Content

Content in its shift to become digital

CinemaNow Take High Def Content From HDNet
Online broadband film distributer, and latterly video content provider CinemaNow, has announced that they will be carrying some high-definition from HDNet on their Internet to PC delivery platform. It’s the first time that HDNet’s content has been made available on-demand through an online broadband service.
CinemaNow are long-standing pioneers in the area of delivering licensed films to PC over a broadband connection, starting as they did in 1999, a long time before the home user broadband audience existed. They weathered the storms and could be well placed to take advantage of growing broadband usage.
Mark Cuban, the CEO of HDNet, has been slowly gathering HD content to the point where HDNet now lay claim to having more original high-definition content than any other network. We at Digital-Lifestyles.info have had our eye on him for years, as we think he’s a smart cookie. He not only spots upcoming trends, but turns them into businesses. He made a fortune when he sold broadcast.com to Yahoo for billions of dollars at the peak of the market.
Cuban has publicly stated that HDNet content will not be DRM-protected, infact he thinks his refusal to use DRM will give HDNet a competitive advantage.
This agreement between HDNet and CinemaNow gives their customers the chance download and own the HD content.
Further deals along these lines are inevitable in time, with the only question mark over HD content being delivered over broadband connections being the current speeds of what is defined as broadband. HD content, because of its extra resolution produces larger files, these take extra time to come down to the computer being used for playing it back. As regular readers will know, we think calling a 512k DSL connection “broadband” is insulting to the customers.
CinemaNow
HDNet
Marc Cuban’s blog
28 July, 2005
T-Mobile Plunders Guerilla Tactics To Promote Phone
Following a long tradition of The Man stealing ideas off the street to flog their products, T-Mobile is organising a series of impromptu ‘street gigs’ to promote their new Sony Ericsson D750i camera phone.
The ‘spontaneous’ performances will take part in London and Birmingham over the summer, with text and picture messages bring sent out to invite T-Mobile customers 90 minutes before the start of the gigs.
Offering ‘last minute invites to unusual locations for hedonistic fun’, you can see some of T-Mobile’s previous (ahem) ‘Guerilla street gigs’ on their T-Mobile Streets’ website
Wielding its corporate chequebook with devastating force, T-Mobile has booked a selection of hot’n’happening music artists like Mercury prize nominee The Magic Numbers, Lemar and El Presidente, along with some unknown acts.
Keen to milk every last ounce of PR potential from the gigs, T-Mobile will be broadcasting the performances online, with company bods on hand to encourage T-Mobile subscribers to test the new handset ~~run off with the thing~~.
Throughout the two-month event there’ll be a photo competition inviting punters to find the picture that best captures the spirit of the gigs.
“T-Mobile Street Gigs is the first of our new initiatives to deliver unique experiences for customers,” grooved Phil Chapman, UK marketing director, loosening his tie and turning down the David Gray.
Forthcoming gigs are currently being flagged up in T-mobile stores, with only the name of the next band to play appearing on posters.
T-Mobile customers can log into the edgy, stencil-graffiti-strewn website to register their interest and are free to invite as many of their chums as they like once they receive gig details
28 July, 2005
Amazon Revenue Rockets, Income Slips
Amazon.com’s revenue soared internationally in the second quarter as electronics and other non-book bits’n’bobs made up more of its business.
The cash tills rang loud to the tune of US$1.75 billion (~£1bn, ~€1.45bn) in the quarter ended June 30, up a healthy 26 per cent from US$1.39 billion in last year’s second quarter.
Amazon’s international segment – which includes its UK French, German, Japanese and Chinese units – climbed 33 per cent from last year to reach US$793 million (~£456m, ~€661m).
The behemoth of online book floggers saw its sales of electronics and general merchandise grow to 26 per cent of its worldwide sales from 23 per cent a year earlier.
Amazon.com’s chief financial officer, Tom Szkutak, announced that third-party sales accounted for 28 percent of Amazon.com’s total items sold, sprightly stepping up from 24 percent for this time last year.
Szkutak said that the company was chuffed with the “heavy shopping” undertaken by Amazon Prime customers who have been clicking madly for electronics, tools, kitchen supplies, and health and personal care products.
“Though expensive for the company, Amazon Prime creates a premium experience for customers who join, and as a result we hope they’ll purchase more from us in the long term,” Szkutak said.
It wasn’t all pearly-white grins, as Amazon announced that net income declined to US$52 million (~£30m, ~€43m) from US$76 (~£44m, ~€66.3m) million in the second quarter of 2004.
This includes US$56 million (~£32.25m, ~€46.6m) in income tax expense, which was up from US$5 million (~£2.87m, ~€4.16m) a year earlier.
