, this video hardly marks the dawn of a new age of mobile phone-authored pop videos.

Link to the video
Film Headquarters