EMI Partners With 3 To Supply Mobile Music

EMI Partners With 3 To Supply Mobile MusicMobile operator 3 has announced a partnership with EMI Music UK to supply full-length music tracks directly to the three million customers on their network.

Thanks to the deal, 3’s customers will be able slip on a pair of gold lycra pants and gyrate around the office to Kylie, Robbie Williams and the rest of EMI’s bulging back catalogue.

EMI Partners With 3 To Supply Mobile MusicThe agreement will also enable customers to access music from EMI’s other UK labels which include Parlophone, Relentless and Virgin with the “hottest and freshest” 100 EMI Music UK’s tracks made available for downloading in either WMA or AAC format (depending on the handset).

Last year, 3 became the first network to provide full-length music videos over mobiles, offering mainstream videos from Sony BMG and independent music offerings through VidZone.

EMI Partners With 3 To Supply Mobile MusicIn a flurry of synergetic deals, Robbie Williams launched his single “Misunderstood” on the 3 network before it had been heard on TV or radio and Natasha Bedingfield and Rooster have also streamed concerts live to 3’s customers.

Bob Fuller, Chief Executive of 3 UK, clamed that 3 was leading the way in developing the exciting opportunities of 3G mobile technology.

Dave Gould, Commercial Manager, Digital Media for EMI Music UK, added: “We’re delighted to bring EMI Music UK’s labels to 3. 3 is a leading network in bringing mobile music to their customers and we’re really excited about the possibilities of putting more great music into the hands of millions of mobile users.”

3
EMI group

Zen Vision From Creative Squares Up To Apple’s iPod

Zen Vision From Creative Squares Up To Apple's iPodWith the slap of a leather gauntlet against iPod’s shiny white face, Creative has unveiled its new Zen Vision a portable media player.

Yep, it’s yet another contender for the title of ‘iPod Killer’, but this one’s got a killer punch: video playback, a feature that isn’t expected to be seen on iPods until 2006.

As well as supporting music playback, users can view movies and digital pictures on the unit’s impressively girthed 3.7″ (diagonal) 262k colour TFT LCD screen at a resolution of 640×480.

Zen Vision From Creative Squares Up To Apple's iPodThe Zen Vision supports a slew of video codecs, including AVI, DivX, XviD, MPEG-1, MPEG-2, MPEG4-SP and Microsoft’s WMV9.

Audio support is similarly comprehensive, with the unit playing MP3 (Up to 320 kbps), WMA (Up to 320 kbps), WMA with Digital Rights Management (DRM) 9 or later and Linear PCM WAV.

Although the Zen Vision can’t play tunes downloaded from Apple’s iPod music store, it does support other popular music stores including Napster, MSN Music and Yahoo! Music Unlimited, so there’ll be shortage of tunes available for the device.

There’s also an integrated FM radio on board, offering 32 station presets with the ability to record shows or your own voice.

Zen Vision From Creative Squares Up To Apple's iPodResplendent in its white or black finishes, the Zen is quite a looker, and is only slightly larger than the rival iPod.

There’s 30GB of storage on board, which Creative claims will support up to 120 hours of movies (based on 500Kbps MPEG4-SP), or 15,000 songs encoded at 64k WMA – this is something of a meaningless figure because it’s doubtful people will want to listen to their tunes at such a low quality setting..

We very much like the provision of a CompactFlash card slot, with a range of adaptors for popular memory card formats (SD, MMC, Memory Stick etc making it easy for photographers to transfer photos to the device for storage and viewing.

There’s also a personal organiser provided, capable of syncing daily tasks, contact lists and calendar data.

Zen Vision From Creative Squares Up To Apple's iPodThe pocket sized powerhouse comes with a rechargeable Li-ion battery offering up to 4.5 hours of video playback and 13 hours of audio, depending on the file’s format and energy settings.

Consumers in the US can pre-order the Zen Vision on Creative’s website for US$399 (~€323, £225~). Europeans will have to twiddle their thumbs and wait for now.

