New Apple iPods Launched: Nano and Shuffle

It's Apple ShowtimeIn the UK, the iTunes music store was closed all day yesterday for refurbishment, with a black screen just saying ‘Showtime.’ At about 6pm (UK time) Steve Jobs announced why. There’s a slew of new/updated iPods and more content on the store as well as version 7 of iTunes for Mac and Windows (more on this later).

iPods get another makeover
All the iPods are being updated, from the video iPod down to the shuffle.

The video iPod now comes in two versions, 30GB and 80GB (£189 inc VAT and £259 respectively). They have a new screen that’s 60% brighter and more vibrant. As well as playing videos and music, viewing photos and the normal iPod features, games can be downloaded from the iTunes store (£3.99) and played on all 5th generation+ iPods. The battery life has been increased and with the 30GB iPod lasting 14 hours and the 80GB 20 hours (for music, that drops to 6.5 hours for video, but long enough for a couple of films).

It's Apple ShowtimeMovies (and video from the iTunes store) are now stored in 640 x 480 format.

The new Nanos come in 2, 4 and 8GB (£99, £129 and £169). Apple has gone all retro and reverted back to the mini design in that they now have an aluminum case in a variety of colours (sliver, pink, blue, green and black). It’s thinner than the 1st generation Nano. They now have 24 hours battery life.

It's Apple ShowtimeBoth the Nano and iPod video now have search features so that albums can be searched for etc., using the click wheel (with on-screen letters and search criteria). Gapless playback is a new feature, so songs can be played continuously without the normal two second wait between songs. There’s no beat matching yet, but maybe that’s Apple’s next enhancement so DJ’s will be out of a job.

The new shuffle (1GB, £55) is tiny and again in retro silver aluminum. It’s about 1 inch long (and almost square) and has a built-in clip (well the back is a clip).

Roadbank HTMS 18800 DMB Navigator

Roadbank HTMS 18800 DMB NavigatorHyundai Telematic Korea have announced their way-posh Roadbank HTMS 18800 DMB navigator, an ultra slim, in-car navigation system with a hefty 7 inch touch screen.

Although only available in Korea (bah!), this little puppy should hopefully be paving the way for a new generation of multimedia navigation gadgets that will eventually get into the hot little paws of us technology starved Euro-types.

Back to the HTMS 18800, the unit comes with an electronic map which offers a realistic view of the roads and buildings as you cruise by, with an embedded Sirf III GPS module offering top notch GPS reception rate.

Roadbank HTMS 18800 DMB NavigatorAs well as offering navigation tools, the Roadbank comes stuffed with multimedia widgets, doubling up as a high end media console with support for movie playback formats like WMV9, MPEG-1/2/4, DivX, Xvi and H.264. It can also display digital photos too.

There’s a music player in there as well offering MP3 support, and if all that wasn’t enough, the thing can play live TV using T-DMB.

Roadbank HTMS 18800 DMB NavigatorThe Roadbank HTMS 18800 DMB runs on Windows CE 5.0 and comes with 64 MB of Nand Flash with a SD card slot providing memory expansion options.

As we said, it’s a Korea-only release, so we’ll have make do with an iPod, a compass and some Ordnance Survey maps in the meantime. Aving.net

Fujifilm FinePix A700 Camera

Fujifilm FinePix A700 CameraFujifilm have announced the FinePix A700 compact digital camera, a shiny new addition to their entry-level ‘A’ series camera range.

Kitted out in a rugged-looking silver body, the A700 features a 7.3 megapixels sensor (Fujifilm’s proprietary Super CCD), a large 2.4″ LCD monitor and 3x mid-range optical zoom (36 – 108mm, f2.8 – f5.2, 35mm equivalent).

Designed to appeal to first time buyers or punters looking for a cheapo upgrade to their first digital camera, the Fujifilm offers point’n’shoot simplicity backed up by just a handful of scene modes: Portrait, Landscape, Sport and Night.

Fujifilm FinePix A700 CameraUnlike Fujifilm’s more upmarket offerings, their famous high ISO settings are nowhere to be found on the A700, which can only offer a comparatively restricted 100 to 400 ISO sensitivity with no anti-shake.

Unlike most of the A-series range, there’s no optical viewfinder to be found either, with Fuji gambling that punters will prefer the larger 2.4″ 112k colour LCD display.

