Samsung NV Camera Range Announced

Samsung NV Cameras AnnouncedSamsung has released the details of their new digital camera range, Samsung NV – New Vision.

There are three cameras in the initial range, the NV3, NV7 OPS and NV10 – boiled down from 500 concept models explored over the two year of development cycle. Each camera is pitched at a different audience and has its own strength.

We’ve had our hands on all of them and can confirm that they’ve got a great feel.

They’re all pixel-loaded with the NV3 & NV7 having 7.2Mpx and the NV10 being the 10.1Mpx heavyweight.

Instantly notable is how thin each of the camera bodies are, with the skinniest being the NV3 a svelte 17.5mm.

In an attempt to address the frustration of digital camera needing increasingly complex and deep menuing, Samsung have developed the Smart Touch interface, fitted to the NV7 and NV10. With seven touch sensitive buttons along the bottom and six up the side of the 2.5″ back screens, menu choices are simply made by running your finger along the buttons until the required option is located. Think selection through cross-hairs.

Despite the NV10 being the pixel-brute, the NV7 is really the Daddy of the range carrying all of the nifty tricks including a 7x optical zoom, OPS (Optical Picture Stabilisation) and ASR (Advanced Share Reduction). OPS detects the movement of the camera and shifts the CCD to compensate for it, leading to a more-still photo. The NV7 also has a rather huge lens on it, ideal for taking picture in low light.

Samsung NV Cameras AnnouncedThe NV3 is the one that we think will get you most excited dear reader. It’s not only a camera, but an mp3 player and PMP, so it can play films too. It’s equipped with stereo speakers, so you can share you tunes too.

Samsung have pretty ambition plans for the progression of their digital cameras. They currently have 9% of the market and if they stay on course, will have 10% by the end of this year.

Their plans are 13% market share (MS to those in the know) by 2007; 16% by 2008 and 20% by 2009. If they reach this, they will be the top leader in the market.

Given how they’ve come from more-or-less nowhere to such a strong position in mobile phones, it’s highly believable that they can achieve it.

The cameras should be available by September at the following suggested retail prices, NV7 OPS – £299, NV10 – £279 and NV3 – £229

Samsung

Casio Exilim Zoom EX-Z70 Announced

Casio Exilim Zoom EX-Z70 AnnouncedCasio have added the new Exilim Zoom EX-Z70 digital camera to their EXILIM range, ramping up the pixel count to a hefty 7.2 megapixels.

Designed to slip in and out of pockets like the butter-coated hand of the Artful Dodger, the slimline EX-Z70 is basically a pixel-boosted version of their 6 megapixel EX-Z60.

As with its predecessor, the Exilim boasts a large 2.5-inch TFT 115k pixels display, 38-114mm equiv, 3x optical zoom and a cuddle of hand-holding modes to guide the nervous, faltering hands of newbies into the world of Casio photography.

Living up to its name, the camera’s Easy Mode is a punter-cosseting mode for beginners which simplifies all the camera settings down to three easy-peasy menus (image size, flash, and self-timer).

Exposure-tweaking enthusiasts won’t find a lot to play with here as this camera is rooted firmly in point’n’shoot territory with only Auto, Best Shot, Continuous shutter (normal speed, high speed, flash continuous), Movie and Macro modes onboard.

Casio Exilim Zoom EX-Z70 AnnouncedIn an attempt to stave off the wobbles, Casio’s Anti Shake DSP is built in, although the anti-shake stuff is achieved through ramping up the ISO and dropping the image size, so it’s nowhere as good as proper optical image stabilisation.

Interestingly, Casio haven’t hopped onboard the current trend for shunting the ISO limit skywards, with the camera only reaching ISO 400.

Despite the technical limitations, there’s no denying that the EX-Z70 is a purdy little thing, with its sleek, rounded edges sure to get consumer wallets twitching.

Casio Exilim Zoom EX-Z70 AnnouncedAvailable in “luxurious” black or high quality silver, the black EX-Z70 will be on the shelves from the beginning of July (you’ll have to wait a month for the silver version) for around £230 ($422, €335).

