VisiFone, Ojo: Videophones Come Home

Viseon-VisiFoneEvery few years there are a number of announcements about the launch of new video phones. For decades the public have been told that this revolution is just around the corner.

For most of those years the means of transferring the speech and video information has been via a telephone line, initially a PSTN, then in the ’80’s, ISDN. Due to the limitation of the amount of bandwidth, using them was a pretty unsatisfactory experience with the video being ‘choppy’.

As broadband became more available, the bandwidth that video requires started to be come more widely installed in peoples homes and other places.

For quite a while this has been available to the technically savvy using software solutions available on desktops and laptops. By simply plugging in a cheap USB camera and installing some (often free) software, people have been able to chat and watch each other.

One instance sticks in my mind. When I was organising the Digital Lifestyles conference theme day at IBC 2003, one of the speakers, Stuart Cheshire, Ethernet Guru at Apple recounted his connecting to home. He had his hotel broadband connection, connected up his Apple iBook, slotted in an Apple iSight and, for the equivalent cost of a long distance call from Amsterdam to the US, he was able to chat to his family for as long as he wanted, with the added benefit that both he and his family where able to see each other, seeing the facial cue so important in a face-to-face conversation.

Now that broadband is an established fact for a large number of western households, there is a new wave of broadband, consumer-friendly devices that don’t require PC’s to function – and that’s going to make them usable by a range of generations.

Viseon used CES to launch it VisiFone, labelling it the Digital Home Telephone. They claim by keeping the communications digital from end-to-end, the free standing unit provides CD-quality audio and TV-quality video.

They claim one of the secrets to their success is their use of the latest chips from Texas Instruments (TI) specifically; TI’s newest IP phone system-on-a-chip, the TNETV1050, which provides enhanced digital voice quality and conferencing; and the DSP-based TMS320DM64x digital media processor, offering high quality, multi-channel video.

Viseon’s business approach is to sell the unit via broadband service providers. The first they have announced is a deal with well known VoIP provider, Vonage, who run services in the US, Mexico and of last week, the UK.

Another offering at CES was Ojo from Motorola, which they label the Personal Video Phone. It works on a similar principle of a screen and embedded camera on a stand. The Ojo’s large colour screen is 5.6-inch, 9 x 16 format, which they say frames the face better.

It uses an advanced MPEG-4 coding standard (H.264), which enables transmission of 30 frames-per-second video with synchronized audio at data rates as low as 110 Kbps.

Ojo differs from VisiFone in that it can also handle phone calls over ‘normal’ phone lines using its cordless handset.

Ojo should be available in the US from Spring 2005 at $799, plus an as-yet-undisclosed monthly service charge.

How long it will be before we have Video phones on the street, a la Blade Runner is unclear, but finally things appear to moving in the world on consumer-friendly videophone.

Viseon VisiFone
Motorola Ojo

Samsung 102-inch TV shown at CES

Samsung 102-inch PDP TVSamsung is showing a 102-inch Plasma Display Panel (PDP) TV at CES. Currently standing as the worlds largest TV, they’re upping the ante of their own 80-inch screen they announced back in January last year.

The gargantuan 102-inch screen is currently just for demonstration, but Samsung plan to start shipping their 80-inch PDP and 57-inch LCD screen in the US this year. The original costs spoken about for the 80-inch, the HPR8072 which planned for a May release, were a heart stopping $45,000 (~€34,000, ~£24,000). The 57-inch, LNR570D, will cost $17,999 (~€13,700, ~£9,600) and come out in June.

If you hadn’t guessed it from the dimensions, you can see from the photo that this 102-inch baby is large.

Samsung are putting serious effort into become recognised as a leader in TV screens of all technologies. They’re also showing a slim line Cathode Ray Tube (CRT) at CES and at the start of this week they announced a high resolution 21-inch single-panel, Organic Light-Emitting Diode (OLED) display.

