The Venice Project: Overview

The Venice Project: OverviewThe rumours of Niklas Zennstrom of Sweden and Janus Friis of Denmark next project have been whirling around for about six months since sold Skype to eBay for $2.6Bn, the two are focusing their talents on TV with The Venice Project.

To date, the pair and their team have had a lot of success in disrupting industries. They’ve had a pop at the music business with Kazaa, the telephone business via Skype and now the television business. Time for the TV world to take note.

This weekend, the Financial Times has picked up on the story, re-igniting the media interest.

The Venice Project (TVP) employed their first programmer on 1 January 2006, so have had nearly a year to get the software to the point where it’s ready to be noticed. The beta release came out on 12 December and since then they have a reported 6,000 on the beta program.

The Venice Project: Overview

We suspect the FT piece was part of a carefully-managed media campaign, as TVP will need to start attracting the advertisers that will support the content being show for free to the users of TVP.

What does TVP do?
On their blog, the TVP team outline their desires/drivers for the project. The founding idea – TV isn’t good, so it needs fixing.

It’s not Skype TV as some publications have reported.

TVP is headquartered in Leiden in The Netherlands it also has other offices in Toulouse, France; London and New York. Its CEO is Fredrik de Wahl, and it looks like they’ve built up quite a few employees.

The Venice Project: Overview

The FT are reporting it will carry “near high-definition” programmes, while TVP speak about TV-quality.

We’ve seen some screenshots of the service and, even despite its early beta-stage, it looks pretty slick. The video runs in full screen, with a high quality image being shown. Additional content and EPG features are laid on top, with the video still viewable underneath.

Content for the beta-trial is coming from some pretty big names in the media business including Warner Brothers.

The adverts that are shown on the service, allow it be free. We understand from one of the beta testers that the adverts are not too intrusive and pretty short.

The Venice Project: Overview

It’s not just the P2P
On a simple level, TVP is software that enables the delivery of video content to individuals using P2P to ease the distribution, while radically reducing the price of getting it out there. Indeed most of the mainstream media are focusing their attention on TVP using P2P.

We think this misses the biggest change the TVP could bring about. Recommendation and tagging of content will make the content findable – one of the biggest headaches when the worlds content is available to a viewer.

Once programmes have been selected to watch, we understand that there will be tools to let people discuss the shows as they are going on – thus bringing a community around the TV shows. There are add on services that offer this, but its inclusion as an integral part of the system will make it second nature to contribute to.

It appears that TVP will avoid the need to apply DRM to the content as “the bits and bytes being collected on your computer are fragments of a stream,” as Fredrik de Wahl, the project’s chief executive told the FT. We can see that there is logic behind this, but doesn’t address the fact that, for the programme to be shown, they need to reside on the machine while they are being shown. In truth, all that needs to be achieved with the technology is to pursue the content owner to put their content on it.

The Venice Project: Overview

The Venice Project is definitely one to watch. We hope to get on the beta program soon, to give you a more in-depth view and understanding of its impact.

The Venice Project TVP

Images courtesy of Choose Chris

Google Zeitgeist 2006 – Social Software Rules

Google have just released their top searches in 2006 for their normal search and news service.

Social software rules the roost in their standard search with BeBo beating MySpace and video sharing sites also doing very well.

We find it amazing that people use search engines to search for a site, when all they needed to do was to type .com after it to gain direct access to the site, but ho, hum. The only comfort that we can draw from this is that at least people aren’t entering in the whole domain for the search, as many used to.

What are we to think of the top search in the news – Paris Hilton? Who knows, and we guess we can’t ask her as she doesn’t call any more, after that Oscars party at Soho House in LA.

Here’s the full list …

Google.com – Top Searches in 2006
1. bebo
2. myspace
3. world cup
4. metacafe
5. radioblog
6. wikipedia
7. video
8. rebelde
9. mininova
10. wiki

Google News – Top Searches in 2006
1. paris hilton
2. orlando bloom
3. cancer
4. podcasting
5. hurricane katrina
6. bankruptcy
7. martina hingis
8. autism
9. 2006 nfl draft
10. celebrity big brother 2006

Google Zeitgeist

BT Internet Radio Review (75%)

BT Internet Radio Review (75%)With last week’s launch of it’s TV over the Internet service, a raft of integrated net-based services and a slew of new hardware devices, BT has relauched itself as a multi-media service provider instead of a plain old utility company. The BT Internet Radio shows another face of BT’s rebranding. It’s a slickly designed consumer electrical product aimed directly at the growing digital radio sector.

