Tuning In To Visual Radio

Nokia has high hopes for a new service that sends images and information to mobile phones, synchronised to a FM radio station.


Nokia's 7700 showing Visual RadioA new revenue stream

Mobile phone manufacturers and network operators are developing more and more virtual products for their subscribers – ringtones, wallpapers, games, music, you name it. The favoured charging model preferred by networks is a little but often, hence subscriptions to text alerts, music downloads and other services that extract small amounts of cash from users repeatedly, over a relatively long period.

Given the age of many phone owners, music is an important part of their lifestyle, and so consumes a fair chunk of disposable income – this is what prompted manufacturers to converge the mobile phone with the radio. Whilst it’s certainly handy, there was always an air of missing potential about having a mobile with a radio – two communications streams that didn’t meet up: until now, that is.

Radio met GPRS – and Visual Radio was born.

Visual Radio (VR) is a traditional radio broadcast, backed up and accompanied with information, photographs and graphics displayed on a compatible mobile phone. Handset owners can see immediately what track their favourite radio station is playing and explore more information about the artists, or see what’s coming up next. You can all see the potential for album promotions, competitions and quizzes – and advertising. The service can also be used to sell ringtones and logos – other micropayment-sized virtual goods popular with network operators.

Nokia describes the basic service thus: “You will never again have to wonder WHO is playing WHAT on radio – now you can get detailed information on any piece that is being played. During the news you can SEE what they are talking about, weather reports can now show you the maps and tables of sports results can easily be viewed. Entering the middle of a talk show, you can see what has been discussed so far and what is coming up next. Valuable business news or urgent news alerts can be received at any time onto your screen without having to interrupt the broadcast over the air.”

It also enables radio stations to interact in new ways with their audience – by allowing listeners to vote on popular topics, and getting input from people who perhaps would never phone into a show, but would like to interact nonetheless.

VR is currently available on the rather odd looking Nokia 7700, but the company intends to release more compatible handsets in the future.

How does it work?

The system itself is extremely simple: Visual Radio runs in parallel with a traditional radio broadcast, and is transmitted to the user’s handset via GPRS.

A reasonably informative and immersive service can be transmitted in about 200 kilobits per hour, but can vary enormously depending on the amount of graphics used on the service.

The attractive part here is that there’s no additional subscription for the end-user to have to buy into or extra payment system – she just pays for the GPRS data on her mobile phone bill as she would normally.

The service is currently only available for FM broadcasts, but there’s no reason why it can’t be deployed for AM stations, and indeed Nokia are exploring this.

Nokia has selected HP as its technology partner to bring VR to the market. HP sells the solution to mobile operators and FM radio stations worldwide, as well as provides installation, consulting and integration support. In addition, HP hosts and manages the VR service using standards-based HP platforms.

The VR application is part of the phone software, embedded in the handset’s hardware, and is not a downloadable application. This strikes me as odd: why not make it a Series 60 application and therefore deployable to all Series 60 phones with FM receivers?

What does it take to produce a Visual Radio feed?

VR is basically an XML feed sent to the phone’s browser through a standard GPRS connection. It’s simpler than HTML – there are fixed regions on the phone’s display, and certain content types can only go in those regions. By positioning objects relatively on the screen, similarly to web stylesheets, pages can scale to suit phones with different sized displays.

Graphics are highly optimised, and the preferred format is PNG, keeping button sizes, for example, down to typically less than 1k.

One page of VR, or slide, can be less than 3k in data.

Pages are extremely easy to create, and the process doesn’t get in the way for producing imaginative content – keeping punters interested beyond the novelty stage will be the tricky part. No special tools are required – once the basic templates are worked out, the station (or a third party) can use use an off the shelf package like Dreamweaver to layout pages.

The pages are also timecoded – so that the content is synchronised with the broadcast, images are cached to the phone so that slides are complete and ready when a song starts.

Once the VR pages are produced, they are sent via the internet to a hosting centre operated by HP, and then sent to network operators who transmit them to handsets, on a region by region basis.
A side view of the 7700What’s the business model?

VR is essentially a low bandwidth sales tool. VR users pay for the GPRS data they download – and hopefully buy ringtones and other products advertised on it. The network operator also splits the money made from the GPRS streams with the radio station responsible for the broadcast. The radio station also has a new channel to sell. advertising on.

Sophisticated monitoring facilities are built into the service: the network operator can see how many “listeners” are tuned into the visual radio stream at any one time – providing valuable metrics for the radio station and its advertisers. This also enables the broadcaster to vary the amount of bandwidth and other resources deployed in response to demand.

Where is it?

