‘Lost’ clips to debut over mobile on 3 – News Release

3 is to bring the smash TV hit Lost to the small screen. Following a deal between the UK’s largest video mobile network, Buena Vista International Television (BVITV) and Walt Disney Internet Group (WDIG), divisions of The Walt Disney Company Ltd, a mobile audience of over 3.2 million will be able to watch show recaps and previews of the action from Channel 4’s top-rated series. This is The Walt Disney Company’s first mobile video content agreement in Europe.

Lost is a gripping series which follows the survivors of a plane crash, stranded together on a remote, hostile island. As the group of strangers work together to create order in their makeshift community, and to stay alive, there appear to be darker forces at work around them. The show makes its debut over mobile this week.

3’s service includes 2-3 minute recaps of every episode, available for the length of the series, so fans can catch up on the plot at any stage, plus behind the scenes interview and previews of the next episode. Each clip will cost 50p.

Lost is the latest prime time series to be made available on 3, following Big Brother, Celebrity Big Brother, I’m a Celebrity and the X factor.

Already, millions of viewers hooked on Lost are debating conspiracy theories, scrutinising the characters and speculating on the plot’s twists and turns.

Graeme Oxby. 3’s Marketing Director, said: It’s compulsive, addictive television that gets people talking – it’s exactly the sort of TV our customers will watch.

“Every one of our 3.2million customers has a TV in their pocket. This new service means our customers will never be behind the plot and can keep on top of the action, wherever they are.”

Tom Toumazis, executive vice president & managing director, BVITV EMEA said: “Lost is BVITV’s fastest-ever selling, most successful TV series, having been licensed by us to 183 territories worldwide on TV – now being licensed for the first time on to mobile.

“We are sure that its ever-growing UK fanbase will ensure its success on mobile – the addictive, action-packed nature of the show lends itself particularly well to this format, as fans need to watch carefully to unravel the many mysteries within the show.”

“Mobile is rapidly emerging as a new entertainment platform and already has tremendous reach,” said Attila Gazdag, vice president and managing director of Walt Disney Internet Group, Europe. “Our strong brands have translated extremely well to this new platform and we’re pleased to be offering video, especially of such a great show, to broaden our mobile offerings.”

3 UK

AP asap Says “Word Up!” To The Kids

AP Says Yo! Yo! Yo! Word! The Associated Press are getting hip and launching a news service for da yoot. Wicked, innit?!

On Monday, the near-ancient (well, 157 years old) newswire is launching its “younger audience service,” offering articles and “experiences” in multimedia formats, with audio, video, blogs and audience-participation features aimed at capturing the easily-distracted attention spans of a younger audience.

The hope is that all these interactive baubles will help entice the 70 million 18-to-34-year-olds in the US into becoming the next generation of news consumers by drawing them to AP’s member sites.

Naturally, farms of flapping flipcharts and masses of mood boards were employed as creative types toiled over their double mochas to come up with a suitably street name for the service, eventually christening it “asap”.

Apparently, the deal is that you pronounce the name letter by letter to “evoke the wire service’s legendary speed”. So don’t go upsetting those delicate designers by calling it “A Sap”

AP are claiming that the service will be “provocative, smart, relevant and immediate”, delivering the latest in news, entertainment, lifestyles, money and gadgets, and sports on a daily basis.

AP Says So far, more than 100 newspapers have signed up for asap, with the option to use the content for their online editions, print editions or both.

According to Ruth Gersh, project development manager for asap, none of the papers would be charging readers for asap’s content.

Although no specific charges have been publicly released, pricing for the service will depend on the circulation of the newspaper buying it.

Ted Anthony, the comparatively ancient 37-year-old editor of asap, said that original material will be included in the service, penned by a new staff of twenty mainly New York based journalists.

Giving an example of the sort of content that might be used, Anthony said that an AP reporter in Kazakhstan might file a news article for the wire but recount his journey in an audio clip for asap.

