Fujifilm F10 Review: An Astonishing Achievement (90%)

Fujifilm F10 Digital Camera ReviewSummary
Despite a few minor complaints, the F10 represents an astonishing achievement. Highly recommended.

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Full Review
It may have won the accolade of European Camera of the Year, but it has to be said that the first impressions of Fujifilm’s compact F10 camera are distinctly underwhelming.

With a clunky, chunky form factor suggesting that the product designer was off sick for the day coupled with a limited set of exposure controls, the F10 looks unlikely to impress holidaying snappers or the tripod-touting cognoscenti.

But lurking inside its bland, all-metal exterior is an astonishing point’n’shoot camera with unique features capable of producing incredible results.

Fujifilm F10 Digital Camera ReviewThe camera is the first of a new generation of Fuji cameras sporting the new Super CCD HR sensor which – unlike previous models – doesn’t rely on interpolation jiggerypokery to deliver its 6.3 megapixel output.

A newly developed ‘Real Photo Processor’ serves up an impressively wide ISO sensitivity range, starting from 80 ISO all the way up to 1600 ISO, allowing flash-free, low light shots and less chance of camera blur.

It’s a snappy performer too, with an ultra nippy start-up time backed up by a claimed 0.01 second shutter lag.

Fujifilm F10 Digital Camera ReviewWe can’t count as fast as that, but it certainly proved to be one of the fastest compacts we’ve tested to date, with no perceivable delay after pressing the shutter button.

The camera comes with a 3x optical zoom lens (f2.8 – f5.0 36mm – 108mm, 35mm equiv.) and a large and bright 2.5-inch 115k LCD.

In tests, we found the LCD easy to read in all but the brightest of sunlight although an optical viewfinder would have been a useful addition.

Fujifilm F10 Digital Camera ReviewA handy LCD brightness boost switch helped compose shots in dim light, although we found it prudent to turn off the dazzling, kryptonite-like green focus beam which was so bright that you’d end up with pictures of people covering their eyes and screaming.

The battery life was hugely impressive. Fuji claim a class-leading 500 shot-per-charge and we certainly had lots of juice left after taking – and enthusiastically previewing – 200+ shots taken around New York.

Essentially a ‘point-and-shoot’ camera, the F10 offers little in the way of real manual control, with just four main modes on offer: scene mode, full auto, manual (auto with limited exposure overrides) and movie mode (VGA, 30 fps, .avi format).

Fujifilm F10 Digital Camera ReviewOut on the streets, the camera proved fast to start up, responsive, quick to focus and produced some excellent quality images, capturing impressively high levels of detail.

Where the camera really excelled was in low light, with the extended ISO sensitivity allowing natural images to be taken without the use of flash.

Compact cameras generally produce horrendously noisy images when the ISO racks up beyond 200, but Fuji’s Super CCD HR sensor is capable of producing very smooth, detailed images with little noise all the way up to 800.

At 1600 ISO there’s notable evidence of noise and some ‘smoothing’ by the built in noise reduction, but the images are still eminently usable for smaller prints and are leagues above anything the competition can muster – this really is an incredible low-light performer!

Fujifilm F10 Digital Camera ReviewWe remained impressed with the camera throughout the testing period, although some gripes surfaced: we found the lack of any real manual control frustrating at times and the less-than-intuitive menu system made some tasks unnecessarily fiddly.

We would have killed for a manual focus mode because without the green beam’o’death, focussing could struggle a bit in low light.

There was also a little more “purple fringing” than we would have liked (thin purple lines around objects in high contrast scenes) and the camera sometimes seemed far too keen to needlessly jump to high ISO sensitivities (but this could be easily fixed by manually setting the ISO rating).

But what we really, really, didn’t like was the plug-in ‘terminal adaptor’ that had to be lugged about to charge the battery or transfer images. Sure, it’s not particularly large, but it’s just another annoyance that could end up being lost or forgotten on a trip.

CONCLUSION
Despite minor complaints, the F10 represents an astonishing achievement; it may not have the slick looks of its rivals or a shed load of fancy-pants, advanced features, but when it comes down to sheer image quality, low light performance, battery life and speed of operation it leaves most – if not all – of the competition standing.

