First UK Filesharers Sued By BPI

UK Filesharers Fined By CourtsNews has broken that two men in the UK have been found liable for file sharing their music. The first ruling of its kind in the UK.

Both men who were ruled against are, as yet, unnamed. The details that are know are – one is a postman, father of two and living in Brighton; the other living in King’s Lynn.

King’s Lynn, as we shall call him, has been instructed to pay £5,000 ‘down-payment’ on costs and damages, Brighton must pay £1,500. Both have been instructed to stop filesharing.

UK Filesharers Fined By CourtsHaving been found liable, the two are now exposed to the BPI’s legal fees. Given the City law firms the BPI use, where it’s not unusual to pay £200/hours for their services, it’s going to be an expensive business. BPI have stated that “Total costs are estimated at £13,500 and damages are expected to take the bill even higher.”

Each defense used a different argument. The first, that the BPI had no direct evidence of infringement; the second on the grounds that he was unaware that what he was doing was illegal and did not seek to gain financially.

The second case was dismissed by Judge Justice Lawrence Collins declaring, “Ignorance is not a defence,” which we thought was known by one and all. Given the weakness of this defence, we imagine that this person must have defended themselves. Details of argument against the first were no disclosed.

The names of the people who were sued haven’t been released by the BPI. When we asked for their names, we were told they weren’t to be made available as, “we don’t want to put them through anymore stress.” A bit strange when the stress they’re under, which we imagine to be pretty considerable, would have been caused by the BPI’s actions.

This route, taking legal action against members of the public, has been well trod in the US. Reaction there has been varied from Hurrah! from the majority of the US music business – to Boo! from a large number of citizens, who in reaction have threatened not to buy music from the major music companies.

The BPI is obviously taking this opportunity to pressure the 51 file-sharers that they have in their sights, urging them settle. We suspect that many will take the hint.

MGM vs Grokster Copyright Case Reviewed

MGM vs Grokster Copyright Case ReviewedYesterday the US Supreme Court published their 55-page decision in MGM v. Grokster case. The headline summary? The file-sharing software companies lost and the media companies won. Delve a little deeper and it becomes more confusion.

Predictably reaction has been mixed. The Motion Picture Association of America (MPAA) hailed the court’s ruling as a “historic victory for intellectual property in the digital age.” On the other side of the fence, the EFF reaction was an expected contrast, “Today the Supreme Court has unleashed a new era of legal uncertainty on America’s innovators,” said Fred von Lohmann, EFF’s senior intellectual property attorney. “The newly announced inducement theory of copyright liability will fuel a new generation of entertainment industry lawsuits against technology companies. Perhaps more important, the threat of legal costs may lead technology companies to modify their products to please Hollywood instead of consumers.”

Background – How have we got here
As is well documented, the US media companies have been taking legal people who have previous been their customers, accusing them sharing music and films without authorisation. In many cases these people, or their parents have opted to pay a thousands of dollars in damages to the music companies, rather than risk going to court to defend themselves.

The media companies have found this approach very expensive as each of the people using the filesharing software has to be tracked down and pursued individually. As the file-sharing networks have millions of people using them at any given times, this is not a realistic way for them to stop these actions.

The media companies have, through their well-know and influential political lobbying, attempted various approaches to stop their media being shared without their permission – the most extreme so far was trying to make using P2P software illegal in the US. Happily, so far, this extreme idea hasn’t been successful.

Broad-brush approaches like this hurt the innocent as well as the people the media companies want to stop. P2P software such as BitTorrent is simply more efficient, economical way to distribute large file, such as audio and video. Digital-Lifestyles often uses BitTorrent as it reduces our hosting charges, as people who download the file also become distributors of the file, reducing the load on our servers.

Taking the direct approach
While going after individuals has, in the eyes of the media companies, has been successful, it’s expensive and time consuming. Yesterday’s ruling was about going after the makers of the file-sharing software – with the logic being, if you close them down, people won’t be able to share files.