Casio Exilim EX-Z70 specifications
Sensor
1/2.5 ” Type CCD, 7.2 million effective pixels
Image sizes 3072 x 2304, 3072 x 2048 (3:2), 2560 x 1920, 2048 x 1536, 1600 x 1200, 640 x 480
Movie clips • 640 x 480 @ 30fps, 512 x 384 @ 30fps, 320 x 240 @ 15fps
• WAV audio
File formats JPEG (Exif v2.2), DCF 1.0 Standard, DPOF
Lens 38-114mm equiv, 3x optical zoom
Image stabilization Anti-Shake DSP
Conversion lenses No
Digital zoom up to 4x
Focus
Casio Exilim Zoom EX-Z70 AnnouncedContrast type AF (selectable between spot, multi)
Focus distance Normal: 40cm – infinity
Macro: 10 – 50cm
Manual: 10cm – infinity
Metering Multi-pattern, Center- weighted, Spot
ISO sensitivity Auto, ISO 50, ISO 100, ISO 200, ISO 400
Exposure compensation -/+ 2EV, in 1/3 EV steps
Shutter speed 1/2 – 1/2000 sec
Aperture F3.1/4.4, auto switching
Modes Still image
Still with audio
Continuous shutter (normal speed, high speed, flash continuous)
BEST SHOT
Macro
Movie
Voice recording
Scene modes BEST SHOT modes
White balance Auto, Fixed (6 modes), Manual switching
Self timer 10 or 2 secs, Triple self-timer
Flash Auto, On, Off, Red eye reduction, Soft Flash
Range: 0.1 – 3.7m (wide) 0.6 – 1.9m (tele)
Viewfinder No
LCD monitor 2.5-inch TFT, 115,200 pixels
Connectivity
USB 2.0 Full Speed AV
Microphone
Storage SD / MMC compatible, 8.3MB internal memory
Power NP-20 lithium-ion rechargeable battery
Weight (no batt) 118g
Dimensions 95.2 x 60.6 x 19.8 mm

Casio

Kodak Easyshare P712 Superzoom Digital Camera

Kodak Easyshare P712 Superzoom Digital CameraWith a flurry of clicking and whirring, Kodak have announced their new Easyshare P712 superzoom digital camera, offering a 12x image-stabilised Lens, a 7.1 MP sensor and enough manual modes to please compulsively tinkersome photographers.

The camera sports a veritable animal of a zoom, with the f2.8 – f/3.7, Schneider-Kreuznach Variogon lens covering a whopping 36 – 432 mm range (35mm equivalent).

With such a long lens, things are likely to get wobbly at the telephone end, so there’s built in optical image stabilisation to help ward off blurificartion.

Faster than the blink of an eye
The boys and girls at Kodak are making bold claims for their new camera, saying that P712’s auto-focus system boasts a ‘best-in-class’ click-to-capture rate – literally faster than the blink of an eye, they say.

Kodak Easyshare P712 Superzoom Digital CameraWe’ve never bothered to work out how fast we blink, but Kodak tell us that their 0.07 seconds capture rate is faster, and who are we to argue?

Made for sharing
The Easyshare comes with a large 2.5-inch, high-resolution, LCD and electronic viewfinder for framing and reviewing pictures, with the Share button making it easy to, err, share pics using Kodak’s, err, Easyshare software which, like Quality Street, was apparently made for sharing.

As is de rigueur with consumer digicams, the camera can record video at a TV-quality, 30 frames-per-second VGA video with sound (MPEG4), with onboard facilities to split, cut, merge and trim footage or create single-frame or multi-frame “storyboard” still pictures.

Kodak Easyshare P712 Superzoom Digital CameraFlashing it about
As well as the built in flash (guide no. 11, ISO 100 ), there’s a also a hot shoe connector for attaching the optional Kodak P20 zoom flash (which knocks out for around a ton).

Rounding off the feature set is the usual legion of scene, program, aperture/shutter priority and manual shooting modes, a hefty wad of preset scene modes and multiple burst modes for action shooting.

There’s also a live histogram display; 25 selectable AF points; custom white balance with selectable compensation; highlight/shadow clipping displays; and, in line with its semi-pro aspirations, RAW file support.

