BBC To Premiere Programmes Over Broadband

BBC To Premiere Programmes Over BroadbandThe BBC has announced a pilot scheme to premiere some new TV programmes before they are broadcast on over traditional channels.

The trial starts with the new BBC3 comedy series ‘The Mighty Boosh’, which will be made available for web streaming from July 19th, one week before its scheduled TV transmission.

BBC To Premiere Programmes Over BroadbandJana Bennett, The BBC’s Director of Television, said: “The broadband premiere of The Mighty Boosh is a significant step forward in offering our audiences even greater value in a changing television world.

“It is one of a number of pilots that BBC Television will be undertaking over the next few months, exploiting the opportunities that new technologies offer to look at how programmes might be delivered beyond the traditional linear broadcast.”

BBC To Premiere Programmes Over BroadbandThere’s something of a stampede starting up of companies ready and willing to experiment with video over broadband, with BT announcing that it planned to begin trials of video-on-demand (VoD) via broadband early next year, ready for a full commercial roll out scheduled for summer 2006.

Telewest also recently launched its own web-based TV service, initially offering four channels as part of a trial of 26,000 consumrs in the Cheltenham and Gloucester area.

BBC Broadband

OfCom Response To DCMS Green Paper on BBC Royal Charter: Comment

OfCom Response To DCMS Green Paper on BBC Royal Charter: CommentOfcom’s press release accompanying their response to the DCMS green paper on BBC Royal charter was my first point for comment. It initially indicated to me Ofcom were sticking to:

* An institutional model of PSB (BBC fully-funded, cornerstone of PSB, key role in digital switchover, all things to all people, etc.);

* The much-derided PSP concept; and

* ‘The BBC is independent’ myth (Note the irony – this statement is otherwise contained in a document related to how the government will establish the funding, governance and remit of the BBC).

I wondered if I was being a little too hard on Ofcom. If there was original, evidence-based thinking in the document?

Once I’d had the opportunity of read through the whole document, combined with the benefit of reflection, my views changed slightly, leading me to the following conclusions.

1. Ofcom have produced more original thinking than I gave them credit for, initially, perhaps because the introduction and summary to the document are not as robust as its contents. Read on…

2. That being said, Ofcom in its response still embarrassingly clings to the discredited notion that PSB must be fostered by significant and prolonged state intervention in the form of subsidy. I agree with the Financial Times on that point. Will there always be a need for a multi-billion pound state subsidy to this sector?

3. Much of Ofcom’s thinking stems from a very questionable line of logic. Ofcom posit that PSB is in danger of becoming a BBC monopoly because the ‘implicit’ subsidy given to ITV and Channel Five is disappearing as the move to digital is underway. This line of argument is contained in Sections 2.4 through 2.11 of Ofcom’s response. I’ve never been convinced by this argument for two reasons: (i) recent empirical research by the Satellite and Cable Broadcasters Group (SCBG) demonstrated that PSB is being provided in abundance in the digital world without any subsidy and (ii) Channel 4 provides PSB and makes money. Ofcom’s statements–actually they are more like predictions–on this point have simply been unconvincing.

4. Someone should actually listen to what the SCBG has to say. These providers don’t receive scarce spectrum, don’t have must-carry status, and don’t receive public funds. Yet SCBG say their members produce 14,000 hours of PSB programming per month—more than all the terrestrial channels combined. The SCBG say:

[I]n the majority of programme genres that Ofcom defines as “public service broadcasting”, channels other than the BBC’s now provide most of the UK output: more than 60% of news and current affairs, more than 90% of documentaries, more than 80% of arts and music programmes. It follows that publicly funded broadcasting should now be limited to services, or to a quality of service, that the private economy cannot provide or would not provide in the absence of competing public subsidy.

OfCom Response To DCMS Green Paper on BBC Royal Charter: CommentThis reflects the EU rules governing the use of State Aid, which require that publicly funded services such as the BBC’s must complement rather than substitute or duplicate provision by the market. Furthermore, where market developments supersede publicly funded provision, the BBC should withdraw from those services or activities and re-direct its valuable public resources to areas of activity where there is a proven market failure. While market failure should not be the only test applied to BBC services, it should provide the underpinning for all publicly funded BBC services. The absence of a market failure analysis raises significant questions as to the compatibility of the BBC’s publicly funded status with European State Aid rules.

