RIAA Is Lobbying For DAB Radio Copy Protection

The Recording Industry Association of America is lobbying for digital rights management features to be incorporated in digital radio, and Mitch Bainwol, CEO, intends to make the issue the focus of the forthcoming Congressional Hearing on Digital Copyrights on 16th June.

“We’re in favour of HD radio,” Bainwol said, referring to Digital Radio, “It offers great benefits for consumers and everyone involved, but we’re not blind to several concerns. Someone could cherry-pick songs off a broadcast and fill up a personal library and then post it on Kazaa.”

Therefore, to prevent this evil, the RIAA are keen to have a copy protection scheme in place to prevent digital copies of digital radio broadcasts. The Consumer Association are not pleased, however.

Many are concerned that the RIAA are trying to removing another freedom from the consumer. Besides, no DRM scheme will currently stop people from making high quality analogue copies of music and then re-digitising them. The RIAA, in it’s fervour to prevent perfect digital copies of music seem to have forgotten one thing: digital radio is compressed, it’s not possible to create a “perfect” copy. On top of this the act recompressing to make an MP3 or Windows Media file, transcoding, generally makes audio and video quality even worse. A digital radio copy will never have the same quality as a CD recording.

The technology behind digital radio broadcasting in the US comes from iBiquity, who are obviously willing to build in a copy protection scheme if it brings them more revenue, but even they can’t see the point … at the moment: “If there’s a consensus among the groups, we’re willing to go along,” said Jeff Jury, COO of the Baltimore-based company, “But given the state of the technology, it’s premature to worry about this.”

By imposing a DRM system on digital radio, the RIAA can remove the consumer’s ability to time shift or archive radio programmes. Also, it some feel that it marks a shift towards preventing consumers owning music, instead they will have to rent it, paying time and again to hear tracks.

Michael Petricone, technology vice president at the Consumer Electronics Association commented: “Our position on this is that there has been no demonstration that there’s a problem. It’s not clear what the RIAA is talking about. Do they want a broadcast flag or some limit on recording material? We regard a consumer’s ability to record off the radio as a pretty fundamental right. They’ve sold a half-million digital radios in Great Britain over the past five years, and this problem hasn’t come up. It’s premature to ask the FCC for restrictions on devices for a problem that might not exist.”

RIAA

Review: The N-Gage QD – Mobile Gaming’s Next Step.

Support Digital-Lifestyles.info by buying your Nokia QD from Amazon

We’re doing a three part review: part one covers the deck itself, part two covers available games and part three will cover the new titles specially produced for the launch of the QD.

Nokia knows that the N-Gage will succeed or die on the the quality of the games and Arena service, and the two forthcoming sections of the review will give you an insight as to whether they’re any good or not – watch this space. In the meanwhile, we’ve had a close look at the new QD hardware.

Part One: The N-Gage QD deck itself
The N-Gage game deck Nokia have admitted that their first attempt at a games console didn’t exactly set the world on fire: it had a number of design problems and they misjudged market desires – and failed to take into account just why Nintendo have had a 15 year reign on mobile gaming. But with new features, a greater emphasis on networked play and the GameBoy Advance looking a little basic these days, have they got it right this time?

The first thing that pops into your head when you handle the new Nokia N-Gage QD is “Isn’t it small?” And it is – surprisingly small. Here’s a phone and a games console, and it’s considerably smaller, and lighter, than a GameBoy Advance. Cheaper, too, if you get the QD on a decent contract.
The game deck is very compact indeed The deck is well constructed, and despite its compactness it has a reassuring weight to it (143g), without being awkward. It’s one of the most robustly-made phones I’ve used. The equator of the unit is a protruding rubber seal, and will generally be the first thing to hit the floor when you drop it, thus providing a fair bit of impact shock protection. The seal clips neatly over the phone’s ports limiting sand and water penetration, but doesn’t make it waterproof. External connections are limited to just headphones, power, and the game slot. All communications with the N-Gage are done via Bluetooth. The rubber equator also features no less than two loops for connecting a lanyard to – a quick look at any bus stop will demonstrate that youths like nothing more at the moment than hanging things like keys and phones round their neck with a lanyard. Or they do in Blackheath anyway.
How the N-Gage measures up against the GameBoys Using the unit as a phone has been vastly improved – you now hold the unit flush to your cheek, rather than holding it out at an angle, as was the case with its previous incarnation. Sadly, the unit’s display rests against your face when you make a call. If you wear make up or use the phone on a warm day, be sure to carry a cloth so you can wipe sweat and foundation off the screen. Lack of exterior controls for volume mean you can’t easily adjust call loudness if you’re suddenly in a noisy or quite environment.