The P712 camera should be shuffling onto UK shelves around about now, with a suggested retail price of £350 – which, puts it in direct competition with the highly rated and far more versatile Nikon D50 dSLR, which starred in our ‘Best of 2005’ list.

Kodak Easyshare P712 Superzoom Digital CameraKodak EasyShare P712 specifications
Sensor 1/2.5 ” Type CCD, 7.1 million effective pixels
Image sizes 3072 x 2304, 3072 x 2048 (3:2), 2592 x 1944, 2048 x 1536, 1280 x 960
Movie clips 640 x 480 @ 30fps, 320 x 240 @ 30fps, QuickTime video, motion JPEG
File formats JPEG (Exif v 2.21), RAW, TIFF
Lens 36 – 432mm equiv, Schneider-Kreuznach Variogon lens, 12x optical zoom
Image stabilization Yes
Conversion lenses Optional
Digital zoom 5x advanced
Focus Hybrid AF system using TTL contrast detection method and external passive sensor
Focus modes Normal AF, Macro AF, Infinity AF, Manual focus, Multi-zone, Center zone, Selectable zone (25 zones selectable)
AF assist lamp Yes
Focus distance Normal: 50cm – infinity (wide) 1.9m – infinity (tele)
Macro: 10-60cm (wide) 90cm – 2m (tele)
Metering Multi-pattern, Center-weighted, Center spot, Selectable zone (25 zones)
ISO sensitivity Auto, ISO 64/80/100/125/160/200/250/320/400/800
Exposure compensation +/- 2.0 EV, 1/3 EV steps
Exposure bracketing +/- 2.0 EV, 1/3, 2/3, 1.0 EV steps, 3 or 5 images
Shuttter speed 16 – 1/1000 sec in 1/3 step increments
Aperture F2.8 – 3.7
Modes Auto, SCN (scene mode), P (program mode), A (aperture priority mode), S (shutter priority mode), M (manual mode), C (custom mode), video
Scene modes Pportrait, self-portrait, sport, party, landscape, night portrait, night landscape, snow, beach, text/document, flower, sunset, candlelight, backlight, manner/museum, fireworks, panorama White balance Auto, daylight, cloudy, open shade, sunset, tungsten, fluorescent, click WB, custom
White balance fine tune Blue/red bias and magenta/green bias, ±7 stops
Self timer 2 / 10 secs, 2 shot option
Continuous shooting First burst (approx. 1.6 fps up to 14 frames at standard JPEG), Last burst (approx. 1.6 fps last 5 frames at standard JPEG)
Image parameters High colour, natural colour, low colour, sepia, black and white, Contrast (3 levels), Sharpness (3 levels)
Flash Guide no. 11 (ISO 100)
Range: wide – 0.9-4.7 m (2.9′-15.4′), tele – 2.0-3.6 m (6.6′-11.8′)
Modes: auto, fill, red-eye, slow sync (front, front-red-eye, rear), off
Compensation: ±1.0 EV with 1/3 EV steps
Viewfinder Electronic, 237 K pixels with diopter adjustment
LCD monitor 6.35 cm (2.5″) indoor/outdoor colour TFT display with adjustable brightness setting
Connectivity A/V output (NTSC or PAL, user-selectable)
Storage SD/MMC card (none supplied), 32MB internal memory
Weight (no batt) 403g
Dimensions 108 x 84.2 x 72 mm (4.3″ x 3.3″ x 2.8″)

Kodak

Casio Z1000 Review: First 10MP Consumer Compact (88%)

Casio Z1000 Review: First 10MP Consumer Compact (88%)Just how much resolution do you need? Ten million pixels is a lot of information by any conventional measure, especially since most consumers rarely print out images larger than traditional 10x15cm enprints. That requires no more than the three megapixel sensors found on today’s very cheapest cameras, and now even high-end cameraphones.

Ten megapixels lets you produce sharp prints at up to A2 poster in size or, more likely, crop in to tiny details and still end up with a printable image. But with great power often come great problems: huge file sizes, noisy images and irritating processing delays. Impressively, the Z1000 suffers from only the first of these (if you don’t think 4Mb per shot is huge, wait until you run out of memory cards halfway through a holiday).