5. Give Ofcom some credit – if the SCBG is wrong and instead Ofcom’s thinking is correct and PSB does require massive public subsidy, at least they have it right that the public subsidy should not all go to the BBC. Ofcom also propose a responsible structure to apportion that subsidy.

6. Give Ofcom more credit – they are keen to point out that the BBC’s role in the digital switchover process should not mean a government preference for Freeview over other digital platforms. Ofcom say the switchover should be platform neutral. Amen. Freeview stinks – I recently heard an influential observer charitably call it a ‘transitional technology’, and that’s really about the best you can say for it. Its capacity is limited; it’s not two-way; it has no worthwhile gaming applications, etc.

7. One more area where Ofcom deserve credit – suggesting to DCMS that it consider moving the review date for PSB funding to 2010 instead of post-digital switchover. Ofcom rightly realise that this is a fast-changing area and an earlier review will serve the public interest.

8. Finally, Ofcom say they want an ‘enhanced’ license fee for British viewers. An ‘enhanced fee’ – that can’t be a good thing, right? How much more will that cost us?

Russ Taylor is a co-founder of ofcomwatch.

Review of the BBC’s Royal Charter – Ofcom response to the Green Paper
Ofcom publishes response to Government Green Paper on BBC Royal Charter Press Release
BBC Charter Review

BBC iMP: Public Trial For 5,000 In September

BBC iMP: Public Trial For 5,000 In SeptemberBBC New Media is to extend trials of its interactive Media Player (iMP), allowing viewers to download material from 500 hours of its television and radio programming.

The latest phase of trials for BBC New Media’s interactive Media Player is scheduled to begin in September 2005 and will run for three months.

The interactive Media Player lets viewers catch up with TV and radio programmes up to seven days after they have been broadcast, with the BBC offering legal Internet download programmes to their PCs.

The latest road test follows smaller trials last summer where the BBC used a limited number of people and a small amount of rights-cleared programmes to test the concept of using peer-to-peer technology and digital rights management (DRM) to protect rights holders.

This time around, the BBC is offering around 190 hours of TV programmes and 310 radio programmes, in addition to local programming and rights-cleared feature films.

BBC iMP: Public Trial For 5,000 In SeptemberThe 5,000 trialists will be able to search for programmes they want to watch, filter programmes by channel, select subtitles and, in the case of some series, to collect and watch episodes that they may otherwise have missed.

Ashley Highfield, BBC director of new media and technology, effloresced with a curious mix of similes: “iMP could just be the iTunes for the broadcast industry, enabling our audience to access our TV and radio programmes on their terms — anytime, any place, any how – Martini Media.”

“We’ll see what programmes appeal in this new world and how people search, sort, snack and savour our content in the broadband world,” he added.

Currently, issues with rights, distribution and navigation are limiting the menu, leading to fears that without the necessary killer content to attract audiences, take-up of the service may stall.

Highfield has stated that the BBC was looking to tackle these issues through services like Creative Archive and iMP, and called on the industry to do the same.

BBC iMP: Public Trial For 5,000 In SeptemberThe pilot will use DRM software to delete programmes seven days after the programme has aired on TV, ensuring that users can no longer watch the content after that time. The digital rights system will also prevent users emailing the files to their chums or sharing it via disc.

The BBC iMP pilot will use peer-to-peer distribution technology to distribute the content and Geo-IP technology to restrict the service to UK Internet users only, with Siemens Business Services, BBC Broadcast and Kontiki, assisting with the technical and play-out elements of the trial.

The Kontiki system is already being beta-tested by the Open Media Foundation in trials of a public service allowing controlled peer-to-peer distribution of rights cleared audio and video.

BBC iMP
Kontiki

BBC Backstage Lets Developers Fiddle About With Their Innards

BBC Lets Developers Fiddle About With Their Innards The BBC has let rip with a new beta service that invites Web developers and designers outside of the organisation to start fiddling about with their content and “create cool new things”.

Launching in the summer, the BBC Backstage site gives code monkeys, app writers and graphics types the opportunity to bend and twist BBC digital content into new shapes.

