Content

Content in its shift to become digital

  • EU Delays Microsoft DRM Decision

    EU anti-trust regulators have decided to postpone their decision on whether or not to review Microsoft and Time Warner’s joint acquisition of ContentGuard, a digital rights management company.

    Microsoft has invested in ContentGuard for some time now, and along with Time Warner have sought to strengthen their position in the DRM market. Time Warner, as one of the world’s leading content houses, also has a lot to gain from the acquisition.

    The EU commission usually has a month to decide if it wants to investigate a deal like this further, and though in this case it has opted for a two week extension to 25th August. The extension has come about because the two companies have submitted remedies to some concerns raised by the commission.

    ContentGuard, who developed the Extensible Rights Markup Language, holds a number of patents which are licensed to Sony, Microsoft and others. The patents were in turn developed at Xerox PARC and some of these patents have been adopted as standards by the Motion Picture Experts Group.

    ContentGuard

  • Real Gunning for iTunes

    Another week, another RealNetworks/Apple story: this time streaming leader and iPod “hacker” is offering cut price tunes whilst promoting freedom of choice for music consumers.

    In order to entice some of iTune’s customers to the RealOne service, Real are embarking on a huge marketing campaign that will concentrate on their new iPod compatibility, sneakily coupled with a sale.

    Tracks from the Real music store will cost US$0.49 (€0.40) for a limited period, with albums half price at US$4.99 (€4). This double whammy might just tempt users away from iTunes – until Apple break Harmony’s iPod compatibility in the next update, that is.

    Enticing users away from their favourite online music stores is difficult as it’s not as simple as getting punters to cross the road from Virgin to HMV – software has to be changed, tracks are incompatible and players won’t play all formats. You have to get your customers early before and make them build a library that they’ll be reluctant to abandon.

    Whilst a sale will generate new interest in RealNetworks’ products, many users will try a wait and see approach as Apple have made it clear that they’re not happy about Harmony’s approach and intend to scupper it at the earliest opportunity.

    We’re not quite sure if it’s a spoof or not, but RealNetworks have also launched a blog-style site featuring the “Rock on Rob!” weekly Q&A with Rob Glaser (I’m embarrassed just typing this in). The site features several anti-Apple postings from around the net, and even a petition. The site is not conspiciously branded by RealNetworks, but we see what they’re trying to achieve.

    Freedom of Music Choice

  • Computer Associates Picks Up PestPatrol

    Computer Associates have acquired PestPatrol, in a bid to expand their portfolio of software to cover anti-spyware tools.

    CA will be including PestPatrol’s application in their eTrust Threat Management suite, whilst renaming the tool eTrust PestPatrol.

    Russell Artzt, executive vice president of eTrust security management at CA, said: “This acquisition enhances CA’s position as the world’s leading provider of security management solutions for the safety of Internet connectivity and the integrity of computing environments in the office and home alike.”

    Anti-virus software houses are keen to expand their range of products to tackle the main problems that internet users face: spam, adware, viruses and hacking attempts. Companies like Symantec and McAfee have acquired and developed their products to meet consumer demand for solutions and also to create single control centres dealing with these problems, rather than relying on three or four separate applications.

    Anti-spyware applications are not as mainstream as anti-virus packages, though with increasing consumer awareness could well be the next big thing for security software publishers.

    eTrust

  • MSN’s Cinema Push

    MSN subscribers will soon have easier access to films and cinema, thanks to three new deals. MSN has signed deals with CinemaNow, Blockbuster and MovieTickets to allow subscribers to download films over the internet, rent DVDs and buy cinema tickets online.

    “MSN is rolling out the red carpet to movie fans across the nation with easy access to renting, downloading or buying movie tickets online — making it the only Web destination for finding both old favorites and new releases through a simple click of the mouse,” said Yusuf Mehdi, corporate vice president of the MSN Information Services & Merchant Platform division at Microsoft.

    MSN’s deal with CinemaNow will provide broadband subscribers with more than 2,000 films and hours of TV content for download or streaming to their PCs. The MSN customised version of CinemaNow will offer content from 20th Century Fox, Disney, MGM and others.

    Subscribers will also be able to rent up to three DVDs at a time from Blockbuster 25,000 title library for US$20.

    For those of us who still prefer seeing their films in the old school way – actually visiting a cinema, MSN has renewed and expanded their deal with MovieTickets.com to offer online ticket booking at 750 cinemas from 32 theatre chains.

