Google Music Search Launched

Google: Music Search LaunchedGoogle have thrown the switch on the latest addition to their search results – music.

Searching is either directly to Google Music Search, or if the music/band/song is well enough known, results can also appear in ‘normal’ Google results. Either way, it’s currently only working on the US (.com) site.

Google: Music Search LaunchedInitial music search results are split down to three sections Artists; Album; Songs. The information available is comprehensive.

  • Artists not only showing all of their records, but links through to Google images of them; discussions about them on Google Groups; and their site.
  • Albums give the break down of each of the tracks, and reviews that are available. A list of where the record can be bought is shown, complete with the comparative price they are charging against the name of the shops. Links to digital delivery sites like Apple’s iTunes and Real Rhapsody are also shown.
  • Songs show the start of the lyrics, linking to source for the full versions, links to any other version of the song as well as links to the expected artist information.
    • It’s been reported that, Google won’t be taking payments for connecting their users to the music tracks.

      Currently there’s no adverts on the search results – but we’d imagine that this will change in the near future, with one possibility being suppliers bid for the clicks.

      Google Music Search

RealMusic Subscription Service Launched By Real

Real Launch RealMusic Subscription ServiceReal have announced the launch of its new online music service, imaginatively called, err, RealMusic.

Claiming to be the first online subscription service to offer radio, music videos, ringtones, downloads and user-generated content, Real are billing the subscription service as a “one-stop browser-based service”, offering music fans a simple way to “search, discover, buy and sell the music they love.”

Subscribers to RealMusic get access to more than 300 CD-quality, ad-free radio stations, hand-picked by Real’s global team of music editors, as well as artist radio stations.

Naturally, there’s been a lot of flesh-pressing and business card flipping going on behind the scenes, with “exclusive partner stations” like the Ministry of Sound, Carl Cox and GMG Radio (SmoothFM, Real Radio, JazzFM and Hed Kandi) forming synergistic partnerships.

Sadly for Apple Mac users, the service “is currently being optimised for Mac users. Please check back later.” How long you’ll have to hold your breath is unclear.

The service also provides on-demand access to more than 4,000 music videos from major and indie label artists, with related downloads or ringtones available on the site to keep users spending.

Real Launch RealMusic Subscription ServiceRealMusic will be creating a chart of the top ranking tracks and ringtones created, submitted, and rated by users, with an editorial team producing content and commentary on artists, music releases and videos.

“Music lovers are looking for new ways to create, discover and share music anywhere, anytime” insisted Gabriel Levy, Head of Music, RealNetworks Europe.

“RealMusic is the first comprehensive music service to give users access to radio, music videos, downloads and ringtones – plus the ability to play and buy original user-generated music,” he continued.

The site will incorporate advanced search capabilities, letting users shuffle through thousands of radio stations by language, country or genre, with subscribers able to access all of the available radio stations, downloads, videos and ringtones featuring their fave artist.

Approximately 20% of the digital radio audience listens online,” intoned Marco Menato, Vice President EMEA & Latin America, RealNetworks.

Real Launch RealMusic Subscription Service“This demonstrates that there is a strong demand for services that mix the way in which consumers access music, from downloading the latest chart hits and ringtones to sharing tracks from unsigned bands. RealMusic gives music enthusiasts all these options as well as the opportunity to effortlessly discover music to suit their mood,” he continued.

A subscription to RealMusic costs £8.50 ($15, €12.6) per month, with downloads expected to be priced at £0.99 ($1.76, €1.48) per track or £7.99 per album.

The RealNetworks’ TonePass ringtone subscription service is available through RealMusic at an additional cost of £4.99 ($8.85, €7.41) per month.

RealMusic

Huge US Music Downloading Fine Upheld

Huge Music Downloading Fine UpheldA US federal appeals court has upheld the mammoth $22,500 (£12,760, €18,930) fine slapped on a 29 year old Chicago mother caught illegally distributing songs over the Internet.

Cecilia Gonzalez’s unsuccessful appeal against a music industry copyright lawsuit will no doubt delight music industry lawyers, who have already filed against thousands of computer users.

The three-judge panel of the US Court of Appeals for the Seventh Circuit in Chicago weren’t interested in Ms Gonzalez’ arguments that her Internet activities were permitted under US copyright laws.

Huge Music Downloading Fine UpheldAfter Ms Gonzalez rejected an earlier proposed settlement from music companies of about $3,500 (£1,950 €2,950), a federal judge later filed a summary judgement ordering her to shell out $750 (£425) for each of 30 songs she was accused of illegally distributing over the Internet.

The mother of five contended she had downloaded songs to determine what she liked enough to buy at retail, adding that she and her husband regularly buy music CDs, with over 250 albums in their collection.

The appeal panel weren’t impressed, pointing out that because Ms Gonzalez didn’t delete the songs she hadn’t decided to buy, she could have been liable for the 1000+ songs found on her computer.

