Business

Changes to business digitisation brings

  • NAB: HP Partnering to Develop Digital Media Platform

    Hewlett-Packard has teamed up with leading content creators, distributors and technology companies to develop a standards-based technology platform indented to simplify the production of digital media. The Digital Media Platform (DMP) is an integrated, open system linking production and post-production processes, and is based on a strategic alliance with Warner Bros. Studios and Dreamworks.

    “The business model that has guided this industry for nearly a century is changing radically,” said Carly Fiorina, HP chairman and chief executive officer. “Content is still and will always be king, however thousands of new storytelling experiences, applications and services are just around the corner. There is money to be made just as there is money to be saved — if this industry embraces the change and the opportunity the digital revolution presents.”

    DMP combines HP software with expertise the company has gained from working with companies like Dreamworks, Avid and Starbucks. The foundation of DMP is a work flow system where creatives working on a project share a common set of assets for rendering, post production and editing.

    HP and Warner are also pooling their expertise to restore classic films – combining WB’s proprietary software with HP’s image processing expertise, data management and servers.

    “The impact of music, film and television moving toward all-digital platforms is profound,” said Shane Robison, HP’s chief strategy and technology officer, in a press release. “Warner Bros. Studios is at the cutting edge of embracing the digital transformation. By partnering, HP and Warner Bros. Studios will leverage technology and expertise to create compelling, personalized experiences for consumers that will set the bar at a whole new level.”

    HP’s release on the news

  • NAB: USDTV Chooses Windows Media 9 for Pay-TV

    We covered USDTV a few weeks ago when they launched the first digital over-the-air digital TV service in the USA. Since then, they’ve been making further progress, and have just joined up with Microsoft for another first: delivering HD programming to subscribers using Window Media 9.

    They plan to implement WM9 by Q4 this year when they launch a second generation set-top box, which is expected to feature that increasingly common component: a big hard drive.

    “Maximizing available bandwidth with Windows Media 9 Series will allow more broadcasters, especially network affiliates, to participate with USDTV,” said Steve Lindsley, Chairman and Chief Executive Officer of U.S. Digital Television, Inc. “This will enable us to bring more content variety to viewers and create additional revenue-sharing opportunities for broadcasters.”

    “Windows Media 9 Series enables USDTV to expand their programming and reach new audiences,” said Amir Majidimehr, General Manager of the Windows Digital Media Division at Microsoft. “Windows Media has approximately three times the compression efficiency of MPEG-2 and easily scales up to high definition (HD), delivering HD at what would normally be considered SD data rates.”

    USDTV

  • New Desktop HD Editing Solutions

    Good news for video professionals working in HD – support for the format in desktop editing packages has just got much better.

    First up, Premier Pro 1.5, announced at NAB today. This new release builds on previous HD support, including the ability to export projects in Windows Media 9 HD format. Adobe have concentrated effort into Premier’s project management features, with multiple, nestable timelines and better sound support, including 5.1 surround sound. The inclusion of support for Advance Authoring Format (AAF) eases Premier Pro’s integration in mixed environments, and should save a few editors from having nervous breakdowns when flipping back and forth between packages.

    One of Apple’s Final Cut Pro’s top features is that it can capture HD footage directly over Firewire without the bit loss that come about from all that compressing, decompressing and recompressing. Editing is done in the camera-original format and then output down Firewire when finished.

    As Final Cut Pro can scale from DV to SD, HD and film with out down-converting to offline formats for editing, users can work in their output format from start to finish.

    Adobe Premier Pro 1.5’s new features

    Apple on Final Cut Pro HD

  • Zoo Tech’s New Take on DVD Production

    ZOOTech’s Stuart Green believes that there is a fundamental problem with the way that DVDs are produced at the moment, and that means that production companies and publishers are not realising the full potential of the medium. Stuart is Chief Technology Officer at ZOOTech, a UK company redefining the way that DVD titles are created.

    Extras, bonus features, mini-games and disk navigation are being created using a methodology that has grown out of traditional VHS production – and it’s time to change.

    “The industry works in a counter-intuitive way – it’s very inefficient because it’s grown out of the video industry,” Stuart told me, “Assets for each title are created first, and it’s very laborious and costly. Consequently, content can be unambitious. Video, graphics, icons are all designed and sourced and then the structure of the disk is created. With each menu option or choice in a quiz game, choices can grow exponentially – testing can take huge amounts of time for very simple items. So, for a simple image gallery each page, every path and option has to be tested. Every step could potentially have a mistake.”

    Stuart argues that this is the wrong way round, and wants to turn the production process on its head.

    He has a strong case, too. In traditional multimedia production, the application is flow charted, designed and built first, and then the assets are added.

    Enter ZOOTech’s DVDExtra Studio, and application based on the DVDExtra methodology. DVDExtra studio allows DVD developers to produce features, extras and DVD games that are as accomplished as CD-ROM based multimedia applications – without producing a CD-ROM title.