Amazon’s earnings were US$0.12 per share, slipping down from US$0.18 per share in last year’s second quarter, but still ahead of analyst’s predications.
Amazon said it expects sales to increase of 20 percent to 31 percent in the current quarter compared to last year.
Amazon
27 July, 2005
Music File Sharers Spend The Most
Illegal music downloaders shell out more for legitimate music downloads than goody two-shoes music fans.
The results of the ‘2005 Speakerbox’ study by market researchers The Leading Question revealed that music fans who download music illegally via file-sharing networks also fork out four-and-a-half times more on legitimate music downloads than average fans.
The survey asked 600 British PC and mobile-owning British music fans about their downloading activities and discovered that music pirates spend substantially more on legally downloadable music through sites like Apple’s iTunes Music Store or Napster
According to the report, pirates who regularly download or share unlicensed music spend an average of £5.52 (~US$9.63, ~€7.99) per month on legal digital music, while average music fans only spend £1.27 (~US$2.21, ~€1.84) on digital tracks.
How much both groups spend on CDs wasn’t specified.
“Music fans who break piracy laws are highly valuable customers,” said Paul Brindley, director of The Leading Question.
“Legal actions are making something of an impact but unlicensed file sharing will never be eradicated. The smart response is to capitalise on the power of the p2p networks themselves to entice consumers into more attractive legal alternatives,” he added.
The research also revealed that illegal downloaders were mustard keen to try emerging music services, with 60% wanting to get their hands on a MP3-enabled phone, compared to just 29% of other music fans.
“There’s a myth that all illegal downloaders are mercenaries hell-bent on breaking the law in pursuit of free music,” Brindley continued. “In reality, they are often hardcore fans who are extremely enthusiastic about adopting paid-for services as long as they are suitably compelling.”
The survey highlighted that phones still have some way to go before they can compete with dedicated MP3 players as de-facto music playing devices.
Only 8% of punters surveyed were planning to buy a music playing mobile phone in the next 12 months, compared to 33% ready to rip out the readies for an iPod or dedicated MP3 player during the same period.
Respondents cited built-in cameras, organiser functions and video cameras above music players in their preferences for mobile phone features.
Punters expressed concern about the low battery life of music playing phones, with some fearful of losing their music collection if they lost their phone.
With many consumers getting their phones for nowt through contract deals – and often replacing them regularly – the survey concluded that most punters have a low “emotional attachment” to their phones.
Despite this, 38% of those surveyed liked the idea of downloading full-length tracks direct to their mobiles, with the figure rising to over 50% for punters already downloading tracks to their computers.
Mobile phone manufacturers trying to tempt new users with bigger onboard memory will note that only 4% of the survey respondents wanted more than 1,000 songs worth of music to take with them on holiday.
Online file sharers ‘buy more music’ [Guardian]
The Leading Edge
27 July, 2005
MSN Virtual World Goes Live, Apple Vanishes
Microsoft has launched the first public beta of its Virtual Earth, an online mapping application overlaying satellite images with local searches and maps.
MSN’s Virtual Earth will provide both street-map and satellite views of locations and serve up driving directions between places, competing directly with Google’s popular “Google Maps” service.
Virtual Earth has a trick up its sleeve through its ability to transform Wi-Fi enabled PCs into “location-determining devices” without the need for any separate hardware, as we reported earlier.
The system works by noting the latitude and longitude of available Wi-Fi access points and then triangulating a user’s location after consulting Microsoft’s huge database of router MAC addresses.
A user’s current location is then highlighted onscreen with subsequent search results tailored around that location.
Virtual Earth will also have the capability to visually point out locations for ATMs, restaurants, and petrol stations – something that the rival Google Maps service has been able to do since incorporating satellite imagery in April this year.
“MSN Virtual Earth provides a deeply immersive search experience that lets people see what it’s like to be in a location and easily explore what they can do there,” purred Stephen Lawle, general manager of the Microsoft Mappoint business unit.
The service which currently shows US-based satellite images only and users must download the Microsoft Location Finder client application access the location-finding services.
Microsoft plans to knock out updated versions of Virtual Earth every four months, with the next beta release set to incorporate bird’s-eye imagery licensed from Pictometry International which will add cities, landmarks and points of interest to the product.
Microsoft also plans to integrate traffic data and weather data to the service in the coming months.
Mac users, however, will have to wait until autumn for a version that runs on their machines.
MSN Virtual Earth project manager Mark Law has insisted that MSN Virtual Earth is not a purely consumer-based site only, adding that Microsoft will be making the application-programming interface available to developers.
Microsoft has said that future versions of Virtual Earth will allow users to create their own interactive maps, and add their own reviews of restaurants and other places.
Wags on the Internet are claiming that Microsoft has virtually wiped Apple off the face of the Web, noting that Apple’s Silicon Valley headquarters – which can be seen in their full glory on Google Maps – appears as nothing more than a deserted parking lot in Virtual Earth.
