Live TV Streamed Worldwide to Reporters Phones by GMTV

GMTV streamed live via the web to foreign correspondentsVideo streaming specialists, Forbidden Technologies have announced a deal with GMTV to stream the breakfast programme live to its network of field reporters on location across the world.

GMTV trialled the broadcast application during the US elections, with international correspondents watching the show live via a standard (but secure) Web browser.

With the new streaming application offering the precise camera angles and comments made by studio guests and presenters, on-location correspondents can tailor their own pieces to reflect the mood in the studio.

This solves the problem of foreign correspondents having to deliver reports ‘blind’ to the debate in the studio, and should increase the consistency of reporting.

GMTV streamed live via the web to foreign correspondentsThe technology uses Forbidden’s ground breaking FORscene live compressor, that utilises advanced digital compression techniques to deliver a live video feed to PCs, Macs and laptops via the Web.

The technology also allows news camera crews in the field, to hastily compress and publish digitised content directly onto the Web, in a matter of seconds – definitely useful if you’ve got some mad bloke with a gun coming your way demanding you hand over the tapes.

Nestled up like a pair of love birds, Forbidden and GMTV are full of praise for each other and have pledged to work together during 2005, with their union bringing forth “new innovative streaming projects”.

Forbidden Technology
GMTV

Siemens offers TV on mobiles and Voice over WiFi at CeBit

Siemens offers TV for mobilesSiemens are planning to make a big splash at the upcoming CeBit in Hannover, Germany.

Along with Skype-capable M34 USB that they’ve already released, they’re planning to go the whole hog and show a Voice over WiFi handset (Gigaset S35 WLAN). On the telephone-plus-TV front they’ve announced a new concept handset, offering DVB-H (Digital Video Broadcast for Handheld Devices) compatibility, which – in theory – will let users pick up around half a dozen digital TV and about 30 digital radio channels.

The ‘DVB-H Concept’ can pick up digital TV signals beamed across 3G networks using a modified version of the existing DVB-T terrestrial digital TV. Adapted for battery-powered terminals, the DVB-H broadcasts in bursts, allowing the receiver to power-down whenever possible, and thus boosting battery life.

DVB-H trials are underway in the UK, US, Germany and Finland, and if all goes to plan, UK residents will be able to wander about the streets watching Coronation Street on their phones in about a year. Not surprisingly, Digital TV phones are already huge in Japan and Korea.

Details are still a bit sketchy, but it will definitely feature a VGA screen and stereo sound. If they can also wedge a hard disk into the phone for recording programmes (and for storing your video clips transferred from PCs) this could be next year’s must-have technology.

The omens are good: the lucky citizens of Japan and Korea are already enjoying TV mobiles and it’s not hard to imagine sleep-deprived Brits shelling out hard cash to tune into every mumbled utterance of popular shows like Big Brother.

This marks another strange twist in the Siemens story. Not long ago, strong rumours were circulating around the net that they were looking to flog off their mobile phones division. This announcement – along with two other new phones (the Gigaset S35 WLAN, a Voice over WiFi and the M75, a chunky military style handset) suggests that no one’s told their tech bods yet.

Siemens (UK)
Siemens (USA)

Gran Turismo 4 day – 22 February US, 9 March EU

Gran Turismo 4 launchThe anticipation around the release of Gran Turismo 4 has been, to put it mildly, huge. Sony are hoping this Playstation2 only game will be their Halo2 type blockbuster.

Sony has announced that it will be releasing it in the US on 22 February. Europe will have to wait until 9 March, but will gain from having an additional 10 cars on top of the 700 or so that are in the Japanese version, which launched on 28 December last year. We’re not sure that an extra 10 cars will actually make up for the delay.

The Gran Turismo series has to date sold more than 37 million and this will be the first version that has networked play, which is one of the reasons we’re covering it. At release it will come with LAN play, the ability to play it between a number of machines on the same network. This will be followed ‘later’, possibly late 2005, by the full network play, letting people play across the world. This was knocked back after Sony experienced difficulties with inter-country gaming.

Reaction so far has been that it looks stunning, easily the graphically best title to appear on the Playstation 2.

You can tell that a game is going to make a big impact – and have a significant marketing campaign behind it, when a company like Nissan decides to launch a special version of a car to coincide with the launch. The 350Z Gran Turismo 4 Edition will be limited to 700 cars in Europe and feature things like extra power in the engine and specific wheels. The features we’d really like to see on this very quick car – a pause or reset button, if you get in to trouble when driving it – are unlikely to be provided.

