Mike Slocombe

BSkyB Announces HDTV Partners
British Sky Broadcasting (BSkyB) has announced that it has signed a number of further contracts with technology and equipment suppliers ahead of the forthcoming launch of its High-Definition Television (HDTV) service.
Following last month’s announcement that Thomson would be the initial manufacturer of Sky’s HDTV set-top box, the latest agreements put BSkyB on track to launch HDTV in the UK and Ireland in 2006 – notably four years ahead of the BBC’s slothful launch date in 2010.
The agreement will see Sony constructing and equipping a new HDTV studio at BSkyB’s Isleworth headquarters and kitting out additional equipment for edit suites and dubbing facilities at the same site.
Lovers of spec sheets will be thrilled to learn that the Sony studio equipment will include the latest HDC-1500 studio cameras and over 60 HDCAM and HDCAM SR format VTRs, complemented by MVS-8000A series multiformat production switchers and DVS-8000 digital effects plus Sony HD LCD monitors.
Additionally, Sony will smooth BSkyB’s transition to HDTV production with a “this button does that” staff training package.
BSkyB will also be deploying Tandberg Television’s MPEG-4 part 10 (H.264/AVC) video encoding and distribution system for the launch of its HDTV service.
The studio will be fitted out with Tandberg Television HD video head-end with statistical multiplexing with Tandberg EN5990 HD MPEG-4 AVC enabling efficient bandwidth utilisation and high picture quality.
If that roll out of spoddy specifications hasn’t got you excited enough, you’ll be pleased to learn that even more equipment lists will dispatched from BSkyB headquarters in due course. Whoopee!
Alun Webber, BSkyB’s Group Director of Engineering and Platform Technology, said “The launch of HDTV is the most significant development for BSkyB’s broadcast infrastructure since the launch of Sky digital in 1998. These supplier contracts keep us on track to launch HDTV in 2006 and ensure that Sky customers continue to receive the highest-quality viewing experience available.”
Sky is promising a full set of HDTV programming channel line-up when the service goes live, including sports, movies, entertainment and documentary programming.
The system will support both 720p and 1080i picture formats, with broadcasters being able to choose the format which is most appropriate to their individual requirements.
Initially, Sky’s HD receivers will have both a digital HDMI (High Definition Multimedia Interface) and an analogue component connector for viewing HD content.
HDMI delivers the best possible picture quality to a HD display by maintaining an all-digital connection to DVI equipped displays possible using a suitable adapter cable.
Notably, when Sky’s HD content is viewed on a display using the receiver’s HDMI connector it will be protected by HDCP (High-bandwidth Digital Content Protection).
HDTV is already taking off in the States and with the BBC dragging its heels with their own implementation of HDTV, this move by Sky may prove to be a significant one.
Sky Drops Microsoft Windows Media For MPEG-4 On HDTV
Sky
15 April, 2005
GNER Promises Wi-Fi On All Trains By 2007
A UK train operator has claimed that its passengers will be able to wirelessly access the Internet on all its trains by May 2007 after widespread passenger take-up of the service.
As we reported in April 2004, the East coast rail firm GNER had already committed to rolling out Wi-Fi access to all 302 carriages of its Mark 4 fleet, but after successful trials has pledged to wire up the entire fleet.
The company reports that take-up of Wi-Fi in first class rose by almost fifty per cent within five months of its tenth train entering service, while in standard class usage figures increased by 54 per cent in the same period.
The company plans to have every train fitted by May 2007, offering first class passengers the service for free, while serfs in standard class will have to pay to shell out a minimum of £2.95 (€4.33, US$5.55) for 30 minutes.
The on-train Wi-Fi network connects to the Internet via a satellite link up, with the network dropping back to a GPRS connection when the train thunders through a tunnel.
GNER’s chief operating officer Jonathan Metcalfe enthused about onboard Wi-Fi, claiming that it would make the travelling experience “more enjoyable” for consumers and that it would “encourage more people to choose rail instead of driving or flying.”