    Movies at MSN

  • Paul Oakenfold and EA Games sign exclusive deal

    EA Games have signed Paul Oakenfold, the hyper DJ/remixer/producer/music untouchable, to an exclusive deal to provide games for some of their forthcoming titles.

    Steve Schnur, Worldwide Executive of Music and Audio at Electronic Arts is very excited about it, “We see this as a landmark agreement that will set the standard for partnerships between artists and games developers”

    The initial fruits of this first-of-its-kind deal have already emerged. Oakenfold will act as music supervisor for GoldenEye: Rogue Agent, composing an original score for it; has written the EA SPORTS Football theme, due to debut in FIFA Football 2005; and will contribute towards Total Club Manager. Beyond these details, the terms of the deal are not yet known.

    Paul Oakenfold

    EA Games

  • Google Auction Starts Friday

    Google has closed bidder registration for its share auction, with the auction expected to take place later today. 25.7 million shares in the company are expected to be sold for between US$108 to US$135 (€88 to €110). This represents about 9% of Google’s capital, and if the price reaches the upper estimate will give the company a market value of some US$36 billion (€29.5 billion).

    Google’s rid to IPO has not been an easy one – illegally issued shares, conflict over IP like Orkut and a under-performing market have led analysts to recommend caution to those considering investing in the company.

    The unorthodox Dutch auction for shares was adopted to reflect real-world demand for the shares and allow the company to benefit more from the IPO.

    Google IPO

  • Tony Greenberg, Ramp^Rate – The IBC Digital Lifestyles Interview

    This is the fourth in a series of eight articles with some of the people involved with the Digital Lifestyles conference day at IBC2004.

    We interviewed Tony Greenberg, CEO of Ramp^Rate, an IT sourcing advisor designed to help companies select the most appropriate vendors for services such as email, hosting and security.

    Ramp^Rate uses its Service Provider Intelligence Index to rate vendors and marry them up with customers using an unbiased, purely data-driven methodology.

    Tony started Ramp^Rate as a response to the problem of huge sums of money wasted every year because of poor sourcing decisions.

    Amongst many highlights in his career, Tony ran sales and marketing at Raindance, was senior vice president at Digital Entertainment Network and was a senior executive at Exodus.


    Some of our readers may not be familiar with Ramp^Rate – and it’s a rather different company from those we usually cover – could you give us some background on what you do?

    Simply put, RampRate helps companies make great decisions, fast. Part of what we do is help some of the biggest entertainment and technology companies in the world understand where all these next-generation media platforms are going, and how it affects their businesses. We do a lot of research and consulting with a lot of companies you’ve heard about, companies who are looking at delivering digital media of various sorts over wireless, mobile, the web and so on.

    And the other part of what we do is help those companies and many others save a lot of money when it comes to running all the information technology that helps them function. Companies spend billions of dollars on IT services, and they’ll only spend more in this increasingly technological world. But we believe, and prove it every day, that companies spend way too much money on their IT services. So we help them save a lot of money.

    We do that by using what we call the SPY Index, which stands for Service Provider Intelligence Index. We help companies buy sophisticated and complex IT services – everything from outsourcing everything related to a computer in your business all the way down to simpler services such as digital rights management, e-commerce gateways, bandwidth, applications outsource management, anything that has to do with a monthly recurring service.

    The SPY Index is a bit of a magic black box, but it’s basically a huge database filled with information about hundreds of IT services deals and other information we’ve collected over the past several years. We take a client’s needs, punch those into the Spy Index, and find out which of about 200 vendors we are associated with would be a good match for the services they need, at a price that is almost always far below what they’re paying now.

    A vendor can be a big company such as IBM or EDS or a lesser-known smaller company such as a payment-processing house. RampRate learns everything about the vendor, puts all the key information into the SPY Index, then uses that to radically speed up the process of picking the right vendor for a given client. Saving time saves companies a lot of money, and our SPY Index gives them hard numbers that let them know what real market prices are for the services they want. They can get a great decision, much quicker than ever before, and know that it’s the best deal available on the market.

    We can do this because we have an unusual structure. We use an agency model, which means the vendor and the client share the cost of our services. That’s a different approach than many consultants take. In a more typical relationship, a company like Microsoft, Disney or Sony would give a consultant a retainer. The consultant in turn would source the products and services that they need, then would be paid a uniform transaction fee from each of those vendors that was chosen. The consultant then would repay the retainer to the client. So in essence it may cost the client essentially nothing, but they likely are paying far more for the services they actually get.