Currently available for around £225 ($385, €330), the Fuji F10 represents excellent value for money. We highly recommend it.

Photographers put off by the lack of manual controls should note that the a new version featuring aperture and shutter-priority modes, the F11, is about to hit the streets.

Features: 65%
Ease of Use: 83%
Image Quality: 87%
Overall: 90%

Fujifilm F10

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Pure DMX-50 Review: Winner DAB Microsystem (9/10)

Pure Digital DMX-50 DAB MicrosystemDespite our catastrophic experiences with the Onkyo DAB CD unit, we’d developed a taste for DAB radio/CD combos so were right on Pure Digital’s case when they announced their new DAB/FM/CD/MP3 micro system, the DMX-50.

Perhaps better known for their distinctive portable sets, Pure are a world-leading, UK-based DAB radio retailer, with a reputation for innovation.

Rolled out just in time for Christmas, the £230 ($395, €336) DMX-50 is an attractive 40W RMS micro-sized system, cunningly disguised to look like three hi-fi separates.

Finished in a pleasant grey metallic finish, the unit is dominated by a large, five-line LCD screen which provides DAB/FM radio station information, scrolling DAB digital text, CD/MP3 track listings and access to a variety of user-selectable options.

Pure Digital DMX-50 DAB MicrosystemContext-sensitive buttons either side of the display provide a simple user interface offering fast access to relevant features – it’s one of the best interfaces we’ve seen.

Setting up the DMX-50 was an absolute breeze – no sooner had we got the thing plugged in than it was busying itself automatically locating and storing over 50 DAB stations within range. Nice.

Locating FM stations was equally swift and painless, with the large, intuitive interface making it a breeze to find, sort and order presets – kudos to Pure for simplifying a process that can sometimes turn grown men into fist-shaking balls of frustration.

Playing CDs was straightforward enough too, although the CD tray was a little too flimsy for our liking.

We especially liked the fact that it displayed both CD and MP3 track and artist information onscreen, making it easy to find tracks.

Pure Digital DMX-50 DAB MicrosystemA unique feature to Pure is the ReVu function, which lets you pause and ‘rewind’ live DAB digital radio, courtesy of a constantly updating 20 minute buffer.

This means that it’s possible to rewind back to the start of a show you may have missed the beginning of, or pause the radio to take a phone call.

DAB digital transmissions can be recorded (or played back) on the built in SD card slot, and a USB port lets you play back and transfer recorded files to your PC.

The USB connection can also be used to download software upgrades for the DMX-50.

Further connections come in the form of a pair of spring loaded speaker clips, two aux inputs (for plugging in an MP3 player, for example), an optical out and a Line/Sub Out for hooking the unit up to an external amplifier or connecting a sub-woofer.

Pure Digital DMX-50 DAB MicrosystemThe package is rounded off by two stylish Rosewood speakers with 5¼” woofers, and 19mm Mylar-dome tweeters, a simple remote control and aerial.

CONCLUSION

Quick to set up and a pleasure to use, Pure’s straightforward interface, massive LCD and impressive feature set make this a great player for music fans who don’t fancy wading through hefty manuals before they can start listening to tunes.

At this price level we weren’t looking for high-end hi-fi quality, but the DMX-50 gave a good account for itself and was a pleasure to listen to.

The bass output perhaps wouldn’t excite dub aficionados, but when cranked up, the sound was beefy enough to encourage a bit of air guitar work around the office.

Throw in CD/MP3 text, a SD slot and the unique ReVu feature and you’ve got the best all-round DAB/CD player we’ve come across so far.

Rating: Highly recommended 9/10
9 out of 10

SPECIFICATIONS:

Amplifier: 40W RMS per channel power output (into 8 Ohms @10% THD+N, A-weighted). 10 Hz to 40 kHz (-3dB) frequency response. Bass and treble tone control.

CD player: CD-R and CD-RW playback compatible. Support for CD Text and 20 track audio CD playlist. Multiple playback modes (repeat, shuffle, etc.). MP3 playback, including support for ID3 tags and M3U playlists.