Buttons have a nice clicky feel, and are well illuminated. 5 and 7, usually the confirm and cancel keys for games are transparent with raised tops so that you can find them more easily. The directional pad is in a far more sensible place, but has a bit of a floaty feel to it. The unit would benefit from shoulder buttons to save fingers traversing round the face of the deck so much, but that might just be my GameBoy usage creeping to the fore there.
With the back off The 4096-colour display is difficult to read if the backlight isn’t on, but battery life in the QD is impressive. Nokia claim a full ten hours of gaming off a charge, up from about three to six hours previously. I charged the phone on Tuesday morning and only needed to give it a drink again on Thursday, after leaving it on continuously with my normal number of phone calls, texts and a few bouts of The Sims. As a side note, it accepts the standard Nokia charger and I can’t think of a household that hasn’t got four of those kicking around somewhere.

The display can be a little hard on the eyes in bright sunlight, too – a side by side test with the 32,000 colour GameBoy Advance SP on a sunny day on the Heath showed that the SP had far better contrast.I have to ask: with many smart phones, the GBA, Sony’s PSP and the Ninendo DS all featuring screens capable of displaying 32,000 colours and above, will the N-Gage have the graphical flair to entice users?

The phone boots into a rather plain user interface, with the standard contacts, calendar, telephone, messaging and web functions available straight away from the Series 60 operating system. A single button press will launch whatever game you have in the game slot. You can leap straight into N-Gage Arena from the phone menu, without having to go into a game – Nokia are betting a lot on the Arena being a key selling point for the phone, and I’ll cover that in another review covering the news games.
The rather plain phone interface The interfaces for the phone and the game functions were evidently designed by two different teams. Two different teams in different countries. Who never spoke to each other or exchanged emails, or perhaps were even completely unaware of each others’ existence. The N-Gage Arena and gaming interfaces are much more compelling and excitingly designed, showing that Nokia have put a lot of thought into their appearance.

The general phone interface is quick and responsive, and I’ve never felt as if I was waiting for an application to do something, which is refreshing given the performance of some smart phones lately.

The more interesting plainAll the usual messaging functions are present: SMS, Multimedia Messaging, and email. I did come across an irritating feature whilst texting, however: pressing the uppercase key a couple of times whilst writing a text message (for the odd bit of EMPHASIS) turns the T9 dictionary off for some reason. This is highly annoying and requires six or seven button presses to switch it back on and then another six or so to get back to where you were. I do hope this is a bug rather than a deliberate feature.

Contacts, calendar and other aspects of the phone can all be managed easily from from the software suit supplied with the phone, using Bluetooth as stated before.

Web, WAP and Arena are all accessed through a GPRS connection, so ring your service provider for your settings. The unit features a sound recording application which, whilst handy, uses very high compression and sounds rather watery.
Size comparison of the game cards with a SIM ... and Lego Stormtrooper Games are supplied on a MMC card, and the QD is backwardly compatible with its predecessor. The moving of the game slot to the bottom of the console is a welcome move, so you don’t have to take the back off the unit to swap games over. Nokia seem to have realised that people might want to play more than one game in a session.
Inserting a game card Despite not having a camera, the QD will play video clips and other multimedia messaging, however there’s no radio and something key has been removed from this iteration of the N-Gage.

Nokia have removed the dedicated MP3 player from the console, preferring instead to emphasise that the QD is optimised for gaming. This makes the deck less useful in my opinion – and it leaves us with mono sound for games! Midi music and samples in Sims Bustin’ Out is unconvincing and muddy – sound for the rest of the games will feature in their review, coming soon.

We’ve only seen one game at the moment, so we’re not going to come to any conclusions about Arena, sound or graphics capabilities until we’ve seen exactly what the games can make the N-Gage do. Nokia say that it’s the games and the Arena that are going to make the N-Gage a leader, and since it’s a somewhat average phone, we’re going to have an in-depth look at Nokia’s key selling points in the next part of this review.