Back in 2001 28 of the world’s largest entertainment companies started this legal action against the makers of the Morpheus, Grokster, and KaZaA filesharing software products. A number of legal cases have already been fought in the lower US courts, with the most recent finding going in favour of the defending file-sharing companies – Grokster and StreamCast, makers of Morpheus.

The Electronic Freedom Foundation (EFF), who have been assisting the software companies in their defense, felt a precedent had already been made for this. Back in the 1984 the US film studios went after the makers of video recorders, claiming that if there were to be sold the whole of the film-making business would vanish. The Sony vs Universal Studios case, or The Betamax Case, as it has more popularly become known, ruled that the manufacturer of a piece of equipment could not be held liable of uses that might infringe copyright. In legal circles this is know as Secondary liability.

(By a twist of corporate fate, Sony now owns MGM)

Where we are now
The ruling yesterday appears to be contrary to the findings of the Betamax Case. Justice David Souter said “We hold that one who distributes a device with the object of promoting its use to infringe copyright, as shown by the clear expression or other affirmative steps taken to foster infringement, is liable for the resulting acts of infringement by third parties.”

MGM vs Grokster Copyright Case ReviewedIf a company makes and sells a device that is then used to distribute copyrighted material, the company is acting illegally.

While the court case is about software, it is important to note that the ruling isn’t just about software, it talks of a ‘device’. So this ruling could have impact on any service or piece of equipment that handles copyrighted material, be that Google, TiVo, iPod, etc.

While the media companies have met the ruling with excitement and delight, others are quite as sure. The sticking point is the use of the word Intent.

John Barrett, Director of Research at Parks Associates told Tom’s Hardware “I suspect [litigants] will spend the next five to ten years arguing over what exactly is ‘intent.’ The issue is, is it enough if you make everybody digitally sign off on some disclaimer that says, ‘I’m not going to use it to trade illegal files?'” Will networks have to actively search for and purge illegal files, or filter out files from being disseminated, or only allow certified content to be traded? Barrett asks. “It’s going to be a mess, because you’ve got to start down that road where the P2P guys are obviously going to try to paper over something with some disclaimers and a few splashy warnings, that just get ignored by everybody.” By way of comparison Barrett added, “It’s the same thing as when you go to the college library, [and] you see this little sign by the Xerox machine saying, ‘Copyright infringement in this area is a crime, etc., etc.,’ and then everybody just copied the books and ignored the sign.”

Others have brought forward the comparison with gun manufacturers. When guns are designed and manufactured these companies are not called to account when someone is shot dead by one of their products – considerably more serious that someone copying a piece of music or a film. The cited argument is “Guns don’t kill people, people do.”

MGM vs Grokster Copyright Case ReviewedWhat the future will hold?
Well, the debate will rage on both sides as to the long terms effect of this ruling.

On the legal front, the case has been sent back down to lower courts in the US, where the future fate of the file-sharing companies could be sealed.

Beyond that, many man-years of chargeable legal hours will be racked up as spectrum of companies try to understand how they are effected.

Many companies or trade organisation that have any thing to do with Intellectual Property Rights (IPR) will come out in the press supporting the ruling, many other will come out decrying it.

There will be a lot of people in tech companies convening meetings attempting to work out if they or their products could be affected by this ruling. Companies will examine their own internal processes in an attempt to understand if they could be found guilt of providing intent of copyright infringement.

As to whether this will impact the very existence of innovate start-up companies in the US, as Cory Doctorow claimed in a piece in Popular Science, can only be reveled with time, “what today’s decision will kill is American innovation. Chinese and European firms can get funding and ship products based on plans that aren’t fully thoughtcrime-compliant, while their American counterparts will need to convince everyone from their bankers to the courts that they’ve taken all imaginable measures to avoid inducing infringement.”

Supreme Court ruling (PDF)
MGM
Grokster
EFF

Legal Action for UK P2P File-Sharers

Legal Action for UK P2P File-SharersIn a never-ending quest to stem the flow of illegal file sharing, the UK record companies’ trade association, the BPI (British Phonographic Industry), has announced that is taking legal action against another 33 illegal filesharers in the UK.