The design of the device itself echoes Apple’s trademark austere, white aesthetic. Organically shaped, it has no straight edges or corners and is slightly flared towards the base. Wraparound silver mesh panels add some contrast and a front centred LED displays information in a soft blue light. On top are a series of quite ‘plasticy’ buttons. Two larger buttons provide volume control and menu navigation and various others control playback, station memory, alarm and other functions.

Setting it up is a breeze. A simple press button starts the device scanning for your wireless network. You log on using the scrolling navigation button to enter your normal network password and the radio takes care of the rest.

Once online, stations are accessed through the same navigation button. They are grouped by location or genre, though there doesn’t appear to be a way just to browse all available stations. A series of sub-menus gives access to the features of each station. A choice between live and on demand material is visible where archived material is available. This means you can access services like the BBC’s listen-again service, picking programmes from all the recent BBC broadcasts for the last seven days. More sub menus allow you to choose programmes and days where appropriate.

BT Internet Radio Review (75%)Choosing between stations is a bit of a hit and miss affair. If your tastes tend towards anything beyond the mainstream categorizations (rock, pop, dance, hip hop etc) you’ll struggle to find the music you want to hear. This, of course, isn’t BT’s fault. The device uses the Reciva Internet Portal to aggregate its stations. If you access the Reciva Website (Reciva) you can find some more detail on the content of stations but, since Reciva (like the Gracenote database) allows users to add information there are some frustratingly arbitrary categorizations. That said, there are over 5000 stations available and, once I located Resonance FM under the experimental section I was happily listening to an assortment of droning and scraping, Bollywood soundtracks and post-modern poetry.

Sound quality is quite adequate and better than that produced by most internal computer speakers. The sound is deep and clear with none of the echoing or breakup that DAB radio is prone to. There are, however, a couple of niggles with sound adjustment. There is no way to adjust bass or treble and the volume control does not automatically increase when held down, meaning you have to keep pressing to raise or lower volume. Unlike DAB, the radio doesn’t display any info (such as such as track titles) about the source.

Using the unit was no problem though there were some irritations. It tends to hang on to the last programme played and starts up replaying that every time. In the case of a live station that’s ok but for archived content it can become annoying. The radio is also subject to same problems you would encounter with any wireless device: proximity to router and the number of walls in between can affect reception. I noticed a tendency for buffering in most locations in which I tried. Access to a signal is entirely dependent on your internet connection being on. My router drops the line when it isn’t in use therefore the auto-play alarm function is no use. When the unit reconnects to the network after being switched off, it uses the saved security key however I found that often the logon failed a second attempt was required.

BT Internet Radio Review (75%)The device can access and playback MP3 or other audio files from a networked PC. An extremely useful feature and one that really capitalizes on the network power of the unit. It probably would have done the most to sell this device to me. In practice it was unable to connect to my PC so I had to leave the feature untested. Typically, macs are not supported and I was unable to access my sizable MP3 collection via either of the macs on the network. It’s not surprising that BT have chosen to adopt Windows technology for integration with computers but it is disappointing that they couldn’t have adopted an interoperable standard which would have supported any operating system.

Given that Windows-centric tendency I wonder exactly who the Internet Radio will be useful to? On one hand it brings a host of Internet radio stations and a variety of useful services and features into one portable unit. It’s easy to set up and use and, in the right circumstances, has the potential to integrate with an existing network to provide extended access to shared music files.

On the other hand, it is only Windows compatible and therefore restricted in terms of both OS and DRM technologies.

Conclusion

If you are already streaming audio over your wireless network, there isn’t a whole lot of extra functionality in this box. Since a wireless network is a necessary prerequisite for the unit to work, I have to wonder how many people will find it sufficiently superior to their existing methods of playback to make it worth the £120 price tag.