It’s a looker, too, housed in a smooth all-metal case that hardly hints at the power inside. In front is a 3x lens that is its weakest point: there’s some distortion and softness at wideangle. Focusing is also haphazard, although the Exilim has a fine range of features to make up for it, from a decent manual focus mode to a 6cm macro for close-ups.

Casio Z1000 Review: First 10MP Consumer Compact (88%)Around the back, a bright 2.8-inch widescreen LCD monopolises the available space. Only 2.5-inches is available for framing – the remainder is taken up by a fantastic vertical menu strip for instantly tweaking image size, quality, metering and more. Creative features are eclectic rather than comprehensive: a continuous flash mode shoots three flash shots in a second, and there are more pre-programmed scene modes than even the most bored teenager could wade through.

Notable among these is a High Sensitivity mode for shooting at up to ISO 3200 (but beware of dreadful noise here) and a brace of digital effects, Illustration and Pastel, that apply fun Photoshop-style art filters in camera.

The Z1000 handles very well, with virtually no shutter lag or processing delays. Images don’t appear to have been rushed, though, demonstrating a confident control over colour and exposure, and plenty of fine detail. As long as you don’t expect the three-dimensional clarity of a 10MP SLR like the Nikon D200, you shouldn’t be disappointed.

Casio Z1000 Review: First 10MP Consumer Compact (88%)Verdict
In digital photography, it’s rarely a case of how much resolution you need, but how much resolution you want. The Z1000 will fulfil your desire to extract the maximum detail from your subjects, without penalising you with a slow, ugly or stupid camera. Casio has taken a double digital lead in the compact market – but don’t expect it to last too long.

Rating: 88%

Spec sheet
Sensor 10.1 megapixels, 1/1.8-inch
Focal length (35mm equivalent) 38-114mm
Maximum aperture f/2.8-5.4
Shutter speed 4s – 1/2000 sec
Memory SD, 8Mb internal
ISO range 50, 100, 200, 400, (800, 1600, 3200)
Exposure modes Auto, 31 Best Shot
Metering modes Multi-zone, centre-weighted, spot
Focusing modes Auto (multi-zone, spot, free), manual, presets, Auto Macro, 6cm macro
Flash modes Auto, on, off, red-eye, slow synch (Night Portrait), flash power, Soft Flash
Drive modes Single, continuous (1.2 to 3fps), continuous flash (3fps), continuous zoom, self-timer
LCD monitor 2.8-inch colour LCD, 230,400 pixels
Weight 160g with battery and card
Power supply Lithium ion rechargeable, NP-40
Battery life 360 shots, CIPA standard
Transfer USB 2.0 Full Speed, video, PictBridge

Casio

Sony Alpha A100 dSLR: Brief Look

Sony Alpha A100 dSLR: Brief LookWe had our hands on the Sony Alpha A100 last week, Sony’s first step into the Digital SLR (dSLR) market.

We’ve known for a while that Sony and Konika/Minolta would be producing a dSLR, following Sony’s purchase of the traditional SLR company. The A100 is the first product of the deal.

Sony tell us that they see the market for dSLR’s growing by 30% over the next year, which is lucky as the compact digital market appears to be stagnating. They’ve got grand plans for this market, with their stated ambition to be ‘challenging for the top position’ by 2008.

The key message from Sony with the whole of the Alpha range is “We want to make you a better photographer.” Highly appealing to those who may be scared off by crossing over from a compact camera to the SLR world.

Sony Alpha A100 dSLR: Brief LookWhat’s Hot
Sony have brought their own CCD technology to the party, giving a 10Mpx image, but it’s not full-frame (the sensor isn’t the size of a full 35mm film frame). They’ve combined this new CCD with anti-shake features seen on the Konica Minolta Dynax/Maxxum 5D, which stabilises the sensor instead of the lens element. Sony have labeled this Super SteadyShot.

The new Bionz image processor also adds a lot like the Dynamic Range Optimiser, which balances light levels between subject and background when taking photos into the light from a dark place.

