Storage

External static or removable media storage units

Xdrive Launches Wireless Access To Online Storage
Xdrive has announced an expansion to their service that gives roaming consumers wireless access to their files through any Internet-connected cell phone, smart phone or handheld device.
With a turn of phrase worthy of the cheesiest made-for-TV pilot, Xdrive implores users to “cut the cord and roam freely with your files” and skip gaily into a new digital dawn “liberated from the confines of a wired world” – possibly while “sipping Mai Tai’s on the sands of Bora Bora”.
Eh, what?!
Back in the real world, we can tell you that Xdrive’s new wireless service allows mobile subscribers to access their files and folders, send faxes, email documents, listen to music and view slide shows while on the move.
Users must first upload their files to their Xdrive account, and using WAP (wireless application protocol) technology they can access their files on the company’s secure server.
The service allows people access to a wide range of stored files – Word documents, Excel spreadsheets, digital photos and videos, QuickBooks files, and MP3s etc – through any Web-enabled hand-held device.
“As the Digital Lifestyle continues to become more and more engrained into our everyday life, people are beginning to break away from the concept of one stationary computer,” states Xdrive CEO Brett O’Brien, “People strive for mobility, yet yearn for connectedness. Xdrive’s new wireless features give people just that.”
Xdrive costs US$9.95 (£5.20, €7.6) or US$99.50 (£50.20, €70.6) annually, with subscribers having 5 Gigabytes of online storage space and access to all of the Xdrive applications and services.
The company offers new subscribers a 15-day free trial period at http://www.xdrive.com
Xdrive
23 March, 2005
Interview With JD Lasica, Co-Founder, Ourmedia.org
During our preparation of our news piece on the launch of OurMedia today, we had a quick chat with JD Lasica, that we thought you might like to see. It gives a glimpse of the future for Ourmedia.
DL: Is the site entirely bankrolled by Brewster Kahle (The Internet Archive) or are there plans to raise revenue through advertising/affiliate programs etc?
JD Lasica: The Internet Archive is providing free storage and bandwidth, and that won’t change. We’re also getting subsidized hosting from Bryght (a Drupal site), and Marc Canter’s Broadband Mechanics has kicked in some dough to pay for some programmers in New Delhi to get us across the finish line. Other than that, it’s been an entirely open source effort.
We plan to meet soon with some foundations. An infusion of grant monies would go a long way toward taking us to the next level. We have a very long road map of features and improvements we’re planning.
Marc and I are still discussing revenue models. We won’t clutter up the site with banner ads. But we are open to the prospect of corporate sponsors in addition to foundation underwriters. It certainly seems that the kinds of digital creativity we’re helping to enable would attract a wide swath of companies involved with helping consumers create personal media.
DL: Sadly, I imagine that scammers, spammers, porn merchants and ne’er do wells will be attracted to this venture like a moth to a flame. What measures have you in place to keep these undesirables at bay – or will the site remain a free-for-all with no censorship (past legal necessities)?
JD Lasica: It won’t be a free for all. We have a good-sized team of moderators around the world (including Britain) who will be watching everything that’s published on the site. The two big rules are: no porn and no copyrighted material (unless it falls within the scope of what we Yanks call fair use).
We won’t be the censorship police, so we expect a wide range of media that won’t be to everyone’s tastes. For those who violate our site rules, we’ll be relying on our team of volunteer moderators to shut them down, much as Wikipedia does.
DL: What measures have you taken in case of copyright disputes?
JD Lasica: Our site rules spell out the steps a copyright owner should take if he or she believes their copyright has been infringed. We respect U.S. copyright laws, so you won’t see Metallica mp3s winding up here — unless Lars himself uploads them.
DL: Is there a long term plan as such, or are you going to ‘go with flow’ and see where the venture takes you?
