Neonumeric NTG-1 PMP

Neonumeric NTG-1 PMPA French company with the tongue twisting nomenclature of Neonumeric has released details of their NTG-1 portable media player.

Boasting a veritable shedload of features, this shiny, black’n’sleek media machine should be able to keep you entertained for hours, offering a smorgasbord of audio/visual wotsits.

When it comes to video, the NTG-1 can knock out DivX, AVi, MPEG and WMV files through its 2.5-inch TFT LCD screen, which supports 260k colours.

There’s a 1.3-megapixel camera built in, which doubles up as a camcorder and Webcam, with JPEG photo viewing support letting you marvel at your snaphots.

Neonumeric NTG-1 PMPThe 107 x 62 x 21mm player can also play back MP3, WMA and WAV audio files, and there’s also a built-in FM tuner, 512MB of internal memory and a SD/MMC card slot for shunting in your own memory.

Also onboard is a line-in socket for audio recording to MP3s, video recording to ASF and an AV output for playing back your stuff on the tele.

Neonumeric NTG-1 PMPPricing is still to be confirmed, although we’re looking at something between $250 to $300, and we’ve no idea of availibility yet.

If the player floats your boat, be sure to budget in extra cash for a memory card if you want to get the best out of the thing.

Neonumeric

Panasonic Readies Monster 103″ TV Screen

Panasonic Readies Monster 103People still waiting for those wall-sized flat screen TVs that were promised in sci-fi books will be able to take a step closer to their dream with the announcement of Matsushita’s thumping great 103-inch panel TV.

Korean electronics company Matsushita, which owns the Panasonic brand, plans to unleash the plasma whopper by the end of the year, and says that it has already taken orders from the US.

First demo’d at the Consumer Electronics Show in Las Vegas in January this year, the 2.3 x 1.3m behemoth weighs in at a wall-straining 215kg – making it bigger than a double-sized mattress and almost as heavy as an upright piano.

Panasonic Readies Monster 103The specifications look sumptuous though, with the 103-inch panel offering a full 1080i HD resolution (1,920 by 1,080 pixels) and an “aaaieee – my eyes!” brightness rating of 3000:1.

Panasonic haven’t announced how much the plasma monster is going to cost, but there’s no doubt it won’t be for the likes of us mere mortals (as a rough guide, Matsushita’s current 65-inch screen costs a leg-crossing $7,500 in Japan.)

Panasonic Readies Monster 103Panasonic reckon that they’ll be able to shift around 5,000 of these enormo-displays in the first year, although they added that probably only 20% of takers will be TV viewers, with the majority buying the display for use as electronic billboards, or displays in studios and corporate lobbies.

Panasonic

Prem-i-Air PMTF-07 Mini Fan With Ioniser Review (80%)

Prem-i-Air PMTF-07 Mini Fan With Ioniser Review (80%Seeing as our office fan decided to go on the blink just as a sticky, sweltering heatwave sent temperatures soaring above 32C, we needed a new fan. Fast.

Being techie types, we decided that a conventional fan was a bit too old-school for us, so we invested in a Prem-i-Air PMTF-07 35W Mini Fan, which comes complete with a built in Ioniser.

Standing about 44cm (17.5″ tall) and around 14cm (5.5″) wide, the Prem-i-Air is the perfect size for slapping on your desk and getting a boatrace-bound breeze blasting your way.

Control layout
At the top of the mini tower sits a circular control panel, offering an on/off switch, fan speed control (three settings; low, med or hi), oscillating on/off control, timer and Ioniser activation switch.

With an obedient bleep, the fan starts up promptly after hitting the main on/off control, and we found the ‘low’ fan setting to provide a pleasant breeze with the fan situated a couple of feet away.

Prem-i-Air PMTF-07 Mini Fan With Ioniser Review (80%At full blast, the fan knocks out a fair bit of air (1.5m/sec, to be precise) although we’re not looking at office blasting wind tunnel effect here – this fan is definitely only for personal/small office use.