    A DVD-based multimedia application has many advantages over a CD-ROM – there’s no installer, it’s instant, it can be operated via a remote, and it gets into the living room far more easily.

    Developers plan the disk in DVDExtra Studio, which then uses a new compilation technique, Predictive Preprocessing, to evaluate all combinations of button press and checks all paths for dead ends and validity – it then generates the required assets. Generating assets for a DVD can be a time consuming task, says Stuart: “In DVD production, all assets have to be on the disk, as the player can’t render graphics. Complex disks from big studios can require tens of thousands of elements. Even simple disks need hundreds.”

    Indeed, DVDExtra Studio has been used on the new Who Wants to Be a Millionaire DVD game. Previously, other versions of the game had been available on PC and PlayStation formats. This new version captures the feel of the TV programme much more closely with DVD quality video of Chris Tarrant, rather than the disembodied voice of the previous version – or the polygon rendered version of the last PS2 game. The DVD version required ZOOTech’s program to generate and keep track of more than 200,000 graphics.

    The application also helps with localisation: during production, as text for each title is read in from a database, a project can be given a new translated text file and buttons and other assets will be automatically translated into the new language, getting a DVD title into more markets, faster.

    DVD Extra Studio is compatible with Macromedia Flash and Director, tools traditionally used in multimedia production, and can accept input from both applications.

    ZOOTech claim their application reduces the risk and development time of complex DVD components, saving money and freeing creative staff to make more immersive products. It also takes the format in new directions.

    There are many limitations in the platform and player-related quirks that cause problems when authoring a DVD – for example it is extremely difficult to layer graphics on top of moving video because of player architecture. Also, since DVD players have limited logic capability, many features that multimedia developers take for granted, such as saving state between sessions, are simply impossible. DVDExtra Studio contains tools and workarounds for common requirements and quirks.

    Being able to produce disks easily, Stuart says “opens up new markets hitherto unavailable – other kinds of disks, such as marketing DVDs for mailshots, training disks and point of sale material. It’s an outstanding medium for promotions that were previously just done on the internet. Imagine getting a DVD from a car manufacturer, and being able to specify exactly the colour scheme and options for a car – and seeing that car in DVD quality video.”

    So, what next for DVD production? ZOOTech are working with hardware manufacturers to help production houses test disks for potential problems: “We’re creating new test disks with more demanding functionality on them, and working with manufacturers to gather information on incompatibilities – this will help producers work around limitations and anticipate problems.”

    See ZOOTech, and Stuart at NAB, 17th to April 22nd, Las Vegas.

    ZOOTech

    NAB

  • Apple’s Profits Up 230%

    Apple has reported a a net profit of US$46 million (€38.4 million) in the three months up to March – almost entirely down to its popular iPod player. The iPod sold 807,000 units during that period, Apple’s CFO Fred Anderson has stated that the player accounted for half of the company’s revenue growth.

    Also this week, Apple chose to rebuff RealNetwork’s overtures regarding the iPod – obviously the streaming technology company are keen to get a sniff of the action.

    Rob Glaser, RealNetworks’ CEO wants to meet Steve Jobs but, as spokesman Greg Chiemingo told AP: “He’s in the neighborhood, but whatever meeting Rob wanted with Steve isn’t happening, Steve just doesn’t want to open the iPod, and we don’t understand that.”

    Oh come on guys – what do you mean you don’t understand?

    Let us spell it out to you: They have the most popular music player and the most popular music service and they seem to be doing quite well without sharing it with anyone.

    Apple’s second quarter results

  • Two Arrested Under Anti-Piracy Camcorder Law

    California’s camcorder law, which came into effect on 1st January 2004, has netted its first brace of criminals.

    One Mr Ruben Centero Moreno was caught taping “The Alamo” by a projectionist wearing night vision goggles (there – now you know who buys them), whilst Min Jae Joun was collared in a slightly more straight forward way: the record light on his camcorder attracted attention whilst attempting to pirate “The Passion of the Christ”.

    We can only imagine that the later offender will be forgiven.

    However, Jack Valenti, president of the MPAA told the Hollywood Reporter: that it would “send a clear signal such crimes will not be tolerated. In both cases, the LAPD’s fine work would not have occurred without the swift actions of the employees of Pacific Theatres.” Indeed, the MPAA has set up a telephone hotline so that cinema staff can report violations of the law.

    We applaud the new law, but feel it will have a limited impact on preventing film piracy. Although it tackles the source technique of piracy, it will continue to be rife for one very tricky reason: Whilst it’s true that most pirated DVDs bought in pubs and street markets are from source material captured in a cinema using a camcorder, most of the capture work is not done in LA where this new law is in force. No, most of the capture work is done in the Far East, where there is no such law, and often the camera work is done with the knowledge of, and a kickback too, the cinema owner, who obviously isn’t going to turn his buddies in to the local law enforcement group.

