Soapbox: Microsoft Takes Aim At YouTube

Microsoft Takes Aim At YouTubeMicrosoft is looking to shove its king sized oar into the massive successful user-generated video phenomenon with the launch of an online service to take on the likes of YouTube, Google and Yahoo.

Named Soapbox, the service enters beta testing today, and is expected to launch within six months as an integrated part of their current MSN Video service.

“We’re definitely not blind to the fact that YouTube has a big lead right now,” admitted Rob Bennett, general manager of MSN’s entertainment and video services.

He’s not wrong there either, with Nielsen/NetRatings reporting that YouTube scooped up 34 million visitors last month, while MSN Video could only muster some 12m.

In comparison, MySpace video notches up 17.9 million visitors a month with Google Video not far behind with 13.5 million each month.

Microsoft Takes Aim At YouTubeWith Microsoft’s vast reserves of cash to fall back on, it’s not surprising that Bennett is chirpy about their prospects, “It’s really early days in online video; this is still act one.”

Microsoft is running the beta trials by invitation only although users can apply on the website, which currently shows a kray-zeee video of some bloke prancing around in a silly MSN-style costume.

Woowargh! Those wacky Microsoft dudes!

The company says that the service will support a number of video file formats and delivery methods and run on both Windows and Apple operating systems with support for popular browsers like Internet Explorer, Firefox and Safari.

It’s obviously early days yet, but tech website Cnet were unimpressed with the Soapbox beta, declaring it “disappointing” and only “slightly better sharing service than YouTube in some small technical ways.”

MSN Soapbox

[Via: BBC]

Warner Music Strikes Deal With YouTube

Warner Music Strikes Deal With YouTubeWarner Music Group has announced a deal with YouTube to distribute music videos, as well as extras such as band interviews, behind-the-scenes footage and artist rockumentaries.

Warner Music’s vast music video library is set to become available with the launch of YouTube’s new content identification and royalty reporting system later this tear.

This comes with reporting and tracking tools to monitor music and video royalties, with YouTube claiming it can automatically identify copyrighted music and video content being uploaded to the site.

The companies hope that this new system will help YouTube get on top of the copyright issues that go hand in hand with video-sharing sites, with uploading punters rarely bothered about seeking the approval of copyright owners.

Uniquely, the system can also grant permission to other YouTube users to use any music from the WMG portfolio within their own videos, although we’re not sure if this will be made available for free or not.

Advertising revenue
YouTube and Warners plan to start sharing advertising revenue generated from running ads “on both WMG music videos and user uploaded videos that incorporate audio and audiovisual works from WMG’s catalog.”

Commenting on the partnership, Warner Music boss Edgar Bronfman said: “Consumer-empowering destinations like YouTube have created a two-way dialogue that will transform entertainment and media forever.”

Warner Music Strikes Deal With YouTube“As user-generated content becomes more prevalent, this kind of partnership will allow music fans to celebrate the music of their favourite artists, enable artists to reach consumers in new ways, and ensure that copyright holders and artists are fairly compensated,” he continued.

Chad Hurley, YouTube’s CEO was clearly an excited chap: “By providing a new distribution opportunity, we are paving the way for media companies to harness the vast financial potential of user-generated content on YouTube. We are thrilled that WMG had the vision to be the first music company, in partnership with its artists, to support the use of their content within user videos and to allow our community to interact with WMG music in new creative ways.”

Legal issues looming?
Of course, his gushing enthusiasm could also be seen an expression of relief as his company finally secures a big name backer to help pay off what must be truly formidable bandwidth bills.

He may also be facing some big legal bills too, as circling record company sharks look set to bite soon over alleged copyright infringements.

Doug Morris, head honcho of Universal Music, the world’s biggest music company, gave his sabre an extra long rattle in the direction of YouTube last week, saying, “We believe these new businesses are copyright infringers and owe us tens of millions of dollars. How we deal with these companies will be revealed shortly.”

With that kind of old fashioned refusal to try and work with new technology that can’t be uninvented, it looks like we might be in for another epic Napster vs The Man-type battle all over again.

YouTube
WMG

ChanSkype: Skype And Asterisk Talk To Each Other

Asterisk And Skype Talk To Each OtherA Brazilian company has forged a software bridge between Asterisk and Skype.