JD Lasica: We have a long road map of immediate features, functionalities and fixes that need addressing, and a longer-term plan for versions 2 and 3, which will incorporate more social networking functions, ratings, improved search, and so on.
DL: You mention that you will be getting involved with P2P – are there any other technologies up your sleeve?
JD Lasica: We’ll be looking at BitTorrent right away. I’m attaching a press release about some of the other things we’re doing.
One interesting item that will be rolling out soon: We’ll be working with Jon Udell and Doug Kaye to devise a standard for what we’re calling a media clipping service. Users will be able to cite a particular portion of a video or audio clip (a 2-minute dialogue that falls in the middle) rather than just point to the entire clip.
Here’s our version 2 roadmap as of this moment: http://www.socialtext.net/ourmedia/
DL: Thanks for sparing us time when you must be busy.
JD Lasica is co-founder of Ourmedia.org, author of “Darknet: Hollywood’s War Against the Digital Generation” (May 2005) and Senior editor of the Online Journalism Review.
He also writes the following blogs:
http://newmediamusings.com
http://darknet.com
http://socialmedia.biz/
22 March, 2005
Ezmax EZMP4200P, VoIP-capable MP3 Player
MP3 playing device includes software for sending and receiving Internet-based phone calls.
Cackling wildly at iSuppli’s recent analysis that consumers don’t like MP3 players stuffed with extra gadgets, Ezmax of South Korea has announced a gizmo-tastic MP3 player that allows users to make and receive telephone calls using VoIP (voice over Internet Protocol).
The South Korean company says that their EZMP4200P player will contain software allowing users to make VoIP calls when the device is linked to a web-connected PC via a USB 2.0 port, using a microphone incorporated in the device’s earphone cord.
Ezmax’s director, Lee Sung Soo, explained that a player plugged into a desktop or notebook PC will appear onscreen as a removable disk icon. Double clicking on that puppy will launch the dialling software, enabling the user to make calls on the MP3 player-cum phone.
Users need to sign up with a VoIP provider before they can start getting chatty on their device. The company is currently talking to providers in South Korea, Germany, and other European countries to ensure compatibility with their networks.
Ezmax demonstrated the device at their stand at CeBIT, plugging the player into a notebook PC and successfully making a call via the VoIP dialling software.
We imagine the gasps from onlookers were either a sign of amazement or an expression of extreme bafflement as they – like us – pondered over the usefulness of an MP3 player that has to be plugged into a laptop to make a call.
Software for the EZMP4200P (doesn’t that just roll off the tongue?) is presently compatible with Windows 2000/XP, with Ezmax claiming that Mac OS X compatible software will be ready sometime in the ‘near future’ so don’t go throwing your iPods away quite yet Mac-fans!
The flash memory-based device is 2.8 inches long, 0.9 inches in diameter, and weighs 0.8 ounces without the AAA-size battery.
As well as MP3 music files, it can playback formats such as WMA (Windows Media Audio), ASF (Advanced Systems Format), and Ogg and comes with a built in FM radio.
In addition, the device is capable of voice recording and sports a two-colour (blue and yellow) 128 pixel by 64 pixel OLED screen.
The EZMP4200P should be launched in May and be available in three models, each with a different storage capacity: 256MB, 512MB, and 1GB.
The added VoIP software adds about US$8 (£4.25, €6) to the price of the company’s non-VoIP capable devices. Prices for the EZMP4200P will be about US$150 (£78, €112) for the 256MB model and about US$220 (£115, €165) for the 1GB model, the company says.
17 March, 2005
Diffusion Group Report: Media Servers, Digital Media Adapters Reborn In Converged Platforms
Evidence is beginning to amass that two of the most hyped products in the early digital home market will be lucky if they manage to reach niche market status in the next few years.
Not so long ago, people were getting very excited by media servers and digital media adapters. They were the future. And then, err, people kinda forgot about them.
So what happened?