For:

  • Compact, stylish, good build quality, robust
  • Symbian OS
  • Web access, full email support
  • Improved controls
  • Reliable
  • Excellent battery life
  • Bluetooth
  • Multiplayer capabilities show lots of promise

Against:

  • No camera, radio or MP3 player
  • Mono sound
  • 4096 colour screen

Support Digital-Lifestyles.info by buying your Nokia QD from Amazon

Mobile Phone Market Set to Rocket – 600 Million Phones Sold This Year?

Gartner are predicting healthy business for the worldwide mobile phone market this year, since 153 million unites were sold win the first quarter of 2004, up 34% on the same period last year.

“Another record quarter of mobile phone sales resulted from an Asia/Pacific market buoyed by purchases for the Chinese New Year, healthy growth in emerging markets and surprising numbers of people in mature markets choosing to upgrade their phones,” said Ben Wood, principal analyst for mobile terminals research at Gartner. “Based on first quarter results, we believe worldwide mobile phone sales will exceed 600 million units in 2004.”

The top five phone vendors (Nokia, Motorola, Samsung, Siemens and Sony Ericsson) all saw increases this year, though Nokia lost 5.7% of its market share. Nokia’s bad news is possibly attributable to a less than dazzling range of products this year and a number of network operators in Western Europe sourcing their phones from the Finnish company’s competitors.

Mobile phone sales in North America grew 30%, with customers opting for colour displays and integrated cameras, demonstrating that America is catching up with Europe both in percentage penetration and the sophistication of the handsets available.

Gartner

British Library to Put 100 Years of News Online

The British Library is spending UK£2 million to put a collection of 19th century newspapers on line. The million or so pages of British newspapers will be published on a searchable website in 18 months time. All the material is out of copyright, and is thought to include The Morning Chronicle, famed for employing Dickens and Thackeray, and the Morning Post who featured articles by Coleridge and Wordsworth.

Ed King, Head of the British Library’s newspaper collections in Colindale commented, “The British Library is committed to making our collections accessible to as many people as possible. Before the world wide web existed, readers had to visit the newspaper archive in Colindale to look at all aspects of the collections … This means that digital copies will be available for web users who can explore these early out-of-copyright editions in their entirety.”

Ironically, the British Library auctioned off most of their newspaper collection, housed in Colindale, in a blind auction in 1999 after digitising them.

Nicholson Baker, author of The Mezzanine, voices his concerns about libraries digitising newspapers in his book “Double Fold: Libraries and the Assault on Paper”, as often the process does not capture the text clearly or accurately, or even feature enough resolution to properly reproduce the beautiful illustrations of the time. Often, limitations in scanning hardware mean that publications have to be cut up to be scanned, before being destroyed.

The opening up of this historical archive is very exciting indeed, and is bringing us a step closer to free online texts and books – “libraries without walls for books without pages”.

The British Library

Archivists respond to Nicholson Baker

DirectTV Sells TiVo Stake. TiVo Reacts with Updates

Trouble at TiVo this week – DirectTV, controlled by News Corp, has sold its 55% equity stake in the PVR company. TiVo still has a contract to supply DirectTV with PVRs until February 2007, but news of the sale caused the company’s shares to drop 14.5%.

The news comes only a few days after DirectTV vice chairman Eddy Hartenstein resigned from TiVo’s board. These two events have cause others to speculate that DirectTV may wish to bring in a new PVR supplier, such as NDS.

DirectTV is TiVo’s biggest source of subscribers, a dependence that was causing concern to observers.

As more manufacturers continue to launch PVR product lines, TiVo’s subscription model is making less sense to consumers: why pay a US$12.95 (€10.74) monthly fee for a programme guide? However, by offering features not found on other PVRs such as home networking, TiVo expects to exceed 10 million subscribers by 2008 – though figures stood at just 1.6 million at the beginning of May this year.

TiVo’s home networking, now a free add-on, allows subscribers to use their television to display photographs, and to stream music to their stereo systems. The feature works on wired and wireless networks by connecting a network adapter to the USB port on the TiVo Series 2 box.

TiVo have also announced that they are working to expand this functionality so that films and music downloaded to a PC from the internet, can be played back on televisions and stereos.

Nikon have just partnered with TiVo to showcase professional photography on subscribers’ televisions through Nikon’s Legends Behind the Lens promotion. Also, purchasers of some CoolPix digital cameras will be able to use PictureProject software to upload images to their TiVo box.

DirectTV

TiVo

NikonNet

Steve Jobs: The 99c Track Is Staying, iTunes 4.6 Released

Steve Jobs has confirmed Apple’s commitment to a single US$0.99 (€0.82) price point for tracks bought from their iTunes music store. Apple have been vehement in stating their commitment to 99c, and have reiterated it several times over the past month, despite some iTunes album prices climbing.