Asterisk is an open source VoIP PBX that runs on Linux and other platforms which handles VoIP to VoIP calling as well as calls to landlines. Developed by Mark Spencer it has taken the community by storm, sprouting many tens of thousands of installations world-wide, with a thriving development community.

It can work with traditional telephony systems or POTS (plain old telephone system), with digital systems (ISDN etc) and modern VoIP protocols such as H.323, SIP, MGCP and more.

Digium (set-up by Spencer) now manufactures hardware and offers a commercially supported version of Asterisk known as ABE (Asterisk Binary Edition).

Asterisk And Skype Talk To Each OtherOne feature that has been missing is Skype integration (the next version of Asterisk v1.4 supports GoogleTalk using Google’s libjingle library). A Brazilian company has now changed that, with their ChanSkype site.

ChanSkype
Currently the service is in test and you have to utilise ChanSkype’s own Asterisk servers. They offer a “free” trial whereby they allow a SIP connection and then by passing in a Skype address it sets-up a connection to the Skype user.

In the future they will be offering an actual chan_skype that plugs directly into any Asterisk server and can connect to the Skype network.

Of course it’s not quite so simple. The initial release only runs on RedHat’s Fedora Core or CentOS (which means it will probably also run on RedHat Enterprise Server too as CentOS is a clone of that). There must also be an X server running as well as the Skype for Linux client. So ChanSkype just bridges the two systems together.

A dual Xeon 3Ghz with 2 gigs of memory should run 30 simultaneous Skype calls without any noticable degradation of performance.

Pricing has not yet been set, but it will be licensed on a per-channel basis.

There may be licensing problems too as Asterisk modules should normally be available under a GPL license and with source code, but as Skype is proprietry they may get away with it.

Someone really needs to reverse engineer the Skype protocol and then a native chan_skype could be developed, but this is unlikely to happen in the western world as that could be illegal.

It’s a good idea, but really just a straight link into the Skype software which unfortunately is the only way it can be done.

ChanSkype

Leica, Canon, Olympus And Pentax Roll Out New Cameras

Leica, Canon, Olympus And Pentax Roll Out New CamerasThere’s been a flurry of interesting announcements from some of the photographic bigwigs leading up to the Photokina ‘World of Imaging’ Trade Show, which is held every two years at the Cologne Exhibition Centre, Germany.

The show runs from 26th September to 1st October, and we can expect further product announcements in the build up to the opening day.

As well as the fantastic Leica M8 camera we’ve already drooled and dribbled over, Leica also revealed three other cameras, all based on current Panasonic models.

Leica, Canon, Olympus And Pentax Roll Out New CamerasLeica DIGILUX 3 dSLR
The DIGILUX 3 dSLR – which is essentially a Panasonic DMC-L1 – opts for the Four Thirds system instead of Leica’s own reflex lens mount, and comes with the innovative 7.5 megapixel LiveMOS sensor for real-time, live photo previewing.

Bundled in with the package is a LEICA D 14 – 50 mm ASPH (F2.8 – F3.5) lens with built-in optical image stabilization.

Leica, Canon, Olympus And Pentax Roll Out New CamerasLeica V-LUX 1
Based on Panasonic’s DMC-FZ50, the V-LUX1 looks to be a well-specified enthusiast digicam, with a beefy ten megapixel CCD, a 12x optically image stabilised lens (35 – 420 mm equiv., with mechanically linked zoom), a tilting 2.0″ LCD monitor, electronic viewfinder, flash hot-shoe and full manual controls.

Movie clips can be recorded at 848 x 480 (16:9), 30 / 10 fps, with ISO options running from 80 up to 800ISO (with a high sensitivity 3200 mode).

Leica D-LUX 3
The ultra-compact D-LUX 3 is based on the eagerly awaited Panasonic LX-2 camera, and sports a ten megapixel 16:9 ratio CCD, Leica 4x wide angle optical zoom lens (28 to 112 mm equiv.) with optical image stabilization and a 2.8″ 16:9 ratio LCD monitor.

All the cameras have had image processing adjustments as defined by Leica, and, of course, spot that lovely red badge that says to the world, “I have considerably more money than yow.”