Annoyingly, the camera sticks with the more obscure xD-Picture Card format, backed up by 12MB of built-in storage, while movie options are pretty limited with a super-juddery maximum frame rate of just 10 frames per second at 320×240 (AVI with audio)

Still, it’s as cheap as chips, retailing at just $199 (£107, €157), ($50 less than its A600 predecessor) and should be in the shops from early October 2006.

Fujifilm FinePix A700 CameraFujifilm FinePix A700 specifications
Image Capture
Sensor Type 1/1.6″ Fujifilm SuperCCD HR, 7.30 megapixels (effective)
Aspect Ratio 4:3, 3:2
Image Dimensions 3072 x 2304, 3264 x 2176, 2304 x 1728, 1600 x 1200, 640 x 480
Image Preview / Review
Viewfinder No
LCD 2.4″, 112,000 pixels
Lens
Lens Type Fujinon
3x optical zoom
Image Stabilization No
Focal Length 8.0 – 24.0mm (actual), 36 – 108mm (35mm equivalent)
Aperture Range Wide: F2.8 / F8, Tele: F5.2 / F14
Focusing System TTL Contrast
Focusing Range Normal: 20″ – infinity (49 cm – infinity)
Macro: 4.1″ – 256″ (10 cm – 628 cm)
Exposure
ISO Sensitivity Auto / ISO 100/200/400
Shutter Speed 2 – 1/1600 second
Metering Modes TTL 64-zones
White Balance Image Sensor – Automatic, Preset (Fine, Shade, Fluorescent light (Daylight), Fluorescent light (Warm White), Fluorescent light (Cool White), Incandescent light)
Internal Flash Modes:
Auto, Red-eye Reduction, Forced Flash, Suppressed Flash, Slow Synchro, Red-eye Reduction + Slow Synchro
Range: 1.6 ft.-12.5 ft. (wide); 2.0 ft. to 6.6 ft. (tele); 1.0 ft. – 2.6 ft. (macro)
Creative Scene Modes: Portrait, Landscape, Sport, Night
Digital Zoom 6.3x
Self Timer Yes, 2 or 10 seconds
Time Lapse No
Movie Format AVI with audio, 320×240 and 160×120, Max. frame-rate: 10 frames per second
Storage
Recording Medium xD Picture Card, Built-in
File Format JPEG (EXIF 2.2)
Connectivity
Video Yes, NTSC / PAL switchable
Computer USB 2.0 Full (LOW) Speed, FireWire
Other DC In
Power
Battery Type Alkaline disposable, NiMH rechargeable
Battery Form Factor 2 x AA
Product Bundle
Software FinePixViewer
Battery / Charger 2 x AA Alkaline disposable battery
Flash Memory 12.0MB built-in memory
Other
Digital Print Order Format (DPOF) compliant Yes
PictBridge Compliant Yes
Internal Microphone Yes
Tripod Mount Yes
Remote Control No
Dimensions 3.7 x 2.4 x 1.2″
94.0 x 61.0 x 30.5mm
Weight 139.0 g/4.9 oz

Fujifilm

Apple iTunes 7 Revamped With Films For US

Apple iTunes 7 Revamped With Films For USiTunes 7 is now available for download. The indexing has been improved, as has navigation by re-organising the Library and other indexes that normally appear on the left hand side. If iTunes is linked to an account on the iTunes store, it can now download artwork for any music on your system. Searching is also easier, as both music and video can be searched by viewing the artwork and then seeing what’s available in say that album.

Gapless play is supported, but iTunes may take a while to index your music library.

Music can now easily be transferred between authorised computers (work and home PC) by plugging in an iPod, sync the iPod at home and when plugged in at work, the content is synced to the work PC FROM the iPod.

The music store now holds movies, these cost $9.99 for library content (i.e. older releases) and $14.99 for new movies (now released on the same day as the DVD release). If pre-ordered or in the 1st week of release, they’re discounted to $12.99. Content is available from Disney, Touchstone, Pixar and Miramax.

Apple iTunes 7 Revamped With Films For US All movie and video content is now stored in 640 x 480 format.

The games available are Tetris, Mahjong and Mini Golf from Electronic Arts, Pac-Man from Namco, Cubis-2 from FlashGames, Bejewelled and Zuma from PopCap and Texas Hold’em and Vortex from Apple, each costs £3.99.

Unfortunately movies and TV shows are still only available in the US, but Apple hope to have them available in the UK in early 2007.

