Is Mobile TV Currently Just A Big ‘Love In’?

Will BBC have a TV to go?The BBC needs to move fast to create suitable partnerships to be able to ride the new wave of ‘TV on the go’. That’s my conclusion after attending a recent IIC event last week (that’s the International Institute Of Communications to you). There I can reveal I was drawn into what felt very much like a mobile content ‘love fest’.

Representatives from a diverse group of media industries including MTV and BT were prophesizing mobile TV is the saviour of TV. Trials in Europe have indicated that across the continent viewers can’t get enough of TV on a tiny little display on their phones and this isn’t just the ‘bite sized’ mobile episodes that commentators had been predicting. It appears that mobile TV is able to actually increase the number of hours that viewers consume, which many thought had peaked.

With this new form of TV, it is said ‘you no longer need to be a couch potato, you can be a potato anywhere’ so expect many hours of work to be lost to must watch TV phenomena like ‘I’m a celebrity’ and ‘Big Brother’.

Channel 4 New Media has recently announced the launch of a mobile TV channel dedicated to Channel 4 content on mobile phones. Sky is planning a 19 channel launch in conjunction with Vodaphone and an ITV mobile service has been announced.

The mobile manufactures need to provide the right interface with an easy to navigate EPG and the content needs to be held securely on the device it’s downloaded to minimise the potential for sharing.

All the big players have a keen interest in the success, from the handset makers, the telcos and of course, the content owners who will expect to negotiate a premium for their programming. The players are going to have to effectively perform a ‘land-grab’ to make sure that an ‘ipod’ like solution does not steal their planned-for bonanza.

Where though does a Public Service Broadcaster fit into this increasingly monetized market? The BBC has been looking at DAB technology providing ultra local TV, but this is unlikely to the drive young affluent consumers who are the usual early adopters of new gizmos.

We are consistantly drawn back to the same conclusion with Mobile TV. This content may be offered; handset makers can produce the equipment; consumers may dabble with it if it costs them nothing.

The still unanswered question is, will the consumer put their collective hands in their collective pockets to pay for it?

BBC ‘FreeSat’: Where’s The Service?

BBC FreeSat: Where's The Service?Much has been made of what have been reported as poor results at BskyB (Profits announced on Friday 4 Nov 05 saw a pre-tax rise of 13.6% to £200m), intense competition is given as the cause of the lower than hoped for growth in subscribers.

The competition is attributed to the steady increase in Freeview penetration but where is the much trumpeted BBC free satellite offering, they labeled FreeSat?

Speaking recently with an NDS insider it was brought to my attention that this new ‘platform’ could be something of an empty threat. This must, of course been judged through the knowledge that NDS is the TV conditional access subscriber technology company used by Bskyb.

Even bearing this in mind, we felt it was worth asking ourselves a few questions about how it would work, who would view it and what would be its purpose:

How would it work?
BBC FreeSat: Where's The Service?Most would consider a UK satellite rival needs to be positioned to use the same satellites as Sky services that’s Eurobird and Astra 2. If you move away from their orbital positions, you’re going to have to duplicate a whole load of services across two platforms with the expense that will entail.

Who would view it?
Presumably the target audience are those who want Freeview but aren’t currently served. Freeview coverage is growing steadily and a Satellite installation is always going to be more costly than a terrestrial one, so I reckon numbers here will be limited.

BBC FreeSat: Where's The Service?The other group that would be interested are the ‘churn’ which are now reported by Sky as around 11%. These are subscribers who are leaving their Bskyb packages – but they’re really already on the Sky Freesat as unless someone comes and takes away their Set- top-box and mini-dish. They’ll get many of the FTA (Free To Air) services like ITV3 that aren’t available on analogue terrestrial and, for a small charge, can obtain a viewing card that will allow them to view those encrypted services like Channel 5, Channel 4, ITV1 and ITV2.

So what’s the purpose?
It seems to me that one purpose of the BBC floating the idea of FreeSat is as a spoiler to Bskyb. To perhaps deter those at the margin from signing up and also to increase the traditional broadcasters negotiating position when speaking to Sky.

With the promise of Satellite delivered HDTV in 2006, the continuing growth of Sky+ and the strategic takeover of Easynet, Sky still looks to know where it’s going. Given time and with the right marketing by Sky, many ‘Free-viewers’ will trade up to a Sky package that fits their requirement.

Long term, as long as Bskyb retains its hunger for subscribers, and continues to secure content that viewers wish for, I’d back it against ITV and the cable companies, with or without a new BBC sponsored Satellite version of Freeview.

BBC Radio 1 Does Video, With Gorillaz – News release

BBC Radio 1 Does Video With GorillazExclusive animated footage from Gorillaz Demon Days Live in Manchester will be available ‘on demand’ via the red button on digital television for seven days, courtesy of BBC Radio 1.