“A copy downloaded, played, and retained on one’s hard drive for future use is a direct substitute for a purchased copy,” the judges wrote, adding that her defence that she downloaded fewer songs than many other computer users “is no more relevant than a thief’s contention that he shoplifted only 30 compact discs, planning to listen to them at home and pay later.”

Huge Music Downloading Fine UpheldMs Gonzalez’s case was part of first wave of civil lawsuits filed by record companies and their trade organisation, the Recording Industry Association of America (RIAA), back in September 2003.

“The law here is quite clear,” table-thumped Jonathan Lamy, a senior vice-president for the Washington-based RIAA. “Our goal with all these anti-piracy efforts is to protect the ability of the music industry to invest in the bands of tomorrow and give legal online services a chance to flourish.”

And make lots of money for themselves, of course.

RIAA

Creative Zen Vision Goes On Sale In Japan

Creative Zen Vision Goes On Sale In JapanCreative are set to take on Apple’s video-enabled fifth-generation iPod with their new Zen Vision:M player, due to be announced tomorrow.

Christened the Zen Vision:M, the new player packs a 30GB hard drive and a large 2.5in, 262k-colour, 320 x 240 LCD into its diminutive 10.4 x 6.2 x 1.9cm proportions.

The Vision:M can play back MPEG 1, 2 and 4, WMV 9, Motion JPEG, DivX 4 and 5 and XviD video files, and display photos saved in the JPEG format only (so tough luck to RAW photographers looking for a handy all-in-one storage device.)

Creative Zen Vision Goes On Sale In JapanCreative claim that the rechargeable battery can keep punters entertained for four hours in video-playback mode – twice as long as the iPod’s two hours.

Music formats supported include MP3, WMA with DRM and WAV and there’s a handy built in recordable. Creative claim music can be played back for fourteen hours on a single charge.

The attractive looking unit weighs in at 166g, 30g more than the 30GB iPod’s 136g and share similar proportions (and design) – although the Zen is substantially deeper than the iPod.

The Vision:M sports a slim connector which suggests that there’s a raft of compatible accessories on the horizon, both from Creative and third parties.

Creative Zen Vision Goes On Sale In JapanIt’s a shame seeing a company as, err, creative as Creative coming up with a design so obviously ‘inspired’ by the iPod, but perhaps it’s a sign that they’re signing up to a philosophy of, “if you can’t beat them, join them.”

The Vision:M goes on sale in Japan in mid-December for about a trillion Yen (well, OK, 39,800) which converts into a reasonable £190 ($329, €280) and it’ll be available in not-at-all-copying-iPod pure white, definitely-not-Nano-esque black and a rather jaunty green which we like best. It launches in London tomorrow.

Creative

Legal Digital Music Downloaders Not Kids Shocker!

Legal Digital Music Downloaders Not Kids Shocker!US analyst firm JupiterResearch has surveyed the American digital music market, and discovered that the bulk of paying downloaders come from the 25-44 age group.

The survey found that sixty-two percent of digital service users and 60 percent of subscribers are between the ages of 25 and 44.

More than half of the subscribers are women, but it’s the blokes who are predictably hitting the download button most, fuelled by a crazed desire to compulsively fill up their MP3 players.

JupiterResearch describes both types of buyers as coming from “music aficionados” segment – they’re the 13 percent of online adults who are “digitally active” and already spend a lot on music.

Online music buyers were found to still discover new music through traditional means, like radio shows and music videos shown on TV, with recommendations (both in stores and online) having an impact.

Legal Digital Music Downloaders Not Kids Shocker!Online radio was seen to be a growing influence as were new tools like playlists and music blogs, but the report found that stronger integration with online radio and more promotion was necessary to make punters aware of these potentially powerful discovery tools.

Although still a minor earner in overall US entertainment expenditure, growth in the digital music market is explosive.

Spending on downloads and subscription services is expected to double in 2005, surpassing $750 million, with 20 million US music fans on course to buy digital downloads this year—mostly from Apple’s iTunes store.

But it’s not all smiles in the industry, with JupiterResearch’s European Music Consumer Survey warning that the music industry may be facing an unsure future with three times as many consumers using illegal file-sharing networks in preference to legitimate services.

Legal Digital Music Downloaders Not Kids Shocker!The report blames non credit card-holding kids, claiming that 34 per cent of 15-24-year olds use file-sharing services, and this is “impacting the way they value music with many having little concept of music as a paid commodity.”

JupiterResearch claims that Da Kidz see CDs as irrelevant, crap value for money and so prefer to copy rather than buy CDs.

With a wagging finger, Jupiter Research warned the industry, “Unless these consumers are encouraged to develop music purchasing behaviour soon they may never develop meaningful music buying habits,”

JupiterResearch

Are Media Owners Trying To Hijack Terror Legislation?