According to new research from The Diffusion Group, it seems that despite the products being well-hyped, widely discussed and blessed with encouraging early forecasts from a number of research firms, the devices have suffered from extremely limited demand.
Moreover, the report concludes that demand for both these technologies will remain limited and that what unique functionality these solutions do offer will be quickly integrated into other platforms.
“It is not that this type of functionality is undesirable,” said Michael Greeson, President of The Diffusion Group. “The premise of networking stored digital media content to multiple devices in the home is valid, but consumers aren’t looking for separate devices to enable this experience.
Instead, the applications and benefits enabled by these two platforms will be increasingly integrated into devices with which consumers are more familiar – such as DVD players that are now evolving into DVD-recorders or set-top boxes with built-in hard-drives and integrated networking.”
“While media servers were originally positioned to be the hub of the digital home, demand for these solutions has never gotten off the ground.”
Although Windows Media Center PCs have proved more popular, Greeson asserts that this is simply down to normal PC replacement cycles rather than consumers finding anything particularly compelling about the concept.
Other media server platforms have been much less successful, although the push of high-end digital set-top boxes by cable and satellite video service providers offers a case for optimism.
“However,” says Greeson, “this is a push model, where the equipment is subsidised by the service provider in order to generate digital media service revenue, as opposed to a ‘pull’ model where consumers are so enamoured with the device that they run to the retail store to purchase one.”
When it comes to digital media adapters or DMAs, the Diffusion Group paints a gloomy picture.
Introduced a couple of years ago, the idea was to make it easy to share content from the PC to other media devices in the home, such as a TV or stereo using a DMA. But their techie-tastic appeal failed to win over punters.
“Not long ago, there were ten to fifteen companies offering DMAs,” said Gary Sasaki, a contributing analyst with The Diffusion Group and President of DIGDIA, a media consultancy.
“At this year’s CES, DMAs were hard to find. Part of the reason for the premature demise of DMAs is that their functionality appeals mostly to early-adopter or technology-savvy buyers. Additionally, and somewhat similar to media servers, the functionality of DMAs is slowly getting integrated into other more familiar product categories.”
The report suggests that we’ve got an industry in fast transition, with early, stand-alone technologies being picked clean for their useful ideas and then incorporated into more consumer-friendly converged products.
Diffusion Group
3 March, 2005
Hitachi To Boost Output Of Small Hard-Disk Drives
Hitachi has announced that it will ramp up its output of consumer hard drives this year as it strives to take advantage of the soaring storage demands of MP3, PVR and mobile phone markets.
The move, in response to faltering enterprise demand, will see Hitachi target three key consumer segments – MP3/personal media players, digital video recorders and mobile phones.
As part of its strategy for the consumer market in 2005, Hitachi will open five Hitachi Design Studios worldwide, each one specialising in helping partners to integrate hard drives into consumer electronic devices.
The new centres – called the Hitachi Design Studios – will be scattered all over the globe (Fujisawa, Japan; Havant, UK; Rochester, Minnesota; Shenzhen, China and Taipei, Taiwan) and will open for business in April.
Hitachi intends to thrash their workers to an inch of their lives and get them to treble their output of 1.8-inch drives (used in Dell DJ music players), and double the production of 1-inch drives, as used in Apple’s iPod mini.
A smaller version of the current 1-inch drive, code-named Mikey, comes out later this year, with capacious 2.5-inch drives – holding up to 500GB – being targeted at makers of DVRs and home servers.
Hitachi, the world’s second-largest maker of hard disk drives after Seagate, shipped 1.3 million 1.8-inch drives and 3.9 million 1-inch drives in 2004, although posted an operating loss of 4.4 billion yen (US$42.08m/€32.06m/£22.02m) in calendar 2004, after being battered by sharp price declines.
“Hitachi`s strength in hard drives provides a strong basis from which to accelerate our CE [consumer electronics] business in 2005,” said Bill Healy, senior vice president, product strategy and marketing, Hitachi Global Storage Technologies.