“We want to bring people closer to the news and closer to their world, and we do that by recognising that there are real people who are gathering the news; they aren’t simply automatic fact-gatherers,” commented Mr Anthony.

Learning from focus groups and prototypes that their target audience demands a sophisticated view of the world with a need to be engaged, the answer is, apparently, to use the word “you” more in their articles.

“We’re doing things the AP has never done, and we’re using the incredible global scope of this organisation to bring the most interesting stories in the world to people in entirely new ways,” said Anthony, spectacularly failing to fit in a single engaging “you” in his comment.

Associated Press

Reflections On IFA and How The Economist Got It Wrong

Reflections On IFA and How The Economist Got It WrongThe Economist is a publication that we regard highly. It’s not for nothing that they gained a strong reputation. Sadly a recent piece on the Digital Home let them down.

In the 3-9 September issue of The Economist, the leader on page 14 tells readers that ‘Most people will never turn their homes into electronic control centres‘ (sub) and that ‘convergence’ will fail.

It’s a well written, witty piece that sadly not only demonstrates the writers lack of understanding of the subject, but their disconnection with the current news.

This summary pieces doesn’t do justice to the full article starting on pages 68 which grasps many of the issues far better.

Returning from a week at IFA, I have some sympathy with the idea that the ‘dream’ that the consumer electronics (CE) companies are try to sell to the public are unlikely to be met immediately – especially in Germany where it is a well known economic fact that the population are holding on to their money with ever more zeal, in terror of losing their jobs in the current economic uncertainty.

I sat in successive press conferences, listening to each CE company CEO tell the assembled analysts and hacks that, unlike the technology companies, They Understood the consumer. This lead them to announce a parade of nearly idential product line-ups, which frankly all blurred into one.

Reflections On IFA and How The Economist Got It WrongThis was repeated with halls and halls of identikit stands. Remove the brand names and it would have been a challenge to tell them apart.

The exception was Sony, whose bold attempt to live their strap-line, ‘Like.no.other’, lead to a stand that didn’t line up endless products, but played with your senses and tickled your emotions. Sadly the majority of journalists _hated_ it – perhaps saying more about the state of journalism in this fields than the stand itself.

The Tech co view
Until now, the main focus of technology companies has been to sell as much equipment and services to the business market. Having reached total saturation, and business becoming unwilling to comply with the endless cycle of upgrades, having acknowledged that the benefit they bring are not matched by the cost and disruption they bring.

Having acknowledged this years back, the tech companies turned their sights on selling more equipment to the home user, to provide the platform for digital entertainment – which brings us to today.

Where The Economist got it wrong #1 – Convergence
The definition of convergence that they use is long outdated. They’ve interpreted it as the do-it-all device, they use the illustration of “a food processor doubling as a pleasure vibrator for women.”

Until recently, there was an argument that the only successfully converged device was the clock radio. Understanding of the problems have moved on and there are now good examples, such as the Sony Ericsson k750i camera phone, which not only works well as a phone, but has made taking photos a breeze. It contains the vital ingredient – no barrier to easy use.

So what is Convergence?
It’s not unreasonable to ask given the number different definitions it’s had.

Perversely, as more marketing departments in more companies have become involved in flogging convergence, the term itself has become divergent.

We think many things are key to real convergence, and these include
One delivery path – the delivery of digital media over an IP connection.

The coming together of what were previously thought of as different businesses – witness News International embracing video gaming including their recent purchase of IGN.

The combining of layers of information with video or audio; adding further depth to the programme that along it could never provide.

Reflections On IFA and How The Economist Got It WrongWhere The Economist got it wrong #2 – MSMedia Centre PCs are a failure
One glaring lack of knowledge of current, relevant news is brought out by the Leader, stating that Media Centre PC’s, or ‘converged super-gadgets’ as they refers to them, have been an utter failure (this is lead by the main article which states that they accounted for ‘fewer than 1% of all PC’s sold last year’ ).