The legal action coincides with the IFPI’s (BPI’s international counterpart) announcement of action against 963 illegal filesharers in 11 countries.

This latest action brings the total up to 90 who have faced legal action since its campaign against Internet piracy began last year.

The UK recording industry started its campaign to spank pesky filesharers in October 2004 when it announced legal action against 26 illegal music swappers.

Those cases have all now been settled, with defendants shelling out more than £50,000 (US$94,600, €73,200) total in compensation.

Legal Action for UK P2P File-SharersThe BPI ramped up the pressure on March 4 this year, declaring that it intended to pursue proceedings against 31 more illegal filesharers. The offenders were sent details of the BPI’s legal claims against them yesterday after their identities were revealed by their Internet service providers.

Sensing blood, the BPI also intends to proceed against another 33 illegal filesharers and will be going to the High Court next week to seek disclosure of their identities.

The 33 new cases include users of the popular KaZaA, DirectConnect, BearShare, SoulSeek, Grokster and Imesh peer-to-peer applications.

Legal Action for UK P2P File-SharersAll of the accused are alleged to have been indulging in an orgy of uploading involving hundreds or thousands of music files illegally and face civil action for an injunction and damages.

BPI General Counsel Geoff Taylor wagged his finger in a threatening manner and intoned, “We have warned people time and again that unauthorised filesharing is against the law. Anyone who is engaged in this activity faces having to pay thousands of pounds in compensation. It’s now easy to get music online legally. We will maintain our campaign until the message gets across.”

Try as we might, we still can’t get the words, “Stable door”, “horse” and “bolted ” out of our heads here.

BPI
IFPI

Ourmedia Launches Free Community Site For Podcasters And Vloggers

Ourmedia Launches Community Site For Podcasters And VloggersSee our interview with co-founder of OurMedia, JD Lasica

OurMedia is a new community site providing online media creators a place where they can publish their content and share it with others, for free.

That last bit is important. Free. Nowt. Zip. Nada.

Anyone who creates digital media – whether it be podcasts, video blogs, photos, whatever – will soon learn that there’s no such thing as ‘free’ web space when you’re looking for a place to host those large media files.

Either you have to put up with a web page plastered with adverts or you’ll be lumbered with punitive restrictions on your bandwidth allowance.

Once you’ve got your latest artistic meisterwork online, the next problem is letting people know about it – unless you’ve got a degree in marketing or a hefty advertising budget, your video may get less hits than the Wurzels.

But – oh the cruel irony! – if by chance your work does become the hit’o’the web, you’ll be busting through your bandwidth allowance like an over-excited steam train and face having your page pulled by your web host – or be lumbered with wallet-draining excess fees.

And here’s where the self-styled “grassroots media organisation” OurMedia come in.

Using their service, video bloggers can log into the site, use the ‘upload’ tool to transfer their 50 meg video onto their server and waheey! – the file is now hosted online, complete with its own Creative Commons license – and with no bandwidth or file size restrictions.

Ourmedia Launches Community Site For Podcasters And VloggersBecause it’s a community site, multimedia files can now potentially be seen and shared by thousands of people, with film makers and video buffs able to link to each other’s work, pool resources and share tips.

So what’s the catch? Well, none really, so long as you’re the sharing, caring kind.

Supported by free storage space from the Internet Archive, a nonprofit digital library backed by the entrepreneur Brewster Kahle, ourmedia’s mission statement explains that they are a “free, not-for-profit effort to create a global home for grassroots media”.

Their mission is to provide a “resource to bring homemade video, audio, music, photos, text and public domain works into an easy-to-access network” with the site acting as a “clearinghouse” to allow others to “search for video or music, download it, and reuse or remix it, with proper attribution. All legally.”

After the huge success of text blogging, pundits are predicting that video blogging (vlogging) could be one of the Next Big Things to hit the web, with a new audience tuning into alternative on-demand services, like a sort of alternative TiVo online.

Ourmedia.org The idea must be good, their servers appear a little slow

SuprNova.org closed in MPAA, BitTorrent Action

For the last six months or so, the film industry has been gearing up to take on file-sharers exchanging video content online. The owners of the films are not very happy about people around the world freely swapping their content, and them not making any money about it.