DAB: PURE ReVu™ enables pause and rewind of live DAB digital radio. Full Band III (174 – 240 MHz) reception. Fully compliant with ETS 300 401 and capable of decoding all DAB transmission modes 1-4. Fast autotune feature. 99 presets.

FM: Supports RDS and RadioText. Tune by RDS station name. 87.5-108 MHz frequency range. 99 presets.

SD card: SD card slot for recording DAB radio to SD card.

Speakers: 8 Ohms (nominal) impedance. 40W RMS power handling. Polypropolene mid-bass drivers. Two-way rear ported enclosure. Custom-tuned 2nd order crossovers.

Connectors & Cables: 3.5 mm headphone output on front panel. RF F-connector 75 Ohms for combined DAB/FM aerial connection. Two separate dual phono line-level audio inputs for auxiliary device connection. Dual phono for stereo analogue line-level output. Optical Toslink connector for digital S/PDIF output (IEC958 @ 48 kHz). USB connector for future software upgrades and SD card access. Stereo spring-clip terminals for speakers. Integral mains cable with Euro/UK adapter. Bootlace DAB/FM aerial and two 3m speaker cables supplied.

General: Fully featured remote control (batteries included). Compliant with the EMC and Low Voltage Directives (89/336/EEC and 73/23/EEC). Dimensions (mm): main unit 166 (w) x 240 (h) x 252 (d); speaker 150 (w) x 240 (h) x 255 (d). Two year warranty

PURE DMX-50

MacExpo UK Review (2/2)

Further to the first part of this review.

MacExpo - Expo or Shop?Hash showed off Animation Master which is a very simple (if you believe the demos) animation package. It has a huge library of pre-built characters, objects and even things like types of walks for the characters. Lip syncing even looked easy. Though the package is simple, you probably need some basic creative skills and understanding of animation to do anything sensible with it. Visit their Website and look in the gallery, the video of “I will survive” of Gloria Gaynor fame is a true classic.

Shure had their in-ear phones and were letting people try them (using replaceable foam in-ear sleeves, the comments from staff about ear wax were not pleasant). The big news is that they are now available in black to suit both iPod and PSP users. The black E4c’s (previously reviewed on the site) look better, but don’t sound any better, as this would be hard as they already sound so good.

There were lots of iPod and laptop cases and Be.ez make a range that can hold your iPod and accessories, laptop, laptop accessories and one that holds a Mac mini AND keyboard meaning you can almost use your mini as a laptop. All the cases are made out of 5mm polyurethane adequately protecting whatever’s inside.

MacExpo - Expo or Shop?LaCie had lots of disk systems on offer (firewire, USB and Ethernet) offering easy access to multi-terrabytes of data. An external 5 1/4″ drive (the size of a CD-ROM drive) can hold up to 1TB (big disk) while the double width bigger disk extreme can hold up to 2TB. There’s also external RAID drives, the biggest F800 holds up to 2TB supporting Firewire 800 (up to 80MB/s transfers) and the biggest S25 support 160MB/s and up to 2.5GB (which is 3GB internal) both support hot-swappable drives. The newest addition is the mini which looks just like a Mac mini and sits underneath it (and can be stacked with more minis), each one containing up to 250MB of disk.

Roxio have released Toast v7 which now is much more than just CD/DVD burning software, it can now create music DVDs with menu navigation, HD photo shows and much more.

Many usual suspects were there (Adobe, Quark) but Macromedia weren’t, maybe this is due to Adobe buying them?

Hopefully next year the show will revert to more of an expo and less of a computer fair.

Hash
Shure
Be.ez
LaCie
Roxio

BBC iMP Review – A Naughty Little iMP

BBC iMP Review - Naughty little iMPDespite so much current talk from the UK Telco’s and Sky on the magic that will provide an on demand broadcast TV proposition in the UK, tangible evidence of a working model beyond KiT in Hull and Homechoice is pretty sparse.

The one organisation that is taking it seriously and putting some of their money behind it (sorry, UK TV license payers money) is the dear old BBC.

Digital-Lifestytles has been keeping a close watch on iMP through each stage of its development from its initial announcement by Ashley Highfield at the Digital-Lifestyles theme day at IBC in 2003, through our uncovering that all of its content would be DRM protected back in Feb 2004, to the announcement of the trial, back in May this year.