Samsung

Samsung HiRes 21-inch OLED screen, Claim Worlds Largest

Samsung have announced a 21-inch single-panel, Organic Light-Emitting Diode (OLED) display. The 16:9 panel offers WUXGA (Wide Ultra Extended Graphics Array) resolution, providing 1920×1200 pixels. Samsung claim it’s a world first at these resolutions. Seiko Epson showed a multi-panel 40-inch display back in May 2004.

OLED screens have several advantages over their LCD cousins, primarily the speed of their refresh (around 0.01ms vs 10ms), low power consumption (as they don’t need to be back lit) and a huge contrast ratio (50,000:1).

In December 2004, Sony and Samsung signed a deal to cross-license what they call “differentiation technology patents”, not their whole related patent portfolio. Our reading of this was “we’ve both spent a lot of time developing our own ideas, and realise that the other side has something of value which we can mutually benefit from.”

Having missed the trend towards flat screens, Sony have heavily committed to OLED as we covered back in September.

Samsung

Epson’s P-2000 Multimedia Storage Viewer announced

Epson P2000Designed as a replacement for Epson’s P-1000, the imaginatively named P-2000 has higher capacity storage, a faster interface, two memory card slots and the ability to view, store and playback photos, videos and music.  If you are still nostalgic about the black and white photos taken in the back garden with the Brownie camera, just think of the multi-sensorial memories your kids will have.

Powered by a lithium ion battery, the P-2000 features a 40GB hard drive that can store thousands of photos, sparing the next generation the task of transferring all those unlabelled photos from plastic bags and cardboard boxes into albums. The built-in memory card slot supports Compact Flash Type I and Type II and Secure Digital memory cards, allowing you to transfer files quickly without having to connect to a computer.

Budding amateur film-makers can zoom and rotate images, create a slideshow with music and share images on an NTSC or PAL television screen, monitor or projector using an optional third-party cable. And surprise, surprise, you can also print directly to supported Epson printers.

Epson have a long tradition in LCD technology having introduced the first LCD digital quartz watch over 30 years ago, in the early 1970’s.  The 3.8″ Epson Photo Fine LCD screen displays images up to 8.9 megapixels and supports JPEG and RAW image file formats, MPEG-4 and Motion-JPEG video files, plus MP3 and AAC audio files. The P-2000 connects to Macs or PCs using a USB 2.0 interface for transferring photos, videos and audio files.

The Epson P-2000 display offers three colours per image pixel and a higher density of 212 pixels per inch, compared with one colour per pixel and 80-100 pixels per inch on a typical digital camera display. This gives it the ability to display up to 262,144 colours and an impressive, high-resolution image.

The Epson P-2000 will be available in early November for a price of $499 (~€395).

Epson

TV-B-Gone – Rid your world of unwanted TV

Think of all the waiting rooms where you have had to endure mindless soaps, the bars where you have been silenced into submission by a cocktail of football or MTV – depending on which end you sit.  If you have ever wished for a gizmo that would quell the cacophony then your wish has been granted.

A gadget cunningly disguised as a car alarm remote clandestinely switches off television sets by the simple press of a button now exists.  Get your hands on one of these and going for a pint could yet again become the social event that it was fifty years ago – before the art of conversation was subsumed by wide-eyed silence punctuated by disjointed roars.

The gadget with the moral dimension has a name with a biblical ring – TV-B-Gone, and like the parting of the Red Sea it will silence the attention sapping scourge in any public area. When activated, the universal remote control with a mission will spend about a minute flashing out 209 different codes to turn off televisions, attacking the most popular brands first. There is an American-Asian model and a European one, using different codes.

TV-B-Gone’s inventor Mitch Altman, who was recently interviewed by Steven Bodzin for Wired, already has a pretty impressive track record.  He wrote an Apple video game in 1977, which became a military training module, worked on virtual reality systems in VPL in the 1980’s, and more recently patented hard-drive controllers developed in his Silicon Valley data-storage maker company, 3Ware.

TV-B-Gone has just gone on sale so perhaps unwanted ambient TV may become a thing of the past, a social pariah we will tell our grandchildren about.  Question is are the TV manufacturers going to fight back?  Or, will it be the start of a whole new battle of wits like that between the computer security industry and the hackers, spammers and virus writers?