The project lets developers get their greasy mitts on a collection of feeds and other tools for “re-mixing” and re-purposing the BBC’s offerings in different ways.

“We want to promote innovation and creativity on the net by opening access to some of BBC’s content and services,” enthused co-project leader Ben Metcalfe.

“Essentially, backstage.bbc.co.uk is enabling developers to create new contexts and user experiences around BBC content, like creating alternative ways to navigate, or remixing it with content and services from other providers like Yahoo,” he continued.

BBC Lets Developers Fiddle About With Their Innards The UK broadcasting goliath made a commitment to support social innovation in response to last year’s Graf Report, and this is echoed in their plans to develop an open community where people can share expertise, ideas, and collaborative efforts.

Contributors can join an email discussion and chat away with technical and design staff from the BBC’s new media departments.

The BBC is hoping that by letting creatives fiddle about with their innards, fun, innovative and just plain bonkers new ways of presenting content may emerge, with the possible spin-off of stimulating a UK market for creative venture capital.

By opening up its content feeds and its “API” – application program interface – the BBC hopes that anyone with the right skills can use the digital content to create new search tools, or groovy ways of displaying that content.

An API is essentially a set of computer protocols and tools for building software applications, and the BBC intends to release new APIs gradually, as negotiations with other parts of the BBC take place.

The project is open to just about anyone, and if some bright spark comes up with a particularly cunning idea, the BBC might take it further in collaboration with the developer.

BBC Lets Developers Fiddle About With Their Innards It’s not all about profit though, with the BBC hoping that contributors will create prototypes on their Web sites to be freely shared with others for non-commercial use.

Users won’t be tied to the BBC either, so if a proposal looks interesting to a third party company, they are free to take them further too.

This approach makes particular sense for applications designed for a specific device – such as a PDA – on which the BBC couldn’t justify dishing out their precious licence fee money.

The beta launch this week is designed to get developers to come up with suggestions about the kind of material they’d like to fiddle about with.

Although it is a significant move for a major content provider like the BBC to publicly offer their APIs, Web big boys like Google and Yahoo have already taken the step of making their APIs available for programmers to create applications.

Opening up material to communities of developers can drive real innovation, although it should be noted that it’s not a free for all, with rules in place detailing what is permitted under the agreement.

“We want to identify online talent and exciting propositions that use that talent and showcase that to the world. We want people to have fun with our content as well,” explained Mr Metcalfe.

BBC Backstage
Graf Report
BBC news cover Backstage

BBC Opens Up RSS News Feeds

BBC Opens Up RSS News FeedsThe BBC has opened up its RSS news feeds to commercial Websites for the first time, with a new set of terms and conditions letting other sites integrate the BBC feeds for free, and free from offline contractual negotiation.

Previously, RSS feeds for BBC new stories have only been available to individuals via RSS Readers, but this move will put the UK broadcasting giant in direct competition with heavyweight news agencies in the RSS market, such as Reuters and the New York Times.

Opening up the service to other sites means that Webmasters can utilise BBC content on their own sites, with available feeds being marked by an orange RSS button on BBC pages.

A comprehensive range of feeds will let users subscribe to specific sections and not just the homepages, so that connoisseurs of real football could just subscribe to the white knuckle excitement of the BBC’s Cardiff City FC homepage.

BBC Opens Up RSS News FeedsPete Clifton, editor of the BBC News Website said: “Liberating the availability of our content for re-use is an important step for the BBC. We’ve been a bit cautious about it up to now but there’s a real demand for us to provide this service. If we are to build public value it’s important that we respond to this demand.”

BBC News and Sport headlines will initially be offered as RSS feeds, with other parts of the BBC expected to be rolling out feeds over the coming months, possibly including the latest film reviews or updates from the Top of the Pops Website.

The BBC’s site – a firm favourite in the office – remains one of the world’s busiest Websites, with figures for April 2005 showing 18 million click-throughs generated by the feeds to the bbc.co.uk/news and bbc.co.uk/sport Websites for the month.

BBC RSS

Your Stories: BBC Broadcasts Viewer-Produced Videos

BBC Broadcasts Viewer-Produced VideosBBCi has launched a programming service for digital satellite viewers showcasing short films made by ordinary folk across the UK.