While this may be true for last year, it ignores recent figures from Current Analysis, publish on the 29 August, which found that Media Centre PC sales have ‘skyrocketed’ to 43% of all desktop computer retail sales in the US from the previous levels of around 15% in July. A significant percentage in anyone book.

The Leader comments also fundamentally misunderstand Microsoft. Anyone who has spent anytime watching them will know that they will never let the Media Centre become a failure. Microsoft know if they can control the device to store and access digital media, they can dominate the market.

IFA/Economist blunder
Given the derisory view the Economist of digital home, it was more than a little ironic that they were giving away promotional copies at IFA. A clear example of the right hand (marketing) not knowing what the left hand (editorial) was doing.

Virgin Radio Adds Another Podcast

Virgin Radio Adds Another PodcastAfter an encouraging response from listeners, Virgin Radio has announced that it will be making its Sunday afternoon programme ‘The Tim Lovejoy Show’ available as a podcast.

Virgin first experimented with podcasting earlier this year, with the ‘The Pete & Geoff Breakfast Show’ making Virgin Radio the first UK radio station to offer a podcast of a daily show.

The service, launched on the 9th March 2005, now receives 85,000 downloads a month.

Virgin Radio Adds Another PodcastLovejoy’s sports and entertainment show is broadcast weekly from 4pm to 7pm, and Virgin have said that they’ll make the “best bits” available for consumers to download to their MP3 players from 28th August.

iPod-toting fans of the show will no doubt appreciate the new service, although they may not be pleased with having to put up with adverts for the podcast’s sponsor, Nivea, popping up throughout the download (see: ‘Podvertising’ Supports Virgin Radio Daily Podcast)

James Cridland, head of strategic development for new media at Virgin Radio was enthusiastic about the potential for podcasts, “The response shows us that people are more than willing to have a play with the technology if the content is good enough”.

“It also allows them to listen in at their own convenience if they don’t fancy getting up at 6am,” he added.

Cridland has stated that the radio station was also looking to make more of its content available as podcasts, describing the delivery method as “a great mechanism to get people to trial our flagship shows”.

Virgin Radio Podcasts

Warner Music To Launch E-Label

Warner Music To Launch E-LabelWarner Music Group has announced a new digital music distribution mechanism based on downloads rather than physical media like CDs.

Labelling the new mechanism an “e-label”, Edgar Bronfman Jr., Warner Music’s chairman and CEO, told the Progress & Freedom Foundation conference that they were “trying to experiment with a new business model” to “see where it goes.”

With music download services raking in the cash and sales of CDs slipping, Bronfman proposed that e-label artists could churn out music in clusters of three songs every few months rather than a CD every few years.

Warner Music To Launch E-LabelWith far lower production costs, Bronfman claimed that the e-label will give recording artists a “supportive, lower-risk environment” (I think this means “less cash from the record company”) without as much pressure for huge commercial hits – something that could benefit artists with a more “selective audience”.

Interestingly, Bronfman added that artists signed to the e-label will retain copyright and ownership of their master recordings.

“An artist is not required to have enough material for an album, only just enough to excite our ears,” Bronfman said at the conference.

Warming up to the theme of the relationship between technology companies and the entertainment industry, Bronfman reminded attendees at the conference that recorded music has long been influenced by the distribution technologies available – pop songs were traditionally restricted to around 3 minutes because that’s as much music as a 45 rpm record could hold, he said.

Hastily compensating for his brief bout of nostalgia, Bronfman let the gathered suits know that he was a 21st century guy, unleashing two buzzword laden bon mots in quick succession: “Technology shapes music;” “Music drives technology adoption.”

Warner Music To Launch E-LabelBronfman called on the technology industry to work on digital rights management (DRM) standards, arguing that compulsory licensing – with support from P-to-P vendors – would set a price for downloaded music while forcing music companies to make their products available online to P-to-P users.

“As a content company, we quite naturally want devices out there that permit consumers to seamlessly access our music without having to worry about the compatibility of operating systems or DRMs,” he said.