(See DPreview.com for more Leica specs)

New Canon cameras
Canon have also rocked up with a full trolley of new products, with the most interesting of the bunch being the long overdue upgrade to the Powershot G6 which was launched as long ago as August 2004.

Canon PowerShot G7
The PowerShot G7 features a 10 megapixel (1/1.8-inch) CCD, a new Digic III processor and a 6x (35-200mm equiv.) image stabilised zoom lens.

The camera comes with a 2.5″ high-resolution LCD – sadly without a swivel-out feature – with wide viewing angle and anti-glare coating and 25 shooting modes including full manual control and 2 custom settings.

There’s also a hot shoe, face detection software and ISO settings up to 1600, but keen photographers will be disappointed to see that there’s no RAW mode. Price is set around $550.

Leica, Canon, Olympus And Pentax Roll Out New CamerasCanon PowerShot SD900
The $450/€450 Canon PowerShot SD900 Digital ELPH (Ixus 900 Ti in Europe), looks natty in its tough titanium finish and comes with Canon’s new Digic III processor, face detection, a 10 megapixel CCD with an ISO range of 80 – 1600.

Movies can be recorded at 1024 x 768 @ 15fps or 640 x 480 @ 30 / 15fps, and the camera offers a 3x optical zoom (37-111mm, 35mm equiv) at f2.8-4.9.

Canon PowerShot SD800 IS
Looking to be a well-specified compact, the SD800 Ixus/ELPH offers shift-type image stabilisation, a large 2.5-inch screen, face detection technology and 7.1MP sensor.

Leica, Canon, Olympus And Pentax Roll Out New CamerasImpressively, the $449 / €449 camera offers a wideangle 3.8x zoom (28-105mm) along with the usual zillions of scene modes.

Canon PowerShot SD40
Finishing off the rollcall of new Canon products, is PowerShot SD40 Digital ELPH (Ixus i7), an upgrade to their popular SD30.

The pocket sized compact comes with the new Digic III processor, ISO 1600, face detection and a 7.2 megapixel CCD and – look out fashionistas! – will be offered in a range of four ‘chic’ new colours.

Leica, Canon, Olympus And Pentax Roll Out New Cameras(See DPreview.com for more Canon specs)

Olympus E-400
Olympus’s new ten megapixel compact digital SLR looks to be a bit of a beaut to our eyes, offering the Supersonic Wave Filter for dust reduction, a 2.5″ LCD monitor, three frames per second continuous shooting and an improved interface.

Coming with a 14-42 mm F3.5-F5.6 kit lens, the dSLR uses the Four Thirds Standard and offers both CompactFlash and xD-Picture Cards storage.

There’s a veritable flotilla of scene modes onboard, as well as a host of advanced features for enthusiasts.

Bizarrely, Olympus have decided not to release this camera in the States.

www.olympus.co.uk

Pentax K10D
Last, but by no means least, is Pentax’s new ten megapixel K10D digital SLR.

This comes with CCD-shift type Shake Reduction, a dust removal system, environment sealing, eleven point auto focus, sixteen segment metering, and a new Sensitivity-Priority AE (Sv) mode, which is designed to automatically select the optimum combination of aperture and shutter speed for a user-selected sensitivity.

ISO sensitivity can be set from 100 to ISO 1600, with continuous shooting at approximately three images per second.

Pentax

FakeCall For Palm Treo 650

FakeCall For Palm Treo 650You must all be familiar with this dreadful situation when you’re stuck in a late Friday work meeting that never seems to end, while your mates are already in the pub.

The boss is showing no sign of finishing his motivational Power Point presentation (backed by the soft rock ‘team building’ sounds of Boston and Foreigner) and you’re desperately trying to think of a good enough reason to get you out of this hell hole.

If only the phone would ring with an urgent call!

Thanks to Fake Call, there’s now a handy and convincing way to escape perpetual presentations (and unwanted social interactions) by setting up simulated incoming phone calls.

Using the programs straightforward interface, you can set an appointment in the Treo’s Contacts to activate the fake call (or discretely press and hold a preconfigured key) and a call will materialise right on cue!