Labels have been gradually increasing wholesale prices, but Apple have not passed these cost onto their single-buying customers … yet.

At the recent D: All Things Digital conference in San Diego, Jobs stated: “We don’t think the consumer wants to pay more than 99 cents.” He’s not wrong.

Apple have also released version 4.6 of the iTunes application, adding support for AirTunes and AirPort Express, so that users can stream music wirelessly around the home. The new version is also features a number of other “minor enhancements – we’re downloading a copy now and if there are any surprises in it, we’ll let you know.

Download iTunes

Cartoon Filter for Digital Television

British inventors Matthew Roach and Mark Pawlewski have applied for a US patent for a software application that can control the amount of cartoon programming displayed on a digital TV.

You just need to watch any Saturday morning cartoon to learn that the plotless, seizure-inducing fare, no doubt designed to help that cereal sugar rush kick in nicely, consists mainly of a lot of frantic movement, solid colours and fast cuts.

Roach and Pawlewski’s software can detect animation in digital television’s MPEG2 stream, and react accordingly – even switching itself off after a predetermined time, for those parents who can’t be bothered monitoring their own children’s TV dosage.

The software will be featured in next week’s New Scientist magazine.

Detecting Cartoons – A Case Study (Postscript file)

BT Trialling Fibre to the Home

Quick – move to Martlesham Heath, Suffolk. 1,500 businesses and residents in three UK locations, Suffolk, Milton Keynes and Docklands are to take part in a one year trial of fibre optic broadband connections, running to September 2005.

The properties will be linked directly to BT exchanges by glass fibre, upgrading connections to an end-to-end internet protocol network – something that’s go to come to the entire country sooner or later.

Paul Reynolds, BT wholesale chief executive has stated that BT will not go out and replace all of the copper wires in the country if the trial is a success: only new building developments will have fibre installed. “At this stage we don’t envisage a widespread deployment of fibre to the premises or the cabinet in the near or medium term,” i.e. it would be hideously expensive. “While we believe the use of fibre can help deliver better operating costs in terms of maintenance, we need to balance this against the cost of installation and systems developments. These trials will help to shape our thinking and help us make strategic investment decisions.”

BT have also announced a five year plan to replace the old switched network to properly carry voice and data services, with migrations beginning in 2006.

BT announce their timetable

UK Gets 36Mbps Wireless Broadband

Libera, a UK company aiming to reach 75% of the country’s business with wireless broadband, will shortly be offering a 36Mpbs service in London Docklands. The service goes live in July, and will be rolled out to Greater London by summer 2005. Subscribers can choose connectivity anywhere between 1 and 36Mpbs – making it the fastest in the world for the time being.Libera’s network is carried on the 28GHz band of the radio spectrum, one of the rare instances of that band being used.

Paul Momtahan, marketing director, emphasises the high tech nature of the network: “if they need more bandwidth we can turn it up, if they need less, we can turn it down”.

Libera are not commenting on the pricing of their service yet, but expect it to compare with business SDSL connections.

Libera

IFPI: Illegal Music Files Down 25%

The International Federation of the Phonographic Industry has reported a few pieces of good news for the industry.

Firstly, the IFPI are claiming that the number of illegal, copyright infringing music files on the internet is down 800 million files – down from a peak of 1.1 billion files this time last year. Now, you know as well as I do that there is now way of measuring the numbers of anything on the internet, especially music files – but we’re pleased that they believe that the problem is getting better, not worse.

Any drop in infringing files can no doubt be attributed to the 100 or so legal music services that have popped up in the last couple of years. It’s as we’ve said all along: people don’t want an illegal copy of a track when they can have a properly encoded, licensed file from an official source.

Secondly, they are pleased to report that seven out of ten Europeans know that file sharing is illegal. To help raise awareness, the music industry sent 23 million instant message warnings to people using P2P services in 9 countries.

Interestingly, 45% of those surveyed in Italy said that “they expected to stop over the next three months” — implying that they were either waiting for music services to start up, or they were finding it difficult to kick the habit.

Registered users at music services in Europe now stands at 830,000 people – up from 380,000 at the end of September.

Prosecutions are still taking place amid all the improvements – 24 more cases were rolled out, and the IFPI says that several hundred more cases are planned for the coming months.

IFPI