I’ve been lucky enough to be one of the trialists for the iMP (that’s integrated media player not interactive as so many insist on calling it) and I can tell you it’s not at all bad. Viewing TV on a PC screen is not ideal and that has probably influenced the programmes I’ve chosen – largely factual and quiz. The BBC counters that, a ‘box’, is under development to port the output to your domestic telly and reminds us that it’s already possible to view the content on a selection of mobile devices.

BBC iMP Review - Naughty little iMPDespite the somewhat limited selection of programmes, which I’m told is largely down to copyright issues, it seems a positive move for a public sector broadcaster actually providing a service and solving the ‘problem’ of letting you see a programme you forgot to record or you later discover is worth viewing.

The operation, as you’d expect from a Microsoft product is ‘workperson-like’ ,if rather un-exciting, but to all intents and purposes, to those with an always-on connection, downloading the content is free. The technology that allows programmes to be downloaded in faster than real time on a 2mb connection is a completely legal (I’m told) peer to peer application – everyone who is running the trial software, shares their content with other on the trial, without their having to do anything.

The built-in DRM expires the programmes after seven days which, when compared to the analogue world, I haven’t noticed happening on my VHS tapes. It’s been necessary to quell the agonies protested by the copyright owners.

BBC iMP Review - Naughty little iMPThe BBC is thinking beyond the present Windows-only solution. Speaking recently in London the BBC’s Project Director for iMP Ben Lavender reinforced the BBC philosophy of platform agnosticism and spoke of the desire to work on Apple and Linux solutions when DRM issues can be satisfactorily dealt with.

For commercial broadcasters there’s an over-riding issue to deal with, should they choose to get involved. How would they deal with the ease which you can move through spot advertising, remains to be seen but that’s an issue they’re’ going to have to face soon one way or another.

My verdict – I give it a thumbs up as long as a large enough library of content can be made available. For drama and the like, I’d want an easy method of outputting to the living room TV.

MacExpo UK Review (1/2) – Expo or Shop?

MacExpo - Expo or Shop?MacExpo has moved to Olympia from the Islington Design Centre and that’s probably the most exciting bit of the show.

Though the new Apple Powerbooks and G5’s were there, a lot of stands were just selling Mac and iPod add-ons, MacExpo is turning into a computer fair. Being generous, it could be the economic conditions that are forcing it in that direction.

MacExpo - Expo or Shop?The new G5’s are nice, based on the PCI Express architecture with the ability to put some very high-end NVidia graphics to real work. They now support two CPU’s each with dual cores (i.e. 4 cores) though each core only operates up to 2.5GHz rather than the older two CPU systems that operate up to 2.7GHz (but then, in theory, you’re getting 10GHz compared to a max previously of 3.4GHz – real world tests show more like a 67% speed increase). The new NVidia graphics cards are all capable of driving dual displays – so that’s two 30″ Cinema displays … but you’ll need a new desk.

The new 15″ and 17″ Powerbooks have updated displays and all have better batteries offering longer life.

MacExpo - Expo or Shop?The new iMacs were there too and they are still the sexiest systems on the market.

Slim Devices (makers of the Squeezebox) showed off their 3rd generation systems, rather than long and thin they’re now more squat (i.e. not so wide but taller) with big bright displays which can now display pseudo VU meters, they’ll cost £179 ($320, E265) for the wired version and £229 ($406, E338) for the wireless one. The SLIM Server software is available for Windows, MacOS and Linux/UN*X. They also use a digital output as well as analogue connections for connecting to your HiFi system

Postworx were showing off their balls (and selling them). They are designed for laptop users and attach to the base to increase airflow, keeping the it cool. They also raise the back, and to our initial surprise make it much more comfortable to type. They come in several versions and colours to match your mood or laptop. They either attach by a small velcro-like disk which you stick to the base, or a slightly larger plastic mount onto which the half-ball twists on to and attaches.

Read the second part of the review.

Slim Devices
Post Worx

MDR-EX71SL Sony Fontopia In-Ear Headphones: Review

MDR-EX71SL Sony Fontopia In-Ear Headphones: ReviewIt’s almost always worthwhile upgrading the cheapskate headphones that invariably come bundled with MP3 players and phones – especially if you’re currently strutting around with a pair of ‘Mug Me Now!’ Apple iPod ‘phones.