Visual Radio is currently being transmitted by Helsinki’s KissFM station, and is available to TeleSonera subscribers.

Nokia has a chicken and egg situation here – it needs to sell the idea of Visual Radio to broadcasters as a popular service, but it also needs a range of content to entice users to take part. So far, uptake from both broadcasters and the public is disappointing – but it’s early days.

Visual Radio

Senate Moves to Outlaw P2P Applications

Orrin Hatch, Senate Judiciary Committee chair has moved his focus to P2P applications, claiming that they encourage children and teenagers to infringe copyright.

In a recent statement, he said: “It is illegal and immoral to induce or encourage children to commit crimes. Tragically, some corporations now seem to think that they can legally profit by inducing children to steal. Some think they can legally lure children into breaking the law with false promises of ‘free music.'”

Fairly emotive language. Given that FTP software and email are much more popular ways to distribute potentially infringing content, will legislation curbing those applications be next? Who makes the decision on what is an appropriate program? Clearly the legislation can be misused to stifle the development of legitimate applications and businesses.

The bill is backed by the RIAA and co-sponsored by Senate majority leader Bill Frist, Tom Daschle and Patrick Leahy.

Hatch has argued that the new bill will not make devices such as iPods and CD recorders illegal – indeed the freedom to make non-infringing copies goes all the way 1984 Sony Betamax case where the US Supreme Court ruled that VCRs and similar copying devices were legal. Hatch asserts that the bill only targets companies that “intentionally induce” consumers to infringe copyrights – but the law is vague enough to allow it to be targeted at many common devices, say P2P groups such as P2P United.

The RIAA regard the legislation as tightly focussed, and RIAA chair and CEO Mitch Bainwol praised it in a statement this week: “This bill places the spotlight squarely on the bad actors who have hijacked a promising technology for illicit means and ignoble profits. Legitimate uses of peer-to-peer are upheld, while those who intentionally lure consumers into breaking the law are held to account. Under this legislation, the path to legitimacy remains clear: Respect the law and block the exchange of works the copyright owner has not authorized.”

The sponsors of this bill are being blinkered into a view that is entirely concerned with the profits of one group – the music industry. The backers of the Induce act are rallying towards just one group at the moment, because that’s where the money is.

What about all of the legitimate applications for P2P software? P2P technology has a promising, legal, future ahead of it if it does not get hobbled by these misinformed people.

Take, for example, the BBC’s Interactive Media Player project. The only way to distribute this content economically is to rely on a P2P network – yet all content will covered by a digital rights management system.

Of course, the bill will only outlaw the production of P2P applications within the US – it has no teeth elsewhere, and will not apply to programs developed abroad. Using a P2P application is not illegal – he will have to outlaw the possession of such a program to have any real effect. And they wouldn’t do that, would they? Don’t bet on it – remember it was Hatch who suggested the development of software to destroy the computers of people who downloaded illegal music files.

More details on BBC iMP

UN: We Can Beat Spam in Two Years

The United Nations has decided to tackle spam – and it thinks it can do it within two years by standardising legislation around the world. The International Telecommunications Union is hosting a meeting on spam in Geneva bringing together regulators from 60 countries, the Council of Europe and the World Trade Organisation.

Hopefully their anti-spam strategy will be to get them all in one room and crack their heads together until they agree to do something for a change. Yes, I have had a lot of spam today, thanks for asking.

“(We have) an epidemic on our hands that we need to learn how to control,” Robert Horton, the acting chief of the Australian communications authority, told reporters: “International cooperation is the ultimate goal.”

The UN intends to provide examples of anti-spam legislation for countries to adopt, to make prosecution and cross-border co-operation easier. How this will be regarded in countries that make a profit from sending spam is yet to be seen.

“If we don’t work together,” said Robert Shaw, Internet strategy expert with the United Nations’ International Telecommunications Union (ITU), “we may see millions of people abandoning the Net entirely, out of frustration and disgust.”

You’ve got that right, Bob. I’ll be back in two years to see if the UN’s strategy worked.

The ITU estimates that 85% of all email is now spam, compared to “just” 35% last year, and that anti-spam protection now costs computer users US$25 billion (€20.2 billion) a year. Roughly enough to feed everyone on the planet.

ITU

Gold and Platinum Awards for Music Downloads

The US record industry is to further embrace online music sales by giving Gold and Platinum awards to top-selling artists. Musicians and acts selling 100,000 downloads from a licensed online music store will get a Silver Award, those enjoying 200,000 sales will get a Platinum Award. Multiple-platinum awards will be granted to sales of 400,000 and above.