A feature brought over from the Konika/Minolta includes EyeStart. Two sensors just below the viewfinder detects when the camera is brought to the eye and prepare the camera to start shooting.

As with previous cameras, Sony are working with Carl ZeissThe SLR lenses from Konika/Minolta will fit the A100, so the brave might be able to pick up a bargain or two buying them second-hand, quite likely when there have been 16 million of them sold worldwide.

Sony Alpha A100 dSLR: Brief LookFirst impressions
These are all based on the brief time we had with it. We plan to do a more in-depth review in a few weeks time.

First impressions are that of a quality camera. The battery grip is solid and comfortable, giving the impression that handling it over an extended period wouldn’t be tiresome.

The materials used vary over the body depending on the function and need. It’s with interest that we saw that the material around the shutter button was highly reflective providing a good feel, and we assume, reducing the risk of the area wearing excessively.

Sony Alpha A100 Initial Test Shots
Sony Alpha A100 test shot – See the whole set at original resolution

When taking photos, small things like the solid sound that the shutter makes after you press the shutter button, as it raises out of the way to expose the CCD, also reassures you that it’s quality.

On the back of the body is a 2.5″ Clear Photo LCD which provides a very wide viewing angle, useful for showing off your recently taken shots. We can also confirm that Sony’s efforts to make the screen viewable in sunlight have been successful.

Sony claim that all of the commonly used functions are placed on dials, close to hand on the body, rather than burying it within on-screen menus.

Showing that the camera is a transition between Konika/Minolta and Sony, the storage on the camera is the size of compact flash. Not wanting to appear lacking in their support for their own format, Sony provide a converter to support Memory Stick.

Sony Alpha A100 Initial Test Shots
Sony Alpha A100 test shot – See the whole set at original resolution

The lenses that come with it, especially when the two pack is considered, give good value, but as is so often the case with bundled lenses, we wonder if these will be cast aside after a short time. Although appearing to be competent, small differences from after-market lenses like the mountings being plastic, not metal, give pointers to the build quality.

Our only reservation is over the quality of the photos taken. Initially they looked great, but when zoomed to full screen we were alarmed to see the pixilation of the image. We’re not sure if this was down to the camera we used being on some strange settings or if the camera has a problem. We’ll know more when we get our hands on it for a longer period.

Sony Alpha A100 Initial Test Shots
Sony Alpha A100 test shot – See the whole set at original resolution

Pricing and availability
The Alpha A100 is keenly priced

£599.99 – Body only
£699.99 – Body and 18-70 Lens
£849.99 – Body,18-70 and 75-300 Lenses

Sony are quoting that the whole kit and caboodle will be available in July 2006.

Sony Alpha 100 SLR Camera Specs Leaked

Sony Alpha 100 SLR Camera Specs LeakedSome details of Sony’s eagerly-awaited debut into the dSLR market have begun to emerge online.

The Australian Digital Photography Blog website has revealed that Sony’s new Alpha 100 dDSLR will offer 10.2 million effective megapixels and be fitted with an APS-C size CCD sensor.

As previously announced, Sony’s first dSLR camera will use an updated lens mount compatible with Konica-Minolta Alpha/Maxxum/Dynax lenses, with Sony expected to reveal a slew of new Sony G lens using the highly regarded Carl Zeiss optics.

The camera is expected to carry a large 2.5 inch format Clear Photo LCD Plus Screen with AR coating and a resolution of 230,000 pixels.

The bright optical viewfinder comes with a Spherical Acute Matte screen, 20mm eye relief, 0.83x magnification, dioptre adjustment and an interesting EyeStart Auto focus.

Sony Alpha 100 SLR Camera Specs LeakedThis feature – inherited from Minolta -begins autofocus and auto-exposure as soon as it detects your peeper gazing through the viewfinder. Neat

The camera is also rumoured to be incorporating Sony’s Super SteadyShot Picture Stabilisation technology, which employs horizontal and vertical motion sensors located inside the lens assembly area.

Although there’s no firm details of pricing yet, some pundits are estimating a street price of $1,000 (body only) which places it in the highly competitive enthusiast market.