Sony DSC-T5, DSC-N2 Cameras Announced

Sony Cyber-shot DSC-T5, DSC-N2 Cameras AnnouncedSony has announced two new cameras shunting off their ever-busy production line, the Sony Cyber-shot DSC-T50 and DSC-N2, both offering large LCD screens.

Sony DSC-T50
The DSC-T50 is the new, top-of-the-range addition to Sony’s popular ultra-compact ‘T series’ range and comes with a Carl Zeiss 3x folded optics lens, Super SteadyShot optical image stabilisation, 3.0″ LCD touch screen and a seven megapixel sensor, with high light sensitivity up to IS0 1000.

Sony Cyber-shot DSC-T5, DSC-N2 Cameras AnnouncedShipping in (ahem) ‘bold’ red, black and silver, the DSC-T50 offers 56 MB of internal memory (with Memory Stick Duo/ PRO Duo memory cards allowing storage expansion up to 4GB) and sizes up at just 95×56.5×23.4 and 170g.

Sony Cyber-shot DSC-T5, DSC-N2 Cameras AnnouncedSony DSC-N2
The DSC-N2 follows on from the DSC-N1 and comes with the same 3.0″ touch-screen LCD and Carl Zeiss Vario Tessar 3x optical zoom lens, finished off in a natty ‘champagne gold’ finish.

The sensor has been ramped up to a beefy ten megapixel /1.8″ CCD with high ISO pushed up to ISO 1600 (compared to 800 on the N1).

The DSC-N2 comes with a built-in slide show feature, allowing you to wow your chums with your holiday snaps forever.

With every picture taken, the camera creates a secondary, VGA resolution image which is stored in a dedicated section of the camera’s internal memory.

These images can then be played back as “in-camera slide shows,” complete with (guffaw) ‘creative’ transition effects like pans, wipes and fades, accompanied by the user’s own soundtrack of “Uno paloma blanca,” if they so desire (Please….no…spare us!)

Sony Cyber-shot DSC-T5, DSC-N2 Cameras Announced“With digital photography, the social interaction that happens when people share their pictures has become as important as making great photographs,” insisted Phil Lubell, director of marketing for digital still cameras and photo printers at Sony Electronics.

Both new cameras should be in the shops from next month, with the retailing for around DSC-T50 for $500 (£268, Ä394) and the DSC-N2 for $450 (£241, Ä354).

Sony

My Printer Hell

My Printer HellAlthough I know that shouting at computer components is unlikely to make them magically fix themselves, it somehow makes me feel a bit better.

Hard drives, monitors, soundcards and even keyboards have all felt the sharp lash of my tongue when they decide to stop working properly, but there is only one component that gets me so angry that I want to lob the fecking thing out of the window.

My useless Epson
Yep, we’re talking about my printer. My useless Epson Photo 985.

My Printer HellCursed with a jazz approach to functionality, it’s a moody number with a teenager’s approach to getting up.

Sometimes it decides that it doesn’t want to be disturbed from its nap, and no amount of bashing buttons or whispering encouraging words into its nozzles will change that fact.

Other times, it will burst into life with such enthusiasm I can only assume it’s ingested some sort of ink-based amphetamine, as reams of (often unrequested) copies keep on spitting out of the printer.

Flaky printer
To be fair, the Epson’s been a bit flaky for some time, although it only started really playing up a few days after its guarantee period expired (cue conspiracy theories about manufacturers building in pre-planned obsolescence. Or the printer just knowing).

Despite its quirks, it’s usually got there in the end after some shouting and prodding, so I’ve persevered with it over the years.

That is until this weekend, when it decided to go really downhill, with a near terminal decline timed to perfectly coincide with the delivery of a box of expensive new Epson inks (and yes, I have been buying the proper inks, despite the eye-wateringly expensive prices).

Picasso in a box
My printer clearly harbours some artistic ambitions, getting creative with my printouts by adding random lines, banding and sometimes even a psychedelic effect where individual colours are removed.

My Printer HellNaturally, the ‘clean heads’ option has little effect (apart from draining £££ inks at an accelerated rate) but just when I’m about to give up on the thing completely – whoosh! out comes a perfect print, with deep blacks and vibrant colours.

Sometimes it does this to lull me into a false sense of security: if I need to produce a photo quality print for a client, it’ll produce a perfect test print on bog standard paper, but as soon as it detects the lush lustre of expensive photographic paper, out come the usual streaks, bands and missing colours.