FakeCall For Palm Treo 650Ringtones can be set as required and when the phone rings, it’ll even display the name of the fake caller, so you can let your boss see how really urgent the call must be.

When you answer the call, one of four pre-defined “hello” greeting messages will blast out of your phone, or you can record your own one-sided ‘conversations’ in wav/mp3/ogg/wma file formats for added, boss-fooling authenticity

FakeCall requires 50k of memory and can be purchased from Toysoft Inc – it’s got to be worth the outlay for just $5.95 (£3.20, €4.70)!

Leica M8 Digital Rangefinder Camera Announced

Leica M8 Digital Rangefinder Camera AnnouncedGreat oceans of dribbling saliva could be seen around the photography desk at Digi-Lifestyle towers today as we caught sight of the eagerly awaited Leica M8 Digital Rangefinder camera.

Designed for professional photographers and enthusiasts with mine-deep pockets, this German-built beauty comes with a Kodak 10.3 million pixel sensor, and a body so tough you could hammer in nails with it (but don’t try).

Lenses
Coming over half a century after Leica introduced the first M series camera – the legendary M3 – the M8 will be able to take almost all the Leica M system lenses made since 1954, although with a 1.3x FOV crop (so a 21 mm lens will have the equivalent focal length of 28 mm).

Leica M8 Digital Rangefinder Camera AnnouncedLeica used some Teutonic cunning to get around the problem of corner vignetting on older lenses by employing a smaller sensor, offset microlenses and software correction optimised for the lens in use.

To compensate for the lack of wide angle action, Leica has announced two M series wide-angle lenses, the Tri-Elmar-M 16-18-21 mm F4 ASPH and the Elmarit-M 28 mm F2.8 ASPH and a matching finder.

There’s no news on lens prices yet, but no doubt they’ll be high enough to turn you grey/bald/impotent/speechless with shock.

Rangefinders
We’ve long been fans of rangefinder cameras, with the design allowing for fewer moving parts, smaller lens and bodies, less shutter lag and quieter operation (thanks to the absence of SLR flapping mirrors).

Leica M8 Digital Rangefinder Camera Announced Rangies aren’t for everyone though. The lack of autofocus and limited availability of long telephoto lenses means that you’ll need an experienced hand to grab action/sports photographs, and there’s no hand-holding ‘scene’ modes on this puppy.

Tough as a brick outhouse
The M8 looks as tough as Desperate Dan without a shave, with the main body made from magnesium alloy and the top plate milled from a single block of brass.

The M8’s top mounted controls are simple and traditional, with a switch for turning the camera on/off and selecting single shot, continuous (2 fps) or self-timer modes.

Leica M8 Digital Rangefinder Camera AnnouncedInside is the three-position shutter release button (prime exposure/ exposure lock/shutter release) with an old fashioned shutter speed dial to the left (we like these).

Exposure
Speeds can be set from Bulb to 4 seconds right up to 1/8000, with an ‘A’ position setting automatic shutter speed selection (aperture priority).

An ISO range of ISO 160 right up to the heady heights of ISO 2500 should make the Lecia a good choice for lowlight photography, with a tone value histogram on hand to help photographers grab the perfect exposure.

The M8’s metal blade slot shutter enables short flash synchronisation times down to 1/250 of a second, with the camera using M-TTL flash technology for determining the exact power requirement for the main flash.

To the left of the top plate is a small circular LCD display showing the number of frames remaining on the SD card and a battery status indicator.

On the back of the camera, there’s a large 2.5″ 230,000 pixel (320 x 240 x RGB) TFT LCD monitor with a perspex protective window, and a circular control pad to the right and further controls to the left.

Leica M8 Digital Rangefinder Camera AnnouncedAs with previous Leica designs, the camera is clear and easy to understand, simple and graceful throughout. And eye-wateringly expensive.

To old camera duffers like us who go all misty eyed at the sight of a discarded film canister, a digital Leica rangefinder is the object of some considerable lust, but with an eye watering price of £2990 – and that’s only for the body only – we’ll be sticking to our trusty Ricoh GR for now.