“Hitachi’s intensified focus in the CE segment hard drive will mean good news for end-users as we work on developing smaller, high-capacity hard drives that are more rugged, require less power and cost less.”
Hitachi’s promise of churning out smaller, cheaper, more capacious hard drives may impact on a whole host of consumer electronic devices, with its high capacity drives offering bags more storage space for video/DVD convergence units.
Hitachi
2 March, 2005
Sandisk Announce Clever USB Enabled SD Memory Card
SanDisk today introduced the less-than-snappily entitled SanDisk Ultra(TM) II SD(TM) PLUS, an innovative SD flash memory card with built-in USB connectivity.
The card has a built-in USB connector for instant connectivity – users can flip the card to expose the USB connector and then plug it into any USB port and watch the blinking LED do its thang as the data is transferred.
The neat folding design eliminates the need for an easily-lost cap too.
This dual functionality could prove to be an alluring selling point, as consumers wanting to download images to their computer currently have to invest in external card readers or mess about with a connecting cable.
Travellers will find the twin functionality particularly handy, with the USB connection making it easy to download their holiday snaps onto cyber-café computers and mail them off to jealous chums back home.
The Ultra II SD PLUS is targeted primarily at the professional digital camera and prosumer market where 4 mega-pixel or higher resolution digital cameras are requiring significantly faster flash memory film cards.
It’s quite a nippy card too, offering a respectable write speed of 9-megabytes per second (MB/Sec) and a 10MB/sec read speed.
SanDisk expects the card to initially be available in two capacities with the 512MB card having a suggested retail price of $109.99 (£58, €84) and the 1GB version carrying a suggested price of $149.99 (£79, €115)
Shipping to stores is expected in April. We might even be tempted.
SanDisk
21 February, 2005
8GB USB Drive Shown at CES
Pretec Electronics have announced an 8GB USB drive, that they’re calling the i-Disk II, at CES today. Currently it’s the highest capacity key chain drive and the second to market.
Along with the 4GB that they’re simultaneously releasing, it provides high speed access by using what they call “dual channel technology” providing read / write speeds of 16MB / 12MB per second.
Both USB drives come bundled with the FlashMail, MobileLock, and SecretZip software. Flashmail provides email access from any machine simply by inserting the USB drive into a Windows machine.
The 4GB is now available and Pretec say the i-Disk II 8GB USB flash drive will be delivered by Q1 2005. It’s not cheap, being priced at $999 (~€755, ~£531), but it’s a huge amount of solid state storage.
BUSlink released the first 8GB drive, which is physically slightly bulkier, but has a slower read/write rate, 10MB/9.2MB. The bigger downside is it costs, $1,799.99 (~€1,360, ~£956).
Pretec’s other claim to fame, is as the company that brought iDisk Tiny, the smallest USB flash drive, to the world in 2003. They have now updated this with an even smaller version called the CU-Flash.
We’re big fans of USB flash drives and see them extending beyond the current “Here’s my power point presentation” corporate usage to becoming totally mass market as the public come to realise that they can be used to hold their identity data and provide access to their personal information and email. At these capacities they also become practical for holding private collections of audio and video media.
Pretec
BUSlink
7 January, 2005
500GB Hard Drive from Hitachi
In an effort to keep up with the demands of the ever growing appetite for digital storage, Hitachi has announced a 500-Gigabyte drive.
With the rise of Digital Obesity (the hoarding of digital data) and the continued growth of Digital Video Recorders (DVR’s), in particular the early days of availability of the High Definition TV (HDTV) DVRs, the demands for storage are growing drastically.
The 3.5-inch drive will be joining the DeskStar range of drives as the Deskstar 7K500.
When used in a DVR it will be able to hold around 200 hours of Standard Definition TV, a serious step up from the 40 to 80 hours now available.