The first legal actions were against individuals who were sharing films. Next they mounted their assault on BitTorrent, an application that can be used to download video content. Most recently they have passed their attention to sites that point users to content distributed using BitTorrent.

Their first move has been to take down the most popular of these, such as the self-described Universal Bit Torrent Source, SuprNova.org and TorrentBits.com.

The sites targeted do not contain the actual video files. Because of the way bitTorrent works, they simply contain a list of pointers to the content held in the bitTorrent format. The video files are themselves fragmented around the network of people running the bitTorrent application.

There are other sites, like TVTorrents, still continuing to make content accessible.

While BitTorrent, in and of itself, is not evil, the film companies are very putout that their films are travelling through it. BitTorrent also has legitimate uses. It is used to distribute many type of material. Digital Lifestyles has used it to distribute audio recordings in the past.

We hope that while pursuing their legal action to regain control of the distribution of their content, the film companies are also keeping their eyes open to the opportunities of this type of technology.

As we’ve commented previously, when video content, distributed over a shared network, is combined with a new content alert technology like RSS, the result is a blueprint for a form of TV delivery. Content automatically arrives at the viewer machine when it’s been published alowing them to chose which they will watch.

MPAA
BitTorrent

P2P OK with Most Musicians, Survey

A survey by the Pew Internet & American Life Project has revealed that two thirds of musicians that they surveyed felt that peer-to-peer (P2P) file-sharing poses a minor threat or no threat at all to them.
The author of the report, Mary Madden said, “What we hear from a wide spectrum of artists is that, despite the real challenges of protecting work online, the Internet has opened new ways for them to exercise their imaginations and sell their creations. To many, this feels like a new Digital Renaissance rather than the end of the world.”
The findings of this survey are in stark contrast to the published findings of the US recording industry that claim that file-sharing hurts artists.
We’ve found a drastic difference between the public stance of the record companies and their private actions. In our discussions with operators of file-sharing networks we’ve been surprised to hear that one of their largest paying clients have been record companies, who have become near-obsessed with using the networks to watch the speed to spread of new tracks giving them valuable feedback to the viability of bands.

Pew Internet & American Life Project survey

MPAA Judge Finds ‘bulldozer’ approach ‘improper’

Last week, members of the Motion Picture Association of America (MPAA) filed 11 lawsuits against hundreds of people they accused of using file-sharing networks to share infringing copies of movies. However, the Federal Judge ruled the ‘bulldozer’ approach improper, ordering that the case should be put on hold for all but one of the defendants.

The move by the MPAA to group defendants into arbitrarily-joined actions was probably thought of as a ‘neat’ and easy way to get the message across to other US citizens participating in file sharing. ‘Bulk’ suing could also save a heck of a lot of paper shuffling and administration work.

The MPAA sued groups of “Does” (John Doe) identified by numerical IP address and requested the discovery of names from the users’ Internet Service Providers (ISPs). However, Judge William Alsup ruled that because claims against the 12 defendants were unrelated, suing them together into one big case was improper. “Such joinder may be an attempt to circumvent the filing fees by grouping defendants into arbitrarily-joined actions but it could nonetheless appear improper under Rule 20,” the order states.

The Electronic Frontier Foundation (EFF) has filed friend-of-the-court briefs, objecting to similar misjoinder in many of the cases filed by the Recording Industry Association of America (RIAA) against alleged infringers.

“This decision helps to give due process rights to the Internet users accused of infringement,” said EFF Staff Attorney Wendy Seltzer. “Lumping them together makes it more difficult for everyone to defend against these claims.” EFF is also concerned about the movie studios’ failure to produce evidence of infringement against even Doe #1 in this case.

In a separate case, Warner Brothers Entertainment has secured a $309,600 judgement against an actor for allegedly making promotional ‘screener’ copies of ‘The Last Samurai’ and ‘Mystic River’ available for bootleg DVD copying and unauthorised Internet trading.