Commissioned by BBC New Media and developed by BBC Nations and Regions, the service – dubbed “Your Stories” – is accessible at any time by pressing the red button on the remote control.

The program features content generated under the auspices of two BBC projects designed to give people the skills to make short films about their own lives: Video Nation and Digital Stories.

BBC Broadcasts Viewer-Produced VideosVideo Nation broke new ground when it first hit UK TV screens – running in short slots dropped in to the programming schedule.

It was created in 1993 after the BBC scattered a team of over 30 producers around the UK with the aim of encouraging local people to make short films. Seeing “Real people” on TV, explaining various details of their lives was a refreshing revelation.

The producers trained them in the art of storytelling and the use of camcorders, with the films featuring individuals sharing moments of their lives with the camera.

Digital Stories built on the heritage of the Video Nation taking it to a new audience by delivering the content online.

The team behind it provides digital workshops where people from different backgrounds can hook up and tell their stories with the help of electronic wizardry such as laptops, scanners, digital cameras and editing software.

BBC Broadcasts Viewer-Produced VideosContent on the ‘Your Stories’ service is divided into daily themes, each with its own title. “My Music”, for example, featured an eight-year-old trumpet player and a blind pianist.

New Media Knowledge (NMK) ran an excellent event last year exploring this subject, bringing together members of the Video Nation and Digital Nation, the roots of both were explored.

The showing of the content revealed the power of this content – emotion. ‘Normal’ people in control of making media about their lives, without it passing through all of the editorial filters that are, as a matter of course, applied to broadcast TV – removing the soul from the piece. It was, quite simply, some of the most powerful content I have ever seen.

As a regular reader of Digital-Lifestyles, you will know that we are hugely enthused about the future of the user-generated content as an alternative to media made by the current media companies. If you’re not convinced, watching the online examples of this (linked at the bottom of this piece) will help you understand.

Next month, the BBC intends to feature a week of films created by school students deep in stress and revision as they prepare for their GCSE exams.

Other forthcoming programs will be thematically linked with various linear programming offerings, including the BBC2’s, ‘Coast’, BBC One’s upcoming season of African-themed programs, and programming commemorating VE Day.

BBC Broadcasts Viewer-Produced VideosBBCi controller, Rahul Chakkara, explained the reasoning behind Your Stories service: “The BBCi audience is maturing, and is looking for content that is social and highly involving, available to them whenever they want.”

“Your Stories is the beginning of our efforts to meet this need. We go beyond involvement through interaction and we involve our audiences by encouraging them to produce their own content.”

BBC Your Stories
BBC Video Nation
Digital Stories
New Media Knowledge

BBC THREE Trials New Multi-Screen Application

BBC THREE Trials New Multi-Screen ApplicationBBC Three viewers will be able to schedule their own Sunday night viewing in a pioneering multi-screen application trial starting on 1 May 2005.

The service will work like a stripped down Video On Demand (VoD) service without the need for a dedicated infrastructure or additional consumer boxes.

From 9.00pm on Sunday nights, digital satellite viewers will be prompted to bash the red button on their remotes and be rewarded with a choice of three BBC THREE programmes, in addition to the channel’s live transmission.

The programmes will be categorised under Dramatic, Funny and Real, with the first night’s offering serving up the first two episodes of Nighty Night; the first and second episodes of the second series of Twisted Tales; and the first and second parts of the second series of Little Angels.

Stuart Murphy, Controller of BBC THREE, explains: “The ‘Best of Three’ multi-screen trial is a bold and ground-breaking new application which offers viewers more control and greater access to the wide range of programmes on BBC THREE.”

“In the future we believe viewers will want to watch their favourite show when they want it and not wait until a scheduler decides to transmit it.

“It’s a key stepping-stone to true video on demand in a free-to-air digital environment, and shows that we are serious about BBC THREE being the country’s most innovative digital channel, which evolves as fast as the audience’s tastes and needs.”

BBC THREE Trials New Multi-Screen ApplicationEmma Somerville, the BBC’s Head of Interactive Programming, added: “Interactive TV can really help our audiences engage with the BBC’s TV channels.”