Wi-Fi access on trains looks to become ubiquitous in the UK, with several train companies already offering – or in the process of offering – access to laptop-flipping passengers craving connectivity.
Travellers on the London to Brighton route (run by Southern Trains) can already enjoy Wi-Fi access, courtesy of a WiMax network running alongside the tracks, and the National Express Group has announced plans to install wireless access on trains run by at least three of its operating companies.
GNER Mobile Office
15 April, 2005
Napster Faces DRM Crack As WMA Files Compromised
Napster may have a new headache on its hands, with a DRM hack recently surfacing.
A team of programmers led by Cody Brocious are rumoured to be very near an implementation of a utility that will allow people to turn songs acquired through Napster Light and Premium into unencrypted files.
Users will still have to pay for the initial download of the file (to acquire the key from Napster) with the tool then stripping the WMA files of their underlying DRM protections.
Previously, users keen to distribute encrypted DRM-protect files have had to resort to unwieldy workarounds such as recording from the sound card.
Once stripped of its DRM, songs downloaded from Napster can be re-encoded and played back across a number of different systems – undermining the entire business model of the Napster service.
The tool is reported to be unable to circumvent Napster To Go songs using Janus DRM (WMA DRM v10) which is different from the DRM applied to Light and Premium songs.
The latest hack seems to be driven by a desire to make the Napster service functional on both Linux and Mac platforms, instead of just Windows, with Cody seeing his actions as “ethical,” irrespective of legality, and he is willing to “fight the DMCA.”
He wants to be able to play his lawfully acquired Napster music on Linux.
The Cracking of Napster WMA DRM
Cody Brocious
15 April, 2005
FireFox Browser Gains Popularity
The open source Web browser FireFox, has experienced a humongous surge in popularity over the last year according to a report by Nielsen//NetRatings.
In March last year, the Internet research firm reported that Mozilla.org had a unique audience of 1.1 million home and work Internet users in the US – and that number has now soared 284% to 4.1 million unique users last month.
Similarly, the Firefox home page has been given a right royal battering, with figures from Nielsen/NetRatings recording a unique audience of 2.7 million, up 237% from the 795,000 it drew in June 2004.
(It seems that someone must be telling porky pies here, because the SpreadFirefox community marketing site has claimed that Firefox has been downloaded approximately 44.7 million times thus far.)
“The search for an alternative browser has grown in recent years, as the Internet’s early adopters have begun to think of the browser as something other than a commodity,” says Ken Cassar, director of strategic analytics for Nielsen/NetRatings.
“FireFox gives Web surfers a simple tool that blocks unsolicited windows, is less susceptible to virus attacks and offers a unique means of navigating multiple sites within a single browser”, Cassar added.
For reasons best known to themselves, Nielsen/NetRatings also broke down the Mozilla.org audience by sex and – not surprisingly – discovered that gadget-tastic, tech-loving blokes accounted for 71% – or nearly 1.9 million site visitors – compared to the lay-deees who comprised just 29% of traffic.
FireFox was created by a group of former Netscape programmers under the banner of the Mozilla Foundation, and its extra security features – such as the ability to block all pop-up ads and protect against spyware – has led to a steady exodus from Microsoft’s all-conquering Internet Explorer browser.
The browser is also supported by an enthusiastic coding community who offer a raft of free add ons, browser themes and extensions.
Although Microsoft is expected to adopt many of FireFox’s features in its new Internet Explorer version 7.0 (expected this summer), the browser’s exponential growth may force lazy coders to ensure that their sites are also compatible with the upstart browser.
Moreover, FireFox’s growth may have a significant impact on online marketing, with its cookie blocking measures wreaking havoc with companies tracking the results of third party ad campaigns.
What a shame!
Firefox (mozilla.org)
14 April, 2005
BBC Launches Creative Archive Licence
The BBC has moved a step closer to establishing a ‘public domain of audio-visual material’ with the launch of its ‘Creative Archive’.