Creative Zen Vision

BBC’s Live 8 and Glastonbury Websites Attract Record Traffic

BBC's Live 8 and Glastonbury Websites Attract Record TrafficThe BBC’s online coverage of Live 8 in July notched up a record volume of Web traffic on their radio and music Websites.

Their online coverage of the global Live 8 event generated a massive 14.6m page impressions during its three-day run, with the Live 8 Wap site for mobile phones also proving a big hit, generating 112,000 page impressions over the same three days.

Music fans unable to join the glorious mud-fest at Glastonbury Festival headed to the BBC’s interactive Website for coverage of the famous festival, with 13.4m page impressions being generated during the fortnight surrounding the festival.

BBC's Live 8 and Glastonbury Websites Attract Record TrafficThe latest figures for the BBC’s online traffic also show a healthy boost in figures for their sports coverage on the Radio Five Live Website, with 910,841 unique users being recorded during June, compared with 840,019 the same period in 2004.

Curiously, although Five Live Sports Extra managed to increase its page impressions from 1,442,915 in June last year to 1,794,421 for the same period this year, unique users fell from 203,953 to 161,036.

BBC's Live 8 and Glastonbury Websites Attract Record TrafficIt was mainly good news elsewhere, with Radio 1, Radio 2, Radio 3, Radio 4, 1Xtra, Asian Network and BBC 7 all increasing their unique users compared to the same period last year, with only 6 Music – one of our favourites – letting the side down with a disappointing slump from 418,729 to 356,564.

Revolution Magazine

MTV Starzine: Driven By User-Generated Content

MTV: Starzine Site Launches MTV is in the mood to get all interactive with its audience with the launch of MTV: starzine, a new online magazine designed to give “music wannabies the opportunity to realise their dreams of becoming an MTV star.”

In a cunning work-avoidance exercise, the editors of the site are letting contributors create and design their own pages.

Wannabe webmeisters are invited to knock out their own layout, shovel in some draft copy and slap on some photographs to create their own page in the mag.

MTV: Starzine Site LaunchesIn another cunning ploy to keep users coming back for more, users will earn points for interacting with the magazine and the more material they shunt online and the bigger the audience, the more points they amass.

Sadly, points don’t mean prizes here – instead, users with bagfuls of points will be rewarded by having their page pushed closer to the front of the magazine.

“We’re inviting our viewers to let their creative juices flow and the chance to stand out from the crowd and become a true MTV star,” gushed Tony Robinson, VP, MTV International Marketing Partnerships.

“MTV: starzine is the first online magazine in Europe to be created by its readers for its readers and it will undoubtedly open doors for kids who want to get into photography, journalism or who just want a new way to communicate with other people,” he added.

MTV: Starzine Site LaunchesThe all-blinking, Flash-tastic, David Carson ‘tribute’ site lets users upload unlimited images as well as text on to the magazine, with the facility to directly submit photographs taken on a cameraphone.

“MTV: starzine provides an ideal platform for young people who want to get into photography or journalism as it gives people the ability to publish their work and get under the noses of thousands of other people,” continued Robinson.

“Anyone can become an MTV star using this service; all you have to do is get online and get publishing,” he added, looking forward to a new site stuffed full of lucrative product tie-ins and user generated free content.

Naturally, MTV have got a big airbrush on hand to remove anything that might “cause offence” and all content is moderated by The Man.

MTV:starzine

T-Mobile Plunders Guerilla Tactics To Promote Phone

Following a long tradition of The Man stealing ideas off the street to flog their products, T-Mobile is organising a series of impromptu ‘street gigs’ to promote their new Sony Ericsson D750i camera phone.

The ‘spontaneous’ performances will take part in London and Birmingham over the summer, with text and picture messages bring sent out to invite T-Mobile customers 90 minutes before the start of the gigs.

Offering ‘last minute invites to unusual locations for hedonistic fun’, you can see some of T-Mobile’s previous (ahem) ‘Guerilla street gigs’ on their T-Mobile Streets’ website

Wielding its corporate chequebook with devastating force, T-Mobile has booked a selection of hot’n’happening music artists like Mercury prize nominee The Magic Numbers, Lemar and El Presidente, along with some unknown acts.