Other leaked details include an Anti-dust protection system (We like these – a lot!), 1600 ISO equivalent, Burst shooting, advanced flash modes and BIONZ Image Processing Engine.

Sony Alpha 100 SLR Camera Specs LeakedThe onboard high-speed autofocus is said to sport 4 focus modes – Single-shot AF; Direct Manual Focus; AF Automatic; AF Continuous – with centre-weighted, spot and 40-segment honeycomb pattern metering modes.

The Sony Alpha 100 looks to weigh in at 545g without battery, with dimensions of 94.7 x 133.1 x 71.3 mm (L x W x D).

We should point out that Sony don’t actually call it the ‘Alpha’ in print, preferring to use the arty squiggly symbol (a bit like popstar Prince and long forgotten 80s nobby band Freur), but we couldn’t be arsed to try and find that on our keyboards.

Sony is expected to make an official announcement about the Alpha 100 later this month, but if these tempting specs are on the money, Sony could be set to make a big splash in a market currently dominated by Canon and Nikon.

Digital Photography Blog
Sony dSLR

FinePix Z3 Zoom For The Laydees

FinePix Z3 Zoom For The LaydeesThinner than a whippet with Montezuma’s Revenge, Fujifilm’s new FinePix Z3 sports a 5.1 million pixel sensor, ISO reaching down to the dim lights of 1600 and a 36-108mm (3x), F3.5 – 4.2 lens.

Apparently created with the laydees in mind, this minor update to the Z2 camera comes with improved resolution, an Intelligent-Flash mode and an improved 2.5-inch screen, with the camera available in silver, metallic blue and girly-girly light pink.

Fluffing up their announcement with a bit of cod-science, Fujifilm reckon that their research has revealed that most photos taken by women are ‘people pictures’* snapped in low light situations and in close proximity to the subject – the kind of photos that are notoriously hard to grab without camera shake or bleaching out faces..

FinePix Z3 Zoom For The Laydees(*A quick straw poll around the office found this claim to be total bollocks, by the way).

We’re sure that the ladies of the world will be lining up to thank Fujifilm for the Super CCD and Real Photo Processor II in the Z3 which combines with the camera’s high sensitivity (up to ISO1600) and Intelligent-Flash system to help banish those low-light photo blues.

Fujifilm’s Intelligent-Flash system claims to work by combining a well-exposed background and ‘natural skin tones’ on subjects in the foreground, with a ‘Dual-Shooting Mode’ blasting off two consecutive shots (one with flash and one without flash) to see which comes out best.

Rounding off the feature set is 14 pre-programmed scene positions, high resolution (230K Pixels) 2.5 inch LCD screen, 10 MB internal memory and ‘TV-quality’ VGA movie recording of 30 fps with sound

Availability and pricing to be announced.

FinePix Z3 Zoom For The LaydeesSpecifications:
Sensor – 5.1 million effective pixels
Image sizes – 2592 x 1944, 2736 x 1824 (3:2), 2048 x 1536, 1600 x 1200, 640 x 480
Movie clips – 640 x 480 @ 30fps, 320 x 240 @ 30fps, Mono sound
File formats – JPEG Exif v2.2, DPOF, AVI Motion JPEG
Lens – 36 – 108mm equiv, F3.5 – 4.2
Image stabilization – No
Conversion lenses – No
Digital zoom – up to 5.7x
Focus – Auto focus, Normal: approx 60cm – infinity, Macro: approx 8cm (wide)
Metering – TTL 256 zone
ISO sensitivity – Auto, ISO 64 – ISO 1600
Shuttter speed – 4 – 1/1000 sec
Aperture – F3.5 / F5.0 / F8 3 steps
FinePix Z3 Zoom For The LaydeesModes – Auto, Anti-Blur, Scene Position, Macro, Movie, Burst / Continuous
Scene modes – Natural Light, Natural Light with Flash, Portrait, Landscape, Sport, Night, Fireworks, Sunset, Snow, Beach, Museum, Party, Flower, Close-up, Text
White balance – Auto, Manual (Fine, Shade, Fluorescent Light (Daylight, Warm White & Cool White), Incandescent Light
Self timer – 2 or 10 sec
Continuous shooting – Top-3 (max 2.2 fps up to 3 frames), Final-3 (max 2.2 fps up to 3 frames), Long-period (max 0.7 fps up to memory card size)
Flash – Auto, Red-eye reduction, On / Off, Slow sync, Red-eye reduction + slow sync
Range – Wide approx 0.3 – 3.0m, Tele approx 0.6 – 2.3m
Viewfinder – No
LCD monitor – 2.5-inch, 230,000 pixels
Connectivity – NTSC / PAL, USB 2.0 High speed
Storage – xD-Picture Card, 10MB internal memory
Weight (no batt) 130 g (4.6 oz)
Dimensions 92.7 x 56.7 x 27.8 mm (3.6 x 2.2 x 1.1 in)