When the oscillating control is turned on, the fan slowly spins around 180 degrees on its circular base, but started to shuffle about a bit when the fan was at full blast.

Unfortunately, you can’t restrict the range of the movement, so some may find it a little too wide for their tastes.

The timer’s quite straightforward; keep pressing the button and a red light will appear next to the 1 hour, 2 hour or 4 hour markings, with the fan turning off after that time.

Ionisation time
Of course, the button that intrigued us most was the one marked ‘ioniser’ and we bashed the ‘on’ button with high expectations.

Prem-i-Air PMTF-07 Mini Fan With Ioniser Review (80%Ionisers work by sending out negative ions (which are found naturally by the sea and in the mountains, and after thunderstorms) and this should strip the air of particles and micro-organisms, pollen, dust, pollutants and airborne germs.

Reading the guff around ionisers, they’re supposed to do all sorts of wonderful things for your health, like make the air feel fresher and more invigorating, disperse unpleasant whiffs, help with hayfever, asthma, bronchitis and migraine and get rid of the headaches and tiredness caused by the ‘positive ions’ coming from computer screens and air conditioning.

Sadly, the ioniser didn’t promise to remove headaches and tiredness caused by a night quaffing yards of ale, but our preliminary tests seemed to result in the air feeling a bit ‘fresher’ around the office

The verdict
Although we’re still checking out the benefits of this ionisation malarkey, we liked the Prem-i-Air.

It’s well built, doesn’t take a ton of desk space and offers enough fan power to make working in an office in a heatwave a bit more bearable.

The price seems reasonable too (£25 from Amazon), although with a current sales rank of just 13 on the Amazon site, we’d recommend you get one quick before stocks run out!

Features: 75%
Ease of Use: 80%
Value for money: 85%
Overall: 80%

Specs:
Depth 5.91 in.
Height 17.52in.
Weight 4.85 lb.
35 Watt
Buy it on Amazon UK

Future Hype: Review: The Myths of Technology Change (71%)

Future Hype: Review: The Myths of Technology Change (71%)Title: Future Hype: The Myths of Technology Change
Author: Bob Seidensticker
Publisher: Berrett-Koehler
Buy at US Amazon $10.37
Buy at UK Amazon £9.89

With the constant bombardment of advertising and continuous slew of new products and developments, it seems like technological change is faster now than ever before, but is that really true? Bob Seidensticker would like to suggest otherwise.

In a new book, FutureHype, Seidensticker sets out to explode the myths surrounding technological growth, “The Internet isn’t that big a deal. Neither is the PC. Abandon all your technology and live in the woods for a week and see if it’s your laptop you miss most.”

Seidensticker, a programmer and former Microsoft programme manager, believes that so much information about technology is misunderstood or left out that the remainder resembles a kind of mythology. This is a refreshing point of view especially if, like me, you’re suspicious that most technology doesn’t deliver what it promises.

Seidensticker sets about contextualising modern technological change by analysing the effects of older technologies. As well as reminding us how important earlier developments are now just part of the landscape (the telephone, electricity, medicines), he unearths some fascinating examples of technologies that never happened. For example, the fax newspaper, broadcast by dozens of US radio stations in the 1930’s and 40’s, provided several daily updates but failed to take-off. This is intriguingly similar to the shortly-to-launch service from The Guardian newspaper offering a regularly updated PDF edition.

Future Hype: Review: The Myths of Technology Change (71%)In other areas Seidensticker is less compelling. He sometimes glosses over details to make his point. Describing redundant proprietary software formats (WordStar is often cited as an example, the most successful word processor of its time, its file format is now unreadable by all modern applications) he neglects to mention developments such as Open Source software, XML or research into digital archiving, all of which are making progress to eliminating exactly that kind of problem.

