TV, Music and Marketing: Their Current Response To Digital Media (pt 2)

We know Tech is hitting all media businesses, but how are they currently responding?

Howard Scott covered North One TV yesterday; today it’s Sony BMG; and the final piece tomorrow is Kempster, their work with European football and the conclusion.

Highlighting through italics are ours.

ESA Sponsorship Forum 2007 Talking Tech Write UpDuncan Bird, VP of Futures, Sony BMG
Duncan Bird is an ex-Leagas bod, just like me – so he’s got to be cool, right?

For Duncan, change in anything is good and is often the best way to learn. For Sony BMG, the music industry is in a state of constant change, and as an example, the Justin Timberlake album (got you copy yet? No? Strange!) sold in 71 different formats. That’s a big change from CD, Tape and Vinyl!
Continue reading TV, Music and Marketing: Their Current Response To Digital Media (pt 2)

TV, Music and Marketing: Their Current Response To Digital Media

We know Tech is hitting all media businesses, but how are they currently responding?

Howard Scott went along to a meeting, Talking Tech, organised by the European Sponsorship Association to investigate the current state of play – covering the world of TV, Music and entertainment marketing.

Today’s piece covers North One TV; tomorrow, Sony BMG; and the final piece, Kempster, their work with European football and the conclusion.

Highlighting through italics are ours.

ESA Sponsorship Forum 2007 Talking Tech Write UpESA Talking Tech
Another day, another conference. A couple of weeks back I attended the ESA Sponsorship Seminar entitled Talking Tech. Even though the title was “Talking Tech” I didn’t let that put me off.

It was aimed at the Sponsorship industry with a slant to how digital tools (lots of reference to new media, but is it still new?) have/can/will later that side of the marketing business.

The panel of speakers for the event had some interesting people on board, and in my usual style I’ll go through each of them in turn now.
Continue reading TV, Music and Marketing: Their Current Response To Digital Media

Joost: Reese’s (non)Review

Digital-Lifestyles recently offered me (Reese) an invite to beta-test the new Joost application. As part of the deal, I promised to write this short response about my experience with the application and content.

No Joost on pre-Intel Macs
First off I have to confess that I haven’t been able to access the content offered by Joost because of my aged computer. I, like many others out there, use a pre-intel Mac, and Joost has yet to make their application compatible to our platform. That being the case, I have no response to the usability of their application, simply because I haven’t been able to access it.
Continue reading Joost: Reese’s (non)Review

BBC Condone Torrent Downloads In Trial?

BBC Condone Torrent Downloads  In Trial?The BBC have been running three, weekly pieces reporting on the impact and progress of a four person UK family when starting to live their Digital- Lifestyles. So much so that they’ve got into Torrents already!

They been given a flat screen, Sky HD, Windows Media, Apple TV, Sono and the inevitable iPods (Apple must be rather chuffed). All of these bits have been linked together using a wireless network which is whizzing the data around for them.
Continue reading BBC Condone Torrent Downloads In Trial?

Nine Inch Nails Release Tracks Via Pirate Bay

Nine Inch Nails Release Tracks Via Pirate BayRockers Nine Inch Nails have released three tracks from their new album, “Year Zero” via the controversial BitTorrent mega-site, The Pirate Bay.

Although the band has already acquired a reputation for dishing out the freebies – new Nine Inch Nails (NiN) content has been available for free both online and on their website for some time – it’s the first time that they’ve released material directly via the torrent protocol.
Continue reading Nine Inch Nails Release Tracks Via Pirate Bay

Facebook Searches For Its Identity

Facebook Searches For Its IdentityThe Internet has undergone a revolution in the past few years, and one of the major trends we’ve seen is that of social networking. I suspect that a substantial proportion of those reading this are a member of one or more social networks, and those who are not are surely aware of the phenomenon which MySpace and others represent.

Whilst I have used MySpace, Bebo and other social networks in the past, the one which I have found consistently useful (if that is the right choice of word) is Facebook. This site began in the US as a way for students at the same college to communicate with each other and organise their social lives together online, and has since come to universities everywhere and most recently, with the advent of region-based ‘networks’, to everyone. Certainly in my social circle, Facebook is gaining real traction, probably surpassing market leader MySpace as the place to join.

How do FaceBook and MySpace Differ?
In many ways the two services could not be more different. A subtle difference is the emphasis which Facebook places on keeping in touch with those who one already knows. MySpace, on the other hand, is quite keen to help you meet new people. The Facebook approach sits more nicely with the way most people like to interact with others; MySpace demands what you could call a social paradigm shift, if you are to take it seriously. Whilst that is not a criticism of MySpace (I know someone who is ostensibly head over heels at the moment with a person he met entirely over MySpace), it does mean that the barrier to Facebook adoption is considerably lower than that of its larger rival – an important fact given the relatively low overall percentage of the population using social networking sites currently. Future growth in the space will predominantly come from those outside the current 16-25 year olds that make up the majority of their users, who are more happy to be flexible with how their social lives operate. Facebook is more equipped to meet the needs of those who are not so flexible.

Facebook Searches For Its IdentityCustomisation
Another key difference is way in which MySpace users are able to customise their profile pages, whereas Facebook users are allowed no such features. Whilst the claimed potential to achieve self expression by creating an appalling design for one’s profile page is a mystery to me, I do see the appeal of the widgets platform MySpace offers.