Sony has acquired a fine reputation for their consumer headphones and we looked forward to testing the Fontopia MDR-EX71SL in-ear headphones.

Sony have cottoned on to the fact that a lot of people won’t want half a mile of excess cord flapping around, so have fitted the headphones with a short lead, ideal for plugging into lanyard remote controls.

If you need a longer lead, you can simply attach the extension cord to extend the cable to 1m.

MDR-EX71SL Sony Fontopia In-Ear Headphones: ReviewThe closed-type Fontopia design is powered by super-small 9 mm drivers kitted out in Spinal Tap black with go-faster silver accents (they’re also available in Mac-like white, but that’s just asking for trouble).

Looking and feeling disturbingly medical, the headphones come with three sets of attachable soft silicon earbuds in small, medium and large sizes.

These floppy bits of thin, rubber-like material fit on the headphones to provide a tight seal around your ears.

We have to say that fitting them felt a little strange, but once our ears were suitably isolated, we tried the Sony Fontopias through a variety of sources; an MP3 player, PDA smartphone and high end hi-fi system.

Playing back a selection of tunes on the MP3 player, we immediately noticed a huge improvement in the sound quality, with a deep, smooth bass making itself felt with vocals being rendered more crisply.

The same improvement was heard on the smartphone, but the hi-fi system merely served to highlight the limitations of the ‘phones – not unreasonable considering the $32 (~£18 ~€26) price tag.

MDR-EX71SL Sony Fontopia In-Ear Headphones: ReviewSuitably impressed with our tests, we decided to take the headphones with us on a business trip and here’s where the problems began.

With the silicon earbuds forming a super tight seal around your lug holes, everything starts to sound a bit weird and distant when you’re walking the streets.

Your own footsteps resonate through your head like you’re King Kong going for a walk in diver’s boots and if you hum along to a tune it sounds like there’s several hives’ worth of bees joining in.

It was really, really unnerving and, frankly, rather unpleasant and we wished we’d stuck with our original ‘phones.

However, once on a train, the Fontopias came into their own, doing a wonderful job of delivering high quality sounds while almost silencing the screaming kid and Cock-er-nee Geeza shouting into his mobile opposite.

So we’ve got mixed feelings about these headphones: if you don’t mind sounding like a leaden leviathan going for a stroll, then the Fontopias represent great value, with their sonic quality improving vastly on headphones bundled with popular MP3 players.

We loved relaxing in splendid sonic isolation on the train, but as soon as hit the city streets we couldn’t bear the disorientating feelings we got from the Fontopias.

As a result, we strongly recommend trying these ‘phones out before buying.

Sound quality 4/5 starstar
Build Quality 4/5 starstar
Overall 4/5 (on the train) 1/5 on the streets starstar

Specs:

Frequency Response: 6 – 23,000 Hz
Headphone Output: Power handling capacity: 100mW
Impedance: 16 ohms at 1 kHz
Cord: OFC; Neck Chain, 4 feet (1.2m)
Magnet: 400-kj/m3 a Ultra-High-Power Neodymium Magnet
Diaphragm: PET, long-throw
Driver Unit: 9mm diameter
Other: Lateral, In-the-ear, Closed, Dynamic
Plug: Gold-plated, L-Shaped, Stereo Mini Plug
Sensitivity: 100 dB/mW
Weight: 0.1 oz. (4g), without cord

Sony

Wharfedale DV832B Review: Digital TV Box

DV832B Wharfedale Digital TV BoxAfter several years of battling with the clunky interface and weird quirks of our museum-ready OnDigital digital terrestrial television box, we decided it was time to replace it with something a little more contemporary.

With digital broadcast delivery technology moving so fast, we weren’t minded to shell out too much for something that may be rendered obsolete by some funky new feature in a few years, so we went looking for a cheap’n’cheerful option.

A quick visit to box-shifting supremos Argos saw our eyes fixing on an ideal candidate: the Wharfedale DV832B digibox.