Leica M8 Digital Rangefinder specifications

Body material Enclosed all-metal body of highly stable magnesium alloy for professional use over many years. Black synthetic leather coating. Top panel and bottom cover are milled from solid brass and are silver or black chromium plated.
Sensor 27 x 18 mm CCD sensor (by Kodak), 10.3 million effective pixels, 6.8 x 6.8 µm pixel pitch, RGB Color Filter Array, Offset microlenses near frame corners, No anti-alias filter (low pass filter), 1.33x FOV crop
Image sizes 3936 x 2630, 2952 x 1972, 1968 x 1315, 1312 x 876
File formats DNG (RAW), JPEG (Fine / Basic), DNG + JPEG
Lens mount Leica M bayonet, Identification of 6-bit coded lenses
Lens system
Current 6-bit coded Leica M lenses of 16 – 90 mm focal length
All Leica M lenses of 21 – 90 mm focal lengths produced since 1954
135 mm lens can be used but precise framing will be difficult
Lens coding 6-bit lens coding system (detection can be disabled)
Reduction of edge shadowing
Identification of lens (recorded in JPEG EXIF / DNG)
Auto slow-sync function in aperture priority mode
Incompatible lenses Hologon 15 mm F8
Summicron 50 mm F2 with close focusing
Elmar 90 mm F4 with collapsible tube
Lenses with retractable tubes can only be used with their tubes extended otherwise you risk damaging the camera
Focusing Manual focus via lens ring
Superimposed focusing system via viewfinder
Exposure modes Heavily center-biased TTL exposure metering with preset aperture
Light reflected from white strip in center of metal blade slot shutter
Silicon photodiode with collection lens
Range: 0 to 20 EV
Metering range EV 0 to 20 (3D color matrix or center-weighted metering)
EV 2 to 20 (spot metering) (ISO 100 equivalent, f/1.4 lens, 20 °C)
Exposure compen. +/- 3.0 EV, 1/3 EV steps
Sensitivity ISO 160, ISO 320, ISO 640, ISO 1250, ISO 2500
Shutter Microprocessor-controlled metal blade slot shutter with vertical action
Shutter action Shutter activation optimised for minimum noise development. Electric motor drive with friction wheel in the first speed build-up stage and a cam disc for homogeneous torque throughout the activation process.
Shutter speed In aperture priority mode steplessly adjustable from 32 to 1/8000 sec
Manually selectable from 4 to 1/8000 sec in 1/2 EV steps
Bulb, Shutter dial (for manual selection) “Wrong way” shutter dial (same as M6 TTL / M7)
Auto shutter speed position, Bulb position
8 – 1/8000 sec in 1/2 EV steps
1/250 sec indicated as flash sync
Shutter release button Three position soft-touch button
1. Initiate metering
2. Lock metered exposure
3. Shutter release
Aperture Selected on lens
White balance Auto
Six presets, Tungsten, Fluorescent, Daylight, Flash, Cloudy, Shadow, Manual preset
Kelvin color temperature (2000 – 13100 K)
Preset white balance (immediate or from photo)
Color space sRGB, Adobe RGB, ECI RGB
Image parameters Sharpening (5): Off, Low, Standard, Medium High, High
Saturation (6): Low, Medium Low, Standard, Medium High, High, B&W
Contrast (5): Low, Medium Low, Standard, Medium High, High
User profiles Three available
Viewfinder type Large bright-line frame viewfinder with automatic parallax compensation
Viewfinder optics with reduced sensitivity to scattered light and optimum visibility of the bright-line frame in all lighting situations
Viewfinder specification Eyepiece matched to -0.5dpt, correction lenses form -3 to +3dpt available
Enlargement: 0.68x for all lenses
Viewfinder bright-line frames Automatically matched for the lens used, 24 and 35 mm, 28 and 90 mm, 50 and 75 mm
Automatic parallax correction
Size basis range finder
Combination of split and superimposed image range finder shown as a bright field in the centre of the viewfinder image. Effective measurement basis 47.1 mm (mechanical measurement basis 69.25mm x viewfinder enlargement 0.68 x).
Viewfinder information LED symbol for flash status, Four-digit LED display with dots above and below
Brightness automatically adjusted depending on ambient brightness
Memory capacity warning when the SD card is full
LED light balance with two triangular and one circular LED for manual exp
Display of: underexposure by at least one aperture stop; underexposure by 1/2 aperture stop; correct exposure; overexposure by 1/2 aperture stop; overexposure by at least one aperture stop
LCD monitor 2.5″ TFT LCD, 230,000 pixel TFT
Flash control Leica M-TTL flash compatible
Short calibration pre-flash immediately before main exposure
Connection: M-TTL guide number control with pre-flash
Flash sync: 1/250 sec
Manual: Bulb to 1/250 sec
Auto slow sync: 1/focal length in seconds (only 6-bit coded lenses)
Choice of long flash sync times up to 1/8 sec for balanced flash in aperture priority mode
Sync: 1st or 2nd shutter point (front / rear sync)
Compensation: +/- 3.0 EV in 1/3 EV steps
Shooting modes Single picture (one shutter button depression, one picture)
Continuous (2 frames per second up to 10 frames)
Storage Secure Digital / Secure Digital HC, FAT / FAT32
Connectivity USB 2.0 Hi-Speed (Mini-B connector)
Provided software Capture One LE
Leica Digital Capture
Power Lithium-Ion battery pack (3.7 V, 1900 mAh)
Charger included (also attaches to car socket)
Dimensions 139 x 80 x 37 mm (5.5 x 3.1 x 1.5 in)
Weight (no battery) 545 g (1.2 lb)
Weight (inc. batt) 591 g (1.3 lb) DPReview