Microsoft insisted that because the service was still in its testing phase, it’s just a coincidence that they used older, black-and-white photographs to display the barren wasteland around Apple’s headquarters in Cupertino, California in 1991.
Others might put it down to wishful thinking.
MSN Virtual Earth
26 July, 2005
Ravensbourne College Publish Course Under Creative Commons
London’s Ravensbourne College is launching a new program called the School of Computing for the Creative Industries.
It’s quite hard to work out what it actually involves as their overview reads like a missive from a Hoxton style bar, babbling on about the “learner-practitioner” using the Internet “as an inspirational resource, drawing on that vast, interconnected meme-pool, but returning far more to it than s/he ever withdraws.”
We had to reach for the dictionary to make sense of this part:
“As the creative industries bifurcate into the twin realities of intellectual property businesses, and crafts-for-hire, the new creative has the skill, and panache, to exploit the opportunities of the new creative landscape.”
Apparently these new creatives are connected citizens, “whose passions and campaigns, ideas and innovations appear first on their blog.”
We would have thought that most of the passion manifests itself in the student bar, but the School insists that the new creative “understands that s/he is defined by the impact and credibility of their online presence.”
Now, some of you may be rightly thinking that this sounds more like The School of Buzzword Bullsh*t, but there is some interesting stuff lurking within the industry-speak.
It seems that School will release its learning materials under a Creative Commons license in an attempt to maximise usage and dissemination.
All the technical facilities in the School will be built on open source platforms, with support offered to students wishing to release projects under free and open source licenses.
Although it’s easy to scoff at their daft Nathan Barley airs, this looks to be a brave and innovative move by Ravensbourne College, which may prove a portent for colleges coming to terms with the impact of new technology on teaching.
Overview of the School of Computing for the Creative Industries
Creative Commons
25 July, 2005
BBC TV Listings Opened Up By Backstage Project
Punters are being invited to get all interactive with the BBC’s TV and radio schedules as part of their Backstage experiment. The call to action was trumpted at the London hosted Open Tech grass roots conference that ran at the weekend.
As we reported in May, BBC’s Backstage project gives coders, computer program writers and graphics types the opportunity to bend and twist BBC digital content into new applications or Web-based prototypes that can be shared with others.
Developers and designers are now being asked to dream up innovative ways of using TV and radio schedules via a BBC competition.
“We want people to innovate and come up with prototypes to demonstrate new ways of exploring the BBC’s TV schedule,” said backstage.bbc.co.uk project leader Ben Metcalfe.
Metcalfe suggested that those taking part might be interested in combining schedules with Web search services, using online social bookmarking managers which let people collect, organise, and share their favourite Web links easily.
He also proposed that developers might like to fiddle about with the TV schedule data mixing it with other social elements, such as recommendation systems for friends and alert systems, or combining schedules with other Web data to serve up genre-based programme searches or listings.
The BBC has already received more than 50 prototype ideas for using BBC feeds and content for non-commercial purposes since the project’s launch in May.
Backstage aims to tap into the resources of the distribution channels and knowledge networks already used by big companies such as Google and Yahoo, who were quick to realise the value of releasing content tool kits for developers to create applications with.
“Companies are waking up and realising that they need to have a conversation with their audience,” explained Mr Metcalf.
“The BBC has a good opportunity to take the lead in that, and others are realising it has its benefits too.”
The competition runs until 5 September, with the winner being invited to take the proposal forward with the BBC.
As we’d reported before, we think that Backstage is a great idea … we just wish they hadn’t used the word Remix – it’s really just a big too much, jumping on the blogging bandwagon. The idea is strong enough with having to resort do that.
BBC Backstage
25 July, 2005
Google Profits Rocket Another 300%
Champagne corks were firing off at Google like a military salute as the Internet search engine kings revealed that their profits had jumped more than 300 per cent in the second quarter this year.
Fuelled by continued growth in Web advertising, Google raked in a revenue of $1.38 billion (~£788m ~€1.13bn) its second 2005 fiscal quarter, up 98 per cent compared with the same period last year.
Once you take off the $494 million (~£282m ~€406m) paid by Google to its ad network partners (known as traffic acquisition costs), revenue racked up to a wallet-delighting $886 million (~£506m ~€728m).
Net income came in at $343 million (~£195m ~€282m), favourably comparing with the $79 million (~£45m ~€64m) recorded in 2004’s second quarter, while revenue from Google sites totted up to $737 million (~£421m ~€606m) – up a thumping great 115 per cent.
Revenue from Google ad network partners was similarly rosy, totalling $630 million (~£359m ~€518m), an increase of 82 per cent.