Currently, artists receive a silver disc for 500,000 CDs sold, and platinum for 1 million sold. As legal music downloads increase, the RIAA may have to revise its new digital eligibility numbers as more and more tracks are sold. The Diamond award was introduced in 1999 for sales of 10 million CDs and above – perhaps they will launch a download version of this for 1 million downloads.

The new awards program launches in late August. “This is a gratifying milestone in the evolution of legitimate digital music services,” said Mitch Bainwol, chairman and CEO of the RIAA. “The fact that the marketplace has already advanced this far, and artists have attained this level of success, speaks volumes.”

The original award programme began in 1958, with Platinum discs first appearing in 1976. So the first Platinum disc was obviously a disco tune then.

RIAA

BBC Closes Five Websites, May Close More

The BBC is to close five websites in the wake of the Graf Report, and is looking at all BBC Online services. The five sites to close initially are Fantasy Football, What’s On, Surfing, Games and Pure Soap. “The process is not over” stated Ashley Highfield after announcing their closure. “The review is going to look at all of our websites. Nothing is going to escape scrutiny of its public value.”

No jobs will be lost immediately as staff will be transferred to other business areas.

Highfield has added another aim to BBC Online’s remit to educate, inform and entertain – connect. BBC sites will connect with audiences whenever and wherever they want. He also added a pledge that BBC Online would never produce e-commerce, e-mail, gambling or dating sites.

This is not quite the bold pledge it sounds – there is already a bbcshop.com, operated by BBC Worldwide, the commercial arm of the organisation. If the BBC ever wanted to operate any of the services that Highfield has ruled out, BBCWW would be able to do so without breaking any pledges.

BBC Shop

Sony Connect Launched in UK, France & Germany

After some delay, Sony have today launched the Sony Connect music download and play service, in UK, France and Germany.

Connect will follow the same pricing as the European version of Apple iTunes, 79p () in the UK and 99c () in Europe, but number of offered tracks will be smaller – around 300,000 tracks.

What currently makes the COnnect offering unique is access to music on Indipendant record labels. Apple negotatioation broke down with the Association of Independent Music (AIM), who represent many UK labels. Sony has been successful with AIM and their European equivilents, VUT (Germany) and UPFI (France).

As with the US version of Connect, the music downloaded will be protected with the ATRAC3 Digital Rights Management software, and will only be playable on Sony music players such as Hi-MD WALKMAN, Net MD WALKMAN, Network WALKMAN and ATRAC CD WALKMAN, or via Sony’s computer software – SonicStage. Sony say they currnetly have around 2 million players in Europe and hope to add to these figures with their new hard disk models.

Sony originally planned to launch the service in June, but were slowed down in negitiations with music labels.

Sony Connect Europe

BBC Ten O’Clock News Extra – 1st interactive daily TV news bulletin

BBC Television News is 50 years old today and by way of marking the changing way of delivery news over that period, they have announced ‘Ten O’Clock News Extra’. When it is launched in autumn (fall) this year, viewers will explore additional material about individual news items – giving further depth to the story.

Currently with a fixed length news programme and a pressure to cover the world’s news, much material that has already been shot and edited is not used. The Extra version of the programme will make use of the material, whether it be interviews, footage or further background and make it available via the interactive TV Red button.

The supplementary content, which will be provided by the Ten O’Clock News team, will be made available for 45 minutes from 10pm. The BBC plan to have up to three items covered more thoroughly.

Head of BBC News Interactive, Richard Deverell, says: “This is a hugely exciting innovation for BBC News. It is the world’s first interactive daily TV news bulletin and will help viewers understand the top news stories by providing extra background information in a visually rich and engaging format.”

When the news programme starts, the extra information will be made available to the viewer via the Red button. When it is requested, the broadcast news video screen will shrink into the top left of the Extra template (Picture in picture). The viewer will be able to switch audio channels enabling them to continue to monitor the main news programme while exploring the additional information such as maps, profiles, etc. There will be one additional video stream that will loop over the 45 mins.

Two-Way TV will be providing and integrating the systems to the BBC, to enable them to publish the chosen content automatically to three platforms simultaneously, Freeview (DTT), Cable and Sky.

The Two-Way system works in conjunction with the BBC’s own internal News system. The BBC News team will be providing the additional editorial resources to select and publish the information. The Two-way system then converts the chosen content to be displayed on each of the platforms, attempting to make the content appear as similar as possible across the whole range, despite the wide range of abilities of the STB’s. Two-way have also provided the three front-end application, essentially display templates, that are downloaded to the three STB platforms.

Both the BBC and TwoWay are holding this up as an example of how the BBC working with outsourced partners, following the Graf Report on the BBC’s online service, which said the BBC should farm out at least 25% of new media work. This project has been in development since April/May this year, when the BBC went to tender looking for development partners.