“The consumers’ digital music experience should be as seamless and rewarding as possible, but we would be hypocrites to suggest that the government should force interoperability standards on devices while at the same time insisting there is no need for compulsory licensing.”

The latest figures from the International Federation of the Phonographic Industry, reveal that around 180 million songs were sold online in the first half of 2005, up from 57 million in the same period last year.

Warner Music Group

Sony Offers Manga Comics To 3G Subscribers

Sony Offers Manga Comics To 3G SubscribersSony Pictures Entertainment is set to triple the number of comic books it offers as mobile downloads in Japan, making the company the number one provider of “manga” downloads.

Sony has brokered deals with 10 popular Japanese comic artists, letting comic-mad 3G mobile users download about 300 manga books.

Manga comics are huge in Japan, with the name being coined in 1814 after the famous Japanese artist Hokusai created a book of black & white sketches that he called manga (involuntary sketches).

In Japan, manga comics are targeted at all age groups and cover a wide range of genres, covering a far wider range of topics than Western graphic novels – subjects can range from fantasy & adventure, to sports & cooking.

Sony is hoping to tap into this widespread appeal, offering five stories per month for 315 yen ($2.90), with additional charges for further downloads.

Downloadable manga comics are displayed on mobile phones using a technology called Comic Surfing.

This displays mobile-formatted artwork at a predefined speed and sequence, with pop-up frames and vibration during action scenes adding interest to the stories.

Sony Offers Manga Comics To 3G SubscribersSony intends to offer more comic books than competitors like NTT Solmare, (unit of telecom firm NTT) and Toppan Printing.

Surprisingly, a spokesman for Toppan Printing opined that Sony’s downloadable manga offerings would prove a good stimulus for growth of the market.

“The market for comics through 3G mobile phone handsets just began to emerge last year, when handsets equipped with clear colour and movies on the screen were put on the market. But we expect it to grow more,” he added.

Competitors NTT Solmare were equally magnanimous about their new competitors, commenting: “We hope that Sony’s entrance will be a path to our mutual prosperity, as it could promote the lifestyle of reading comics by mobile.”

NTT Solmare’s catalogue of 80 comic books have already earned the company more than one million downloads this month alone, so Sony looks to be on a right earner.

Manga [Wikipedia]

Yahoo Unveils Audio Search Facility

Yahoo Unveils Audio Search FacilityYahoo is testing a new Audio search facility to let users find audio files on the Web.

The free service, available online at Yahoo Search, claims to have indexed more than 50 million audio files including music downloads, albums, spoken word newscasts, speeches, interviews and, notably, podcasts.

Additionally, the search engine has indexed other audio related information including music videos, album reviews, artist images and artists’ Websites.

Although other internet search engines have the capability to find audio files, Yahoo claims that theirs is the dog’s bollo’s because the company has received permission to index downloadable songs offered by almost all of the biggest mainstream and independent providers.

These include iTunes, Napster, eMusic, GarageBand.com, Napster and RealNetworks’ Rhapsody, letting users click to buy once they’ve found the tunes they’re looking for.

Yahoo Unveils Audio Search FacilityAlthough the service is still in beta we were impressed with its speedy and simple interface: typing in the name of one of my (sadly) obscure old punk songs immediately brought up the album details, a list of download locations and links to reviews and other released albums.

For many of the songs, you can preview tunes before buying, with a ‘Preferred Audio Service’ option letting users select their, err, preferred music service from a comprehensive list.

Impressive!

This latest offering from Yahoo reflects the growing trend by search engine companies to expand their services into multimedia as well as text-based searching.

With all of the major players already offering some kind of video search facility, the race is on to provide a true, one-stop search engine capable of indexing everything on the Web.

Yahoo Audio Search

CinemaNow Take High Def Content From HDNet

CinemaNow Take High Def Content From HDNetOnline broadband film distributer, and latterly video content provider CinemaNow, has announced that they will be carrying some high-definition from HDNet on their Internet to PC delivery platform. It’s the first time that HDNet’s content has been made available on-demand through an online broadband service.