T-Mobile Plunders Guerilla Tactics To Promote PhoneKeen to milk every last ounce of PR potential from the gigs, T-Mobile will be broadcasting the performances online, with company bods on hand to encourage T-Mobile subscribers to test the new handset run off with the thing.

Throughout the two-month event there’ll be a photo competition inviting punters to find the picture that best captures the spirit of the gigs.

T-Mobile Plunders Guerilla Tactics To Promote Phone“T-Mobile Street Gigs is the first of our new initiatives to deliver unique experiences for customers,” grooved Phil Chapman, UK marketing director, loosening his tie and turning down the David Gray.

Forthcoming gigs are currently being flagged up in T-mobile stores, with only the name of the next band to play appearing on posters.

T-Mobile customers can log into the edgy, stencil-graffiti-strewn website to register their interest and are free to invite as many of their chums as they like once they receive gig details

Music File Sharers Spend The Most

Music File Sharers Spend The MostIllegal music downloaders shell out more for legitimate music downloads than goody two-shoes music fans.

The results of the ‘2005 Speakerbox’ study by market researchers The Leading Question revealed that music fans who download music illegally via file-sharing networks also fork out four-and-a-half times more on legitimate music downloads than average fans.

The survey asked 600 British PC and mobile-owning British music fans about their downloading activities and discovered that music pirates spend substantially more on legally downloadable music through sites like Apple’s iTunes Music Store or Napster

According to the report, pirates who regularly download or share unlicensed music spend an average of £5.52 (~US$9.63, ~€7.99) per month on legal digital music, while average music fans only spend £1.27 (~US$2.21, ~€1.84) on digital tracks.

Music File Sharers Spend The MostHow much both groups spend on CDs wasn’t specified.

“Music fans who break piracy laws are highly valuable customers,” said Paul Brindley, director of The Leading Question.

“Legal actions are making something of an impact but unlicensed file sharing will never be eradicated. The smart response is to capitalise on the power of the p2p networks themselves to entice consumers into more attractive legal alternatives,” he added.

The research also revealed that illegal downloaders were mustard keen to try emerging music services, with 60% wanting to get their hands on a MP3-enabled phone, compared to just 29% of other music fans.

“There’s a myth that all illegal downloaders are mercenaries hell-bent on breaking the law in pursuit of free music,” Brindley continued. “In reality, they are often hardcore fans who are extremely enthusiastic about adopting paid-for services as long as they are suitably compelling.”

The survey highlighted that phones still have some way to go before they can compete with dedicated MP3 players as de-facto music playing devices.

Only 8% of punters surveyed were planning to buy a music playing mobile phone in the next 12 months, compared to 33% ready to rip out the readies for an iPod or dedicated MP3 player during the same period.

Music File Sharers Spend The MostRespondents cited built-in cameras, organiser functions and video cameras above music players in their preferences for mobile phone features.

Punters expressed concern about the low battery life of music playing phones, with some fearful of losing their music collection if they lost their phone.

With many consumers getting their phones for nowt through contract deals – and often replacing them regularly – the survey concluded that most punters have a low “emotional attachment” to their phones.

Despite this, 38% of those surveyed liked the idea of downloading full-length tracks direct to their mobiles, with the figure rising to over 50% for punters already downloading tracks to their computers.

Mobile phone manufacturers trying to tempt new users with bigger onboard memory will note that only 4% of the survey respondents wanted more than 1,000 songs worth of music to take with them on holiday.

Online file sharers ‘buy more music’ [Guardian]
The Leading Edge

vPod: Apple Closer To iPod Video Player?

Apple To Create iPod Video Player?The rurmour mill continues to hum with speculation that Apple are set to introduce a video playing iPod-like device in the near future.

Apple are already said to be talking to major music labels like Warner, EMI, Vivendi, Universal Music and Sony BMG about acquiring licenses to sell music videos through their hugely popular iTubes online store.

The videos are expected to start appearing on Apple’s online store in September at US$1.99 per download (~£1.15~€1.54)

The Business 2.0 blog reports that Apple is trying to strike similar deals with Disney, ABC News and ESPN.