“We are very proud of our results. Business is very good here at Google,” said chief executive Eric Schmidt, dodging the flying champagne corks. “It’s really because we’ve figured out ways to stay focused on end users and innovation.”
Although the vast majority of Google’s revenue comes from paid advertisements on search results pages and on partner sites, the company has been diversifying with new products and services like video search and mapping.
The company’s fortunes are currently on a stratospheric trajectory, with April’s first-quarter profit almost six times higher than a year earlier.
Not surprisingly, Google’s share price has soared, nudging above $300 (~£171 ~€246) a share for the first time last month and giving the company the honour of being the world’s biggest media group by stock market value.
Recent figures from Nielsen/NetRatings revealed that Google has attracted in excess of 78.5 million US visitors last month, up 25 per cent from a year ago, with the Google and Blogger brands ranked numbero uno in search and Web hosting, respectively.
Meanwhile, Yahoo had to make do with cheapo Cava as figures posted on Tuesday revealed a higher second-quarter profit but with revenue falling short of analyst expectations.
This news sent Yahoo! shares tumbling down as much as 10 per cent in after-hours trading.
Google
22 July, 2005
VoIP Market To Hit $4 Billion By 2010: Report
The North American voice over IP (VoIP) market is about to go completely bananas, with phenomenal growth predicted for the next six years, according to a report by Frost & Sulllivan.
The analyst’s newly-released North American Residential VoIP Markets report says that the pervasiveness of broadband Internet access and the availability of low-cost VoIP services will spur huge growth, with consumer VoIP market revenues reaching $4.07 billion (~£2.33bn, ~€3.34bn) in 2010 – up more than 1300% over $295.1 million (~£169m, ~€242m) last year.
The report anticipates a stampede of non-traditional telecommunications companies – including cable operators, Internet service provider (ISP), and non-telecom companies – charging into the voice market, driving the number of North American VoIP lines up to 18 million from 1.5 million in the same period.
The VoIP’s operator’s joy could be the incumbent local exchange carriers (ILECs) misery, as Internet telephony represents a direct threat their market share and revenue.
According to Frost & Sullivan’s report, ILECs are already reeling from losing 15 million access lines to their non-traditional competitors, although a sizeable proportion of these were data lines and second residential lines.
“Residential subscribers are likely to replace second lines with wireless or VoIP; the benefits of VoIP include lower cost, additional features and ease of use,” Frost & Sullivan Senior Analyst Lynda Starr said in a statement. “If an ILEC offers VoIP, it risks cannibalising traditional revenue but also opens up new revenue streams.”
The report concludes that it’s the quality of service and the VoIP feature set that’s attracting punters to the service rather than a desire to get in with the hi-tech crowd.
Frost & Sullivan notes that the mass market will initially be attracted by cost-savings, but the compelling new features on offer will ensure VoIP’s success.
Frost & Sullivan
21 July, 2005
Superfast Broadband Access Via TV Cables
TV cables could provide broadband Internet access speeds up to a trouser-flapping 100 megabits per second as early as next year according to Finnish broadband equipment maker Teleste.
The technology is claimed to provide punters with access 50 times faster than the average broadband speeds now offered to cable TV homes.
Although similarly nippy data transmission speeds are possible over fibre networks, these would cost a lot more for operators to build.
“This is a cost-efficient technology, as we use the cable TV networks which are already in place,” Teleste’s CEO Jukka Rinnevaara told Reuters.
Teleste has said that it will bring its Ethernet-to-the-home product to the market early next year, giving consumers access to speeds of up to 100mbps.
The company manages to achieve the Billy Whizz speeds by fitting Ethernet – your everyday, cheapo technology for shifting Internet data over broadband networks – into cable television networks.
Teleste reckons it’s way ahead of the market, predicting that rival technologies won’t emerge until the second quarter of 2007 at the earliest.
The foxy Finns are currently running field trials with cable TV service provider Essent in the Netherlands, but are yet to reach the top speeds they predicts will be available to most homes in a few years time.
“Based on our research, 30 megabits per second is the absolute minimum in future homes,” Pekka Rissanen, a Teleste exec informed a news conference. “Just one TV programme would take 10 to 20 megabits per second of this alone. So, very fast we would reach a need for 30 megabits, and also for 50 megabits per second.”
Rissanen calculated the cost of connecting a home to the high speed ethernet-to-the-home technology could range from US$60.30 (~£35, ~€50) and US$241 (~£140, ~€200).
For some inexplicable reason, the company has splashed out a fortune for a bizarre, near feature-length futuristic 3D-tastic cartoon fronted by a talking monkey to explain their new service.
We’re not quite sure what the connection with the service is, but it sure beats listening to some swivel action suit blathering on via Power Point.
Teleste
21 July, 2005