    Our first allegiance is always to the client, but we know our approach allows everyone to win within a shared “ecosystem” of clients, vendors and us, as their intermediary. The vendors save money because we bring really good clients to them who are ready to do deals. The clients save money because we’re able to bring them the best deal out there, from a vendor who meets their specific needs for service quality, reliability, financial stability and other factors.

    We manage hundreds of millions of dollars of transactions for companies large and small, and we have strong client work in the areas of publishing and media with clients like Primedia and Microsoft and a lot of online properties such as iFilm, ESPN Motion and the National Hockey League.

    Can you tell us how you actually got to Ramp^Rate?

    As a kid, I built a chain of retail stores in the fashion eyewear business and had several peripheral businesses in the manufacturing and distribution arena.

    In manufacturing eyewear we designed, we customised eyewear and we created a unique proposition different from many stores worldwide. We also had a direct order/direct mail company – and we even did infomercials.

    I sold those companies in 1995, moved to Colorado for a couple of years and regrouped. The Internet started to happen and I moved out to Silicon Valley, kind of paving a new frontier – and I was brought in to run many of marketing functions for Exodus Communications.

    At Exodus, we had a few dozen people, and we turned that into what became the largest Internet hosting company for major brands in the world. From the streaming perspective, we developed the first streaming core for all the big broadcasters from Broadcast.com to Real Networks to Akamai to Yahoo. We went public with a US$37 billion valuation, and were sold to Cable and Wireless and then on to Savvis.After that, I have invested in a few dozen companies and then moved to Raindance (RNDC), which is now public in the web-based conference-calling space, where I ran sales, marketing and business development.

    Then I went to run business development at Digital Entertainment Network, where we raised US$88 million from Microsoft, Michael Dell, Enron, Intel and NBC. The network paved a new frontier in digital-media distribution, not only creating short-form programming but aligning distribution deals with most of the major portals for video on demand.

    After working with a venture firm for a bit of time, we re-launched RampRate based on correcting billions of dollars of bad mistakes on IT-service decisions. We have had a concentrated emphasis in the digital-media space, especially from streaming, and now moving into IT sourcing. Most of our deals are between US$5 million and US$100 million – but we do everything down to very simple core functions like streaming media, collocation, digital-rights management and even some telecom.

    We have another unit of the company that is run by Michael Hoch. He was formally research director of Aberdeen, a leading research firm in digital media, and he now runs our operations and research. The research group uses the SPY Index to identify trends, especially in digital media.

    We have analysed more than 300 companies against all their competitors. We use the data resulting from transactions to help companies go to market quicker, better and cheaper with their products and services. We work with everyone from large software companies to large media companies on a research and go-to-market basis. It is a very substantive part of our business – about 25 percent of our overall revenues.

    Can you tell me a little about your IBC session and what you are going to be discussing there?

    There are some enormous chasms in digital-media distribution in terms of business models that “stop.” Business models stop when they lack what I call the “point of inflection,” where they can successful, based on economies of scale or possibilities in distribution.

    For instance, what are the limitations of Cable VOD in regional markets? How many concurrent users can be had? Well, that’s a bandwidth issue, it’s a numbers issue.

    When companies go to market with things of this nature they must make decisions from an economic standpoint: how much they are willing to invest in the distribution, their loss, and the internal rate of return on the project as they move forward into this new space.

    As long as they are clear what the investment is, and what their customer-acquisition cost is, that’s great. You just have to know where you are going.Data-driven decisions, which is what we provide our clients, are really where it’s at, where we focus our energies. What’s efficient and what’s not in the marketplace for IP distribution? What is the faceoff between Cable TV and broadcast affiliates and networks? What are the efficient scales? How does wireless relate to those and how does Microsoft relate to all points in between?

    I guess some of the areas that I find interesting are, who is your natural partner and who is your natural enemy in the digital-media food chain? Answering those questions will define the business models that will be successful. You can prognosticate what their cost will be in distribution all the way out three, four, even five years. It is pretty easy because you have a strong trend of costs and transactions gleaned from our database. We have everything from a data standpoint, so the trends are based on solid, real-world numbers that we know are correct.

    That is quite a bit of ground you are covering there!