TV-B-Gone

Gadget review of IBC04

IBC was good this year. There was real stuff to see. Ideas that were whispered two or three years ago are now products you can play with rather than vapourware. But you had to be cheeky to find some of them. Marching up to the stands with a request for a 90 second product demonstration certainly helped to cut through the sales bitch, sorry, pitch. Camera man Dave Allen and I spent a couple of days preparing our "gadget safari", looking for products, including software, of interest to the independent producer.

The Long Slow Fade
I am currently making a documentary on DV-CAM about the (slow) death of analogue radio. The question is whether digital radio will replace it in the form we were all expecting five years ago. In the UK, DAB is working. Elsewhere on the continent, it is a mixed bag. In Holland, for instance, the Dutch public broadcasters have stuck 6 of their channels on the air. But there is no added value for listening on DAB – the data is just the RDS feed and, with so few mountains, people are not writing to their favourite FM stations complaining about reception. Commercial broadcasters, still smarting from a crazy Dutch government auction of FM frequencies, refuse to play the DAB ball until they see a way of getting a return on investment.

With hindsight, the radio dial is the worst human interface ever invented. Millions of pounds of valuable content is hidden behind a number – or in the old days the name of the transmitter site! Do you know anyone who sorts their address book by their friends phone number? If you do, probably best to avoid them for intellectual conversation! It is unlikely that they floss very often too.

Pure Bug with DAB EPGWith all the competition from the "red button" and "iPod favourites" radio needs an electronic programme guide – an EPG. At IBC, Unique Interactive together with two receiver manufacturers – Morphy Richards and Pure Digital demoed the first attempts. Yes, the programme schedule is in there. But the intelligent radio that knows your preferences, anticipates and pre-records shows you might like is some way off. We’ll probably see the "personalised" software on Wi-Fi enabled MP3 players before the radios are out there.

In South Korea, the national broadcaster, KBS, is working with Samsung to make a multimedia enabled radio. On the WorldDab stand they showed how they’re putting video over the DAB network and calling it Digital Multimedia Broadcasting [Watch a QT video of DMB]. Korean Digital Multimedia BroadcastingThey know the broadcast network is ideally suited to mass distribution of media rich content. The economics of sending 3 minutes of video to 100,000 people make 3G a very expensive way of getting content broadcast, especially in a crisis. Nokia know that, but have chosen partners such as NTL and HP to work on a competing method of content distribution, DVB-H. Both are really in the physics experiment stage – no-one has developed stimulating content for these platforms yet – and it is not going to be ringtones that save the day [Watch QT video of NTL].

DAB, the other DRM, Wi-Fi
Two other technologies seem to be moving along. DAB has a complementary technology designed to make AM (long wave, medium wave and short wave) sound like FM. By turning the transmitter into a giant modem, and using 1/3rd of the power, the results are impressive. The RTL group plans to revive the "great 208" and see DRM (in this case, Digital Radio Mondial) as a cheap way of covering audiences spread over large distances. Three radios were on the DRM stand. I was particularly interested in a ?199 (~$245, ~£135) "cigarette box size" radio from Coding Technologies. It plugs into the USB port of a laptop and is also powered from the USB port. You need a bit wire as an antenna (keeping it away from the laptop processor), but the concept is a true plug and play [Watch a QT video of DRM].

As Wi-Fi takes off, a Wi-Fi enabled radio would be handy. There is a huge choice of radio programming streamed on the web. But you can’t carry it around the house. Philips StreamiumPhilips has a system called Streamium, which is more of a Wi-Fi enabled hi-fi/boombox. A clever piece of kit, but Philips haven’t a clue on how to promote it to the public. A Cambridge based research company called Reciva, on the other hand, had a much better concept to show at IBC – a kitchen radio format with a familiar tuning knob to change channels [Watch a QT video of Reciva].