CinemaNow are long-standing pioneers in the area of delivering licensed films to PC over a broadband connection, starting as they did in 1999, a long time before the home user broadband audience existed. They weathered the storms and could be well placed to take advantage of growing broadband usage.

CinemaNow Take High Def Content From HDNetMark Cuban, the CEO of HDNet, has been slowly gathering HD content to the point where HDNet now lay claim to having more original high-definition content than any other network. We at Digital-Lifestyles.info have had our eye on him for years, as we think he’s a smart cookie. He not only spots upcoming trends, but turns them into businesses. He made a fortune when he sold broadcast.com to Yahoo for billions of dollars at the peak of the market.

Cuban has publicly stated that HDNet content will not be DRM-protected, infact he thinks his refusal to use DRM will give HDNet a competitive advantage.

This agreement between HDNet and CinemaNow gives their customers the chance download and own the HD content.

Further deals along these lines are inevitable in time, with the only question mark over HD content being delivered over broadband connections being the current speeds of what is defined as broadband. HD content, because of its extra resolution produces larger files, these take extra time to come down to the computer being used for playing it back. As regular readers will know, we think calling a 512k DSL connection “broadband” is insulting to the customers.

CinemaNow
HDNet
Marc Cuban’s blog

BBC To Premiere Programmes Over Broadband

BBC To Premiere Programmes Over BroadbandThe BBC has announced a pilot scheme to premiere some new TV programmes before they are broadcast on over traditional channels.

The trial starts with the new BBC3 comedy series ‘The Mighty Boosh’, which will be made available for web streaming from July 19th, one week before its scheduled TV transmission.

BBC To Premiere Programmes Over BroadbandJana Bennett, The BBC’s Director of Television, said: “The broadband premiere of The Mighty Boosh is a significant step forward in offering our audiences even greater value in a changing television world.

“It is one of a number of pilots that BBC Television will be undertaking over the next few months, exploiting the opportunities that new technologies offer to look at how programmes might be delivered beyond the traditional linear broadcast.”

BBC To Premiere Programmes Over BroadbandThere’s something of a stampede starting up of companies ready and willing to experiment with video over broadband, with BT announcing that it planned to begin trials of video-on-demand (VoD) via broadband early next year, ready for a full commercial roll out scheduled for summer 2006.

Telewest also recently launched its own web-based TV service, initially offering four channels as part of a trial of 26,000 consumrs in the Cheltenham and Gloucester area.

BBC Broadband

Apple And Sundance Sign iTunes Podcasting Deal

Apple And Sundance Sign iTunes Podcasting DealApple and the Sundance Channel have signed a deal that will make content from the cable network exclusively available as podcast downloads from the Apple iTunes Web site next month, according to AdAge.

Sundance will be one of the first exclusive iTunes partners in a deal that sees Apple spreading the focus of its iTunes operations to incorporate radio-like media within its music distribution hub.

Apple And Sundance Sign iTunes Podcasting DealOne of the first iTunes podcast features scheduled for download from the Sundance Channel will be The Al Franken Show who is, apparently, an Air America talk show host.

Apple will also be hosting a streaming collection of video clips from the show on their site.

Apple is currently believed to be propositioning a host of media and entertainment outlets – including magazines and radio stations – in an attempt to strike deals to make more content available via iTunes podcasts.

Apple And Sundance Sign iTunes Podcasting DealThe feature in AdAge also reports that Sundance will receive Apple’s post-production editing equipment and expertise as part of the barter deal, with the two companies likely to collaborate on the Apple retail level in the future.

“For us Apple is absolutely a like-minded brand in the way they position themselves,” said Kirk Iwanowski, senior vice president for marketing at Sundance.

Apple clearly view podcasts as an important development, with Apple CEO Steve Jobs previously talking about providing podcast directories within iTunes, supported by an editorial team dedicated to identifying the best podcasts.

Apple
Sundance Channel
AdAge [subscription site]