Score: 75%

Sky Anytime: Murdoch Flexes Cross Media

Sky Anytime: Murdoch Flexes Cross Media  Wow … things are really starting to gel across the Murdoch media businesses, as James Murdoch starts showing his hand. Perhaps this is the first real example of seeing James’ talent on with what we’ve been told was his passion – that for convergence.

First is a typical Sky masterstroke – naming their services with a fantastically concise moniker.

They’re re-branding the previously-named-to-appeal-to-techies service, Sky by Broadband, swapping it for the far more concise Sky Anytime.

The message – don’t worry that it’s broadband, that’s not important. What is important is that you … yes, you can pay to see content when ever you want to. In fact, you can do it – Anytime.

It’s genius. A typical application of what Murdoch publications do – speak to people in a language that they understand.

The simplicity of the service cleverly removes the need for talented sales people at retail, you know the type of store I mean … “Well Sir, it’s like Sky … but it’s available at Anytime.” Genius.

Sky Anytime: Murdoch Flexes Cross Media  A number of Sky One shows will be available over the service. Sounds great, until you imagine that 93% of the those using Sky By Broadband already own a Sky+ box – having the ability to see the shows when they want to anyway.

The second example – Sky One putting out its content on another strongly-branded service. Luckily it’s in the family – MySpace.

Two episodes of the watched-by-the-obsessed running series Lost were available until Sunday via MySpace UK for UK viewers only. Fans of Lost reacted angrily when Sky out bid Channel 4 for the current series. I suspect that Sky Inc, will see it as a way of perhaps signing up more subscribers.

They’re on the move
Here’s the reality – Sky is starting to work it. They’re small steps so far, but at least they’re actually doing what other people are talking about doing – moving media between platforms.

Here’s the worrying part for all people who hope to be able to compete in this Digital-Lifestyle. They’ve stolen the march on the rest of the market, they own their own IP delivery channel.

PSone Games For PSP: Pricing Announced

PSone Games For PSP: Pricing AnnouncedThe pricing of PSone games to be played on the Sony PSP have been announced.

They’ll range between $6 (€4.60, £3.10) and $11 (€8.40, £5.70). With pricing at this level it’s highly likely that people will impulse purchase them.

The titles for the US service have yet to be confirmed, but the Japanese site is currently carrying Resident Evil: Director’s Cut, Tekken 2 and Arc the Lad.

If you haven’t heard of this offering before, here’s how it will work once the online shops are up and running. Browsing through the Playstation Store via a PS3, games can be selected and then downloaded to the PS3’s hard drive. The initial set of games will be between 140Mb and 550Mb downloads. Once they are safely ensconced on the PS3 drive, they can be transfered over to the Memory Stick, to be loaded on to the PSP. It’s unclear if transfer via WiFi will also be offered.

PSone Games For PSP: Pricing AnnouncedIt was initially envisaged that Sony would give access to the Playstation Store through the PSP using its WiFi connection. We can see one advantage of not doing this – people wanting to use the service will need to buy a PS3!

Not only will the games that are downloaded play on the PSP, it’s expected that an emulator will be released for the PS3 that will play the games from the same downloaded file. Quite if anyone will use their hugely powerful PS3 to play games that will look frankly, a bit pony, is anyones guess.

For software developers this could be quite a boon. If the games will run on the PSP without much engineering modification, they’ll get the benefit of extending the sales of product that long ago stopped drawing income.

(via)

YouTube: Time Magazine’s ‘Invention of the Year’

YouTube: Time Magazine's 'Invention of the Year'Time Magazine has stepped up to the awards podium, opened the little brown envelope and named the video sharing Web site YouTube as its “Invention of the Year.”

YouTube, based in California, was created by Steve Chen, Chad Hurley and Jawed Karim and rapidly became one of the busiest sites on web, eventually selling out to search engine giants Google for $1.65 billion in October this year.

“Only YouTube created a new way for millions of people to entertain, educate, shock, rock and grok one another on a scale we’ve never seen before,” enthused Time’s editors.

“The rules are different now, and one Web site changed them: YouTube,” they added.

We’re right with them there. Or, at least we think we are if we know how one ‘groks.’

YouTube: Time Magazine's 'Invention of the Year'Clearly in a mood for waxing lyrical, the Time’s Lev Grossman was ready to add his own insights: “YouTube had tapped into something that appears on no business plan – the lonely, pressurised, pent-up video subconscious of America.”