Media Industries Try To Hijack Terror LegislationThe digital rights campaigning group, Open Rights Group, reports that the music industry is lobbying MEPs to co-opt the EU Data Retention legislation currently being debated by the European Parliament.

Music industry body, the Creative and Media Business Alliance (CMBA), wants data-snooping legislation aimed at the prevention of terrorism to be made available for the prosecution of any crime, such as copyright infringement.

The move has been condemned by the Open Rights Group and other civil liberties groups across Europe, with campaigners calling on the Alliance’s members – which include industry bigwigs like Sony BMG, Warner Music, Disney, and EMI – to retract their demands.

The Data Retention draft framework was originally cooked up by Sweden, Ireland, France and the UK, aiming at “the prevention, investigation, detection and prosecution of serious criminal offences such as terrorism and organised crime” by forcing telecommunications and Internet service providers to retain ‘traffic data’ (i.e. information about your phone calls and Internet activities.)

Keen to exploit the legislation for their own commercial gain, the CMBA has demanded that this data should be made available for the prosecution of any crime – e.g. illegal music file sharing – and not just serious organised crime and terrorism.

Media Industries Try To Hijack Terror LegislationCoupled with the upcoming IPRED2 legislation (which creates new, Europe-wide criminal offences for intellectual property infringement), campaigners fear that we could end up with a situation where the music industry would be able to pursue criminal court copyright prosecutions entirely at the cost of the taxpayer.

Worryingly, the Open Rights Group reports that the both the Data Retention and IPRED2 directives are being “fast-tracked” through the EU by short-circuiting normal legislative processes.

This means that there will only be one reading in the European Parliament, instead of the normal two, with sources from within the Parliamentary system indicating that some MEPs aren’t aware that the usual democratic process is being bypassed.

A tight timetable means that MEPs are only going to have a couple of days to assess the Data Retention proposal with the final vote occurring on the 13 December.

“The passing of the Data Retention directive would be a disaster not just for civil liberties and human rights in Europe”, said Open Rights Group director Suw Charman, “it would also put a substantial financial burden on telcos and ISPs which would be passed on to the consumer either in the form of raised bills or through government subsidies funded by the taxpayer.”

Media Industries Try To Hijack Terror LegislationIan Brown, of the Open Rights Group (not the Stone Roses), said: “The British government claimed that Data Retention was essential in the fight against terrorism and serious crime, but it has now become clear that groups with commercial interests have their eye on the same data. Charles Clarke cannot continue to pretend that this legislation has been drafted purely for reasons of national security.”

Gus Hosein, Senior Fellow at Privacy International, was equally unimpressed: “The EU has been claiming that data retention was some urgent policy response to terrorist attacks. But they are carefully drafting this legislation to ensure that it can be used for all purposes under the sun.”

“Ironically, the EU seems to be going at it alone: even the U.S. Bush Administration is not proposing such a ludicrous policy, despite the strong lobbying by Hollywood.” he added.

There are fears that if the CMBA is successful, the increased number of demands for access could affect the usefulness of the legislation as an anti- terrorism tool.

The Open Rights Group argue that if British record labels set up prosecution ‘production lines’ like their American counterparts, the system could collapse under the strain, clogging up reasonable and legitimate enquiries into genuine terrorist or serious crime activity.

Today, Sjoera Nas, Board Member of EDRi and Co-Director of Bits of Freedom presented a 58,000 signatures petition to the Chairman of the Committee, Green Party MEPs, Christian Democrats and the Social Democrats.

Nas commented, “Last minute negotiations with representatives of the European Council have lead to what we feared the worst – a draconian directive that flies in the face of our recommendations.”

“We can only hope that the European Parliament will come to its senses and realise that they cannot turn Europe into a surveillance society overnight without throwing away all human rights,” she added.

Open Rights Group

iTunes Becomes Seventh Largest US Music Retailer

iTunes Becomes Seventh Largest US Music RetailerApple’s iTunes online store has been ranked the seventh-largest music retailer in the US in the third quarter, charging into the top 10 for the first time.

According to research from the NPD Group, iTunes Music Store has climbed from fourteenth place last year to overtake many US High Street music stores.

Based on the number of songs sold, Wal-Mart, Best Buy, Target and Amazon.com remained the top four, although iTunes rising star is expected to overtake more stores by the end of the year.

iTunes Becomes Seventh Largest US Music RetailerAlready eating iTunes’ dust are big names like Tower Records and Borders, reflecting music fans’ growing passion for online music.

“With the growing interest in digital music, forecasts of more iPod demand this holiday, plus the stocking-stuffer appeal of iTunes gift cards, we can expect Apple to increase its share even more by year’s end,” predicted Russ Crupnick, music and movies industry analyst for the NPD Group in the report.