As ever, Apple are keeping Mum on any proposed new hardware, although Steve Jobs has already commented about how the current iPod screen isn’t ideal for watching videos.

Apple To Create iPod Video Player?This has led to speculation that the company will be revising the iPod to create something like the ‘vPod’, a concept device created by design firm Pentagram which was published in Business 2.0 Magazine in March.

The magazine’s mocked-up machine looked like a version of the classic white iPod, stretched out to accommodate a wide-format screen.

An oversized iPod form would be unlikely to find favour with Jobs as he has already dismissed larger devices such as the Creative Portable Media Center for being too bulky and cumbersome to be a truly convenient portable player.

In fact Jobs has adamantly said ‘no” to video on several occasions, commenting in October that video on the iPod is “the wrong direction to go … there’s no content” and competitors providing video are “digging in the wrong place.”

Trouble is, Jobs is well known for trying to confuse competitors with double speak and bluff – he made much the same negative claims about Flash-based music players before releasing the Shuffle.

For many, the smart money is on Apple leaving the iPod as it is and introducing a completely different video player that will aim to grab the public’s imagination in the same manner as the iPod captured the music download market by the MP3s.

Apple To Create iPod Video Player?The big problem with trying to create a multimedia device is that people demand quite different things for mobile audio and video.

Music listeners want a small device that can fit into their sweaty jogging pants, while video buffs want a big wide screen for their moves that won’t be obscured by a few flakes of popcorn.

How Apple can resolve this quandary and come up with a competition-crushing compromise is anyone’s guess, but B2.0 editor Paul Sloan feels confident that they’ll manage it:

“If the past is any measure of what’s to come, Jobs will enter the arena late (as he did with the iPod) only to leapfrog over the competition with some entirely different device. And that could leave everyone from Microsoft’s Bill Gates to Sony’s Howard Stringer once again racing to copy their far smaller rival.”

Business 2.0

Apple To Become Mobile Phone Operator?

Apple To Become Mobile Phone Operator?The Apple rumour mill has been cranking into overdrive over the weekend after Forbes reported that the company may be considering becoming a mobile phone operator.

With Apple already rumoured to be developing a hybrid iPod/cell phone with Motorola, the article claims that “the pieces are in place for it to happen later this summer”, adding that companies like Virgin and Walt Disney have already proved that a new network model can allow all kinds of businesses to easily enter the mobile market.”

Disney will be launching its family-centric ‘Disney Mobile’ wireless phone network sometime next year, aiming to serve up a family-friendly mobile service with custom handsets and premium phone content (i.e. irritating ringtones and Disney-based games).

Since all the calls will be routed through Sprint’s national cellular network, Disney won’t have any infrastructure investment costs, but will gain access to a dedicated, direct marketing channel to da KidZ, scooping up network revenue and gaining a new content outlet.

Forbes predicts that Apple’s reputation for creating cool, user-friendly handheld gadgets could ease their transition into the mobile business.

In July last year, Apple announced its partnership with handset maker Motorola to create an iTunes-capable phone, but the product failed miserably to materialise at its scheduled CeBIT March 2005 launch.

Apple To Become Mobile Phone Operator?However, a report in the Sunday Telegraph yesterday claimed that Motorola will finally “unveil the first fruits of its partnership with Apple next month with the launch of its iTunes mobile phone at the V Festival.” The festival runs from 20th to 21st August 2005.

So far Apple is keeping Mum on the rumours about it entering the mobile market, although Steve Jobs has frothed enthusiastically about the cellular marketplace in the past:

“The mobile phone market…is a phenomenal opportunity to get iTunes in the hands of even more music lovers around the world.”

Forbes.com concludes that Apple is not the only big company that might roll out a cellular service this year with analysts suggesting that uber-brands like Nike and Wal-Mart could be planning their own networks.

Forbes

Legal UK Music Downloads Top Ten Million, Up 743%

Legal UK Music Downloads Top Ten Million, Up 743%The UK record industry trade association the BPI has revealed that download sales in 2005 have raced past the ten-million mark – almost twice the amount for the whole of 2004.