This is the first time Radio 1 has delivered visual content on demand for TV and takes the BBC’s plans to visualise radio up a gear.

The ground-breaking initiative means viewers with digital satellite, cable and Freeview can enjoy audio and animated visuals from the gig at the push of the red button for a week after transmission.

Radio 1 will broadcast audio from Friday’s on Lamacq Live from 9pm on Monday, November 7. From 11.30pm the same night, the station will make visuals and audio of the event available from all BBC TV channels (via digital TV) and online at bbc.co.uk/radio1. Freeview viewers will be able to press red from Radio 1.

Gorillaz Demon Days Live is a trailblazing event for the Manchester International Festival, the world’s first commissioning arts festival which kicks off in 2007. Jamie Hewlett – co-creator of Gorillaz visual identity – is producing exclusive visuals for the evening.

Daniel Heaf, Radio 1’s Interactive Editor said; “Radio 1 knows how important visualisation is for its young listeners. This collaboration with Gorillaz Demon Days Live demonstrates how the station can provide world class music content across multiple platforms.”

BBC Radio 1 Does Video With GorillazDan Duncombe, Digital Media Manager at Parlophone, comments, “Giving fans the ability to access content across a number of digital platforms is a key part of the Manchester events. These shows are groundbreaking and working with Radio 1 has allowed us to take this further in terms of reach as well as interactivity. Gorillaz fans throughout the world can access and interact with this exclusive audio and visual content, making it a truly global and multi platform event.”

Gorillaz Demon Days Live sees the musical collaborators behind smash hit album Demon Days brought together for the first time ever, to recreate the album over five remarkable and unrepeatable evenings; it’s also the first time Radio 1 audiences can receive on demand visual content on digital television (DTV).

People can listen to Radio 1 – and any other BBC radio station – via DTV. Recent research shows nearly 10 million people in the U.K. listen to radio via DTV every week (RAJAR Q3 2005).

This initiative uses the thinking behind the BBC Radio Player – which allows people to listen to BBC Radio programmes via the Internet for a week after transmission – to give DTV listeners more control.

BBC Radio 1 can be found on Freeview, Sky Digital, NTL and Telewest.

Gorillaz
bbc.co.uk/radio1

BBC iMP Review – A Naughty Little iMP

BBC iMP Review - Naughty little iMPDespite so much current talk from the UK Telco’s and Sky on the magic that will provide an on demand broadcast TV proposition in the UK, tangible evidence of a working model beyond KiT in Hull and Homechoice is pretty sparse.

The one organisation that is taking it seriously and putting some of their money behind it (sorry, UK TV license payers money) is the dear old BBC.

Digital-Lifestytles has been keeping a close watch on iMP through each stage of its development from its initial announcement by Ashley Highfield at the Digital-Lifestyles theme day at IBC in 2003, through our uncovering that all of its content would be DRM protected back in Feb 2004, to the announcement of the trial, back in May this year.

I’ve been lucky enough to be one of the trialists for the iMP (that’s integrated media player not interactive as so many insist on calling it) and I can tell you it’s not at all bad. Viewing TV on a PC screen is not ideal and that has probably influenced the programmes I’ve chosen – largely factual and quiz. The BBC counters that, a ‘box’, is under development to port the output to your domestic telly and reminds us that it’s already possible to view the content on a selection of mobile devices.

BBC iMP Review - Naughty little iMPDespite the somewhat limited selection of programmes, which I’m told is largely down to copyright issues, it seems a positive move for a public sector broadcaster actually providing a service and solving the ‘problem’ of letting you see a programme you forgot to record or you later discover is worth viewing.

The operation, as you’d expect from a Microsoft product is ‘workperson-like’ ,if rather un-exciting, but to all intents and purposes, to those with an always-on connection, downloading the content is free. The technology that allows programmes to be downloaded in faster than real time on a 2mb connection is a completely legal (I’m told) peer to peer application – everyone who is running the trial software, shares their content with other on the trial, without their having to do anything.

The built-in DRM expires the programmes after seven days which, when compared to the analogue world, I haven’t noticed happening on my VHS tapes. It’s been necessary to quell the agonies protested by the copyright owners.

BBC iMP Review - Naughty little iMPThe BBC is thinking beyond the present Windows-only solution. Speaking recently in London the BBC’s Project Director for iMP Ben Lavender reinforced the BBC philosophy of platform agnosticism and spoke of the desire to work on Apple and Linux solutions when DRM issues can be satisfactorily dealt with.

For commercial broadcasters there’s an over-riding issue to deal with, should they choose to get involved. How would they deal with the ease which you can move through spot advertising, remains to be seen but that’s an issue they’re’ going to have to face soon one way or another.