On discussion of the Internet he asserts that “important applications aren’t new and new one’s aren’t important” a gigantic generalisation which, by his own arguments, is untrue. Sure, loads of current applications and technologies are simply developments from older ones and the great majority of them are not important, but, by his own logic, the chances are that the next big thing is already with us, just struggling to break through. It’s also more likely that it will not take the form of something that went before and so may be harder to recognise.

Quibbles aside, Seidensticker does make a good case and I found myself nodding in agreement with his assessments of new technology often being inferior to old (just compare digital TV to a decent analogue signal or an MP3 to a CD or an analogue recording) and how our garbage may be more permanent than our written records.

I did find myself wondering who FutureHype was aimed at? Many of Seidensticker’s observations don’t take a lot of thought to work out (anyone who cares to research even a little can find out that the Internet began in the 60’s, that there’s a law of unintended consequences or that technology is not always for the good), so anyone who is interested is likely to know these things already, and the general reader is unlikely to require this much detail. On reaching the final, slightly condescending, chapter – a list of do’s and don’ts that reads like a rather stuffy style guide – I realised that this book is for technology journalists.

On that level, FutureHype is a very useful primer about the way in which technology has affected society. Seidensticker does a solid and entertaining job of documenting the rather empty bravura that surrounds technology and its unpredictable and often unexpected effects. It’s a welcome addition to the burgeoning library of books about the rapid pace of change and one which provides a rather more sober and level headed overview. Nerdy tech-scribes will find it fascinating, a more general readership may be harder to reach.

Future Hype: The Myths of Technology Change

Buy at US Amazon $10.37
Buy at UK Amazon £9.89

Sky+ Remote Record: Mobile Sky+ Programming

Sky+ Remote Record: Mobile Sky+ ProgrammingDesperate to program your Sky+ PVR, while out and about? Or can’t be bothered to reach for the TV remote control when you’ve got you mobile in your hand?

Help is at hand (ha ha) as Sky announce their program-your-Sky+-box-via-your-mobile-service, that they’ve catchily named Sky+ Remote Record.

There are two ways to use the service. Either download an application to your mobile phone or via SMS on a mobile.

Remote Record
This is the comprehensive offering and only works on data-enabled 2.5G, 3G or GPRS phones.

To get setup, subscribers have to be registered via Sky Active and download the app to run on their mobiles.

From what we’ve seen it looks pretty slick, with a similar feel to the Sky EPG. It contains 7-days worth of programming listings and details on the shows.

Be aware that updating the EPG data will require updated information to be retrieved from Sky – along with corresponding data charges from your mobile operator. Beyond the mobile operators data charges, the service is free.

Text Your TV
We’re sure you’ve guessed the basics of this already – you text the programme you want recorded from your mobile.

Sky+ Remote Record: Mobile Sky+ ProgrammingIt looks like using it might be a bit of palaver with the need to SMS quite precise and long winded instructionsThe Simpsons. Sky 1. 11/06. 18:30.

to the dedicated ‘Remote Record’ number 61759.

At the Sky-end a massive brain works out what they could have meant and sends them back a confirmation SMS, charging 25p in the process.

We’d imagine that great confusion will reign on Friday nights as the pissed up masses send their best guess at what a Television X programme might be called.

Availability
It will work with all Sky+ boxes including Sky HD, but is only available to subscribers with Sky Sports 1 & 2 and/or Sky Movies 1 & 2 in their package or be a Sky Bet customer.

Up to eight mobiles can be registered with either service per Sky+ box.

Following these mobile-focused announcements, Sky will be bringing out a similar service working over the Internet ‘over the summer.’

Sky continues to expand their application of technology to what was originally a satellite TV service.

A little bird tells us that Sky will be officially unveiling their Broadband ISP service soon. Back in October they bought EasyNet and have been busily bringing it in to the Sky fold and are planning to offer communication services, widely expected to be voice services as well.

Why We Still Love The Palm Treo (Pt 2)

Why We Still Love The Palm Treo, Pt 2Following on from Part One, published last week.