For those of a hardcore technical nature, you’ll be excited to hear that Hitachi will be the first hard drive vendor to deliver all of the major design enhancements identified in the SATA II (second version of Serial ATA) specification, including a 3 Gb/s data transfer rate. Translated – the serial interface isn’t going to be what slows the path of data from the drive to the processor, that’s more likely to be restricted by the drive (817 Mb/s in this case). SATA II doubles the transfer rate of SATA 1.0.
The drives also feature what Hitachi is calling Smooth Stream Technology, which is based on the recently ratified ATA-7 AV Streaming Feature Set. Why is this important? It’s been designed to simultaneously lay down a number of large data streams (each HDTV 1080i stream runs at 19 Mbits/s) as well as smoothly handle data errors.
When handling AV (Audio Visual) information the accuracy of the information is of less importance than its fast transfer. If the video doesn’t arrive in time, the glitches that are seen on the screen are far more noticeable that one or two bits missing
Hitachi hopes to ship the 7K500 in Q1 2005. Hitachi
Serial ATA
ATA-7 Working Draft (doc)
ATA/ATAPI AV Streaming Command Set Usage Guidelines (doc)
5 January, 2005
First 100Gb Portable Music Player
Just when you were find it tough to find enough music to fill your 40Gb iPod, Digital Mind comes along with the DMC Xclef 500 portable MP3 music players. Christened “big brother” it has the largest available storage space of any portable music player on the market. With a price tag of $449.00 (~€355), this bouncing 100Gb baby is capable of holding more than 25,000 music files, so now all you need is the time to listen to them – close to two months of 24 hours a day listen.
The Mac- and PC-compatible digital music player sports a traditional build because it uses a standard 2.5-inch laptop hard disk drive mechanism, and has already eclipsed its older sibling 80Gb released earlier this year with an incredible 80 gigabytes. With this kind of capacity, it’s more likely that it will be used to either carry data files or backup the entire hard drive of your computer.
Xclef 500 connects using a USB 2.0 interface and also accepts input from a built-in mic, line-in audio connector and S/PDIF optical mini plug. The 20 hour plus battery life uses a rechargeable lithium-ion battery, and supports built-in MP3 encoding, voice recording, and FM radio.
Xclef 500 supports MP3, WMA, Ogg Vorbis, WAV and ASF audio file formats. AAC format, including those Digital Rights Management protected files purchased through iTunes, is not supported.
Since it is recognized as a USB mass storage device, files can be moved easily between PCs and Macs. Its intuitive user interface allows the user to start navigating through files and playlists almost immediately.
Of course the cynical might say that the huge capacity of this device, which is larger than most laptop drives and many desktop machines, is unnecessary, but as we know, available space is always filled, even if what fills it becomes worthless.
DigiMind
22 October, 2004
Sony’s Vaio Type X Media Centre
Sony have launched their latest convergent device onto the Japanese market – a digital media centre for the home with huge storage and potential. The Vaio Type X is essentially a PC with four 250Gb hard drives and seven television tuners in it, though “only” 500Gb is available for PVR functions. This means that lucky Japanese owners can record everything that’s broadcast on the country’s seven network stations all week, and then just delete the shows they’re not interested in. This brings timeshifting television into an entirely different phase with consumers selecting what they don’t want to watch, rather than what they do want.
Recorded programmes are presented in a thumbnail view, so that users can visually select what they want to watch – Sony call this the Time Machine View, and content can be sorted in a number for ways, chronologically or by genre for example.
The Vaio Type X has two tuner cards with three analogue tuners each – plus an integrated tuner on the main board itself. A digital tuner is an optional extra.
The other 500Gb is for the PC part of the Vaio X, based around a 3.6Ghz P4 with 1 gig of RAM and an ATI Radeon X600XT video card.
Sadly, Sony have no plans to market the Vaio X outside Japan, so we will have to wait to see what they have planned for the international market.
The Vaio Type X
6 October, 2004