Gran Turismo 4
Nissan launch 350Z Gran Turismo 4 Edition (PR)

eContentplus €149m Digital Content Fund Get EU OK

EU IST eContentplusThe European Parliament has voted in favour of a new programme to promote the European digital content market, setting it a budget of €149m (~$194m, ~£103m) for the next three years.

The eContentplus programme aims to tackle the fragmentation of the European digital content market by supporting the development of multi-lingual content for innovative, online services.

“The internet offers a unique opportunity for content companies to outgrow their so far mostly national markets”, said Viviane Reding, the Commissioner responsible for Information Society and Media.
“The eContentplus programme will facilitate the production and distribution of online European content, thus stimulating innovation and creativity. At the same time it will help to preserve and share Europe’s cultural and linguistic identities and give them a more prominent place on the Internet,” Reding added.

The European Parliament voted in favour of the programme with only one amendment, which sets the budget of the programme at €149m for the period 2005-2008. Reding said the new budget was a substantial increase in comparison to the previous programme.

The eContentplus programme will concentrate on the parts of the digital content market where there is clear fragmentation in Europe, and where market forces have not been enough to drive growth.

It targets three areas – spatial or geographical data, educational material and cultural content.

In the case of geographical data such as post codes, planning and land registration details, fragmentation occurs because different member states collect and store data in different ways.

If the programme can reduce this fragmentation, it can open the way for new EU-wide information services using this data in areas such as transportation, navigation, emergency response and environmental management.

The eContentplus programme is part of a set of measures to boost innovation and creativity in the converging content market, including the MEDIAplus programme, and the modernisation of the Television Without Frontiers Directive, due later this year.
eContentplus

Tim Berners-Lee Wins Greatest Briton Award

Tim Berners LeeIt’s gradually becoming more common knowledge that the inventor of the Web, and what many people think of as The Internet, is an Englishman.

Tim Berners-Lee worked up the idea when working at CERN in 1989 and has now received another award, the first Greatest Briton awards.

Following the world changing invention, Berners-Lee consciously took the decision to give the idea away and not patent it, sharing it for the good of society.

To many this highlights the difference between the US and the UK, and possibility the US and the rest of the world. The idea of inventing, then freely sharing the idea, rather to only release the idea when they have figured out how to commercially exploit it. They view Berners-Lee generosity in stark contrast to events since the Web’s invention, with the rise of software patents. The opposing view is that those in the UK really don’t have the first idea about how to make a business from a good idea.

As one of the awards panelist, David Starkey said, “He chose not to commercially exploit his invention. He gave it away almost wilfully. If he had fully exploited it, he would make Bill Gates look like a pauper today.”

Tim now holds the 3Com Founders chair at the Laboratory for Computer Science and Artificial Intelligence Lab (CSAIL)at the Massachusetts Institute of Technology (MIT). He is the overall Director of the W3C (World Wide Web Consortium), an open forum of companies and organizations with the mission to lead the Web to its full potential.

Tim Berners Lee

HomeChoice VoD Hits 15,000 Subs, Reach Doubles to 2.4m

HomeChoice STBVideo Networks Ltd (VNL) has announced that it’s broadband and Video on Demand (VoD) service, HomeChoice, now has 15,000 subscribers, since its relaunch in last September.

Eight in ten of their customers have also signed up to the company’s ‘triple play’ package that consists of broadband-delivered TV, broadband and voice calls.

It’s also taking this opportunity to announce that it’s going to be doubling the number of homes it can reach to 2.4 million in London and the Stevenage area, up from 1.2 million.

The VoD component of HomeChoice lets subscribers choose from over 1,000 movies, over 3000 music videos and hundreds of hit TV series, all available to watch exactly when you want.

“The concept of broadband delivered TV and VoD is very new to the entertainment-buying public and to already have 20 per cent market share of new DSL subscribers in our coverage area so soon after our launch is a great achievement. This gives us the confidence to significantly expand our network”, said Roger Lynch, Chairman and CEO VNL Ltd.

VNL initially made inroads into launching its phase 2 footprint in December 2004 when it enabled five new exchanges, including Stevenage – its first exchange outside of the M25. By ‘unbundling’ the exchange, called LLU (Local Loop Unbundling) in the trade, Homechoice is able to provide customers with a 6.5Mbit connection. 2.5Mb are used for TV and VoD delivery, and up to 4Mbit for Internet connection.

The company’s major marketing push for the re-launched HomeChoice service began in September 2004. During Q4 of 2004, VNL was responsible for one in five new DSL net additions in its initial launch footprint of 1.2 million homes.