The design
As its rivals continue their crash diets and squeeze into ever-smaller designs, there’s no doubt that the Treo’s beginning to look like a bit of a lardy boy these days (although it’s by no means the biggest smartphone out there).

Of course, one of the problems with smartphones is that if you try and shrink them too much, usability flies out of the window.

Smartphones, by definition, need a big bright screen to fit all the information in (and at 320 x 320 pixels, the Treo’s got one of the largest displays around) and there’s a human limit to how small you can make a keyboard.

Why We Still Love The Palm Treo, Pt 2Keyboards. Soft vs hard (ooo-er)
Some smartphone makers have tried to get around this limitation by getting rid of the keyboard altogether and using an onscreen ‘soft’ keyboard instead.

Although this allows designers to make super-small smartphones, the lack of a proper keyboard is – to quote Clint Eastwood – some price to pay for being stylish.

Soft keyboards are absolutely horrible to use. Apart from the fact that your screen rapidly turns into a smudgy mess, they’re simply not as effective as a proper hardware keyboard, and after using both, we’d certainly never again invest in a smartphone without a proper keypad.

Other features
Despite its ‘built for comfort’ shape, the Treo still feels pretty good in the hand, with some of the best ergonomics around – changing the SIM card, for example is an absolute breeze compared to most phones (just use the slide out tray, accessible from the top of the phone), and it’s the same story for the SD card.

Why We Still Love The Palm Treo, Pt 2Volume controls are where they should be – on the side of the phone – and muting the phone entirely is simply a case of sliding a switch in the top of the phone, a feature that is inexcusably absent in almost every other phone.

It’s not all good though, with the Palm designers needlessly forcing users to take off the back of the phone whenever a reset is needed.

And then there’s that great, chunky monolith of an antenna that’s bolted on to the phone. Funnily enough, it seems that most Americans actually like antennas on their handsets, but we can’t say we’re too keen.

The phone bit
Of course, pretty looks and bright screens are one thing, but it’s how the thing works as a phone that matters most and here’s where the Treo excels.

When someone new calls you up, a great big button comes onscreen at the end of the call asking you if you want to add the number in your phonebook. Simple. Straightforward. Obvious.

Why We Still Love The Palm Treo, Pt 2If you want to switch to the speakerphone during a call, just press the ruddy great onscreen ‘speakerphone’ icon. No holding down keys, no shuffling about in sub-menus or fiddling about with switches like a Windows phone.

If you want to see who’s called you, just press the green call button twice and a list of calls comes up.

As you scroll down the list, context sensitive buttons appear, asking if you’d like to add the unknown numbers to your contacts, or if you’d like to send a SMS message to known contacts.

Click on a name and it calls them. Click on ‘call log’ and you’ll get a comprehensive listing of every phone call you’ve made, categorised into ‘incoming,’ ‘missed’ and ‘outgoing.’

If you want to find out more, click on ‘details’ and you’ll get the exact time and duration of the call.

Why We Still Love The Palm Treo, Pt 2Looking someone up in the address book is just as simple – just type in their initials and you’ll go straight to their entry.

The whole phone is designed for effortless one handed operation, meaning you can use the phone on the move while most Windows Mobile users will be left reaching for their itty-bitty stylus or fiddling about with slide-out keyboards or ‘soft’ onscreen keyboards.

Get ’em quick before they go!
Note: since we started this piece, Palm have announced that there will be no further European shipments of Treo 650s as the phone breaches new EU regulations.

However, the company claims that it has already sent enough Treo 650s to meet demand for now, although US users can already indulge themselves with the newly released Treo 700p offering EVDO.

Why We Still Love The Palm Treo, Pt 2Palm has said that its next Treo smartphone will be targeted at European markets, although it appears that it won’t be a GSM/UTMS version of the 700p.

Instead, Palm are rumoured to be developing an antenna-less Treo for the European market, possibly to be called the Treo Nitro (thanks to the valued reader who pointed this out to us – you know who you are).