Sure, it’s not much to look at and the plastic case – with its cheap, old-school red LCDs – is unlikely to woo the neighbours, but the feature list was far more than what we expected at the price level.

DV832B Wharfedale Digital TV BoxFor the princely sum of just £35 (~$62, €52), the Wharfedale offers a digi box with a 7 day electronic programme guide (EPG), digital text, digital interactive services, DVB subtitles, auto scan and setup and 2 SCART sockets.

Suitably impressed, we shelled out the readies and plugged the unit into our home entertainment system.

Once powered up, the unit asks if we want it to automatically scan for stations and after saying “Yes please Mr DigiBox”, we were presented with a long list of available digital TV and radio stations.

DV832B Wharfedale Digital TV BoxOnscreen menus

As with most digital boxes, you need the remote control to access the key functions with the front of the unit only offering controls for on/off and program up/down.

The onscreen interface was simple, crisply designed and easy to navigate, and proved fairly intuitive in operation.

Using the onscreen menus we were given options to delete channels, rename channels, select favourites, set up to five timers, add a parental lock, choose TV type and set up Over-Air software downloads.

Within minutes of getting the DV832B out if its box, we were skipping channels with glee, pausing momentarily to wonder who on earth watches those dire Bid TV programs.

DV832B Wharfedale Digital TV BoxPicture quality

Picture quality was good with no nasty outbreaks of the jaggies to be seen (although we do live within eyeshot of the Crystal Palace transmitter so we can’t say how it might perform in areas with weaker coverage), and we found the overall performance to be perfectly satisfactory.

The slimline silver unit (4.8 x 30 x 20.6cm) comes with a simple and straightforward 24-page manual, a SCART lead and a run-of-the-mill remote control (there’s no Top Up TV compatibility on board, but we’re not complaining at this price!).

Our conclusion

The Wharfedale DV832B provides outstanding value for money, is a thoroughly capable performer and we have no hesitation in giving it five stars.

May You Live In Interesting Times, Festival Preview (2/2)

The first part of this preview was published last week.

May You Live In Interesting Times, Festival Preview (2/2)The festival has been developed by Bloc (Creative Technology Wales) and Chapter Arts Centre, Cardiff. They have managed to accommodate a large number of complex yet accessible projects. This collaboration is all the more impressive in its scale when you realise that both organisations have their own projects running concurrently (Bloc are developing Northern and Southern pilot projects in Wales with accompanying seminars; Chapter are hosting the first UK showing o the artists Olaf Breuning).

The festival will be based at Chapter but will spill out into the streets of Cardiff and various venues and unique spaces. Contemporary artists are increasingly engaged with, or inspired by, digital technology and such public spaces.

The public and communication technologies are attractive to artists because of their user friendliness and their massive global reach.

Artists tend to situate such work somewhere between public art and street culture. Digital technology is often claimed to go beyond physical limitations such as cyberspace, but it is always embedded in real spaces and places such as the home, the workplace and the street whether this is an individual user, or as part of a larger ever extending network.

These spaces in Cardiff include the Millennium Stadium, where Tim Davies’ Drumming will be shown on the giant digital billboards above the pitch. This shows the frenetic beating of a snare drum as a call to arms. The drumming echoes out throughout the stadium and beyond, echoing the roar of 70,000 Welsh fans.

If you see a number of futuristic-looking people being pursued down Cardiff’s Queen Street, don’t worry, that will be Blast Theory.

Renowned internationally as one of the most adventurous artists’ groups using interactive media, Blast Theory come to Cardiff to present the award-winning chase game Can You See Me Now?

Online players are dropped into a virtual Cardiff while Blast Theory runners, tracked by satellites in the real city, pursue you.

May You Live In Interesting Times, Festival Preview (2/2)To join in you can access a number of computer terminals at the National Museum and Gallery or at one of the festival hubs at Chapter or g39 (cor). If you are unable to visit you can play from your own computer.

A number of residencies have already taken place across Wales, such as Jen Southern and Jen Hamilton who have been working at Creative Mwldan in Cardigan.

They have been setting tasks for locals and tourists while tracking their movements through GPS systems.

The evidence they collect will then be relocated to Cardiff, where they will be taking visitors on a boat trip in Cardiff Bay.