Sales are racing ahead of last year’s 5.7 million legal download total, with 5,562,638 single track downloads registered between April-June 2005 compared to just 659,377 for the same period last year – up a thumping great 743.6% for the quarter.

Purring wildly, BPI Chairman Peter Jamieson said: “The record industry has enthusiastically embraced the new legal download services since their emergence in the mainstream little more than a year ago and now we’re beginning to reap the rewards.”

Legal UK Music Downloads Top Ten Million, Up 743%Illegal music downloads remain a thorn in the side of the industry, but the growth in legal downloads now outstrips the growth in dodgy file sharing with Jamieson adding, “The battle against illegal files-haring will continue, but we are delighted to have hit this milestone so soon”.

Big gains in DVD single sales have compensated for the continuing decline in CD single sales (down 23% to 5,721,873) with an overall 52.4% improvement in single sales being recorded (including downloads).

Once again, the death of trusty old vinyl has been exaggerated, with quarterly sales for seven inch vinyl up by 87.3% on last year, although figures are comparatively small (288,780 between April-June 2005 against 154,216 for the same period last year).

Data compiled by the BPI shows annual sales of seven-inch vinyl singles climbing up to 1.4 million units, representing a huge 64% improvement year-on-year – the best 12 months for the format since 1998.

Legal UK Music Downloads Top Ten Million, Up 743%The resurgence of vinyl has been attributed to British indie and rock acts love affair with their near ancient format, with bands like Iron Maiden’s, Libertines, Babyshambles, Kaiser Chiefs and Franz Ferdinand all releasing songs on vinyl.

BPI Chairman Peter Jamieson added: “Despite the incredible growth in download sales, there is still a huge demand for the collectible physical formats. It would be wrong to write-off physical formats just yet. Record companies are committed to meeting consumer demand in whatever format people want their music”.

BPI report

EU Hope Pan-Euro Copyright Will Open Online Music Market

EU Looks To Boost Online Music SalesThe European Commission announced yesterday that it wants to give a boot up the backside of the European market for online music services by making it easier for new providers to get licences to flog songs over the Internet.

If all goes to plan, it will get rid of pesky restrictions which prevent bargain-hunting Belgium’s and hussling Hungarians from buying cheapo downloads elsewhere due to current laws stopping companies offering EU-wide services.

Clipboard-toting investigators from the EC identified the hassle that companies face in getting licences to offer music across the whole of Europe, as the main obstacle to the growth of legal online music services.

Presently, online music providers have to laboriously apply for licences in each and every one of the 25 member EU states, and then deal individually with collecting societies charged with securing royalties for artists and music firms.

We’ve covered this before back in May and November last year, originally when the EU challenge EU-wide music royalty structure and latterly when the European Music Rights hearings were on.

Internal market commissioner Charlie MacCreevy said: “The absence of pan-European copyright licences made it difficult for the new European-based services to take off. This is why we are proposing the creation of Europe-wide copyright clearance.”

The European Commission’s study argues that entirely new structures for cross-border management of copyrights were needed, concluding that this could be best achieved by letting artists and content providers to choose a collecting society to manage their copyrighted work across the whole of the EU.

With the Commission cheesed off with collecting societies basking in actual or effective monopolies in many EU member states, the new measures would increase earnings for copyright holders by lowering administrative costs and allowing the most efficient societies to compete for artists.

A proposal from the Commission aimed at abolishing the current situation where copyright holders are compelled to register with their national collecting society is expected in the third quarter.

Lucy Cronin, executive director of the European Digital Media Association (EDIMA) was as pleased as Punch with the initiative: “After years of toil, we’re pleased that the Commission has recognised the problem in the online music licensing regime.”

“The current system, based on national licensing and collecting societies, is no longer appropriate for digital services” she added.

Cronin felt that this new legislation could also benefit consumers, with an increase in pan-European licences increasing the amount of downloadable music available, as copyright holders look to exploit larger markets.

With the IT industry arguing that sales have been held back by the lack of a simple, one-stop online licensing system, online music sales in Europe remain miserably small compared to our American cousins – €28m (~£19,1m, $33.3m compared to the whopping great €207m (~£142m, ~$246m) US trade.
European Union