    There are three distinct areas in the media business: creation, distribution and consumption. Almost any time any company has tried to delve into two as opposed to one they have been wholly and fully and holistically unsuccessful.

    If media companies feel that, in bypassing a distribution channel such as Blockbuster, they can increase their relationship with their customer and take more profits off the table, then they are wholly and fully wrong.

    I will help them try, but at the end of the day, the food chain has been established for content creation, content distribution and content consumption, and you can’t be in all those businesses.

    Tell me what you are doing with ESPN and with NHL?

    We have managed the sourcing for ESPN Motion. We have managed the procurement for the video-on-demand service for an online content e-commerce project for the NHL. We have testimonials on our website from those counterparts that would indicate the types of things that we did for those firms.

    Are services like Video on demand and content on demand reaching mass market? What do you personally define as mass market for these services?

    Anywhere an economic model exists to create profitability in a regional marketplace.

    Are we getting there?

    That would align with models that would throw dollars into the three channels discussed – content creation, distribution and consumption.

    If I were to make a blanket statement, it is very clear that sponsored and/or branded content will pave the way as opposed to a subscription model. I believe that things like USDTV or MovieBeam, which are using the broadcast signal, offer a unique perspective and a unique revenue model for broadcasters and broadcasting affiliates alike.

    In addition, the augmentation of satellite radio and distribution advertising will create another channel. A lot of these things will be bundled and pushed towards what I call Enron conversion. Who has the most to gain and who has the most to lose? You can either charge the consumer 10 bucks or you bundle it for telco to have a long-term sustainable contract with the vendor.

    When you are talking about a place where you have cable or DSL, telephone, VoIP, VOD and cell phone – the telco, whether it be wireless or hardwired, really are looking to make about US$200 per household per month minimum. That’s US$2400 dollars a year or US$4800 dollars for two years which is the average churn rate for a lot of those services.

    Well if there is US$48 to gain for a large telco and there is US$10 a month to be gained by a content provider, I guarantee that telco is going to be willing to pay for those services to bundle it in, to support conversion for long-term subscriber revenue into their base.

    Playing the long game?

    You have to. You can either play the short nickel or the long dime and ecommercing content these days is so very expensive because of on-line fraud and other issues. Unless you have a very meaty, highly valuable product or service, you could be eating up 15 percent to 45 percent of your actual revenue just in transaction costs.

    Protecting the content is expensive too.

    Well, that is important. We have to be more aggressive in the way we bundle, the way we package, as media companies. If I were speaking from their perspective regarding peer-to-peer services and increased distribution, which is the most valuable aspect, I’d say what they are getting for free is important, so they should really pay for the peer services.

    Do you think that free to air digital TV services are going to be big in the USA?

    It is hard to prognosticate where USDTV is going – all I know is that they are on loan to the spectrum, and the broadcast affiliates will have to adopt the model, with everybody and their brother starting to stick their feet in the water of trying to own something that lives in the living room.

    The TiVo or PVR as we know it goes away, the cable box may integrate directly into the media centre which may look like a remote control, it may look like a light switch, it may look like a knob on your car, it may look like a cell phone.

    All those things will be tried, but ultimately between hard-drive space and functionality, it doesn’t take a whole heck of a lot to put a new box next to your stereo or to integrate it into a unified system with your five-speaker digital surround sound system.

    I can plug a cheap S-video cable from my laptop into my TV and VCR, and by doing that I enable every form of digital media that I can get on my system directly through the television at a very high resolution.

    We are already there, it is a manufacturing thing and will be driven by the size of market.

    Producing content and delivering it to many platforms is obviously expensive. What sort of efficiencies can content producers adopt to spend less money on re-purposing content?

    Stop trying to deliver it themselves and rely on service providers enabling them to grow and create efficiencies in their business. Stop trying to create and distribute your content. Rely on people who do that for a living and use a sourcing advisor like RampRate.

    So no need to bark if you’ve got a dog?

    That’s right – everybody wants to do everything and they think they are controlling some secret sauce, but there’s no secret sauce. What they need to control is the quality of their content, because it is still a hit-based business. You get enough people to watch it, they will pay for it with their eyes through advertising or with their pocket book, through subscriptions and the like.

    What’s next? What are you looking at next for your business that you can tell us about?

    For us, we are very excited about the fluid marketplace that the SPY Index helps create, but really we are more excited about the fact that every business model has been tried and tested, and that data and operations have been put together to enable distribution and file-format and -protocol conversion.