Palm CEO Ed Colligan has suggested that the new model is unlikely to become available until Palm’s 2nd Quarter in FY 2007 (around October – December 2006).

Readers sufficiently enthused by our comments should look on eBay where there are ample new and reconditioned Treo 650’s available for between £170-£280 (that’s where we got ours from!).

Coming up in part three: Palm Treo multimedia and office apps.

US Democratic Party Adopt Net Neutrality

The US Democratic party has adopted net-neutrality as a party-political issue following the rejection of a second pro-neutrality amendment in a vote late last week.

Previously we reported on the demise of the first pro-neutrality amendment as part of the ongoing review of US telecommunications law.

The Senate Commerce Committee were tied at 11 for and 11 against, with Republican members voting against the amendment and Democrats for it. A majority vote is necessary for a bill to pass. Afterwards, Republican Senator for Alaska, Ted Stevens, gave his reasons for voting against the bill as well as displaying his obviously comprehensive grasp of the technicalities of the Web, “It’s a series of tubes. And if you don’t understand those tubes can be filled and if they are filled, when you put your message in, it gets in line and its going to be delayed by anyone that puts into that tube enormous amounts of material, enormous amounts of material.”

The Democratic party subsequently took up the issue with the slogan “Republicans: They sold the environment to Exxon, and sold the war to Halliburton. Now they want to sell the Internet to at&t.”

Former presidential candidate Senator John Kerry commented, “This vote was a gift to cable and telephone companies, and a slap in the face of every Internet user and consumer.” Another Democrat, Senator Ron Wyden, placed a ‘hold’ on the bill which temporarily stops further progress but a decision is inevitable and both sides are marshaling forces behind their cause.

Lawrence Lessig greeted news of Democratic support with caution, “Good for the Dems that they got it. Bad that the issue is now within the grips of party politics.” He acknowledged that, give the amount of money involved, political involvement was inevitable.

Many fear that the loss of net-neutrality will signal virtual civil war on the Internet and that commercial interests are having too much effect on the US Legislature. Jeannine Kenney, Senior Policy Analyst, Consumers Union offered a concise summary, “The network neutrality nondiscrimination principle, which protects competition, maximizes consumer choice, and guarantees fair market practices, is one step closer to being abandoned with the Senate Commerce Committee’s vote. This endangers the most important engine for economic growth and democratic communication in modern society. Nondiscrimination made possible the grand successes of the Internet. Its removal can take them away.”

KTF SPH-V9900 Ultra Slim Mobile Is World’s Thinnest

KTF SPH-V9900 Ultra Slim Mobile Is World's ThinnestThinner than a very thin thing on a crash diet, KTF’s new ultra-slim SPH-V9900 looks set to grab the crown as the World’s Thinnest Mobile.

Measuring a pencil-thin 6.9mm wide, this really is a tiny puppy and it looks pretty desirable – and practical too.

Unlike the lipstick-sized KTF EV-K130 phone we featured earlier this week, this phone actually looks like it can be used by people with fingers bigger than chop sticks.

Styled like a conventional phone from the front, the V9900 measures up at 113 x 50 x 6.9mm and weighs just 63g.

KTF SPH-V9900 Ultra Slim Mobile Is World's ThinnestThe front of the phone is dominated by a sizeable 1.9″ 262k TFT LCD display, with a familiar keypad design below.

Flipping the camera over, there’s a 2.0 megapixel camera module at the top, with a teensy lens lurking in a raised piece of casing.

There’s also an MP3 player wedged into its super lithe frame, with 128MB of onboard memory for storing tunes and photos.

KTF SPH-V9900 Ultra Slim Mobile Is World's ThinnestWe’re still battling with the Korean translation, but we don’t think there’s any kind of memory expansion on board, which is a bit of a shame (but we guess you can’t have it all with a phone this slim!).