From its inauspicious beginnings – a lone video of a trip to the zoo posted up in April last year – YouTube now sees 70,000 new videos uploaded every day and the staggering total of a 100 million videos aired daily.

According to ratings analysts Nielsen NetRatings, the site also clocked up 27.6 million unique visitors in September.

To claim the first prize, YouTube shrugged off innovations like a robot designed to rescue wounded soldiers, a vaccine that fights off sexually transmitted diseases and the rather daft sounding ‘Hug Shirt’, which apparently produces cuddle-like sensations.

YouTube

Love TV In The Living Room, Hate Paying For It

Love TV In The Living Room, Hate Paying For itA new survey has revealed that UK consumers are way down with streaming and downloading audio-visual content into their living room, but they’re not so keen on paying for the stuff.

Research from the Olswang Convergence Consumer Survey 2006 showed that some 40% of UK consumers are already streaming or downloading audio-visual content onto their PCs, with nearly half of that total settling down to watch the content in their living room.

Of the content watched, it was found that punters preferred to watch full-length feature films and TV programmes on their PCs rather than shorter clips and trailers.

While the growing influence of the PC in the living room should spell good news for content creators and distributors, it seems that punters are definitely not warming to the idea of paying to receive the content on their home PCs.

Love TV In The Living Room, Hate Paying For itThe report found that half of those questioned weren’t prepared to pay a single Goddamn bean extra for streamed/downloaded content, with a further 18% only willing to cough up £2 per month for content, and 22% only happy to pay between £2 and £5.

Matthew Phillips, media, communications and technology partner at Olswang, commented, ” As broadcasters, rights holders and service providers continue to negotiate control over media rights, the key challenge is to offer a range of content which is broad enough for consumers to find something they want to watch and are willing to pay for.”

It seems that the battle isn’t just about getting people to pay for the content, but also getting them to actually pay attention.

Love TV In The Living Room, Hate Paying For itAccording to Olswang’s research, easily-distracted, multi-tasking consumers are paying less attention to watching programmes, with 46% of respondents busy emailing and 43% web surfing while watching television.

A bit like us then. Whoops!

Olswang

Scrybe Online Organiser: A Google Calendar Buster?

Scrybe Online Organiser: A Google Calendar Buster?Set for a beta launch this month, Scrybe looks to be a ground-breaking online organiser if it lives up to the claims made in the promotional video posted on YouTube.

Calendar app
The slick Web 2.0 interface lets users drill down through calendar dates, with the context sensitive display intelligently expanding and contracting to display the required information.

Boasting sharing and collaborative tools, the program handles multiple time-zones beautifully with a polished interface and a neat feature which ran alternate time zones alongside diary pages.

According to the video demonstration, users will be able to seamlessly import popular document formats like Word, Excel and Acrobat, with lists cut and pasted from Excel automatically being converted into a ‘To Do’ list. Very neat.

Scrybe Online Organiser: A Google Calendar Buster?Web snippets – complete with bookmarks, graphics and text formatting – can be copied into a categorised Thought Pad interface and integrated with calendar events and To Dos, with multi page documents browsed via a sleek, pop up graphic navigation pane.

Offline, Online…
What’s unique about Scrybe is its ability to let you work on your organiser while you’re offline, with any changes synching to your online account once you’re connected again – great for getting work done on a plane journey.

When it comes to syncing all this information with portable devices, Scrybe has gone for the oldest format of them all: paper.

It a rather daring (some may reckless) move, the program appears to forgo all thoughts of trying to sync to Palms, PDAs and smartphones and offers PaperSync – a series of clever, foldable templates that can be printed out, folded and tucked into your back pocket.

Scrybe Online Organiser: A Google Calendar Buster?What we think so far
So far, we’re very impressed with the interface, the offline functionality and the ambitious re-jigging of the calendar app, although the seeming lack of proper phone/PDA integration looks to be a potential Achilles’ heel.

It may be great having your week’s agenda folded up in your back pocket, but any notes you make are going to have to be manually added back into your PC at the end of the day. And where’s the email integration?