It is no longer cool to be just a supplier to the "radio" journalist. Most of the people making recorders or editing systems are coupling the audio editing to some form of video editor. Handheld Digital audio recorders look pricey (?1000 +) when put alongside the new Sony HDR-FX1 HD-CAM cameraSony HD-CAM, the HDR-FX1, which will offer entry-level hi-definition video for the prosumer market for around €3,500 (~$4,314, ~£2,390). It also seems crazy that many of the best video editors can be downloaded for a couple of hundred bucks for personal use and yet some audio editors have made it impossible for the freelance community to buy cheap personal copies of the software. They forget what power of persuasion these people have in getting technology adopted within many broadcasting stations.

Our shortest visit was to Canford audio who have nothing on their stand – except one of the world’s biggest catalogues of audio equipment. In the back we spotted a pair of headphones, the DM H250 with a USB connector and a built in DA/AD converter – ideal for newsrooms with audio workstations that don’t want the expense of a separate analogue sound network. The headphones retail for around £110 (~$136, ~€75).

And finally on the audio side we picked up an iPod with a difference. It is actually a company within Harris called Neural Audio that was showing what their codec technology can do with a very limited number of bits. You got what sounded like perfect mono at 24 kb/s, and 5:1 surround sound at 96 kb/sec [Watch a QT video of Neural Audio].

Then onto stuff for the video/journalist in the field?and we found something that really is for someone like me. You are out on location with a complicated story?how do you remember your lines? Telescript has a small Teleprompter that works with a lap-top and is bright enough to be useful in the field. It will set you back £1,500 (~$2,700, €2,200). The batteries last for a day’s shooting. [Watch a QT video of the Telescript]

It doesn’t take long for videographers to realize that steadycam isn’t steady enough for the bigger screens we see today. But the tripod and dolly manufacturers guess correctly that we don’t want to spend our old age in a home for the bewildered with back pain. IBC had a lot of useful equipment for the documentary maker. The Italian company Manfrotto had a carbon-fibre tripod with gimbles, just the thing to keep the camera level on uneven terrain. They also had useful remote controls for handycams allowing for much smoother zooms using buttons on the tripod. LED backlights and even dim-able LED spotlights were on show – and much closer to daylight that I expected [Watch a QT video of the lights]. Perhaps one of the fastest demos was from Microdolly Hollywood who have a portable dolly-track which folds up in 5 seconds -flat! [Watch a QT video of Microdolly] I also bumped into an Israeli company called DVTEC. They have some useful devices to take the weight off your shoulders with a heavy camera, plus a compact car mount which, although light, won’t come off as you drive [Watch a QT video on DVTEC’s product].

My vote for originality goes to Puddlecam from the Norwich based EV Group. They’re in the sports TV business, trying to offer way in which to make unique action shots without ruining the camera. The indestructible Puddlecam is ideal for getting those action shots from the side of the road – in fact from anywhere where ordinary cameras fear to tread [Watch a QT video of Puddlecam].

I think software concepts also deserve a prize. If you want a complete set of test and measuring equipment while doing important DV recordings in the field, look no further than DVRack from the US company of Serious Magic. It is like taking a broadcast truck on location – except the software runs on a laptop. Download the demo to try before you think about purchasing [Watch a QT video of DVRack]. Personally, I was impressed, especially since you can start using this software to save DV to hard-drive and only use DV tapes as back-up. US$495 (~?403, ~£274) is the download price. If you need maps on location, then the Norwegian company of MAPcube offer a special deal to independent journalists who need to draw accurate maps, perhaps for a TV documentary or a website. They take publicly available data from NASA, but then adjust the presentation to make it usable for the broadcast industry [Watch a QT video of MAPcube]. Finally, the satellite company of SWE-DISH caught our eye with a satellite dish, FA150T, that can be folded and carried as a back-pack – at 38 kg (84 pounds) a bit heavy for the overhead locker, but ideal for expeditions to some of the remote areas of the world. Why are these devices still so heavy? Because they need a power amplifier to make contact with the satellites. This one from Sweden uses GPS to find the location of pre-programmed satellites. It is controlled from a laptop. A perfect case of shoot the video, then automatically point to dish to transmit [Watch a QT video of SWE-DISH].