Grennan and Sperandio will be based in Cardiff, where they are keen to meet anyone interested in any aspect of gaming, from bridge clubs to computer game enthusiasts. They will be creating an online and actual card game based on interactions with historians, language experts, game enthusiasts as well as people from all walks of life in Cardiff.

Artists from Wales were encouraged to develop new work. Stefhan Caddick will be placing a portable digital road sign near Cardiff’s Old Library.

Usually used to display traffic information, viewers are asked to text their own messages which will be then displayed on screen.

Andy Fung’s work will be displayed on an advertising billboard on Leckwith Road near Cardiff’s Football ground.

May You Live In Interesting Times, Festival Preview (2/2)The artist group Second Site will be displaying new video works in the windows of a empty bank on Bute Street, while Chris Evans will project his interactive game onto St John’s Church in the centre of Cardiff.

Canton Labour Club becomes the ideal venue to host a series of discussions based around ideas of community and broadcasting.

The two-day conference will explore the themes of the festival, including the use of locative media, such as GPS systems and mobile phones. There will also be a look at the use and influence of video gaming.

With so many creative technologies on offer, it seems that we do indeed live in interesting times.

Karen Price is Arts Correspondent for the Western Mail.

The first part of this preview was published last week.

Chapter
Bloc
Cardiff Contemporary

May You Live In Interesting Times, Festival Preview (1/2)

We find it hard to explain how excited Digital-Lifestyles is about ‘May you live in interesting times’, the pseudonym given to the Cardiff Festival of Creative Technology starting in Cardiff on 28.Oct. Karen Price does a great job of capturing the range of events that make it up.
Watch out on Digital-Lifestyles after the event for a series of podcasts from there.
Part two of this preview is also available.

Close Encounters Of The Creative Kind – Part OneIt’s a fact of life – almost everywhere we turn we are surrounded by technology. From mobile phones and digital cameras to TVs and video games. But as well as making our lives easier and providing us with entertainment, more and more artists are now turning to everyday technologies when they create their work.

This will be highlighted during a new three-day festival which is taking place in Cardiff 28th-30th October 2005.

May You Live In Interesting Times – a title taken from a phrase used in a famous speech once made by Robert F Kennedy – is being staged across the Welsh capital as part of the Cardiff 2005 celebrations, and is a major highlight of Cardiff Contemporary, which is promoting the visual arts throughout this month.

Despite being the first event of its kind in Wales, it includes a line-up of international artists, speakers, sponsors and partners who will take part in a series of residencies, commissions, and a two-day conference.

This is all supported by a programme of artists’ projects, outdoor events, screenings, music, performances and projections.

Close Encounters Of The Creative Kind – Part One“The event will be held at various sites across the capital and will illuminate the city with dynamic and individual work using a range of new and existing technologies,” said festival co-director Emma Posey.

“The festival will provide a platform for national and international audiences to access the very best works that utilise digital technologies.”

It is already being recognised as a major international event, attracting attention as far and wide as Brazil, Holland, Japan and the USA.

The festival’s Website offers browsers from all over the world the chance to take part online via its live streaming and pod casting.

“We have received lots of positive responses so far both from inside and outside Wales,” said Posey.

Close Encounters Of The Creative Kind – Part One“We want to create a vibrant creative technology sector in Wales, with the festival celebrating this every two years.”

The festival’s other co-director Hannah Firth is keen to stress the accessibility of new technology and its use by artists and the public in their everyday lives.

“New forms of technology are commonplace, from mobile phones, computers, digital cameras, videogames and the way we watch television,” she said. “These technologies influence every aspect of our lives, if we like it or not. The festival looks at how artists are using this everyday available technology, not for its own sake, but as an additional tool in expanding their ideas.”

Richard Higlett, Visual Arts Coordinator for Cardiff 2005 added “May You live in Interesting Times is an important addition to the Capital’s cultural calendar and an opportunity to see art made using digital technologies by Welsh and Internationally respected artists. The festival is a reflection not just of the way art is made today but is about art which is resonant, depicting the current condition of society at the start of the 21st century.”

Karen Price is Arts Correspondent for the Western Mail.

Part two of this preview is also available.