My verdict – I give it a thumbs up as long as a large enough library of content can be made available. For drama and the like, I’d want an easy method of outputting to the living room TV.

BBC Launches Online Film Network Showcase

BBC Launches Online Film Network ShowcaseNot satisfied with its already-almighty online presence, the BBC has launched the Film Network – a growing interactive showcase for new British filmmakers, broadcasting three new short films in broadband quality every week.

Around a third of the content on Film Network has been submitted directly and selected by the in-house team, with the remainder coming via partnerships with film organisations or curated programmes of shorts from distributors, festivals and competitions.

Film makers can get feedback from viewers via site tools which allow wannabe critics to comment on and rate films, with filmmakers able to create online profiles and exchange tips, advice and ideas.

BBC Launches Online Film Network ShowcaseThe Website aims to expose new talent and create a platform for some great films that are rarely seen elsewhere.

The Film Network was first trialled by the BBC in early 2005, and quickly found favour with the public, notching up an impressive 1,200 viewings per week for its most popular films.

Suitably buoyed up by the positive response, the full service has launched today, with 50 high-quality shorts being made available, including the eagerly anticipated online premier of Joe Penhall’s The Undertaker, starring lovely Welsh boy Rhys Ifans, who also featured in the schmaltzy, hankerchiefs-at-the-ready box office monster, Notting Hill.

It seems that maybe the launch is going a little too well, with the server reporting “too busy” errors this afternoon.

BBC Launches Online Film Network ShowcaseViewers keen to grab a slice of the free film action will first have to register on the site.

The shorts are streamed in Windows Media or Real Video formats which means that you won’t be able to keep a copy on your home PC or transfer them to a video iPod or handheld video player (unless, of course, you employ a streaming media recorder!).

The BBC will be offering a wide selection of content – comedies, animations, dramas and experimental videos – with three new films being added every week.

BBC Launches Online Film Network ShowcaseIt should be noted that the BBC Film Network is not part of the currently in-trials Interactive Media Player (iMP) service which we reported on in May 2005.

BBC Film Network

John Birt – Current EPGs To Become ‘Antediluvian’

Luke Gibbs of OfcomWatch is nestled in at Edinburgh Television Festival – listening, watching, reporting, and we suspect sipping the odd cocktail at the TV exec love-in.

Birt At Edinburgh - Current EPGs To Become Antediluvian!Most of Lord Birt’s speech in Edinburgh was numbingly dull – a long list of his own achievements, all of which had made UK television the best in the world. Indeed, the industry has seemingly only hit the dumbing down buffers since he went off to tinker with various policy train sets at Number 10.

Birt At Edinburgh - Current EPGs To Become Antediluvian!However, he did manage to mention a couple of issues which aren’t directly about himself. For example, he said the following in regard to EPG’s, searching and the gateways to information – this is already a fundamental issue for regulators and one where we all need to pay close attention as to how they look to regulate…

“…there will be taxing new issues for the regulators. The electronic programme guides that currently help us navigate the multi-channel universe are not even currently fit-for-purpose and will be antediluvian in an on-demand world. Compare the current generation of slow, clunky television EPGs with Google. If I want to know which live football matches are on TV tonight I have to embark on a slow, manual search through multiple channels. With Google I can find a needle in a haystack in less than a second – the fruits of a search of literally billions of items.

So time to think again about not only the nature of the search and navigation gateway into the television digital universe, but who should control it? How can we ensure a level playing field for all programme and service providers? Should regulators encourage competing search and navigation systems in the television domain? How will the viewer find ready access to the public service offerings?”

OfcomWatch

UK Gov Looking To Subsidise Digital TV Transition via BBC?

UK Gov Looking To Subsidise Digital TV Transition via BBC?A couple of stories have been circulating about the BBC of late, both concerning their adoption of digital TV.

It’s well known that the BBC have been at the forefront of encouraging the UK public to start to make the shift from analog to full digital TV. They started by offering the Freeview service, a DTT (Digital Terrestrial TV) service that cover a reasonable portion of the UK. To fill in the reception gaps in the DTT coverage, there have been reports of a free satellite service, cunningly known as FreeSat. There’s even been a mention of BBC agrees licence fee deal on digital TV for pensioners – The Business

BBC’s Live 8 and Glastonbury Websites Attract Record Traffic

BBC's Live 8 and Glastonbury Websites Attract Record TrafficThe BBC’s online coverage of Live 8 in July notched up a record volume of Web traffic on their radio and music Websites.

Their online coverage of the global Live 8 event generated a massive 14.6m page impressions during its three-day run, with the Live 8 Wap site for mobile phones also proving a big hit, generating 112,000 page impressions over the same three days.