“The ‘Best of Three’ multi-screen will test new ways of giving viewers more flexibility over when and how they want to enjoy our programmes.”

Viewers will be encouraged on air to try out the new service and the trial will last for six months.

The BBC hopes that the service will prove a showcase for the multi-genre offering of BBC THREE content and enable them to get more value from the full range of programmes that the channel broadcasts.

If all goes to plan, viewers will be encouraged to sample programming that normally wouldn’t whet their tele-whistles and also use the service to watch programmes that they might have missed.

If the trial is a hit, the BBC plans to roll out this application on Freeview and digital cable.

BBC Three

BBC Radio Times Partners With Gemstar Guide Plus+ EPG

Radio Times Partners With Gemstar For EPGOld school TV listings magazine The Radio Times, has announced a partnership with Gemstar, the Murdoch-owned electronic programme guide (EPG).

The deal – the first TV listings partnership of its kind – allows the Radio Times to provide listings, contents and reviews to the subscription-free, seven day Guide Plus+ EPG.

Gemstar will be building its EPG into a number of electronic devices such as digital TVs and DVD recorders. The EPG will allow consumers to browse and select their TV viewing for the next seven days.

Users will have access to seven-day listings, programme recommendations and a database of 24,000 film reviews with star ratings, with the service being compatible with all major channels on the terrestrial, cable, satellite and digital terrestrial platforms.

Simon Adams, deputy-managing director of Gemstar-TV Guide’s European division, said the move would benefit users by providing a “quick, easy, and free way to intelligently navigate what is an increasingly complex entertainment environment”. Radio Times Partners With Gemstar For EPGThis partnership kicks the Radio Times firmly into the new digital age of television, with the company selling advertising on Guide Plus+ and boosting awareness of the EPG by plugging it relentlessly in its print magazine.

All concerned plan to expand the offering, with on exmaple given as onscreen adverts might eventually include clickable ads for programmes, letting viewers jump straight to the selected broadcast.

It is hoped that this synergetic partnership will expand what choca-mocha-latte supping advertising execs call the “brand heritage” of the Radio Times, which currently shifts over 1.1 million printed copies a week.

The BBC owned brand – the UK’s oldest radio and television listings magazine – has a presence across a range of media, with their website attracting nearly 600,000 unique users per month, and a text messaging service which allows readers to access listings. Radio Times was named as Britain’s “most reliable” media brand back in 2002.

Radio Times Partners With Gemstar For EPGGill Hudson, editor of the Radio Times, declared: “There is now no format not covered by Radio Times – you can access RT via mobile, your PDA, online, and now the Guide Plus+ EPG.”

The Radio Times recently spent £1m (€1.44m) on a marketing campaign to promote the magazine in the face of a price war between the UK’s best-selling title, What’s on TV, and rival TV Choice. Clearly, the BBC hopes that this move into digital listings will provide a competitive edge.

Radio Times
Radio Times named Britain’s “most reliable” media brand

BSkyB Announces HDTV Partners

BSkyB Announces HDTV PartnersBritish Sky Broadcasting (BSkyB) has announced that it has signed a number of further contracts with technology and equipment suppliers ahead of the forthcoming launch of its High-Definition Television (HDTV) service.

Following last month’s announcement that Thomson would be the initial manufacturer of Sky’s HDTV set-top box, the latest agreements put BSkyB on track to launch HDTV in the UK and Ireland in 2006 – notably four years ahead of the BBC’s slothful launch date in 2010.

The agreement will see Sony constructing and equipping a new HDTV studio at BSkyB’s Isleworth headquarters and kitting out additional equipment for edit suites and dubbing facilities at the same site.

Lovers of spec sheets will be thrilled to learn that the Sony studio equipment will include the latest HDC-1500 studio cameras and over 60 HDCAM and HDCAM SR format VTRs, complemented by MVS-8000A series multiformat production switchers and DVS-8000 digital effects plus Sony HD LCD monitors.

Additionally, Sony will smooth BSkyB’s transition to HDTV production with a “this button does that” staff training package.

BSkyB will also be deploying Tandberg Television’s MPEG-4 part 10 (H.264/AVC) video encoding and distribution system for the launch of its HDTV service.