Fujifilm

Sony HDR-HC3: Hands On With HC1 Successor

Sony HDR-HC3 Hands On With Their First HDD CamcorderThe HC3 has a tough act to follow – its own big brother, the HC1. Last year’s HC1 brought High Definition recording within the budget of almost any home movie-maker for the first time, and did it with assurance and style. Luckily, Sony hasn’t rested on its laurels, and the HC3 feels very much like a replacement for the HC1 rather than a mere upgrade.

For a start, the HC3 is 30% smaller and lighter than its predecessor, giving it the size and heft of a traditional MiniDV palmcorder. It shares the 2.7-inch touchscreen of the SR90, as well as a generous 123,000-pixel wide viewfinder if you need to save power. Like the HC1, it records 1080i High Def footage onto MiniDV tapes in the HDV format, although the HC3 has a brand new 1/3-inch 2MP CMOS sensor that Sony suggests will match the 3MP chip in the HC1. We didn’t have the opportunity to see full quality footage from the HC3 on a HD display.

Sony HDR-HC3 Hands On With Their First HDD CamcorderChanges to the imaging pipeline have enabled Sony to offer a couple of new features in the HC3. The first is the ability to capture up to three 2MP still photos while filming (the images buffer until you stop recording). The second is Smooth Slow capture, where the capture rate increases from 50 to 200 fields per second for three seconds. Audio recording and the Super SteadyShot audio are disabled while you shoot. You can then play back this footage at a normal frame rate, giving 12 seconds of smooth slow motion footage.

The HC3 has an HDMI output (no cable supplied) and should manage around 105 minutes of recording using the supplied battery. Like the SR90, the HC3 has a flash unit rather than a video light, but a hot-shoe for accessories. But some of the HC1’s more advanced features are missing: manual shutter speeds, zoom ring and external microphone input among them.

The HC3 seems to be a worthy successor to the HC1: smaller, lighter and cheaper (£1,000). Our only concerns would be that the reduction in size of the CMOS sensor has affected image quality and that Sony is dumbing down its High Def offering for a mass audience. Despite these worries, the HC3 will almost certainly spearhead the assault of HD into the mainstream and that can be no bad thing.

Sony DCR-SR90: Hands On With Their First HDD Camcorder

Sony DCR-SR90: Hands On With Their First HDD CamcorderJust when you thought Sony couldn’t add any more formats to its camcorder range (the electronics giant already carries MiniDV, MicroMV, Hi8, Digital 8 and DVD models), along comes a new hard disc camcorder (the DCR-SR90) and a re-vamped Hi Def pro-sumer shooter (HDR-HC3). We caught up with both at an exclusive hands- on presentation in London. Details of the Sony HDR-HC3 will follow tomorrow.

Sony DCR-SR90
The SR90 is going head-to-head with JVC’s well-established Everio range of hard disc camcorders, with which it shares many things in common. A 30Gb disc can store around seven hours of top quality MPEG-2 footage, although not, as yet, in High Defintion. The Sony’s 9Mbps maximum bit-rate just pips JVC’s 8.5Mbps, although we wouldn’t expect that to affect video quality noticeably. Both have hard drive drop protection and traditional palmcorder designs, although the SR90 is heavier and chunkier than JVC’s Everios – and even many of Sony’s MiniDV models.