As an added tease, it’s also partial to starting off with a prefect print, and then letting the image slowly degrade until there’s barely a ghostly image left at the end of the page.

Hide and seek
It’s not all moody misprints though, with the Epson liking to wind up my desktop PC with prolonged hide and seek sessions.

I’ll be working on a document, I’ll press ‘print’ and – wooargh! – the computer’s telling me that the printer has somehow vanished off the face of the earth but, no – it’s still right there on the shelf in front of me.

Cue much red-faced shouting in Digi-Lifestyles towers:
“WHAT DO YOU MEAN YOU CAN’T FIND THE PRINTER?! It’s right there – look! – where it’s always been. RIGHT NEXT TO YOU, you useless piece of crap!”

Even when the Epson has deigned to let the desktop speak to it, the printer will suddenly shun all requests to print a document, producing a baffling ‘communication error’ onscreen.

This basically means, “there is nothing you can do now until we decide to let you print again.”

The only way to defeat this electronic rebellion is to reboot the machine – which can be a right pain when you’re in the middle of something.

Mind you, it won’t forget about those documents that it’s refused to print, so even when I’ve cancelled the print run and sent it to another printer and rebooted my PC, the Epson will suddenly spring into life – sometimes days later – and churn out endless copies of a cancelled document that it’s been secretly harbouring in its cache.

Like Hal in 2001, the Epson doesn’t like to be turned off either, so attempts to cancel ‘stuck’ documents by switching off the printer can be punished with an unexpected PC system reboot (how does it do that?!).

No one could accuse me of not trying to get the thing working either: it’s been uninstalled, reinstalled, moved about and plugged into a host of different USB ports and computers.

It’s had new drivers, old drivers, Peruvian incantations and prayers to the great Gods of the Ink Droplets.

Sing-a-longa-Epson
Occasionally, the printer takes a dislike to the music being played in the office and decides to start up a tune of its own, settling down to enjoy an elongated period of experimental electronic music involving random whirring, hissing and whining noises.

This mechanical racket can go on for some time, with long, teasing pauses in-between leaving me unable to concentrate as I wait for the next irritating bout of shuffling to kick in.

My Printer HellIt knows when things are urgent
One thing I can guarantee with near 100% certainly is that the really big printer problems will rear their head whenever there’s some sort of urgency involved.

About to go out and need to print off map directions? Cue instant printer meltdown!
Need to print out a letter in time for the last post? What better time for a random error message to appear!
Have to send off an urgent document? The perfect time for the ink readout to go from 75% to zero mid-print!

Conclusion
The very fact that I’ve found myself ranting so long about a bloody printer tells me that it’s high time I dumped the chump and bought a new one.

Which I’d love to do, except I’ve got that big pile of freshly purchased ink cartridges sitting unused on my desk (naturally, they’re only compatible with a handful of current printers and only work with Epson), so me and Epson are going to have to stick it out for a bit longer. It’ll be like Thatcher and Scargill stuck on a small desert island.

Meanwhile, my girlfriend’s older, cheaper, bottom-of-the-range printer continues to churn out top quality prints day after day.

Maybe she’s just got a better relationship with her printer than me.

Replacement Apple Batteries Arriving Early

Replacement Apple Batteries Arriving EarlyThe exchange of Apple’s might-catch-fire batteries is happening faster than originally anticipated.

When the news broke that Apple were recalling their Sony-produced batteries, they were talking about it taking four weeks to get the batteries out.

We duly went on to the Apple site and filled out the simple form, receiving a conformation mail telling us we should expect delivery in four to six weeks.

You can imagine our surprise this morning when what should arrive via the UPS courier, but the new battery, under two weeks from the original order.

It makes sense for Apple/Sony to swap these batteries as soon as possible, as many customers may be getting The Fear about their machines bursting into flames, I know that I’ve thought twice about leaving mine charging overnight.

If you’re interested, the batteries look identical form the outside, but we’ve found that the replacements have a higher battery capacity 4607 mAh vs 4400 mAh of the original. The new one certainly has loads more than 2846 mAh that our 14 month battery has ended up with. Translated – what you end up with is better than the original.

There’s a form and box to return the original battery, again via UPS. No wonder Sony estimated the recall could cost them as much as $257m (30 million yen).