    Digital Lifestyles has noticed that police in the UK are taking a more informed and tougher stance on pirates selling illegal DVDs on the streets, and this will be more effective in removing the market, though not catching the criminals at the source.

    The Hollywood Reporter

    The Alamo – 6.1 stars, and that’s on IMDB, so subtract at least 5

    The Passion of the Christ – 7.4

  • Microsoft Still Kissing, Still Making Up

    Microsoft have settled an long-running dispute with InterTrust over patents relating to content protection – namely, setting permissions on content for buying, copying and downloading digital content. InterTrust sued MS in 2001 after talks to license their technology failed.

    MS have agreed to pay $440 million (€369 million) to put this one to rest.

    An anonymous source at the BBC said to Digital Lifestyles: “Interesting … particularly where a MS spokesperson says that ‘patent issues were the responsibility of MS not their customers’ …that one will come back to haunt them.”

    It appears that Microsoft are tying up loose ends so they can concentrate on new business – also, Digital Lifestyles see an interesting synergy with the Linux/SCO case.

    We believe Microsoft will contrast their recent intellectual property settlements against the currently unresolved SCO source code dispute. Demonstrating that Windows is litigation-free compared to the potentially dangerous disputes surrounding Linux and potential additional licensing fees might entice businesses away from the open source operating system towards a (law-wise at least) “safer” Windows.

    You heard it here first.

    InterTrust on the settlement

  • Major Labels: US$0.99 is Too Cheap!

    Even though many listeners think that the current average price for a downloaded music track is a tad on the high side, the five major labels have got together to discuss putting the price up – by quite a bit, too.

    At US$0.99 (€0.83), music is doing OK, if not exactly flying off the servers – yet a hike to US$1.25 or even US$2.99 per song is being talked about. Online music stores are expensive to run, say the industry, and most of them lose money. Apple does very well out of iTunes, and sells a lot of iPods because of it, but the labels don’t see much out of it.

    The legal download business is only just starting to flourish – a price rise on this scale will surely kill it off completely.

    Slashdot on the story

  • Open Source Microsoft

    More changes at Redmond this week – after making up with Sun over Java, Microsoft have made their first ever open source contribution.

    Yesterday they posted the source code to their Windows Installer XML (WiX) package (a tool for developers building Windows installers from XML source code), to SourceForge. They included complete source for the compiler, linker, library tool and decompiler.

    Contributer Rob Mensching said in his posting “With this release developers outside Microsoft can take advantage of the same toolset being used today to create the installation packages for products like Microsoft Office, Microsoft SQL Server, and many others.”
    He went on to add in his MSDN blog: “Back in 1999 and 2000, I did not feel that many people inside Microsoft understood what the Open Source community was really about and I wanted to improve that understanding by providing an example.”

    Providing a Windows installer is a shrewd move for Microsoft as it will give developers the tools to make more Windows applications – plus being a utility program it won’t cannibalise MS’s core business.

    We hope that this is just the first in many releases under the Common Public License, and look forward to seeing more tools and utilities being released soon.

    WiX at SourceForge

    Rob Mensching’s blog

  • Microsoft and Sun Kiss and Make Up

    It came as a surprise to many, but Sun and Microsoft agreed to a settlement to their long-running anti-trust dispute on Friday. The dispute was centred around Microsoft’s treatment of Sun’s Java programming language.

    Microsoft has never liked Java, seeing it as a direct competitor with many of its own technologies such as ActiveX and C#. Microsoft support for Java was always patchy – MS’s own Java virtual machine was not strictly standard, and Java implementation and integration in Internet Explorer was troublesome. For a while Microsoft tried to divide the Java community with its own, not strictly compatible J++ language, but is now promoting C# as a substitute for Sun’s write-once-run-anywhere platform. Whilst C# is syntactically similar to Java, and has a remarkably similar API, it does not have many of the benefits of the Java platform, nor is it so widely supported.

    However, it was J++ that angered Sun Microsystems – further inflamed when Microsoft declared that they would stop supporting Java, forcing users to download a VM if they wanted to run Java applets. It was this dispute that kicked off the EU’s case against Microsoft – and led to rulings relating to including better Java support in Windows and the uncoupling of Windows Media Player.

    “Our companies will continue to compete hard, but this agreement creates a new basis for cooperation that will benefit the customers of both companies,” said Steve Ballmer, chief executive officer of Microsoft in a statement, “This agreement recognizes that cutting edge R&D and intellectual property protection are the foundation for the growth and success of our industry. This is a positive step forward for both Sun and Microsoft, but the real winners are the customers and developers who rely on our products and innovations.”

    Microsoft will pay Sun US$700 million (€578 million) to resolve the Java dispute, and a further US$900 million (€743 million) for patent issues. Both companies have agreed to pay each other royalties for the technologies that they license from one another, with Microsoft paying US$350 million (€289 million) up front.

    Sun on the agreement