LonelyGirl15: Rumbled By YouTube Fans

LonelyGirl15: Rumbled By YouTube FansYouTube is continuing to get attention for the content it has on it. Not this time for alleged copyright violations, but for a young girl who has been appearing in videos about the trial and tribulations of her life. Her moniker? LonelyGirl15.

The controversy? She’s not what she might first appear.

At first glance it looked all very innocent. The videos are primarily shot from the corner of her room, where LonelyGirl15, or Bree as she called herself. talks about her parents, school activities, and consistent themes like, “proving science wrong”.

We’ve used LonelyGirl15 as an example of noteworthy content, when working with consultancy clients, helping them understand the shift that are continuing with media. We selected it because, we found it just a bit too questionable.

LonelyGirl15: Rumbled By YouTube FansWhat raised our suspicions? It had always been shot on a video camera, high above a standard Web cam and edited in a self-consciously amateur fashion. The subjects she spoke about appeared just too ideal for the majority-male YouTube – geeky with relationship questions. Of course she was also very attractive. It was also strange that the music that was used in the tracks was always fully credited. We wondered if Bree was eventually going to start talking about products.

During a session, we showed her videos to senior advertising execs, they immediately smelt a rat with the way the Hiking piece had been shot. It convinced them it was manufactured.

LonelyGirl15: Rumbled By YouTube FansIt appears that some people who it also didn’t quite ring true for, did a bit of digging and found out that email responses from LonelyGirl15 actually came from within Hollywood powerhouse talent agency, Creative Artists Agency (CAA). Hmmm… the mystery deepens. More details of what has been discovered are available in the LATimes article.

Discussion in the blogosphere continues as to the legitimacy of LonelyGirl15, with a popular theory being that it’s a creation to promote a horror film.

LonelyGirl15

Adobe Photoshop Elements 5.0 Announced

Adobe Photoshop Elements 5.0 AnnouncedAdobe has announced the latest upgrade to their Photoshop Elements consumer photo editing software with Version 5 of the popular, consumer-friendly package adding more tools to help photographers organise, edit and share their pictures.

With a strong focus on sharing, Photoshop Elements lets users organise photos into themed and customisable layouts with online scrapbooks offering a choice of over 100 frames.

Using a trusty ol’ drag and drop interface, photos can be moved and resized within the templates, with a new Map View letting snappers mark photo-shoot locations on an online satellite map.

Adobe Photoshop Services makes it easy for users to share photos online, with the Flash-powered Adobe Photoshop Showcase allowing punters to go kerrrr-azy with spinning, whirring virtual scrapbooks, with lots of options to add unutterably cheesy effects like falling snow and spinning photo carousels (don’t do it!).

Adobe Photoshop Elements 5.0 AnnouncedPowerful imaging tools
Amongst all the eye-candy fluff, there’s the usual powerful image editing tools which has rightly made Elements the best selling consumer photo editing software on the planet.