Ricoh Caplio R5 Digital Camera Review (70%)

Ricoh Caplio R5 Digital Camera Review (70%)Fresh out of Japan is the new Caplio R5 digital camera, featuring anti-shake, a new 7.24 megapixel CCD and the same mighty 7.1x optical wide zoom lens (28-200mm, 35mm equiv) as seen on its predecessor, the Caplio R4 ( reviewed here in April 2006).

Ricoh are making big claims for the low light capabilities of their new image processing engine, which works with the built in CCD-shift vibration correction method to produce what they describe as, “high quality images at even higher ISO settings with low noise.”

The new model looks very similar to the R4, but there’s been a few changes in the physical layout: the anti-shake on/off button from the top plate has now disappeared into a sub-menu accessible from the LCD interface, with a circular on/off button taking its place.

Ricoh Caplio R5 Digital Camera Review (70%)We can’t say we liked this move, as the smaller, recessed power button is much harder to operate (we also had issues with powering up the camera, but we’ll move on to that later).

Sneaking around the back
The buttons on the rear of the camera have been shunted around a bit too, with the zoom rocker also getting that shrinking feeling while being moved closer to the LCD screen.

We really can’t work out the thinking behind this move. The new, smaller zoom control is much harder to operate and if you were wearing gloves, zooming would be nigh-on impossible.

The small three-way camera/screen/movie switch also remains as fiddly as with the R4, although Ricoh’s designers have seen fit to move it to the right hand side of the camera.

Ricoh Caplio R5 Digital Camera Review (70%)LCD screen
There’s still a healthily large 2.5-inch LCD dominating the back of the camera.

This has been ramped up from 150k to 230k pixels although the difference didn’t seem as stunning as we might have hoped.

A quick caveat here: we ended up going into a camera store and asking them to get out a R4 for comparison.

While holding out both cameras pointing at the same scene we have to say there didn’t seem a huge amount of difference – sure, the R5 seemed a bit smoother, but none of the waiting customers managed to guess which screen was the newer one.

Ricoh Caplio R5 Digital Camera Review (70%)Seeing as the assistant was most unimpressed with our antics we had to cut short our testing, so we can only assume that the differences would manifest themselves under more demanding light conditions or under closer scrutiny.

With all those extra pixels, the screen has to be better so maybe we were all on drugs or something.

Daytime shooting
Like Dracula in reverse, this camera works best when the sun is in the sky.

Taking the R5 out for a stroll around London, we were pleased by its fast power-up times and were constantly reminded of the benefits of having a compact with a proper wide-angle zoom range.

Ricoh Caplio R5 Digital Camera Review (70%)The LCD screen was easy to read (although, being London in September, the sun wasn’t exactly blinding), but we would have liked to have seen an optical viewfinder in there too.

Although suffering from a rather noisy zooming mechanism, the R5 took crisp and pleasing daytime shots, with exposure generally spot on and images exposed at 64 and 100 ISO showing very little noise.

The banding issues that plagued the R4 were also noticeable by their absence too.

The new 640 x 480/30fps movie mode was fun, and produced some smooth clips, although the juddery digital zoom is best left alone (like most digicams, the optical zoom is deactivated when shooting in movie mode).

Ricoh Caplio R5 Digital Camera Review (70%)Night time woes
We were disappointed with the camera’s night time performance.

Purely in the interests of ensuring a full test, we took the camera out to a Brixton club and grabbed the kind of pics that your average punter might take on a night out.

These included a few snaps of the band, pictures of friends looking a little worse for wear, the inevitable drunk ‘group shot’ and some grabbed shots from around the club.

Throughout the night, the Ricoh would sometimes struggle to get a fix in low light conditions, and on a few occasions the entire thing froze up or wouldn’t turn on. Taking the battery out and putting it back in seemed to fix the problem, at the expense of a few missed shots.

Even when the camera was working perfectly, some shots were ruined because of Ricoh’s crazy placement of the flash gun -for many right-handers, their middle finger will naturally fall right in front of the flash. End result: under-exposed shots.

Ricoh Caplio R5 Digital Camera Review (70%)Noisy nights
Noise at 400ISO actually seemed worse than with the R4 and when we remembered to move our fingers out of the way of the flash, the results weren’t too flattering.

The none-too-impressive f3.3 maximum aperture meant that the camera was always reaching up to the higher ISO settings, and the higher the sensitivity, the grainier things got.

Although it was handy to have full resolution ISO 1600 sensitivity, the results fell woefully short of the quality of similarly-priced rivals like the Fujifilm FinePix F30 (although that camera has a greatly reduced zoom range).