The BBC, Channel 4, the British Film Institute and the Open University have teamed up to create the Creative Archive Licence, which aims to pave the way for the legal downloading of film, TV, radio archives and digital content via the Internet by the public.
The four partners in the Creative Archive Licence Group have issued a call to other organisations to join them, with Teachers’ TV and the Arts Council England already committing themselves to join the gang.
The Creative Archive Licence will give a new generation of media users legal access to material which they can use to express their creativity and share their knowledge – all completely free of charge.
The Licence follows on from pledges in the BBC’s Building Public Value document which committed the broadcaster to ‘help establish a common resource which will extend the public’s access while protecting the commercial rights of intellectual property owners.’
Mark Thompson, Director-General of the BBC liked the look of it: “The Creative Archive Licence provides a unique solution to one of the key challenges of rights in the digital age, allowing us to increase the public value of our archives by giving people the chance to use video and audio material for their own non-commercial purposes.”
The Creative Archive Licence offers an innovative approach to the rights issues that often affect the use of archive material, allowing people to download and use footage and audio for non-commercial purposes.
Each user will agree to abide by the licence conditions before gaining access to any of the available material.
The hope is that soon-to-be launched pilot download schemes will help fuel creativity activity across Britain, with clapperboard-toting types using the footage in personal projects, classroom presentations and their own arty-farty creations.
The long term aim is for work created under the licence to be uploaded back to the originating Website and then shared with others across the Internet.
Amanda Nevill, director of the British Film Institute, liked the cut of the project’s jib: “The Creative Archive Licence gives UK citizens increased opportunities to access and engage with moving image material from the bfi National Film and Television Archive. The project is an important step forward in enabling people to create their own works and explore the potential of digital film-making.’
The Creative Archive Licence hopes to emulate the success of the US based Creative Commons system, where less rigid copyright arrangements have stimulated artistic activity.
The BBC will initially be making footage from natural history and factual programmes available under the licence later this summer, and the BFI will be releasing a package of silent comedy, early literary adaptations, newsreel footage and archive footage of British cities in the early 20th century.
Interestingly, because the BBC is license fee funded they are releasing the content to UK-only Internet users, relying on a GeoIP solution to allow downloads from only UK hosts (not that we think it would be particularly hard for determined folks to circumvent those restrictions).
Creative Archive
14 April, 2005
IPod And iBook Sales Send Apple Profits Skywards
Stratospheric iPod sales send Apple executives into raptures of hugging joy, with profits almost quadrupling in a year.
The company reported a net profit of US$290m on $3.24bn in revenues for the fiscal quarter ending 31 March, comparing with profit figures of US$46m on sales of US$1.909bn in the same period last year.
“Apple is firing on all cylinders, and we have some incredible new products in the pipeline for the coming year,” frothed CEO Steve Jobs in a statement.
Shipments of Apple computers were up 43 per cent over last year to 1.07 million units, with the Powerbook line of high end notebook computers showing a 34 per cent increase in units shipped relative to last year.
The Power Mac desktop computers were among the worst performers, with year-over-year shipments declining by 19 per cent.
The company said it sold 5.3 million iPods (up 558 per cent on the same period last year) and 1.07 million Macintosh PCs last year.
These figures reveal that Mac sales are up by nearly 40 per cent with iPod sales are up five-fold.
Apple also revealed that its iTunes Music Store has now sold more than 350 million songs worldwide since April 2003, with the combined sales of song downloads, iPod-related accessories and services accounting for US$216m in revenues.
Although sales of iPods increased by 16 per cent, revenue from the product dropped by 16 per cent after Apple added the lower-cost iPod Shuffle to its range.
Apple’s bulging coffers can expect a further boost from sales of the new Mac OS X 10.4 Tiger upgrade, which will go on sale on 29 April.
Apple
14 April, 2005
Camera Phone Sales Soar Worldwide in 2004
New research from Strategy Analytics reveals that 257 million camera phones were shipped worldwide, representing 38 percent of total handset sales in 2004.
This figure was up sharply from the 84 million units sold last year (16 percent of total), in 2003.