That’s all we can squeeze into this space. This survey was done independently of the stand holders – no money changed hands nor was any equipment donated. Colleagues from other IBC sessions in the series also found other gadgets. Perhaps we can persuade them to share their discoveries for a follow-up column. If you want to see the stuff in action, watch the videos!

About Jonathan Marks
Jonathan Marks has worked in public broadcasting in the Netherlands for just over 24 years, but started his own consulting company in the middle of last year called Critical Distance. He produced a popular communications show on Radio Netherlands called "Media Network". He now plays devils advocate to a number of companies, questioning their strategies, but at the same time preparing alternative scenarios for what technology is making possible.

Q17+ from Hyundai targets gamers with LCD

Hyundai Q171+ gamers LCD monitorHyundai, well known Korean makers of displays (and much else), has released a 17″ LCD TFT screen aimed specifically at video game players.

To provider the player with a feeling of smoothness when playing, video games redisplay the graphics on the screen many times a second (known as the refresh rate). LCD screen have, up to recently, found it difficult to keep up with the demands of modern games and graphic cards, with games like Doom 3 being particularly testing. When the screens don’t refresh quickly enough the moving objects create ghosting.

The Hyundai ImageQuest Q17+ has a refresh rate of 12ms, current the industries fastest reaction speed. While it is not the first 12ms screen on the market, it’s the first that we’ve been aware of that is marketed specifically at game players.

Hyundai are claiming the UK the street price is expected to be £340 (~$607, ~€499) including VAT.

Hyundai ImageQuest


 

CLIE PEG-VZ90 marks Sony’s start of Mass Production of Full Colour Organic LED’s

Sony has announced that they will start the mass production of full-colour Organic Light Emitting Diode (OLED) displays. They see the OLED displays as a possible replacement for LCD screens, but with the added advantages of not needing a back-light, giving quicker screen response times and providing wider viewing angles. Response times will drop from 16mil sec on current Sony LED’s to a stunning 0.01mil sec and viewing angles will improve from around 130 degrees on LCD to 180 degrees in both horizontal and vertical planes.

By adding their own magic ingredient to OLED’s, called Super Top Emission technology, Sony claims they will get significant improved brightness (1000:1 vs 100:1 LCD) and a great range of colours (gamut) (~100% vs ~40% LCD). They claim it will rival the performance of Cathode Ray Tubes (CRT).

Since their introduction, one of the big problems for LCD-equipped portable media players has been the impossibility of seeing their displays outdoors when the sun is strong. It sounds like Sony’s approach could not only save the batteries of portable devices, but also fix the sunlight problem.

The CLIE ‘PEG-VZ90’ will be the first Sony device to benefit from the production run.

Sony

Sony Invent Esper

Good news for all of you who’ve ever wanted to sit in front of a murky screen, in a darkened apartment, zooming in on a photograph of a stripper’s bedroom – Sony have developed a chip that lets viewers pan, zoom and enhance TV images.

Demonstrated in Tokyo yesterday, the Digital Reality Creation Multifunction v2 technology (DRC-MFv2)– modest name there – keeps the picture sharp by using image enhancement processes, rather than just stretching the scan lines, so there’s no loss of detail that might result in you retiring a human by mistake. With DRC, one pixel can become 36.

There’s no word when TV’s featuring the technology will appear, but you can bet it’ll be around the time that the first HD pornography hits the market. Voice-operated will be extra.

The DRC-MFv2

HP Unveils HP-iPod, More Gadgets

HP will will be unveiling its new line of consumer electronics today at an event in Miami. By expanding its product range into devices like the iPod, the company is seeking to build a cooler image. But can they sell people TVs?

Dell and Gateway have had success with their own range of electronics – between them they offer LCD televisions, portable music players, DVD players and PVRs, so it looks like there is a market out there for them. If Sony can go from selling TVs to selling computers, then perhaps HP can do it the other way round.

HP issued a note to the press yesterday that they will be introducing digital photography, music and entertainment experiences – aside from the branded iPod, they are expected to introduce a 42” plasma HD TV and 26” and 30” LCD TVs, along with a storage device intended to be a entertainment hub.

HP Newsroom