Music fans unable to join the glorious mud-fest at Glastonbury Festival headed to the BBC’s interactive Website for coverage of the famous festival, with 13.4m page impressions being generated during the fortnight surrounding the festival.

BBC's Live 8 and Glastonbury Websites Attract Record TrafficThe latest figures for the BBC’s online traffic also show a healthy boost in figures for their sports coverage on the Radio Five Live Website, with 910,841 unique users being recorded during June, compared with 840,019 the same period in 2004.

Curiously, although Five Live Sports Extra managed to increase its page impressions from 1,442,915 in June last year to 1,794,421 for the same period this year, unique users fell from 203,953 to 161,036.

BBC's Live 8 and Glastonbury Websites Attract Record TrafficIt was mainly good news elsewhere, with Radio 1, Radio 2, Radio 3, Radio 4, 1Xtra, Asian Network and BBC 7 all increasing their unique users compared to the same period last year, with only 6 Music – one of our favourites – letting the side down with a disappointing slump from 418,729 to 356,564.

Revolution Magazine

BBC TV Listings Opened Up By Backstage Project

BBC Backstage Opens Up TV Listings For RemixingPunters are being invited to get all interactive with the BBC’s TV and radio schedules as part of their Backstage experiment. The call to action was trumpted at the London hosted Open Tech grass roots conference that ran at the weekend.

As we reported in May, BBC’s Backstage project gives coders, computer program writers and graphics types the opportunity to bend and twist BBC digital content into new applications or Web-based prototypes that can be shared with others.

Developers and designers are now being asked to dream up innovative ways of using TV and radio schedules via a BBC competition.

“We want people to innovate and come up with prototypes to demonstrate new ways of exploring the BBC’s TV schedule,” said backstage.bbc.co.uk project leader Ben Metcalfe.

Metcalfe suggested that those taking part might be interested in combining schedules with Web search services, using online social bookmarking managers which let people collect, organise, and share their favourite Web links easily.

He also proposed that developers might like to fiddle about with the TV schedule data mixing it with other social elements, such as recommendation systems for friends and alert systems, or combining schedules with other Web data to serve up genre-based programme searches or listings.

BBC Backstage Opens Up TV Listings For RemixingThe BBC has already received more than 50 prototype ideas for using BBC feeds and content for non-commercial purposes since the project’s launch in May.

Backstage aims to tap into the resources of the distribution channels and knowledge networks already used by big companies such as Google and Yahoo, who were quick to realise the value of releasing content tool kits for developers to create applications with.

“Companies are waking up and realising that they need to have a conversation with their audience,” explained Mr Metcalf.

“The BBC has a good opportunity to take the lead in that, and others are realising it has its benefits too.”

The competition runs until 5 September, with the winner being invited to take the proposal forward with the BBC.

As we’d reported before, we think that Backstage is a great idea … we just wish they hadn’t used the word Remix – it’s really just a big too much, jumping on the blogging bandwagon. The idea is strong enough with having to resort do that.

BBC Backstage

London Bomb Survivor Reunited Online

Two users of the same online bulletin board were in the same carriage of a London Tube train that was involved with the blast last week.

Doesn’t sound that remarkable until you discover how they found each other.

Badger Kitten (BK), the pseudonym used by a young female on the urban75 discussion board, posted a long, emotional rendition of the days event. Among the 600 readers that saw the story was Markm, who had also been on an exploding train. Whilst reading the story markm realised that he must have been on the same carriage as BK.

Markm posted a comment on the story.

BK came to realise that the not only had Markm been in the same carriage as her, but that he had passed valuable, possibly life saving, information to her about escaping from the train, relayed from the driver.

Mark and I have talked and worked out that we were in the same front carriage and feet away from each other and he was the man who got the message to me from the driver that we could escape out of the front and walk to Russell Square and to keep off the tracks.

This was the message I passed down and several people behind me were thus able to follow Mark’s instructions from the driver and get out.

So, well done Mark and hooray that you were there and able to stay calm. We all helped each other. We are going to meet up later. The Internet is great, isn’t it? And urban 75 has proved invaluable.

Urban75, founded in 1995, has been providing valuable information on a vast range of subjects since then – all commercial free. We chatted to its editor about this most recent of uses, he told us, “it makes me humbled and honoured to run the site. It’s a good example of how the Internet can reach out and connect people.”

Without the discussion boards on urban75 or the Internet, the likelihood of two people caught up in the explosions meeting again, is highly unlikely.

In a further example of Digital-Lifestyles, BBC News found BK’s original posting and approached her for its inclusion on the BBC News Website – after they cleaned it up a little for public consumption.

Another example of an esteemed news source getting content from online bulletin boards/blogs.

Urban75
London Attacks
BK postings
markm postings
BK diary on BBC News