The global research and consulting firm also reported that despite their generally shoddy quality, sales of camera phones are now outselling digital still cameras by almost 4 to 1.
Last year, 68 million digital still cameras were sold, with sales growing 40 percent annually (up from 49 million units in 2003).
“Global camera phone sales grew by an impressive 200 percent year-over-year in 2004,” commented the impressively monikered Neil Mawston, Associate Director of the Wireless Device Strategies (WDS) service at Strategy Analytics.
“Nokia led the pack, with an 18 percent worldwide market share, followed closely by Motorola at 17 percent, and Samsung in third position at 13 percent,” he continued.
Chris Ambrosio, Director of Strategy Analytics’ Global Wireless Practice, also fancied a go on the mic: “The digital still camera market is running out of steam. Vendors such as Kodak, Canon and Fuji will find growth harder to achieve in 2006.
Camera phones will eventually capture 15 percent of the low-end digital still camera market by 2010, while attempts to sell households in developed markets a second or third device will be restricted by the ubiquity of multi-megapixel camera phones”
The Strategy Analytics’ 2004 Global Camera Phone report also noted that VGA sensors (640×480 pixel) will still be the “sweet spot” for camera phones in 2005, but vendors will soon be screaming, “look at the size of our megapixels!” as a means of getting one over their rivals in the high end market.
These ‘Pixel Wars’ are expected to drive higher megapixel handset demand to 3 in 10 sales worldwide in 2005.
Strategy Analytics concludes that removable memory media will be standard issue on camera phones by the end of 2007, but there’ll still be a mixed bag of wireless connectivity options on offer (e.g. USB, WLAN / WiFi, Infra-red, Bluetooth, etc.), forcing manufacturers of accessory products – like printers – to support a wide range of solutions.
Strategy Analytics
14 April, 2005
PalmOne Releases Tungsten E2 PDA
PalmOne’s Tungsten E – introduced in 2004 – proved to be a rip-roaring success, becoming the top-selling handheld in North America and among one of the best sellers world-wide.
However, the handheld market has changed rapidly in the past eighteen months, with the growth of rival Windows powered PDAs and, more importantly, the explosion of smartphones offering PDA-like features.
Unlike the groundbreaking PDAs created by the innovative Sony Clie range (sadly since departed the Palm platform), palmOne have decided to play very safe indeed, with the new Tungsten E2 using the same tried’n’trusted design as the Tungsten E and Tungsten T5 units.
This means that the plastic tablet-style unit measures up at a reasonably lithe 114 x 78 x 15 mm and weighs a pocket-unchallenging 133 grams.
A square 320 x 320 16-bit colour TFT dominates the front of the unit, which palmOne claims is “typically 30% brighter than the Tungsten E display” with “40% better colour saturation”. As usual, there’s a fixed handwriting area below.
Apart from the inclusion of palmOne’s new Multi-Connector serial port (replacing the previous mini-USB port), everything is much the same as its predecessor, with the directional pad, application buttons, SDIO slot, IR port, headphone jack and metal barrel stylus being unchanged.
What is new, however, is the overdue inclusion of Bluetooth 1.1, supporting all the standard profiles with a helpful onscreen wizard aiding connectivity. Sadly, Wi-Fi is not included, although palmOne claims that the E2 works just dandy with their SDIO Wi-Fi card.
There’s been some tinkering under the hood, with the unit sporting a new 200 MHz processor (up from 126MHz) which should make most Palm apps purr along nicely, and the inclusion of non-volatile memory to avoid data loss in case the battery runs down. Shame there’s only a measly 32MB on offer though.
Battery life, as ever, is excellent, with some users reporting that they’ve managed to squeeze an amazing 17 hours of non-stop MP3 playback out of the device (palmOne claim a more modest 10-12 hours of continuous use).
MP3 playback comes courtesy of the bundled RealOne audio player, with users able to listen via the built in speaker or headphones.
Other software includes a media suite (for playing back videos or viewing photo stills) an upgraded PIM suite, Web browser in ROM, with VersaMail and Documents To Go available on the included CD.