Running the photos through noise reduction software like Noise Ninja vastly improved things – perhaps enough to just get away with a 10″ x 8″ print – but we really can’t recommend the R5 for night hawks.

Ricoh Caplio R5 Digital Camera Review (70%)Street photographers looking to grab late night sneaky shots with the camera on 10 second self timer will have to think again too as the flash – yes the FLASH! – blinks brightly on and off during the countdown!

It’s like saying, “Yoo-hoo! Muggers! Over here! Look at me!” and despite scouring the manual we couldn’t find a way of turning it off.

It’s one of the daftest things we’ve seen on a modern camera.

Manual focus
One thing we really like about the Ricoh R5 (and the Ricoh GR) is its manual focus abilities -a rare treat on a mid price camera.

The ‘snap’ mode – in particular – is fabulous for grabbing quick shots but annoyingly Ricoh still haven’t fixed the problem that results in the flash completely overexposing subjects close to the camera.

Sort it out Ricoh – it does the same thing on our upmarket Ricoh GR and we expect better for the money.

Download example files (Three images, ZIP format, 7.5MB)

Interface
We’ve always liked Ricoh’s clear, no-nonsense interface and had no complaints with what we found on the R5, although saving files to the camera’s internal memory was very slow.

Switching to a Fujifilm 2GB SD card sped things up considerably.

Ricoh Caplio R5 Digital Camera Review (70%) We had some problems with that the SD slot, with a worrying ‘card format’ error popping up unexpectedly halfway through a shoot.

We would have been most unchuffed to have lost all the photos we’d taken, but turning the camera off a few times seemed to solve the problem. Had we bought the camera, this would have been enough to have sent us hot footing it back to the camera store demanding a refund.

As with the R4, the camera is firmly pointed at the point and shoot camera brigade with very little in the way of advanced options for photographers who like to fiddle about with exposure settings.

Despite its mass market aspirations, the camera still doesn’t have too many consumer-friendly scene modes compared to their rivals – a serious omission in our book.

Conclusion
On the face of it, the Caplio R5 offers a lot for the casual snapper, serving up a generous 7 megapixel sensor, built-in anti shake and an impressively wide angle zoom in a suitably bijou package.

The price is right too, set at a highly affordable £250 ($443, €361), placing it smack bang in the middle of a highly competitive price sector.

With its impressive 28mm-200mm lens, there’s a lot to like about the R5, and anyone prepared to work with the camera could eek out some high quality shots, although consumers looking for an easy-peasy, point’n’shooter might be frustrated with the camera’s poor low light performance.

After encountering so many problems during the review, we’re finding it hard to recommend the R5 outright, although our previous positive experiences with Ricoh products make us inclined to put the glitches down to early production teething problems. Let’s hope we’re right.

We still can’t see enough here to encourage R4 owners that it’s worth the upgrade, but the combination of the mighty lens, great daytime pictures and the small form factor may prove an irresistible attraction to some consumers.

We just hope they buy their new R5 from a company with a good returns policy, just in case.

Rating
Ease of use: 80%
Picture quality: 65%
Features: 80%
Value for money: 75%
Overall: 70%