BSkyB Announces HDTV PartnersThe studio will be fitted out with Tandberg Television HD video head-end with statistical multiplexing with Tandberg EN5990 HD MPEG-4 AVC enabling efficient bandwidth utilisation and high picture quality.

If that roll out of spoddy specifications hasn’t got you excited enough, you’ll be pleased to learn that even more equipment lists will dispatched from BSkyB headquarters in due course. Whoopee!

Alun Webber, BSkyB’s Group Director of Engineering and Platform Technology, said “The launch of HDTV is the most significant development for BSkyB’s broadcast infrastructure since the launch of Sky digital in 1998. These supplier contracts keep us on track to launch HDTV in 2006 and ensure that Sky customers continue to receive the highest-quality viewing experience available.”

Sky is promising a full set of HDTV programming channel line-up when the service goes live, including sports, movies, entertainment and documentary programming.

The system will support both 720p and 1080i picture formats, with broadcasters being able to choose the format which is most appropriate to their individual requirements.

Initially, Sky’s HD receivers will have both a digital HDMI (High Definition Multimedia Interface) and an analogue component connector for viewing HD content.

BSkyB Announces HDTV PartnersHDMI delivers the best possible picture quality to a HD display by maintaining an all-digital connection to DVI equipped displays possible using a suitable adapter cable.

Notably, when Sky’s HD content is viewed on a display using the receiver’s HDMI connector it will be protected by HDCP (High-bandwidth Digital Content Protection).

HDTV is already taking off in the States and with the BBC dragging its heels with their own implementation of HDTV, this move by Sky may prove to be a significant one.

Sky Drops Microsoft Windows Media For MPEG-4 On HDTV
Sky

BBC Launches Creative Archive Licence

BBC Launches Creative Archive LicenceThe BBC has moved a step closer to establishing a ‘public domain of audio-visual material’ with the launch of its ‘Creative Archive’.

The BBC, Channel 4, the British Film Institute and the Open University have teamed up to create the Creative Archive Licence, which aims to pave the way for the legal downloading of film, TV, radio archives and digital content via the Internet by the public.

The four partners in the Creative Archive Licence Group have issued a call to other organisations to join them, with Teachers’ TV and the Arts Council England already committing themselves to join the gang.

The Creative Archive Licence will give a new generation of media users legal access to material which they can use to express their creativity and share their knowledge – all completely free of charge.

The Licence follows on from pledges in the BBC’s Building Public Value document which committed the broadcaster to ‘help establish a common resource which will extend the public’s access while protecting the commercial rights of intellectual property owners.’

Mark Thompson, Director-General of the BBC liked the look of it: “The Creative Archive Licence provides a unique solution to one of the key challenges of rights in the digital age, allowing us to increase the public value of our archives by giving people the chance to use video and audio material for their own non-commercial purposes.”

The Creative Archive Licence offers an innovative approach to the rights issues that often affect the use of archive material, allowing people to download and use footage and audio for non-commercial purposes.

Each user will agree to abide by the licence conditions before gaining access to any of the available material.

BBC Launches Creative Archive LicenceThe hope is that soon-to-be launched pilot download schemes will help fuel creativity activity across Britain, with clapperboard-toting types using the footage in personal projects, classroom presentations and their own arty-farty creations.

The long term aim is for work created under the licence to be uploaded back to the originating Website and then shared with others across the Internet.

Amanda Nevill, director of the British Film Institute, liked the cut of the project’s jib: “The Creative Archive Licence gives UK citizens increased opportunities to access and engage with moving image material from the bfi National Film and Television Archive. The project is an important step forward in enabling people to create their own works and explore the potential of digital film-making.’

The Creative Archive Licence hopes to emulate the success of the US based Creative Commons system, where less rigid copyright arrangements have stimulated artistic activity.

The BBC will initially be making footage from natural history and factual programmes available under the licence later this summer, and the BFI will be releasing a package of silent comedy, early literary adaptations, newsreel footage and archive footage of British cities in the early 20th century.

Interestingly, because the BBC is license fee funded they are releasing the content to UK-only Internet users, relying on a GeoIP solution to allow downloads from only UK hosts (not that we think it would be particularly hard for determined folks to circumvent those restrictions).

Creative Archive