These include intelligent features that automatically correct skin tone, lighting, colour, contrast and ‘red eye,’ with tools to fine-tune colour, brightness, and contrast.

It’s even got some of the advanced features from its big brother, the industry standard Photoshop CS2, with smart tools like a Healing Brush for removing unwanted objects and ex’girl/boyfriends, a Spot Healing Brush for getting rid of dust and scratches in old photos, and Shadow/Highlight for lightening shadows and reducing the glare of highlights.

Adobe Photoshop Elements 5.0 AnnouncedNew tools for version 5 include a useful black-and-white conversion tool, a long overdue “Adjust Colour Curves” tool for fine-tuning images and a handy controls for correcting camera lens distortion.

“Digital photography has changed the way people capture moments and memories and today’s digital cameras and even camera phones have the potential to deliver some extraordinary results,” intoned John Loiacono, senior vice president of Creative Solutions Business Unit at Adobe.

“Adobe Photoshop Elements gives customers the creative freedom to get more out of their digital camera, with the sophisticated and accessible editing features that the Photoshop name is famed for. The result is superior images that can be shared with family and friends in new, exciting, high impact ways – on the Web or in printed formats,” he frothed.

Adobe Photoshop Elements 5.0 AnnouncedPremiere Elements 3.0
Adobe also unveiled the version three of their Adobe Premiere Elements software, which tightly integrates with Elements to let punters get wildly creative with their photos and home videos.

Both products will be available in October 2006 with Adobe Photoshop Elements 5.0 for Windows knocking out for around £69.99 (excluding VAT), with the option to buy the Adobe Photoshop Elements 5.0/ Premiere Elements 3.0 bundle for just under a ton.

It looks like Mac users are still stuck with Photoshop Elements 4.0 which also retails for £69.99 (excVAT).

Adobe

Apple iTV Device Pre-Anounced

Apple iTV Device Pre-AnouncedApple has for once pre-announced a new product, codenamed iTV (which is unlikely to be the final name as they’d get sued in the UK for a start).

This is a media playback unit (about the same dimensions of a Mac Mini but half the height). It has a multitude of connectors on the back (audio and various video including HDMI). It connects to the network over wireless and can stream movies, music, video, photos, podcastsfrom iTunes or from Apple.com/iTunes store.

It will be available in Q1 2007 for $199.

New Apple iPods Launched: Nano and Shuffle

It's Apple ShowtimeIn the UK, the iTunes music store was closed all day yesterday for refurbishment, with a black screen just saying ‘Showtime.’ At about 6pm (UK time) Steve Jobs announced why. There’s a slew of new/updated iPods and more content on the store as well as version 7 of iTunes for Mac and Windows (more on this later).

iPods get another makeover
All the iPods are being updated, from the video iPod down to the shuffle.

The video iPod now comes in two versions, 30GB and 80GB (£189 inc VAT and £259 respectively). They have a new screen that’s 60% brighter and more vibrant. As well as playing videos and music, viewing photos and the normal iPod features, games can be downloaded from the iTunes store (£3.99) and played on all 5th generation+ iPods. The battery life has been increased and with the 30GB iPod lasting 14 hours and the 80GB 20 hours (for music, that drops to 6.5 hours for video, but long enough for a couple of films).

It's Apple ShowtimeMovies (and video from the iTunes store) are now stored in 640 x 480 format.

The new Nanos come in 2, 4 and 8GB (£99, £129 and £169). Apple has gone all retro and reverted back to the mini design in that they now have an aluminum case in a variety of colours (sliver, pink, blue, green and black). It’s thinner than the 1st generation Nano. They now have 24 hours battery life.

It's Apple ShowtimeBoth the Nano and iPod video now have search features so that albums can be searched for etc., using the click wheel (with on-screen letters and search criteria). Gapless playback is a new feature, so songs can be played continuously without the normal two second wait between songs. There’s no beat matching yet, but maybe that’s Apple’s next enhancement so DJ’s will be out of a job.

The new shuffle (1GB, £55) is tiny and again in retro silver aluminum. It’s about 1 inch long (and almost square) and has a built-in clip (well the back is a clip).