May You Live In Interesting Times
Chapter
Bloc
Cardiff Contemporary

Pocket Informant Review: Pocket PC (4/5 Stars)

Pocket PC Pocket Informant 2005 ReviewPocket Informant 2005 is an integrated Pocket PC application that replaces the built-in Calendar, Contacts, Tasks, Notes, Journal programs and adds a Timeline view.

Loaded with customisation options, the program lets you dabble with just about everything and anything you can see on screen – typefaces, font sizes, font colours, categories, category colours, icons – the lot!

Although this seem a bit like overkill, the different screen sizes and resolutions available on PocketPCs means that controlling font sizing can come in very handy.

So, how does this do-it-all Personal Information Manager (PIM) shape up? Let’s take a closer look.

Calendar

The Calendar view offers a host of different views, displaying one day, seven day or whole month views on one screen, with the Agenda view presenting a user-selectable number of days of appointments in a list format, with the option to filter out ‘free’ days.

New appointments may be added by tapping and holding on a day’s title bar. Double-tapping on an entry opens its detail screen for viewing, editing or adding alarms.

Regularly recurring meetings can be set up as templates to speed up text entry (e.g. “Going to pub.”)

As soon as an event has passed it is displayed in italics, making it easy for the easily confused to see what events are remaining in the current day.

As with all the components in the Pocket Informant suite, a global navigation bar sits at the bottom of the screen, offering instant access to diary views, contacts, notes, to-dos and filter and search options.

Pocket PC Pocket Informant 2005 ReviewContacts

The Contacts screen opens up with a tabbed alphabetical row along the time allowing nifty access to contacts.

Inputting new contacts is straightforward enough, with the program auto-filling in frequently-entered text.

A whole host of fields are available to include every possible detail of your new contact, with the option to associate mugshots with contacts, and assign multiple categories.

The search facility is particularly clever, with users able to specify that the program looks for entries that start with the search text or for entries that contain the specified text.

Once a number is located, it can be dialled IR, Bluetooth, DTMF or Serial.

Naturally, there are options galore for listing contacts, including First/Last name, Last/First name, providing a picture list, and grouping by company, department, city, state, country, and category.

Pocket PC Pocket Informant 2005 ReviewTasks

As you might have guessed by now, the Tasks interface comes with a shedload of options, with entries being sorted/grouped by category, importance, priority, progress, completion, or date.

There’s the usual filtering and grouping options available, with users able to set up nested hierarchical tasks.

Tasks may be dropped on others to establish relationships, child tasks can be created by tapping and holding on a task and the hierarchical display may be expanded or collapsed.

Tasks can also be set to repeat with nagging reminders and start and completion dates entered.

Pocket PC Pocket Informant 2005 ReviewNotes

Here’s where we were very disappointed.

Unlike the simplicity of Palm’s ‘Memos’, the handling of notes is a real half arsed affair in Pocket Informant – the display is a real dog to get around, and everything seems needlessly complicated.

Sure, the improved text formatting is a nice touch, but finding, organising and categorising notes seems a needlessly tiresome chore.

I hope the Pocket Informant developers – who have a well earned reputation for listening to their punters – take a long hard look at how programs like Agendus on the Palm handle notes and learn from their experience.

Conclusion

Apart from the clunky horror of the Notes interface, it’s easy to see why Pocket Informant has become the most popular PIM application on the Pocket PC.

The program does an admirable job of making it easy for users to search find, organise and display content on the small screen of a Pocket PC and provides excellent value at $29.95 (~€24.5~£16.50).

With its extraordinary amount of user-configurable options, the program can be tailored to fit individual requirements, and with ample power under the hood, it can easily grow with the user’s needs.

Although the sheer range of options can confuse new users (us included), the intuitive, usable defaults make it easy to get started with the program.

Whether many users will ever get around to discovering the true power of the program is another matter, however.

We still think, however, that it’s the best PIM application available for the Pocket PC with only the poor support for Notes preventing it getting our very top rating.

Digital-Lifestyles score: 4/5
star

Price: $29.95 (~€24.50, ~£16.50)
Buy now online at PocketGearSpecial Offer $22.95 until 30 Sep.05

Further information Pocket Informant