We’ve no idea about pricing on European availability yet, but this phone looks like an absolute winner to our eyes – so long as you don’t sit on the thing, of course.

V9900

ITN Manoeuvres For The Future

ITN manoeuvres for the futureThe news that ITN’s shareholders have agreed to shore up the embattled UK commercial news provider to the tune of £1 million, might be thought to inspire confidence in the organisation’s long term future.

Not so long ago, ITN’s management were expecting that given time they’d be subsumed into ITV on a regulatory nod through, but recent developments at the UK’s leading commercial ITV company have made this look far less likely.

ITN has been caught in the crossfire around ITV and although it now proclaims that linear 24-hour news channels are a thing of the past, it was undoubtedly a body blow when it was announced before Christmas, that it was to lose its own around the clock TV news channel.

History may prove this an astute move, the BBC’s only 24-hour UK competitor, Sky News, had a costly revamp that failed to deliver the proclaimed audience pulling ‘appointment to view’, it had hoped for and the channels supremo, ex-ITN producer Nick Pollard paid the price with his own resignation.

So ITN has been off and had a think about what it should do to stop its operation being marginalised. It’s come back with a suite of ITNs. ITN will now have 6 divisions along with the catchy byline ‘Right Content. Right Now’, the units will be:

ITN manoeuvres for the futureITN News the TV news broadcast division servicing ITV, ITV London and Channel 4
ITN Source is the new name for ITN archive and its own Website will allow online purchase of content
ITN On will be the multimedia operation including web, mobile phone content and radio.
ITN Consulting will maintain it’s role of marketing consultancy broadcasting expertise
ITN Factual and Visual Voodoo will continue to provide documentary and factual entertainment respectively.

As well as the divisionalisation funding will be used to propel ITN into the HD future.

The position of ITN’s current shareholders is far from clear but with ITV committed to returning cash remaining shareholders may get an opportunity to increase their holdings and 20% shareholder Daily Mail & General Trust has been so effusive of late in its own publications commentaries on ITN cynics might imagine the organisation wants to offload its own holding.

Mark Wood ITN’s current Chief Executive is a former Editor-In-Chief of Reuters editorial who might see some synergies with the former mothership if they wish to grow their curent 20% holding.

YouTube Brookers Signs TV Deal

OK, you’re used to us breaking news here, but here’s one that slipped through without us noticing. We think it’s sufficiently important for us to swallow our pride and report it anyway.

In an inevitable move, an LA production company, Carson Daly Prods, has signed talent/development deal with Brooke “Brookers” Brodack, who has made quite a name for herself on YouTube. We’re sure you do, but just in case you don’t know what YouTube is, it’s a phenomenally popular Web site that holds videos watched at the rate of about 40m per day.

While it is predictable (yes, we’re surprised this type of deal hasn’t happened sooner too), it doesn’t make it any less significant. What was previously known as ‘the entertainment industry’ (music, films, tv, etc) has been very slow on the uptake to even notice that the ‘people’ have been madly creating their own entertainment and sharing it online. It finally looks like they’ve started to notice … and not only that, but guess what? It’s a pool of cheap talent to plunder, one without agents and prima-donna salaries and demands. That should get them listening.

Brookers, as she’s known as by tens of millions of YouTube viewers has been posting videos for about nine months, mostly featuring her doing pieces to camera, often miming to sound tracks.

The one that brought her to wide attention was her homage to Gary Brolsma’s Numa Numa.

It’s clear that Brookers has gone a number of steps beyond just plonking herself in front of her Web cam (as many homages do), they’re more of a production, using changing camera angles and locations.

Of course it’s not all about TV deals, realising the size of her audience, she’s recently posted an entry asking for people to donate to her car fund. Very cheeky.

How many people will continue to be able to show their talent like this in the future isn’t clear as various music industry voices have been talking about stopping ‘their music’ in personal videos. Strange – we thought it actually promoted the music.

Variety cover the story