Build quality is good, and is reflected in a specification that includes a Carl Zeiss T* 10x zoom, which zips between extremes silently and quickly, and a 3.3 megapixel CCD sensor (against the Everio’s 2MP chip). Although it’s a pity Sony opted for a photo flash rather than a video LED, there is at least a hot-shoe for adding a decent external light.

Sony DCR-SR90: Hands On With Their First HDD CamcorderThe interface is generally very good, with a 2.7-inch folding touchscreen ported straight from Sony’s MiniDV range, giving access to a good range of creative features, including true 16:9 recording.

Sony has also borrowed from its DVD camcorders, nicking a built-in microphone that encodes audio in Dolby Digital 5.1 surround sound (although we didn’t get a chance to test this properly). Super SteadyShot is one of the industry’s better digital image stabilisers, and there are some digital effects on offer, too.

Sony DCR-SR90: Hands On With Their First HDD CamcorderPlayback features include basic editing tools that let you move scenes around but not cut or join them. Ease of use is emphasized with a One Touch DVD burn button for Windows computers with a DVD writer – just plug in via USB, slip in a disc and away you go.

Utilising the strengths of its traditional camcorders has helped Sony avoid the SR90 feeling like a ‘me too’ product. It might be priced a little higher (£850) than similar Everios but it offers a little more, too – if not yet the High Def recording that would have made it a must-have. A solid hard drive debut then, and it’s great to finally have some competition for JVC.

A Gadget Lover’s Day Out In The Countryside

A Gadget Lover's Day Out In The CountrysideWith the weather warming up and the great outdoors beckoning, here’s our selection of must-have gadgets for technology addicts heading off for a day strolling over heath and heather.

Snapping the scenery: Ricoh GR Digital
Fast, pocketable and with enough controls to grab perfect exposures in the trickiest of conditions, the Ricoh GR is our fave take-anywhere camera.

With its panoramic 28mm, f2.4 lens this small, rugged and highly versatile beauty is perfect for capturing dramatic, sweeping landscapes.

Attach the optional 21mm superwide angle lens for capturing the entire pub interior majestic mountain vista with one shot or get up close to weird crawly things and strange flower-like growths using its 1cm macro lens.

Ricoh GR

A Gadget Lover's Day Out In The CountrysideSmartphone: Treo 650
The Palm Treo packs in enough functionality to keep you in touch with the cricket scores, send off emails, write texts and perhaps pen a short, moving poem to the Great Outdoors using its WYSIWYG keyboard.

If you prefer strutting to the sounds of Wolfmother rather than hearing the gentle rustle of Mother Nature, you can slap in a MP3-stuffed 2GB card and rock your way through the countryside.

And if the weather turns bad, you can shelter under a tree and pass away the hours playing the annoyingly addictive BeJeweled game.

Palm Treo 650

A Gadget Lover's Day Out In The CountrysideWhere the chuffin’ ‘eck am I? GPS and Memory-Map
Although an Ordnance Survey map and a trusty compass are more than ample for finding your way around, that’s clearly waaaay too lo-tech a solution for a full-on gadget freak.

Gizmo-lovers should instead load up their GPS-enabled Pocket PC PDAs with Memory-Map and head to the hills.

This mapping software uses real OS colour maps and offers waypoint-to-waypoint directions, bearing and distance indicators, real-time positioning and a tracklog to see how far you’ve shuffled.

There’s also a velocity vector for projecting your current course/speed so you can work out how far it is to the nearest boozer.

A Gadget Lover's Day Out In The Countrysidewww.memory-map.co.uk

Keeping track of time: Suunto X6 Pro
Naturally, when it comes to watches, a mere pair of hands giving you the time won’t be enough for hard core tech heads, so we recommend the Suunto X6.

With this baby strapped on your arm you’ll have no need to look at the countryside around you, as the display offers a far more interesting display including an altimeter, barometer, thermometer and compass.

Suunto X6 Pro

Armed with all the kit above (and suitable weatherproof clothing and boots, natch) you should be ready for anything the countryside can throw at you.

Just don’t forget spare batteries for your bag full o’gadgets and your bus fare in case you get tired lugging all those gizmos about.