Pay More For Music, or Pay More For the Player?

There is some disagreement in Europe at the moment on how artists will be paid for all that music you’ve downloaded to your iPod. There are two competing models: DRM-based and taxation.

Levies in EU countries bring in a lot of money – and only Britain, Ireland and Luxembourg don’t have the system. The International Herald Tribune estimates that Germany, France, Italy, Spain and the Netherlands alone will see revenues from their private copying taxation rise from €309.39 million (US$) to an impressive €1.465 billion (US$) by 2006. You can understand why they’re so keen on it now.

There seems to be a clear ideological split in effect here – if you’re a software provider or a store owner, you prefer Digital Rights Management. If you’re a European collection agency, then taxation is the only way to go.

National royalties collection agencies in 12 European states are proposing a tax on digital music players – the Society of Music Creators in France has levied €20 (US$24) on every iPod sold in the country, as it is classed as a “copying device”… and Apple has refused to play it, preferring to go to court.

Apple prefer the other model of artist renumeration – DRM.

Enter the European Commission – who will be adopting a policy paper next week with the intention of bringing EU collection agencies into the 21st century. A mere 3.5 years late.

The policy paper suggests a pan-European licensing system for protected content and examines ways in which DRM may finally replace blanket taxes in the EU states. Apple and lobby groups representing some 10,000 companies across Europe are keen on the policy recommendations as it will allow them to get on with their business models whilst paying artists, yet avoid negotiating with 15 different collection agencies.

We much prefer a sensible implementation of DRM – artists are renumerated directly, it’s fairer on the consumer and promotes more innovation. Taxing “copying devices” demonstrates a lack of understanding of the entire field, is inaccurate and does not reward artists fairly. Also, making all consumers pay a piracy tax is in entirely unfair.

Whatever happens, it’s up to us to make sure we don’t end up paying the labels TWICE.

The International Herald Tribune

NAB: HP Partnering to Develop Digital Media Platform

Hewlett-Packard has teamed up with leading content creators, distributors and technology companies to develop a standards-based technology platform indented to simplify the production of digital media. The Digital Media Platform (DMP) is an integrated, open system linking production and post-production processes, and is based on a strategic alliance with Warner Bros. Studios and Dreamworks.

“The business model that has guided this industry for nearly a century is changing radically,” said Carly Fiorina, HP chairman and chief executive officer. “Content is still and will always be king, however thousands of new storytelling experiences, applications and services are just around the corner. There is money to be made just as there is money to be saved — if this industry embraces the change and the opportunity the digital revolution presents.”

DMP combines HP software with expertise the company has gained from working with companies like Dreamworks, Avid and Starbucks. The foundation of DMP is a work flow system where creatives working on a project share a common set of assets for rendering, post production and editing.

HP and Warner are also pooling their expertise to restore classic films – combining WB’s proprietary software with HP’s image processing expertise, data management and servers.

“The impact of music, film and television moving toward all-digital platforms is profound,” said Shane Robison, HP’s chief strategy and technology officer, in a press release. “Warner Bros. Studios is at the cutting edge of embracing the digital transformation. By partnering, HP and Warner Bros. Studios will leverage technology and expertise to create compelling, personalized experiences for consumers that will set the bar at a whole new level.”

HP’s release on the news

Vocera’s Wireless Voice Communicator

Vocera have developed a wireless voice communicator, worn around your neck, that provides push-to-talk calls and voice recognition via wi-fi.

The communicator itself is tiny – 4.2” x 1.4”, because there’s just not much to the the device itself. To achieve the functionality, system is in two parts: the communicator badge, and the server side software that does all the hard work like recognising speech. Text messages and alerts can also be sent to the device – and read from the LCD on the back.

Vocera are concentrating on health care applications – the ease of use for the Voice Communicator and cost savings make it idea for deployment in hospitals, and it offers far more features than a pager.

Vocera’s voice communication system

Search iTunes Without iTunes

Downhill Battle, the site behind Grey Tuesday, are hosting a rather handy script that allows you to query the iTunes store, and even listen to the previews, from a web browser. The perl script was written by Jason Rohrer (“painter — scholar — poet — lover — scientist — composer – disciplinarian”), as part of his minorGems Sourceforge project.

As Slashdot points out, now that the iTunes protocol has been reverse engineered, it’s now possible to write whatever front end to the shop you want. Well, theoretically. And until you get a cease and desist order.