Launched in April 2003 to offer downloadable tracks to users of its best-selling iPod digital music player, Apple has sold more than 600 million songs, with the service boasting more than 10 million iTunes account holders.

iTunes Becomes Seventh Largest US Music RetailerCombined revenue from the iPod, Apple’s fastest- selling product, and iTunes music accounted for a massive 40 percent of sales last quarter, up from 27 percent a year earlier.

Steve Jobs has confirmed that Apple have already shifted over 30 million iPods since the product launched in 2001.

iTunes

Jens MP-X: First All-Weather MP3 Player

Jens MP-X: First All-Weather MP3 PlayerOne of our Digital-Lifestyles favorite digital media entrepreneur Swede, Jens Nylander has extracted himself from recent problems and brought out a new mp3 player called MP-X.

You want firsts? Well, it’s the first all-weather mp3 player. A smart selling point in damp areas like much of Northern Europe, especially in Sweden, where their public weather monitor say that more than half of their days over the last 30 years have had an average of 0.1mm of rain or more.

Aimed at fit-types, another good move given the amount of outdoor fans there are in Sweden, it’s made of soft and durable urethane rubber which repels all of that sweating and doesn’t get knocked around.

Two versions are available. It comes in 512 Mb and 1 Gb versions (150 or 300 songs), only weighing the equivalent of six A4-pages of paper and cost €68 (~£46, ~$79) or €85 (~£57, ~$99) respectively excluding sales tax.

As with previous Jens players it supports MP3, WMA, ASF, OGG-Vorbis music files.

We’re glad to see Jens back on his feet, following his bankruptcy after a miscalculation of import duty (they should have paid 10% because of built-in FM radio, not the 2.5% they’d calculated at). They tell us that all of the debts have now been met and the $25k that they still owe to the post office will be made up through new trade.

Jens of Sweden

John Lennon: All Digital Release Soon

John Lennon: All Digital Release SoonThe whole of John Lennon’s solo catalogue will be made available digitally, for the first time, on 5th December – Oooo, just in time for xmas.

Working Class Hero, the latest greatest hits album, is already available for digital download. This album is described as ‘definitive’, but it strikes us that many greatest hits albums are spoken about in these glowing terms.

Some Lennon tracks will also be available for mobile download in the coming weeks.

Pricing has not been discussed, but we hope they won’t be as inflated as the recently announced Rolling Stones album. It’s coming out on SanDisks TrustedFlash and was priced at just short of £40.

John Lennon: All Digital Release SoonYoko Ono, John Lennon’s wife, told of her views on if John would have been an Internet fan, “New technology is something he always embraced and this is something he would have loved. I always say that he would have been very excited by all the opportunities offered by the development of new means of communication.”

We’ve spoken to someone very close to the main rightsholders of The Beatles work and were told they had, about a year ago, been very close to signing a digital distribution deal. This fell apart over the amount of money being put on the table – and their view is “What’s the rush?”

If this John Lennon deal moves The Beatles any closer to releasing their tracks on digital formats is unclear, but many Beatles fans will have their fingers crossed.

John Lennon

iPod Shifts One Million Videos

iPod Shifts One Million Videos The video-capable iPod has only been out three weeks, but already Apple are claiming sales of over a million video downloads from their iTunes online service.

Topping the download charts were music videos from the likes of Michael Jackson, Fatboy Slim and Kanye West, while episodes of ABC television shows “Lost” and “Desperate Housewives” proved popular with customers.

Other music content available includes music videos from pop dinosaurs like Madonna, U2, Eurythmics, Coldplay and Kanye West (be still our beating heart), with animated shorts provided by the Oscar-winning Pixar, creator of animated hits like The Incredibles and Finding Nemo.

The video content, priced at $1.99 (~£1.12~€1.65) each, can also be played on computers running iTunes software.

iPod Shifts One Million Videos Steve Jobs, Apple’s head honcho, observed that the healthy sales strongly suggested there was a market for legal video downloads.

“Our next challenge is to broaden our content offerings, so that customers can enjoy watching more videos on their computers and new iPods,” he said in a statement.

Not surprisingly, not everyone was keen to shell out for their video fixes, with enthusiasts quick to start sharing and distributing their own music clips and TV programs for the video iPod via peer-to-peer networks.

Robin Simpson, a research director at Gartner, observed that although some illegal copying and downloading would inevitably occur, Apple had provided video customers with a realistically priced model.

iPod Shifts One Million Videos “Most people are prepared to be honest if it is not too expensive to do so,” he added.

The cash till-ringing sales underlines dispels concern that people wouldn’t want to watch programs on the iPod’s titchy 2.5-inch colour screen and reflects the growing market acceptance of portable video.

The market was quick to react to Apple’s announcement, with share prices climbing by more than 5% in Monday trading.

iTunes Videos