BBC News

Two-Way TV

Music Store Update: Sony Connect Launches This Monday; US iTunes Counts Down to 100 million

Robert Ashcroft, Sony’s VP for European Network services has commented that the company’s online music offering, Connect, will be launching in Europe this Monday.

All five of the major labels, along with 150 independents, have signed up for the service.

Tracks will be encoded in Sony’s proprietary ATRAC format, not MP3, so you’ll need Sony’s Sonic Stage software to make use of the music store. And forget about using your iPod too.

Meanwhile, Apple are getting the champagne ready for the 100,000,000th iTunes track sold. To mark the event, Apple are giving away 50 new iPods, a gift certificate for 10,000 iTunes downloads (!) and 1 17” Powerbook. iTunes customers around the world are eligible.

“As we approach the unprecedented milestone of 100 million legally downloaded songs, we want to thank our customers who have made the iTunes Music Store such a stunning success,” said Steve Jobs, Apple’s CEO. “iTunes is pulling even further ahead of its competitors, and it’s all due to the wonderful customers we have.” That’s right Steve, don’t you forget it.

Jobs originally predicted that 100 million milestone would be reached within the first year of iTunes – but that would have been the end of April. This celebration is coming a little later than expected, but nevertheless iTunes has been an incredible success and its monthly totals are now far in excess of previous expectations.

Sony Connect

iTunes

Portable Music Watch: Dell’s Cheeky iPod Deal; New Sony Players

The Sony Vaio Pocket - yes, yes, we know you want one...Dell have come up with a slightly controversial deal to attract customers who are disgruntled with the iPod’s less than impressive battery life: tempt them to buy a Dell DJ as a replacement by offering them US$100 (€82) for their dud iPod. With the rebate, this makes the 15gb music player half-price.

Dell are clearly capitalising on the iPod’s “dirty secret” – that promised eight-hour battery life doesn’t stay eight hours for very long. Battery inefficiency and memory effects mean that after a year or so, some users are lucky to get two or three hours of tunes out of their player, with some reporting batteries that have completely given up.

Apple have recently introduced a US$99 replacement service for players that are more than a year old, but Dell’s promotion is aimed at enticing iPod owners to jump ship by offering a shiny new (though less capacity) player, with 25 free downloads, for the same price.

“Is your iPod battery starting to fade? Before you pay for a replacement battery for your same old device, consider upgrading to a brand new Dell 15GB1 DJ with more than double the battery life”, yells the website.

In other portable music player news, Sony have unveiled two new portable players – the Network Walkman Player NW-HD1 and the Vaio Pocket VGF-AP1L. Sony don’t make cars because you wouldn’t know if you were looking at the model name or the registration number.

The NW-HD1 is a 20gb player for US$400, and is claimed by Sony to be the smallest in its class. It also incorporates 256mb of Flash memory too.

The VGF-AP1L is a 40gb player with a 2.2 inch colour screen for displaying photos and album artwork and is US$500. The player also can store photos from Cybershot cameras, rather like the iPod’s picture storage function, with the upside that the Vaio player can actually display them.

To put further pressure on Apple, both devices will work seamlessly with Sony’s new music download service, Connect. Supported formats are MP3, WAV and WMA, but no AAC – so Sony Walkman owners won’t be doing much business with iTunes. Given that they invented the entire portable music player market with the Walkman, if anyone can compete with the iPod, it’s Sony.

Dell’s Deal

Sony

Google, Orkut and Affinity Engines’ Social Networking Suit

Google is facing legal action after Affinity Engines (AE) accused them of using their code in their Orkut social networking site.  This is all splendid timing for a company that is planning a major IPO.

They claim that the code was taken to Google by Orkut Buyukkokten, who had also promised Affinity Engines that he wouldn’t develop a competing social network product.

It’s not looking good for Google – nine bugs present is Orkut are also present in Affinity Engines’ inCircle product. In addition to the bugs, AE claim that there are textual similarities between the two sets of source code.

Google refuted the claims in a statement to Wired News: “Affinity Engines has not provided any evidence to Google that their source code was used in the development of orkut.com. We have repeatedly offered to allow a neutral expert to compare the codes in the two programs and evaluate Affinity’s claims, but Affinity has rejected that offer.”

Orkut is a Turkish citizen and was working on inCircle when he ran into some visa problems. Taking a job at Google was a way to get round this, but he kept working on inCircle – though signed agreements not to develop any further social-networking technology and confirming that any code he developed belonged to AE.

The name of Google’s new social networking site couldn’t be a more obvious indicator of who has been working on it.

Orkut

About inCircle