Ricoh Caplio R5 specifications
Sensor 1/2.5″ Type CCD
7.24 million effective pixels
Image sizes
3072 x 2304
3072 x 2048
2592 x 1944
2048 x 1536
1280 x 960
640 x 480
Movie clips
640 x 480 @ 15/30fps
320 x 240 @ 15/30fps
160 x 120 @ 15/30fps
WAV sound
File formats
JPEG Exif v2.2
DPOF
DCF compliant
AVI (Open DML Motion JPEG)
Lens
28-200mm (35mm equiv)
F3.3-4.8
7.1x zoom
Image stabilization
CCD-shift Vibration correction
Conversion lenses: No
Digital zoom up to 3.6x
Focus
Auto Focus
Manual Focus
Snap
Infinity
Focus distance
Normal: 0.3 m – infinity (Wide) 1.0 m – infinity (Tele)
Macro: 0.01 m – infinity (Wide), 0.14 m – infinity (Tele)
Metering
TTL-CCD Metering Method: Multi (256 segments)
Center weighted
Ricoh Caplio R5 Digital Camera Review (70%)Spot
ISO sensitivity
AUTO
ISO 64
ISO 100
ISO 200
ISO 400
ISO 800
ISO 1600
Exposure compensation
+/-2EV in 1/3EV steps
Exposure bracketing
-0.5EV, +/-0, +0.5EV
Shutter speed
8, 4, 2, 1 – 1/2000 sec
Aperture
F3.3-4.8
Modes
Still
Continuous
S-Continuous
M-Continuous
Scene modes
Portrait
Sports
Landscape
Nightscape
Skew correction
Text
Zoom Macro
High Sensitivity
My Setting 1 and 2
White balance
Auto
Fixed (Outdoors, Cloudy, Incandescent Lamp, Incandescent Lamp2, Fluorescent Lamp, Manual settings)
White balance fine tune
White Balance Bracket
Self timer
2 or 10 sec
Continuous shooting
2.8fps
Flash
Flash Off , Auto, Red-Eye Flash, Flash on, Flash Synch
Range: approx. 0.2 m-2.4 m (Wide) approx. 0.14 m-1.8 m (Tele)
LCD monitor
2.5-inch Transparent Amorphous Silicon TFT LCD
230,000 pixels
Connectivity
USB 2.0 High Speed
AV out
NTSC/PAL switchable
Storage 26MB internal memory
SD/MMC card compatible
Power
Rechargeable battery DB-60
AC adapter
Weight (no batt)
140 g
Dimensions 96 x 55 x 26 mm )

TrekStor MP3-RadioStation f.ox: IFA 2006

TrekStor MP3-RadioStation: IFA 2006There are a couple of dilemmas for anyone who takes their MP3 player to play in the car. How do you get the sound to the car stereo and how do you stop the thing sliding about all over the place? The TrekStor MP3-RadioStation f.ox tackles these.

The TrekStor MP3-RadioStation plugs in to the cigarette lighter slot (or cigar if you’re posh), which means it’s easy to find and there’s no need for a separate power source.

TrekStor MP3-RadioStation: IFA 2006Where do the tunes come from? There’s no storage on board, as the music is supplied via a USB memory stick that plugs in the bottom. This arrangement brings the advantage of low cost expansion and that the music storage is only limited by the size and number of memory sticks you’ve got.

Navigating tracks up, down and pausing is done by the button on the top.

To get over the challenge of getting the audio between the player and legacy car head-units, TrekStor have used low-powered FM transmission with a selectable frequency, available to some other players as an after-market add on.

To set it up, simply press the Channel button on the top of the MP3-RadioStation until an FM frequency that isn’t used by a radio station is displayed on the top, then tune your car stereo into that frequency. Bingo.

TrekStor MP3-RadioStation: IFA 2006Sadly for UK users, devices like this can’t be used legally, as Ofcom don’t differentiate between low-power gadgets such as this that transmit over a short distance and a full blown radio station.

Expected release date is November 2006, priced at around €15.

TrekStor MP3-RadioStation f.ox
View larger images.

Smell The Radio With USB Aroma Geur

Smell The Radio With USB Aroma Geur We can’t say we like the thought of being bombarded by different whiffs while we’re listening to the radio, but it seems someone in Japan liked the idea so much that they’re about to launch a fragrance-pumpin’ product in October.

Apparently called the ‘Aroma Geur,’ the device takes the shape of a USB connected sphere which is capable of generating different pongs depending on what content is playing on the radio (perhaps the smell of dirty leather for Motorhead, and Guinness for the Pogues?).

Soon to be introduced by NTT Communications – the corporate business arm of Tokyo-based Nippon Telegraph & Telephone Corp and Tokyo FM Broadcasting – the curiously named Aroma Geur comes loaded with six oil-based perfume compounds, which can be instructed to mix up the right whiff on demand.

Smell The Radio With USB Aroma Geur The gadget connects to your desktop via USB, with the PC downloading the aroma instructions from the radio station via the Internet, with odorous wafts synchronised to match whatever song is currently being played.

Lurking inside the gadget is a set of solenoid valves which open and close magnetically to ensure that just the right amount of perfume fills the air.

To further enhance the ‘experience’, the whiffo-sphere (as we like to call it) accompanies blasts of perfume with a show of random, shifting coloured lights, apparently to help you have a “more soothing experience.”

Smell The Radio With USB Aroma Geur The USB Aroma Geur is available for 49,900 Yen ($430), with the service scheduled to start up in Japan from 2nd October 2006.

We can’t wait to get a whiff of some Bob Marley tunes on the thing.

Tokyo FM