For an entry level PDA, the new palmOne E2 is a very capable device, with the inclusion of Bluetooth, superb battery life and improved multimedia features making it an attractive offering for budget-minded professionals and consumers looking for an affordable handheld.
OUR RATING: 4/5 stars Cost: £169 (US$249, €248)
palmOne Tungsten E2
13 April, 2005
Legal Action for UK P2P File-Sharers
In a never-ending quest to stem the flow of illegal file sharing, the UK record companies’ trade association, the BPI (British Phonographic Industry), has announced that is taking legal action against another 33 illegal filesharers in the UK.
The legal action coincides with the IFPI’s (BPI’s international counterpart) announcement of action against 963 illegal filesharers in 11 countries.
This latest action brings the total up to 90 who have faced legal action since its campaign against Internet piracy began last year.
The UK recording industry started its campaign to spank pesky filesharers in October 2004 when it announced legal action against 26 illegal music swappers.
Those cases have all now been settled, with defendants shelling out more than £50,000 (US$94,600, €73,200) total in compensation.
The BPI ramped up the pressure on March 4 this year, declaring that it intended to pursue proceedings against 31 more illegal filesharers. The offenders were sent details of the BPI’s legal claims against them yesterday after their identities were revealed by their Internet service providers.
Sensing blood, the BPI also intends to proceed against another 33 illegal filesharers and will be going to the High Court next week to seek disclosure of their identities.
The 33 new cases include users of the popular KaZaA, DirectConnect, BearShare, SoulSeek, Grokster and Imesh peer-to-peer applications.
All of the accused are alleged to have been indulging in an orgy of uploading involving hundreds or thousands of music files illegally and face civil action for an injunction and damages.
BPI General Counsel Geoff Taylor wagged his finger in a threatening manner and intoned, “We have warned people time and again that unauthorised filesharing is against the law. Anyone who is engaged in this activity faces having to pay thousands of pounds in compensation. It’s now easy to get music online legally. We will maintain our campaign until the message gets across.”
Try as we might, we still can’t get the words, “Stable door”, “horse” and “bolted ” out of our heads here.
BPI
IFPI
13 April, 2005
Apple Tiger OSX Launch Date Announced
Apple Computer has announced that the latest major update of its Mac OS X operating system, code-named Tiger, will be available on 29 April.
Modestly described as “The World’s Most Advanced Operating System,” Apple’s highly anticipated update to Mac OS X (now at version 10.4) will be available to mobs of grasping Mac huggers on Friday, 29 April.
With over 200 new features on offer, Apple aficionados should find the upgrade worth the price, with one of the most eagerly awaited new features being a sophisticated new search facility called ‘Spotlight’.
This powerful core application lets users search just about everything on their system – files, emails, contacts, images, movies, calendars and applications – with the results appearing “instantly”.
Stealing a march on their Microsoft rivals, Spotlight can also rummage around inside the metadata of files and organise search results by criteria, such as the kind of content, author, edit history, format, size etc.
The new OS will also feature Dashboard, an accessory desktop application letting users display a variety of real-time information from the Internet, including stocks, weather forecasts, track flights and currency rates and other third party apps.
Apple’s CEO Steve Jobs was clearly excited by the new OSX upgrade: “Tiger’s groundbreaking new features, like Spotlight and Dashboard, will change the way people use their computers, and drive our competitors nuts, trying to copy them.”
Other updates include an updated Safari browser offering built-in RSS support, improved connectivity with other desktop operating systems and support for the next-generation video-compression standard H.264 (allowing multiple users on the video-conferencing program iChat).
Mac OS X version 10.4 “Tiger” will be available on 29 April from 6:00 pm at Apple’s retail stores and through Apple Authorised Resellers for a suggested retail price of £89 (US$129, €129)
Apple will also be offering a “family pack” version of the software, for £139 (US$199 €199), serving up to five computers in a single residence.
Apple OSX
13 April, 2005