The company has continued to build on what it offer its subscribers. In August last year, HomeChoice signed a retail deal with BSkyB enabling its subscribers to watch Sky Sports and selected Sky Movies channels on the service. It has also added telephony to its offering, and is about to launch a music download service that will allow HomeChoice customers to buy downloadable music tracks as they appear on screen. It also plans to double the speed of its broadband service from February, at no extra cost: 512Kbps will raise to 1Mb, 1Mbps to 2Mbps, and 2Mbps to 4Mbps.

HomeChoice

RAJAR: UK Internet Radio Listening Increases, Again

This morning RAJAR released their Q4 UK Radio listener figures, over radio, via the Internet and on TV.

For those who don’t follow this kind of thing, RAJAR (Radio Joint Audience Research) is the organisation that monitors and reports the radio listening habits of the UK population, by taking a listening diary of 32,000 people from a pool of 130,000 people around the UK. The figures sound large, and they are. It’s the largest media survey outside the US.

While the details of who is listening to which UK radio station is of great interest to those in that business, the part that caught our attention was the ‘new’ ways of listening to radio, currently via TV-delivery and over the Internet.

RAJAR-Dec-2004-Radio-via-InternetIt’s worth clarifying that the Internet figures include any listening of the radio on a computer, whether live streaming, using services like the BBC’s RadioPlayer/Listen Again, or Podcasting (download and play).

RAJAR are reporting 16.3% of the UK population, approximately 7.8m people, have used the Internet to listen to radio stations.

RAJAR-Dec-2004-Radio-via-Internet-UK-GrowthThe largest area of growth has been in people listening to UK National radio stations over the Internet. This has increased from 8.3% a year ago to 10.8% of the UK population, equating to just short of 4.8m people. It is thought that this is probably due to an raised awareness that the Internet can be used to listen to the radio, helped in no small part by the BBC pushing the service.

Due to synchronicity or just good planning, it’s of note that a new version of BBC RadioPlayer is released today. Providing very fast access to previously transmitted radio content, it comes with a feature that suggests additional programming that may of interest to the listener, based on the program they have selected to listen to. Once Internet listeners become comfortable with features like this, the number of hours listened to online will be significantly boosted.

Strangely the number of people listening to non-UK stations via the Internet has dropped 1.1% from 4.1% to 3.0%. Quite why this would be the case is a slight mystery.

While listening to the radio through a TV might sound like a very strange idea, it’s becoming increasingly popular and includes delivery over Freeview, Sky and Cable TV. Those with a DVR connected to their Freeview box are also benefiting from being able to record radio programmes and play them back when it suits them.

29.7% of the sample (equating to around 14.25m people) reported that they had, at one time or another listened to the radio through their TV. This is up 8.4% from the same month last year.

RAJAR told us that the people listening via non-traditional means appears to be in addition to their normal radio listening.

As these ‘new’ forms of radio listening are clearly gaining favour with the UK public, we feel there would be significant benefit in gaining a more detailed breakdown in how people are using the Internet to access radio. It would be of benefit to all those involved.

RAJAR are in the process of evaluating new ways to monitor radio usage. They are carrying out trials of electronic ‘listening’ devices that are carried or worn by the user. These would replace the manually completed diary version that’s currently used.

RAJAR
National stations – summary
London stations – summary
Detailed figures
New version of the BBC RadioPlayer

Real Networks Results, Sales Up but No Profit

RealNetworksRealNetworks is enjoying record sales that have helped the Seattle-based Internet company to trim its fourth-quarter loss. The announcement comes amidst its ongoing cost of litigation against rival Microsoft, with whom it’s suing in a billion-dollar case for unfairly promoting its own media software.

The company reported a net loss of $1.0 million, or 1 cent per share, for the fourth quarter, compared with a loss of $5.3 million, or 3 cents per share, a year earlier. According to RealNetworks’ CEO Rob Glaser, the company’s improved sales have resulted in an increase in ad-supported revenues ($19.1 million of revenue in 2004, up from $8.2 million in 2003), mainly due to a better Google relationship. Its Comcast relationship (on the music side) is going very well, and Video/SuperPass now has lower content acquisition costs.

The company has also discontinued CNN and Nascar video offerings to focus on more profitable products, and noticed a secular trend going on – the move to digital music – in which it will participate in the overall category growth, along with Apple. RealNetworks is also no longer counting on university subscribers.