Try it for yourself

Get the perl script

Jason Rohrer

Slashdot on the story

NAB: USDTV Chooses Windows Media 9 for Pay-TV

We covered USDTV a few weeks ago when they launched the first digital over-the-air digital TV service in the USA. Since then, they’ve been making further progress, and have just joined up with Microsoft for another first: delivering HD programming to subscribers using Window Media 9.

They plan to implement WM9 by Q4 this year when they launch a second generation set-top box, which is expected to feature that increasingly common component: a big hard drive.

“Maximizing available bandwidth with Windows Media 9 Series will allow more broadcasters, especially network affiliates, to participate with USDTV,” said Steve Lindsley, Chairman and Chief Executive Officer of U.S. Digital Television, Inc. “This will enable us to bring more content variety to viewers and create additional revenue-sharing opportunities for broadcasters.”

“Windows Media 9 Series enables USDTV to expand their programming and reach new audiences,” said Amir Majidimehr, General Manager of the Windows Digital Media Division at Microsoft. “Windows Media has approximately three times the compression efficiency of MPEG-2 and easily scales up to high definition (HD), delivering HD at what would normally be considered SD data rates.”

USDTV

New Desktop HD Editing Solutions

Good news for video professionals working in HD – support for the format in desktop editing packages has just got much better.

First up, Premier Pro 1.5, announced at NAB today. This new release builds on previous HD support, including the ability to export projects in Windows Media 9 HD format. Adobe have concentrated effort into Premier’s project management features, with multiple, nestable timelines and better sound support, including 5.1 surround sound. The inclusion of support for Advance Authoring Format (AAF) eases Premier Pro’s integration in mixed environments, and should save a few editors from having nervous breakdowns when flipping back and forth between packages.

One of Apple’s Final Cut Pro’s top features is that it can capture HD footage directly over Firewire without the bit loss that come about from all that compressing, decompressing and recompressing. Editing is done in the camera-original format and then output down Firewire when finished.

As Final Cut Pro can scale from DV to SD, HD and film with out down-converting to offline formats for editing, users can work in their output format from start to finish.

Adobe Premier Pro 1.5’s new features

Apple on Final Cut Pro HD

Zoo Tech’s New Take on DVD Production

ZOOTech’s Stuart Green believes that there is a fundamental problem with the way that DVDs are produced at the moment, and that means that production companies and publishers are not realising the full potential of the medium. Stuart is Chief Technology Officer at ZOOTech, a UK company redefining the way that DVD titles are created.

Extras, bonus features, mini-games and disk navigation are being created using a methodology that has grown out of traditional VHS production – and it’s time to change.

“The industry works in a counter-intuitive way – it’s very inefficient because it’s grown out of the video industry,” Stuart told me, “Assets for each title are created first, and it’s very laborious and costly. Consequently, content can be unambitious. Video, graphics, icons are all designed and sourced and then the structure of the disk is created. With each menu option or choice in a quiz game, choices can grow exponentially – testing can take huge amounts of time for very simple items. So, for a simple image gallery each page, every path and option has to be tested. Every step could potentially have a mistake.”

Stuart argues that this is the wrong way round, and wants to turn the production process on its head.

He has a strong case, too. In traditional multimedia production, the application is flow charted, designed and built first, and then the assets are added.

Enter ZOOTech’s DVDExtra Studio, and application based on the DVDExtra methodology. DVDExtra studio allows DVD developers to produce features, extras and DVD games that are as accomplished as CD-ROM based multimedia applications – without producing a CD-ROM title.

A DVD-based multimedia application has many advantages over a CD-ROM – there’s no installer, it’s instant, it can be operated via a remote, and it gets into the living room far more easily.

Developers plan the disk in DVDExtra Studio, which then uses a new compilation technique, Predictive Preprocessing, to evaluate all combinations of button press and checks all paths for dead ends and validity – it then generates the required assets. Generating assets for a DVD can be a time consuming task, says Stuart: “In DVD production, all assets have to be on the disk, as the player can’t render graphics. Complex disks from big studios can require tens of thousands of elements. Even simple disks need hundreds.”

Indeed, DVDExtra Studio has been used on the new Who Wants to Be a Millionaire DVD game. Previously, other versions of the game had been available on PC and PlayStation formats. This new version captures the feel of the TV programme much more closely with DVD quality video of Chris Tarrant, rather than the disembodied voice of the previous version – or the polygon rendered version of the last PS2 game. The DVD version required ZOOTech’s program to generate and keep track of more than 200,000 graphics.

The application also helps with localisation: during production, as text for each title is read in from a database, a project can be given a new translated text file and buttons and other assets will be automatically translated into the new language, getting a DVD title into more markets, faster.