    Basically, there are services and web services that enable the conversion of these file types into deliverable media to all devices. It’s getting really simple to stick a content router or a box that reformats things and distributes to everything from your TV to your PC to your wireless headset to just about anything. WiFi and WiMax enable it, and it becomes the new operating system for distribution. We are very excited that there is a fluid connection within that digital-media chain.

    We are going to pave new products and services, and whole new service providers, that will enable a fluid distribution through one single point. That’s exciting to us.

    What keeps you awake at night? What is frightening you?

    What’s frightening to me? I guess from this standpoint how powerful the telcos become three years from now.

    Do you think that there will be another break up of the telcos in the US again?

    I don’t know what the breakup would mean. I just think that they had been able to hold their product models extraordinarily steady until the big bandwidth started to appear. This music-download stuff is also scary as heck to me. It is very expensive to deliver; you have to have a product that will support the profit or the losses that it takes. It really feels that movies and video, long term, go the way of branding and sponsoring similar to television; the economic models are really tersely negotiated and are grave at best for a profitable enterprise over the coming two or three years.

    So you think that the downloaded music business model is going to decay in another three years?

    It’s the red herring of the business!

    It is about transport cost and storage cost. The reality is, if you look at Moore’s Law and you do a calculation, 85 percent of all the music that people want to listen to will sit on one disc by the end of next year. Storage is so much cheaper than transport. You’ll take that drive and put it in your car. Why is Netflix working? Because they didn’t try to send it over the Internet.

    Tony is a panellist in the ‘Future Business Models – Who Pays for What?‘ session between 16:00 and 17:30 at the IBC conference on Sunday, 12th September in Amsterdam. Register for IBC here

    Ramp^Rate

  • UK Government Advertising on Google

    The UK Government has bought Adwords on Google in order to encourage more traffic to its web portal. The site was launched in March this year, but rather like the Millennium Dome, visitor numbers have been disappointing. 589,000 visitors came to the site in July, up from 471,500 in June.

    The government is currently focussing on families, the disabled and motorists and has bought up key words in those categories. Ads only need to be paid for it they are clicked on.

    Naturally, since I like to pick holes in everything, I thought I’d visit Google and find out what focussed and informative my income tax had purchased. Searches for NHS, Blair, “UK government services” and even WMD did not prompt Google to fling up an advert for Directgov. Sure enough though, when I searched for “directgov”, I got an ad.

    The Directgov site offers a wide range of services, from applying for a pension credit to reporting a crime, if visitor numbers are low, then it’s because people don’t know the site is there and what it can do.

    Directgov

  • DVD Jon Cracks AirPort

    More bad news for Apple keeping its grip on iTunes and its related technologies – DVD Jon has cracked the encryption behind AirPort.

    Jon Lech Johansen came to fame five years ago when he co-authored DeCSS, an application for decrypting DVD video content. He wrote the software so he could watch his legally acquired DVDs on his Linux PC. I would like to point out that he was just 15 when he managed that. Now the Norwegian programmer has managed to discover the key that AirPort Express uses when sending data between iTunes and Apple’s wireless base station.

    Apple is currently in cat fight with Real Networks over Harmony, a technology that allows Real content to be played on the iPod. DVD Jon has just made it possible for third party software and hardware producers to stream music to AirPort express from other music programs. An example picked from random, I suppose, would be Real Player – music lovers will now be able to stream music from Real Player or Windows Media to their AirPort receivers.

    Johansen has released the source code to JustePort, a command-line tool that demonstrates how music can be streamed to AirPort.

    SoSueMe – Jon Lech Johansen’s blog

  • First Destructive Phone Virus in the Wild

    Cracked copies of Mosquito, a game for Series 60 phones, have a little extra – a dialler that sends SMS texts to premium rate numbers. Pirated software has always been a popular vector for virus and Trojan infections, but this is the first time it’s been observed in mobile phones. Risk of infection is yet another reason why consumers should stay away from copied games and applications – you don’t know where they’ve been.

    In this case, the dialler was actually included and written by the company, Ojom, who produced the game as a form of revenge for pirating it. The dialler was removed as it didn’t work as required – and you guessed it, old copies with the dialler appeared on the internet.

    The dialler is not strictly a virus – it doesn’t reproduce and finds its way onto your system by hiding in something else, so it’s properly identified as a Trojan horse. In this case, the infection can be removed by un-installing the game.

    Ojom Games