RealNetworks has been aiming to reach profitability, excluding litigation costs, by the end of 2004, and said it expects to be profitable on the same basis throughout 2005. For 2005, RealNetworks expects revenue to grow 16 to 20 per cent over 2004 with revenue of $266.7 million. Other Q4 highlights include music revenue grew 172 per cent to $21.6 million from $7.9 million in the year-ago quarter, revenues from games sales and subscriptions grew 156 percent to $10.1 million from $3.9 million in the year-ago quarter, although video and consumer software and other revenue was down slightly to $29.1 million compared to $29.3 million in the year-ago quarter.

Paying subscribers to Rhapsody music and premium radio services increased to over 700,000 from over 625,000 at the end of Q3 of 2004, and ad-supported Web services garnered $19.1 million of revenue in 2004, up from $8.2 million in 2003. What’s also helped the company is that Internet video streaming was up 80 per cent in 2004, with 14.2 billion video streams being counted worldwide over the year, according to a new report by AccuStream iMedia Research. The number of video streams last year was up by 80 per cent compared to 2003.

Real Networks

Midem Mobile Music Forum Report

Midem Mobile Music ForumFew topics are as hot as mobile music right now, with the Midem Mobile Music Forum the place to be on the subject. Panelists touched upon several important areas, with all attempting to understand the future direction of explosive medium. Once again, Digital Music News was on the ground to capture the chatter.

Just who is buying all of those ringtones and downloads through their phones? A knee-jerk reaction seems to always point to the younger buyer, though many close to the space are seeing activity from the older buyer. During one of the mobile music panels, Martin Peronnet (Content Director, Mobile/i-mode division of French operator Bouygues Telecom) declared that 15% of his customers are in the 35 -40 age bracket. That is a total of one million customers, with many among the most active subscribers. Others revealed similar data, with Universal Mobile Chairman Cédric Ponsot announcing the launch of a series of oldies realtones, based on major hits from the 60s. Clearly, ringtones aren`t just for kids.

With the mobile music space expanding, where do things go from here? Many were convinced that 2005 will be the breakout year for the space, with new services like full song downloads on the horizon. But many attendees urged their peers to remain focused on ringtones, the most lucrative aspect so far. Meanwhile, projections were bandied about, with event chairman Ralph Simon forecasting a $11.2 billion space by 2008 .

But more money can sometimes bring more problems, with operators, publishers, and labels swimming in disagreement. Vodafone Global Marketing Director Guy Laurence gave a clear warning to the music industry when he declated that “the music industry needs to sort out the mess between publishers and labels and figure out who owns what during the next quarter. It is the consumers that matter. The bickering has to stop.” In another panel, Chrysalis Group Chief Executive Richard Huntingford expressed his concern about Vodafone exerting too much control. “What do they know about music?” he asked, calling for the music producers to unite their efforts. Orange Marketing Handset Services & Solutions Director Pascal Thomas called for mutual collaboration, reminding attendees that the CD has been around for 20 years with almost no innovation, while the mobile business is rapidly deploying new products.

Mobile Music Forum

Music Download Giant Napster Considers Film Service

napster provide filmNapster, one of the largest players in music downloads, is considering offering a film download service. The new service would sit alongside its music offering and help to give the company a competitive edge over its rivals. The technology is already in place to download movies, so the same service model could easily apply to films, television programmes and video games, now that broadband connection speeds are getting faster and more prevalent.

In a move targeted at the younger video-game generation, Napster won’t be the first company to enter the legal movie download market. In the US, MovieLink and CinemaNow are already offering a service to a growing customer base in America. Films on these sites start at around $2.99 (£1.59 Euro 2.29). However, similar to the music industry five years ago, the film industry is struggling to keep piracy at bay with technologies that allow movies to be downloaded quickly and in full to users with high-speed Internet connections. The Motion Picture Association of America has already filed lawsuits against pirates and is cracking down on distribution networks such as eDonkey and BitTorrent.

Regardless, legal film downloads will be a winner and are the future – just like audio downloads. Since broadband, film downloads have surged considerably, and around one in four people online have now downloaded a film, according to the MPAA. Such statistics have encouraged Napster and others to keep an eye on the market.

Since Christmas, Napster UK has reduced the price of its entire music catalogue of over 1 million tracks by 20 per cent. In response to record sales, the more aggressive pricing strategy will mean that full albums now cost £7.95 (US$14.89 Euro 11.43), while individual tracks cost 79p (US$1.48 Euro 1.14) when bought by Napster subscribers or purchased with Napster Pre-Paid Cards and Online Music Vouchers. Pricing for movies has yet to be announced, but it’s obvious they’ll have to be a lot cheaper than the latest DVDs for the service to takeoff.

Napster – UK
Napster – USA
MPAA