DVD Extra Studio is compatible with Macromedia Flash and Director, tools traditionally used in multimedia production, and can accept input from both applications.

ZOOTech claim their application reduces the risk and development time of complex DVD components, saving money and freeing creative staff to make more immersive products. It also takes the format in new directions.

There are many limitations in the platform and player-related quirks that cause problems when authoring a DVD – for example it is extremely difficult to layer graphics on top of moving video because of player architecture. Also, since DVD players have limited logic capability, many features that multimedia developers take for granted, such as saving state between sessions, are simply impossible. DVDExtra Studio contains tools and workarounds for common requirements and quirks.

Being able to produce disks easily, Stuart says “opens up new markets hitherto unavailable – other kinds of disks, such as marketing DVDs for mailshots, training disks and point of sale material. It’s an outstanding medium for promotions that were previously just done on the internet. Imagine getting a DVD from a car manufacturer, and being able to specify exactly the colour scheme and options for a car – and seeing that car in DVD quality video.”

So, what next for DVD production? ZOOTech are working with hardware manufacturers to help production houses test disks for potential problems: “We’re creating new test disks with more demanding functionality on them, and working with manufacturers to gather information on incompatibilities – this will help producers work around limitations and anticipate problems.”

See ZOOTech, and Stuart at NAB, 17th to April 22nd, Las Vegas.

ZOOTech

NAB

World’s First Paper Optical Disk

It’s 51% paper, holds 25GB of data and it’s very, very clever. Sony and the Toppan Printing Company have developed a 1.1mm Blu-ray optical disk with some very exciting applications.

It’s cheap, allows very high quality printing on the label side, is more rigid than a standard disk and more secure, because you can just cut it up with a pair of scissors.

The disk is more rigid because the data layer allows for a thicker substrate, and so is more resistant to warping.

Japan Today

Apple’s Profits Up 230%

Apple has reported a a net profit of US$46 million (€38.4 million) in the three months up to March – almost entirely down to its popular iPod player. The iPod sold 807,000 units during that period, Apple’s CFO Fred Anderson has stated that the player accounted for half of the company’s revenue growth.

Also this week, Apple chose to rebuff RealNetwork’s overtures regarding the iPod – obviously the streaming technology company are keen to get a sniff of the action.

Rob Glaser, RealNetworks’ CEO wants to meet Steve Jobs but, as spokesman Greg Chiemingo told AP: “He’s in the neighborhood, but whatever meeting Rob wanted with Steve isn’t happening, Steve just doesn’t want to open the iPod, and we don’t understand that.”

Oh come on guys – what do you mean you don’t understand?

Let us spell it out to you: They have the most popular music player and the most popular music service and they seem to be doing quite well without sharing it with anyone.

Apple’s second quarter results

Two Arrested Under Anti-Piracy Camcorder Law

California’s camcorder law, which came into effect on 1st January 2004, has netted its first brace of criminals.

One Mr Ruben Centero Moreno was caught taping “The Alamo” by a projectionist wearing night vision goggles (there – now you know who buys them), whilst Min Jae Joun was collared in a slightly more straight forward way: the record light on his camcorder attracted attention whilst attempting to pirate “The Passion of the Christ”.

We can only imagine that the later offender will be forgiven.

However, Jack Valenti, president of the MPAA told the Hollywood Reporter: that it would “send a clear signal such crimes will not be tolerated. In both cases, the LAPD’s fine work would not have occurred without the swift actions of the employees of Pacific Theatres.” Indeed, the MPAA has set up a telephone hotline so that cinema staff can report violations of the law.

We applaud the new law, but feel it will have a limited impact on preventing film piracy. Although it tackles the source technique of piracy, it will continue to be rife for one very tricky reason: Whilst it’s true that most pirated DVDs bought in pubs and street markets are from source material captured in a cinema using a camcorder, most of the capture work is not done in LA where this new law is in force. No, most of the capture work is done in the Far East, where there is no such law, and often the camera work is done with the knowledge of, and a kickback too, the cinema owner, who obviously isn’t going to turn his buddies in to the local law enforcement group.

Digital Lifestyles has noticed that police in the UK are taking a more informed and tougher stance on pirates selling illegal DVDs on the streets, and this will be more effective in removing the market, though not catching the criminals at the source.

The Hollywood Reporter

The Alamo – 6.1 stars, and that’s on IMDB, so subtract at least 5

The Passion of the Christ – 7.4