Carmine Caridi, a former recurring actor on ‘NYPD Blue,’ is accused of copyright infringement and is facing a default judgement of $150,000 per film and $9,600 in attorney fees. Caridi and co-defendant Russell Sprague were caught because the screeners were individually watermarked for each recipient.

According to Warner Brothers, Carmine Caridi, as a member of the Academy of Motion Picture Arts & Sciences, signed an agreement before he received the 2003 awards season screeners promising not to circulate them. It is believed that he immediately sent the VHS screeners to another address where they were copied onto DVD and converted to digital files that were posted on the Internet.

Universal Music Group Creates Digital-Only Music Label

Another month, another digital music announcement. This time, however, a record label is actually thinking long term. Universal Music Group (UMG) are embracing online technology as part of its business model, rather than wasting its time, money and efforts suing a handful of consumers for downloading copyrighted material.

Universal, which like other record companies, has heavily relied on profits from sales of CDs, will this week promote eight relatively unknown acts on a digital-only label (UMe Digital) through online services including Apple Computer’s iTunes, RealNetworks’ Rhapsody and Microsoft’s MSN Music. Online promotion is an alternative marketing option that’s nowhere near as expensive as traditional forms, but has the potential to be highly effective.

It’s great news that Universal is taking these innovative steps, as it finally shows that music labels will have to adapt to online sales and marketing in order to survive, especially as sales of CDs have fallen over the last four years, record stores are moving from high streets, and more shelf space is being given to DVDs and video games.

The move is also great news for bands because they can get relatively large exposure without having to spend a fortune on recording, making a video and then going on the road to ‘develop’. However, bands do not receive an advance or even the cost of producing an album. Having said that, they do retain full ownership of their master recordings and licence them to Universal for a limited time.

Universal is paying the musicians around 25 per cent royalty on the retail price of the downloads, and if online sales of an artist’s music reach a certain point, say around 5000 copies of a particular song, the company has an option to pick up distribution of the CD to record stores.

It’s now only a matter of time before digital-only independent labels start promoting bands online by creating a low-risk way to market them without producing a physical album or underwriting a tour or music videos. For consumers, gone are the days of paying £15 for a CD – a digital world means more choice and better value.

Warner Music Group is developing a unit similar to Universal’s, initially to sign artists and finance recordings for online sales, with the potential for later CD releases.

Universal Music Group
Warner Music Group

MPAA to pursue film file-sharers

The Motion Picture Association of America (MPAA) announced it would follow in the footsteps of the recording industry and legally pursue people who swap pirated copies of films over the Internet.

Dan Glickman, head of the MPAA, said legal action would be taken against “hundreds of people” seeking damages of up to $30,000 (~€23,000, ~£16,000) per shared film.

“This was not an easy decision, but it must be done now before illegal online file-sharing of movies spins out of control,” said Glickman. “Illegal movie trafficking represents the greatest threat to the economic basis of movie-making in its 110-year history.”

The crackdown will target individuals who deal in illegally copied cinema products on file-swapping networks, as well as the pirates themselves.

The MPAA claims the US film industry loses more than $3bn (~€2.3Bn, ~£1.6bn) every year in potential global revenue because of piracy. But Glickman said the figure did not take into account the losses from thousands of illegal online downloads that were swapped every day.

The MPAA draws particular attention to the popular file-sharing application, BitTorrent. Written by Bram Cohen, which is designed to offer the files as fragments for faster, easier transfer from peer-to-peer (P2P). One destination website for Bit Torrent fans, Suprnova.org, offers users free downloads of thousands of movies, TV shows, music, software and games files. The site is run on donations and some website advertising.

A parallel initiative sees the MPAA hoping that new software will encourage parents to identify their children as “file-sharing felons”. The software, designed to identify and removal of potentially infringing material and P2P applications on the PC, is part of the MPAA’s war on file sharing and will be released for free by the MPAA at a later date.

Online music file sharing is measured in billions of files downloaded, but the MPAA says that under 150,000 movie titles are traded each day in the US on file sharing services.

MPAA
www.suprnova.org