For the uninitiated, widgets are small boxes containing content from a third-party provider. That could be an embedded YouTube video, the contents of an RSS feed or even a dynamic app, such as livechat2im, which allows a visitor to a profile page to have an instant messaging chat with the owner directly through the page. None of this is possible with Facebook at the moment, although Mashable reported a rumour this week that Facebook is considering implementing widgets. Pete Cashmore argued that widgets is currently the key functionality MySpace has which Facebook does not, and that it would be the best way to ‘steal the social networking crown from MySpace’.

I’m not sure I entirely agree with Pete. I think it is in a better position to grow in the medium term future than MySpace is, but it is continuously under pressure to get quick growth by trying to steal users from MySpace. Building a ‘better MySpace’ probably isn’t the way forward if it is to ultimately overtake MySpace, and rumoured features such as its classified ads service seem to indicate that Facebook is aware of that. Facebook needs to be clearly different from MySpace, and adding widgets would possibly damage that.

Who will win long term?
I will end with a prediction; in five years, if Facebook doesn’t pander to the temptation to be like MySpace, it will be significantly bigger in terms of users and pageviews than the Murdoch-owned rival.

Huw Leslie is editor of UK-based Web 2.0 and software blog GizBuzz. He is a co-founder of Oratos Media and Klaxis, and his personal blog is For Crying Out Loud.

FunnyOrDie: Proof That Comedy Is Regional

FunnyOrDie: Proof That Comedy Is RegionalWired have a slightly gushing piece about a new niche video site in the YouTube mold – FunnyOrDie.

The central premise – take ‘celebrities’, add user generated content and a large dollop of VC funding from Sequoia Capital – mix up and hope to get a huge money-making success on your hands.

So far, the runaway success, in terms of video views, is a piece called The Landlord, (warning – spoiler follows) where the landlord is two years old and the tenant is US comedian, Will Ferrell. The joke is two fold – a child is the landlord and it swears.

Many of the commentors obviously find it funny, but many do not. We’re in the second category.

Once you’ve got the idea, for us it failed to make us laugh. Have a watch and tell us what you think (probably NWS) …

We would have used the video on FunnyOrDie, but they don’t honour the AutoStart=false flag and it would have played as soon as you opened this Web page – which is most tedious.

It obviously works in the US as it is supposed to have had 7 million views in the first 24 hours of release and is now sitting on over 12.5 million views.

Watching some of the other videos on the site proves one thing to us – comedy writing and the results it produces are rarely international.

Plenty of the videos featured just weren’t funny to us as UK viewers – they didn’t even raise a titter. One reaction was even more strident “I never want to see that site again.”

What will this lead to? We think a further fragmentation of comedy video sites along geographic lines? Or, as we suspect, the rise of sites that will gather country-focused comedy and point to videos on the myriad of video hosting sites that are springing up on a near-daily basis.

The sites making the advertising money will be the meta-referring sites, and the people paying the bills will be the hosting sites

FunnyOrDie – the latter.

Source – Wired

Guinness World Records Joost Deal Live

Guinness World Records TV have been in touch to let us know that they’ve just completed a deal with Joost.

Guinness World Record Joost Deal LiveWe weren’t expecting to be so Joost-tastic today, but when the news arrives, you’ve got to tell it.

Initially 35 hours will be made available comprising of their UK show, Ultimate Guinness World Records. It’s available to Joost viewers globally.

They haven’t hung around either in getting the content out. Checking the latest incarnation of Joost, we see that the content is up there already.

Additional content will be added on a monthly basis, with Guinness World Record (GWR) making the point that they’ll be “controlling its programming line-up on the platform.”

Guinness World Record Joost Deal LiveThey’ve got 400 hours of it, so there’s plenty more to come.

Both sides are in back-slapping mode with Rob Molloy, Director of Television at Guinness World Records keen to keep the door open to deliver their content to other platforms by saying “We are thrilled to be partnering with a company as exciting as Joost, once again this shows how easily Guinness World Records content can be adapted to fit into so many areas of new media and for such varied audiences.”

Guinness World Record Joost Deal LiveYvette Alberdingkthijm, EVP of content strategy and acquisition Joost took the pun-ing route of “We are delighted to have Guinness World Records on board and look forward to offering our viewers record breaking content.”

It’s interesting to realise that GWR TV is part of the HIT Entertainment who own the hugely popular children’s content Bob the Builder, Barney and Thomas the Tank Engine.

We wonder if this GWR deal is a tester for HIT, opening the doors for a much bigger deal to be coming out.

Guinness World Records TV

Joost: SSL Certificate Runs Out – v0.9.2 Released

Joost went ‘off air’ yesterday – ie. no one could use it to access TV programmes.

Joost: Another Update. Now 0.9.2All was revealed today as to why. The SSL certificates that are used to encrypt all communication between the clients and the Joost servers ran out, as certificates do each year.

Much to their embarrassment, Joost had hard-coded the details of the certificate into their client software. Now they’ve extracted it, they need to release a new build, hence the 0.9.2 release.

Knowing they’d be offline while the software was being rebuilt, they’ve upgraded their Long Term Storage machines replacing them with ones that are four times more efficient. They’re hoping this will straighten out any problems that might have been present with stuttering video delivery.

As Dirk-Willem from Joost says, “this is all part of being a beta.”

Joost Download