Scrybe Online Organiser: A Google Calendar Buster?Although the online demo looks amazing, we’ve seen far too many slick presentations be followed up by a hideous kludge of a program, so we’ve signed up to the beta trial and will hopefully be able to give you our hands-on verdict soon.

Mind you, if it looks and runs as well in the real world as it does in their promo video, Google’s usability and interface team may be sent back into the lab for some hasty overtime.

Scrybe

Pure Digital Camcorder Uploads Videos Direct To Google

Pure Digital Camcorder Uploads Videos Direct To GooglePure Digital Technologies has announced a cheapo camcorder that can upload movies to video sharing Web sites like Google Video with a single click.

The $129 palm-sized camcorder can hold up to 30 mins of footage ($169 for the 60-minute version) and boasts a 2x digital zoom and 1.4-inch colour playback screen, with a pull-out USB connector.

The point’n’shoot camcorder plugs directly into PCs or Macs, with the built-in software letting punters transfer and process footage with a single click.

The software includes instant sharing options like one-click emailing, video greeting cards and custom-edited movie mixes, with the option to burn DVDs by taking the cam to one of the 10,000 Pure Digital-certified retail locations.

Pure Digital Camcorder Uploads Videos Direct To GoogleAllen Weiner, an analyst with market tracker Gartner, reckoned Pure Digital were on to a winner, describing the pint-size camcorder as “simple, but also revolutionary.”

“There are millions of people who look at a site like YouTube and want to put their videos up, but have no idea how to do it,” he said. “This puts everything directly into the camera itself.”

Pure Digital are feeling bullish about sales prospects, predicting around 250,000 camcorder sales this year – that’s 9% of all camcorders sold – with sales topping one million next year.

Pure Digital Technologies

Five Download VoD Launches With CSI

Five Download VoD Launches With CSIUK Broadcaster Channel Five have launched their Five Download, Video on Demand (VoD), service with US series CSI. They’ve previously offered downloads of the car show, Fifth Gear.

The new service is offering straight CSI: Crime Scene Investigation; CSI: NY and CSI: Miami.

This isn’t Just-Another-VoD-Service (JAVS), as there’s some innovation in here. CSI fans are mad keen on the programme (so we understand) and understanding this, Five is offering the episodes seven days ahead of the TV broadcast date. Fans will pay a premium price for this £2.49 vs the usual £1.49 per episode. We suspect that once hooked on receiving the content early, fans using the service will have to continue paying to stay ahead.

Engaging in some mutual back slapping Jane Lighting, Five’s Chief Executive, said: “I’m delighted that we are launching the service with CSI enabling us to offer the highest quality content to viewers with a viewing window which exceeds anything currently in the marketplace,” to which Ted Riley, Executive Managing Director, International Content Distribution, Alliance Atlantis whooped “The first-ever CSI Franchise VoD service outside the U.S., is both a thrilling proposition for U.K. fans,” adding that it “heralds the roll-out of other new media opportunities for this fantastic franchise internationally.”

One of the challenges for this service, as it is with all others – they’re competing against the same content being available on file sharing networks near-instantly available after they’ve been shown in the US – yonks before they hits the UK. Fanatical fan’s will more than likely not wait for the legitimate source and go the file-sharing route. The fact that the programmes won’t cost them anything will be incidental.

Five will be charging either £1.49 or £2.49 per download which we think it pretty steep given the episodes are only available for 14 days and is restricted to one computer. If you’re impudent enough to try the content that you’ve paid for on another machine, you’ll be completely locked out of that content.

Five Download VoD Launches With CSI

To use the service you’ll need to download and install the Five Download Manager and Player which has been provided to them by BT Media & Broadcast, but the base level technology is from Entriq. Entriq’s MediaSphere is used by other companies such as BT Vision and with download services.

As Five are using Microsoft’s DRM, the service is only available to those in the UK who run Windows XP or 2000 and browse through Microsoft Internet Explorer 6.0 and enable ActiveX. Users of Windows XP must use Windows Media Player 10 and 2K users must use Windows Media Player 9.

Microsoft has steadfastly not introduced their latest DRM on the Macintosh, so they’re excluded.

Those of you lucky/unlucky enough to not have the above, can still view the trailers (well we could on a Mac anyway).

Five download